On Mar 3, 2011, at 6:11 PM, Robin Bannister wrote:
> Tim McNamara wrote:
>> There is a number in the middle of the bar which indicates how many bars to
>> repeat, with a heavy horizontal bar on either side of the number.
>Would this do the sort of thing you're looking for? You ask for a
>
On Mar 3, 2011, at 6:30 PM, Colin Hall wrote:
> For the record I've attached a complete source file to demonstrate how I do
> chop marks.
I like how those render and will have other uses for them. Thanks!
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Scribit Tim Sheasby dies 03/03/2011 hora 20:14:
> Wanting to get more involved in LilyPond. Would like to learn Scheme.
> What is the best tutorial to get going? Thanks
If you really like mathematics, I strongly recommend SICP[1]. It will
explain Scheme in a very pedagogical way, at a very reasona
Tim McNamara wrote:
There is a number in the middle of the bar
which indicates how many bars to repeat,
with a heavy horizontal bar on either side of the number.
Would this do the sort of thing you're looking for?
You ask for a multi-measure rest (big R)
and let \inlineMMRN move its cou
2011/3/3 Graham Percival :
> Hi all,
>
> My PhD research has swept me into the direction of automatic music
> performance. In particular, generating realistic-sounding audio
> from sheet music. In particular, going from a .ly file with a
> single staff of violin music to a wav file that sounds li
2011/3/3 James Lowe :
> Hello,
>
> I have tried, I mean REALLY tried, I've spent the last hour putting in
> random numbers and trying to fathom the 'logic' of the
> staff-staff-affinity-markup-staff-staff-staff-yourhavinalarf-staff
> spacing.
>
> It really is just too confusing, the descriptions ne
Hello,
I have tried, I mean REALLY tried, I've spent the last hour putting in
random numbers and trying to fathom the 'logic' of the
staff-staff-affinity-markup-staff-staff-staff-yourhavinalarf-staff
spacing.
It really is just too confusing, the descriptions need at the very least
some @lilypond
On Thu, Mar 3, 2011 at 2:53 PM, Graham Percival
wrote:
> Hi all,
>
> My PhD research has swept me into the direction of automatic music
> performance. �In particular, generating realistic-sounding audio
> from sheet music.
Thanks for sharing this, Graham. Vivi seems like nice work and the
rhythm
Hello!
I am surely not an expert in GNU LilyPond, but I summarised my
knowledge about it in an article; this was published in Eutypon[1], a
free magazine about digital typography. If I am not wrong, this is the
first greek introduction to LilyPond; I hope greek speaking users will
find it useful.
Hi all,
My PhD research has swept me into the direction of automatic music
performance. In particular, generating realistic-sounding audio
from sheet music. In particular, going from a .ly file with a
single staff of violin music to a wav file that sounds like it was
performed by a violinist wit
Hi Tim,
I've been walking down this path during the past few months. So far,
the tutorial that helped me most is the online book at
http://icem-www.folkwang-hochschule.de/~finnendahl/cm_kurse/doc/schintro/schintro_4.html#SEC3
It's rather old, but the informal yet very concrete approach was just
On Thu, Mar 03, 2011 at 08:14:54PM +0200, Tim Sheasby wrote:
> Wanting to get more involved in LilyPond. Would like to learn Scheme. What is
> the best tutorial to get going? Thanks
Have you tried looking in our Contributor's Guide?
http://lilypond.org/doc/v2.13/Documentation/contributor/lilypond
2011/3/3 Bernhard Ott :
> \addQuote "instrA" { \keepWithTag #'partA { \instrA }}
This use of keepWithTag inside addQuote is new to me and seems to be
undocumented, or better said, not exemplified as such in the manuals.
It is the shortest approach yet if you don't need to use killCues for
a she
Wanting to get more involved in LilyPond. Would like to learn Scheme. What is
the best tutorial to get going? Thanks
Tim Sheasby
t...@sheafpublishing.co.za
<>
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On 03/03/2011 05:37 PM, Francisco Vila wrote:
2011/3/3 Francisco Vila:
Thank you Reinhold, that works, however, still some kind of problem
remains. In this example, partB should include m.2 of partA in measure
two. Maybe I mistyped something... sorry if this looks complicated,
actually it _is_
I'm trying to get ossias working as a way of cueing chorus singers from a
short excerpt of a soloist's song. I'm finding some problems. This stands
to be a long post, because of the number of problems I've experienced, but
would appreciate some help if possible.
My basic trial input is at th
2011/3/3 Keith OHara :
> Francisco Vila gmail.com> writes:
>> In this example, partB should include m.2 of partA in measure
>> two.
> [...]
>> instrA = {
>> \tag #'partA \cueDuring #"instrB" #UP { s1^"(from B)" }
>> \tag #'sheetA { R1 }
>> c'1^"Voice A m. 2"
>> }
>> \addQuote "instrA" { \inst
Francisco Vila gmail.com> writes:
> In this example, partB should include m.2 of partA in measure
> two.
[...]
> instrA = {
> \tag #'partA \cueDuring #"instrB" #UP { s1^"(from B)" }
> \tag #'sheetA { R1 }
> c'1^"Voice A m. 2"
> }
> \addQuote "instrA" { \instrA }
Lilypond sees *three* measu
2011/3/3 Francisco Vila :
> Thank you Reinhold, that works, however, still some kind of problem
> remains. In this example, partB should include m.2 of partA in measure
> two. Maybe I mistyped something... sorry if this looks complicated,
> actually it _is_ a minimal example of what I want, a simp
2011/3/3 Bernhard Ott :
> On 03.03.2011 16:25, Francisco Vila wrote:
>>
>> 2011/3/3 Bernhard Ott:
>>>
>>> On 03.03.2011 12:28, Francisco Vila wrote:
Hello. I don't know if this is supported, at least it doesn't work for
me. I want to cue a voice during silences in other, and resp. c
On 03.03.2011 16:25, Francisco Vila wrote:
2011/3/3 Bernhard Ott:
On 03.03.2011 12:28, Francisco Vila wrote:
Hello. I don't know if this is supported, at least it doesn't work for
me. I want to cue a voice during silences in other, and resp. cue the
other during silences in this.
have a look
Am Donnerstag, 3. März 2011, um 16:25:45 schrieb Francisco Vila:
> 2011/3/3 Bernhard Ott :
> > On 03.03.2011 12:28, Francisco Vila wrote:
> >> Hello. I don't know if this is supported, at least it doesn't work for
> >> me. I want to cue a voice during silences in other, and resp. cue the
> >> othe
Am Donnerstag, 3. März 2011, um 12:28:43 schrieb Francisco Vila:
> Hello. I don't know if this is supported, at least it doesn't work for
> me. I want to cue a voice during silences in other, and resp. cue the
> other during silences in this. The problem is that one of the voices
> seem to print
2011/3/3 Bernhard Ott :
> On 03.03.2011 12:28, Francisco Vila wrote:
>>
>> Hello. I don't know if this is supported, at least it doesn't work for
>> me. I want to cue a voice during silences in other, and resp. cue the
>> other during silences in this.
>
> have a look at tag-related features of li
On 03.03.2011 12:28, Francisco Vila wrote:
Hello. I don't know if this is supported, at least it doesn't work for
me. I want to cue a voice during silences in other, and resp. cue the
other during silences in this.
have a look at tag-related features of lilypond:
http://lilypond.org/doc/v2.12/D
On Mar 3, 2011, at 12:58 AM, David Bobroff wrote:
> On 3/3/2011 6:23 AM, Tim McNamara wrote:
>> I have not been able to locate a way to do jazz style multiple bar repeats
>> like these for writing out chord progressions for solos. Can anyone point
>> me to the place in the documentation (assumi
I can't get that to compile and produce a score. Could you attach an image of
what it ends up looking like? Looking at the code I suspect it is not what I
want, but I can't tell for sure. Thanks!
On Mar 3, 2011, at 4:55 AM, Colin Hall wrote:
>
> Hi Tim,
>
> I use a slash notehead on the m
Tried to make a simpler version but looks like Keith OHara beat me to it. Issue
resolved!
On 02 Mar 2011, at 7:18 PM, Carl Sorensen wrote:
> On 3/2/11 3:12 AM, "Tim Sheasby" wrote:
>
>> Difficult to create a snippet because my template is quite complex. Here is a
>> screenshot of the problem.
Hello. I don't know if this is supported, at least it doesn't work for
me. I want to cue a voice during silences in other, and resp. cue the
other during silences in this. The problem is that one of the voices
seem to print herself on small size, even normal notes. In other
longer examples I hav
Tao wrote:
I have a global frame with rehearsal marks etc., which I wanted
to use for all parts but I guess I'll just have to make an
alternative one for the rhythm section in this case.
The next time try doing it like this:
\set Score.skipTypesetting = ##t
[ ... empty section ... ]
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