Nick, Matts and James (et al)
On 30/11/2010 01:12, Nick Payne wrote:
On 30/11/10 10:53, James Bailey wrote:
Hello, I asked this exact same question almost exactly two years ago!
Here is the response I got from Mats. It worked for me, even if it was
a bit fiddly:
Two years
- Original Message -
From: George_ georgexu...@gmail.com
To: lilypond-user@gnu.org
Sent: Monday, December 13, 2010 10:26 PM
Subject: \change Staff and barchecks in LilyPondTool
I seem to be having a problem with \change Staff screwing up my barchecks.
For example:
e16 d c d e8 f
- Original Message -
From: craigbakalian craigbakal...@verizon.net
To: lilypond-user@gnu.org
Sent: Monday, December 13, 2010 10:14 PM
Subject: More about min-systems-per-page
Hi,
this is in my \paper section
\paper
{
ragged-bottom = ##f
ragged-last = ##t
ragged-last-bottom =
Hello
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of Mats
Bengtsson
Sent: Tue 12/14/2010 9:01
To: lilypond-user@gnu.org
Subject: Re:How to print 2 rehearsal marks above and below same bar line
Nick, Matts and James (et al)
On
On 12/10/2010 05:43 PM, Jan Warchoł wrote:
Seriously though, have you considered changing the default font for chords?
For /some/ things, it's nice to have serif-ed chord names; an easy way
is to put
\override ChordName #'font-size = #0
\override ChordName #'font-family = #'roman
in
And hello from me.
- Original Message -
From: James Lowe james.l...@datacore.com
To: Mats Bengtsson mats.bengts...@ee.kth.se; lilypond-user@gnu.org
Sent: Tuesday, December 14, 2010 10:34 AM
Subject: RE: How to print 2 rehearsal marks above and below same bar line
Hello
On Tue, Dec 14, 2010 at 11:58 AM, M Watts zwy648...@gmail.com wrote:
Or you could try
\override ChordName #'font-name = #'Exact Font Name
to use any font on your system.
BTW: A French guy has made a special font for jazz-like chord names:
http://sites.google.com/site/jpgzic
Thought I'd share
wow the font is really nice for song books. I also discovered the
Gonville fonts and it would be great if those fonts be included into
lilypond out of the box and the selection of font made simpler.
On 12/14/2010 7:15 AM, Valentin Villenave wrote:
On Tue, Dec 14, 2010 at 11:58 AM, M
Hi all,
I noticed that glissandi are quite often hardly visible in a Staff-
context. There is also a huge difference in the look of glissandi in
Staff- and TabStaff-contexts. I'd like to write a function to adjust
these differences for Staffs and TabStaffs separately but I don't
even
Hi,
please send all messages also to the mailing list (use reply to all)
- that way everyone, not only me, can participate in solving your
problem.
2010/12/13 Sepand Shahab sepandsha...@alum.calarts.edu:
Hi,
Thanks very much for the responses, and sorry for my incomplete posting.
the .png
On Tue, 2010-12-14 at 09:47 +, Phil Holmes wrote:
Finding the ideal number of pages...
Fitting music on 17 or 18 pages...terminate called after throwing an
instance of 'std::bad_alloc'
what(): St9bad_alloc
...exited with exit status 1
this doesn't happen when I remove the
Phil Holmes-2 wrote:
- Original Message -
From: George_ georgexu...@gmail.com
To: lilypond-user@gnu.org
Sent: Monday, December 13, 2010 10:26 PM
Subject: \change Staff and barchecks in LilyPondTool
Could you post a tiny, complete example that shows this, please?
--
Phil
- Original Message -
From: craigbakalian craigbakal...@verizon.net
To: Phil Holmes m...@philholmes.net
Cc: lilypond-user@gnu.org
Sent: Tuesday, December 14, 2010 5:36 PM
Subject: Re: More about min-systems-per-page
On Tue, 2010-12-14 at 09:47 +, Phil Holmes wrote:
Finding the
Am 14.12.2010 14:23, schrieb Marc Mouries:
wow the font is really nice for song books. I also discovered the
Gonville fonts and it would be great if those fonts be included into
lilypond out of the box and the selection of font made simpler.
+1
Marc
On Tue, Dec 14, 2010 at 07:32:09PM +0100, Marc Hohl wrote:
Am 14.12.2010 14:23, schrieb Marc Mouries:
wow the font is really nice for song books. I also discovered the
Gonville fonts and it would be great if those fonts be included
into lilypond out of the box and the selection of font made
Are you asking me for the notes, rhythms, dynamics, and articulations?
Do you want one invention?
Craig Bakalian
Please see http://lilypond.org/website/bug-reports.html
So that a bug report can be meaningful, and developers are able to find out
what's going on an verify a fix, we
Am 14.12.2010 19:38, schrieb Graham Percival:
On Tue, Dec 14, 2010 at 07:32:09PM +0100, Marc Hohl wrote:
Am 14.12.2010 14:23, schrieb Marc Mouries:
wow the font is really nice for song books. I also discovered the
Gonville fonts and it would be great if those fonts be included
into lilypond
On Tue, Dec 14, 2010 at 08:02:11PM +0100, Marc Hohl wrote:
Ok, you're right - but IMHO 1204 is about documenting the new font features,
whereas Marc Mouries proposed to include the Jazz font and Gonville into the
standard lilypond distribution, which is another issue.
Does it make sense to
Am 14.12.2010 14:25, schrieb Patrick Schmidt:
Hi all,
Hi Patrick,
I noticed that glissandi are quite often hardly visible in a
Staff-context. There is also a huge difference in the look of
glissandi in Staff- and TabStaff-contexts. I'd like to write a
function to adjust these differences
Am 14.12.2010 20:09, schrieb Graham Percival:
On Tue, Dec 14, 2010 at 08:02:11PM +0100, Marc Hohl wrote:
Ok, you're right - but IMHO 1204 is about documenting the new font features,
whereas Marc Mouries proposed to include the Jazz font and Gonville into the
standard lilypond distribution,
On Tue, Dec 14, 2010 at 7:27 PM, Marc Hohl m...@hohlart.de wrote:
and does it make the download size much much bigger.
How much is much much? Gonville is 3.5 MB, the Jazz font is 10 KB.
Downloading lilypond is 20 MB, so personally, I don't think this would
break the much much bigger clause.
2010/12/14 Marc Hohl m...@hohlart.de:
Am 14.12.2010 19:38, schrieb Graham Percival:
Jean-Pierre G writes that the font is free to use, but he doesn't leave a
contact
mail address on the page (or I have overlooked it - my french is very rusty)
so it is difficult to ask him...
You did, in
Am 14.12.2010 20:34, schrieb jakob lund:
2010/12/14 Marc Hohlm...@hohlart.de:
Am 14.12.2010 19:38, schrieb Graham Percival:
Jean-Pierre G writes that the font is free to use, but he doesn't leave a
contact
mail address on the page (or I have overlooked it - my french is very rusty)
so it is
Is there a clean way to enter a phrase followed by the corresponding notes
in a \relative block? The example given in the docs,
{
\time 3/4
\relative c' { c2 e4 g2. }
\addlyrics { play the game }
}
is fine for a small example, but it gets messy for longer music. I
do a lot of
On 12/14/10 10:38 AM, George_ georgexu...@gmail.com wrote:
Phil Holmes-2 wrote:
- Original Message -
From: George_ georgexu...@gmail.com
To: lilypond-user@gnu.org
Sent: Monday, December 13, 2010 10:26 PM
Subject: \change Staff and barchecks in LilyPondTool
Could you
- Original Message -
From: craigbakalian craigbakal...@verizon.net
To: Phil Holmes m...@philholmes.net
Cc: lilypond-user@gnu.org
Sent: Tuesday, December 14, 2010 6:54 PM
Subject: Re: More about min-systems-per-page
Are you asking me for the notes, rhythms, dynamics, and
On Tue, Dec 14, 2010 at 8:39 PM, Marc Hohl m...@hohlart.de wrote:
Oh - thanks for the hint! I'll contact him...
I'm available to do the go-between if needed.
Cheers,
Valentin.
___
lilypond-user mailing list
lilypond-user@gnu.org
Michael == Michael Ellis michael.f.el...@gmail.com writes:
Michael Any suggestions for how to write the \withLyrics function?
Michael Or is there an existing clean solution I haven't found yet?
I always used to wish for that, and then I figured out how to use
point-and-click and I don't
In upgrading from v2.13.15 to 2.13.40 I noticed the Emacs
syntax highlighting for sharped/flatted notes broke. Notes such as:
fis
bes
\include english.ly
fs
bf
all have only the first letter highlighted in the note face.
The problem seems to be that lilypond-words.el no longer has the
Hi,
On Tue, Dec 14, 2010 at 4:11 PM, Steve Yegge steve.ye...@gmail.com wrote:
In upgrading from v2.13.15 to 2.13.40 I noticed the Emacs
syntax highlighting for sharped/flatted notes broke. Notes such as:
fis
bes
\include english.ly
fs
bf
all have only the first letter highlighted in
On 14/12/10 15:24, Nick Payne wrote:
This piece in several voices (Bach's WTC book 1 prelude 4
transcribed for guitar) has a tie between the F-sharps at the end
of bar 36 and at the beginning of bar 37, but because this tie is
across a line break,
Hi,
2010/12/14 Michael Ellis michael.f.el...@gmail.com:
Is there a clean way to enter a phrase followed by the corresponding notes
in a \relative block? The example given in the docs,
{
\time 3/4
\relative c' { c2 e4 g2. }
\addlyrics { play the game }
}
is fine for a small
- Original Message - From: craigbakalian
craigbakal...@verizon.net
To: Phil Holmes m...@philholmes.net
Cc: lilypond-user@gnu.org
Sent: Tuesday, December 14, 2010 6:54 PM
Subject: Re: More about min-systems-per-page
It is my music. There is no need of copyright? But, there is
2010/12/14 Valentin Villenave valen...@villenave.net:
BTW: A French guy has made a special font for jazz-like chord names:
http://sites.google.com/site/jpgzic
Thought I'd share it with you guys :)
Thanks, it's really jazzy and looks like an interesting alternative
for default sans :)
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