Hello Peter,
Am 04.05.2011 20:05, schrieb Peter Crighton:
In 2.13.61 half notes in tab notation are distinguished from quarter
notes through a second stem.
Now I haven't seen this method before – it would seem natural to me to
draw a circle around the tab note, the number, and have only one
Am 04.05.2011 10:57, schrieb Mario Moles:
In this file the function \tie don't work:
Why don't you use separate voices for the upper and the lower part?
It is easier to write, because you don't have to take the pich of the
upper voice into account when writing the lower parts, and the ties
On 05/05/11 13:21, m...@apollinemike.com wrote:
On May 4, 2011, at 3:16 PM, Nick Payne wrote:
Latest LP development version has inconsistency. See below.
\version 2.13.61
\relative c'' {
\time 3/4
\key d \minor
{e bes8 re a, r s }
\\
{ d, r cis r r4 }
\\
{ g'8.
Thank you very much! I adjusted the circle padding to 0 to prevent
overlapping in chords and even now it is not perfect, but you have to look
very close to see that. So it's good for me.
But reverting the double stem doesn't work… although I suspect a general
\revert failure there, as I also
Dear all,
1) In the following :
\version 2.13.34
\score {
\new Staff % or ChoirStaff
\new Voice { \voiceOne a'8 b'8 c''8 d''8 b'4 a'4}
\new Voice { \voiceTwo a'4 a'4 d'16 e'16 f'16 g'16 a'4}
\layout {
\context { \Score
barAlways = ##t
}
}
}
barAlways acts as if it was applied
I don't know whether you've been avoiding manual bars, but you can get the
result you want for the first example like this:
\version 2.13.34
\score {
\new Staff % or ChoirStaff
\new Voice { \cadenzaOn \voiceOne a'8 b'8 \bar | c''8 d''8 \bar | b'4
\bar | a'4 }
\new Voice { \voiceTwo a'4
On May 5, 2011, at 2:12 AM, Nick Payne wrote:
On 05/05/11 13:21, m...@apollinemike.com wrote:
On May 4, 2011, at 3:16 PM, Nick Payne wrote:
Latest LP development version has inconsistency. See below.
\version 2.13.61
\relative c'' {
\time 3/4
\key d \minor
{e bes8 re a,
Am 05.05.2011 13:34, schrieb Peter Crighton:
Thank you very much! I adjusted the circle padding to 0 to prevent
overlapping in chords and even now it is not perfect, but you have to
look very close to see that. So it's good for me.
Good to hear!
But reverting the double stem doesn't work…
I'm usually writing files in cadenzaOn mode, multiple voices, lyrics. Using
manual breaks is very constraining, time consuming, and anti-productive.
Besides this, placing automatic invisible bars in all *relevant* places (for
automatic line breaks, in different layouts) is typically a kind of
Am Donnerstag, 5. Mai 2011, 20:45:48 schrieb Jean-Charles Malahieude:
On my way to typing King Arthur, I'm trying to reproduce what is on
the attached image: the choir enters on the last syllables of the soloist.
Is there an easier to achieve this other than a construction like using
an
I am trying to tackle the swing music problem that someone posted about
earlier; it arises in traditional Irish music as well.
I’m blocked on detecting eighth-notes, though (or quavers for you Brits).
It seems like this should work (event is an EventChord):
(eq?
(ly:music-property
(car
On 4/10/11, Graham Percival gra...@percival-music.ca wrote:
We have a problem. The only full-time doc writer/editor isn't certain
how breakbefore works, and I'm not certain that he completely
understands the \book{} and \bookparts{} input file structure either.
This has resulted in a
On Thu, May 5, 2011 at 7:16 PM, Graham Percival gra...@percival-music.cawrote:
On 4/10/11, Graham Percival gra...@percival-music.ca wrote:
We have a problem. The only full-time doc writer/editor isn't certain
how breakbefore works, and I'm not certain that he completely
understands the
I'm new to LilyPond (v2.12.3) and to music notation in general, so I'm just a
tad beyond the starting point on LilyPond's learning curve. I'm scratching my
head now as to how to write the repeats in my learning testfile, Podmoskovnye
Vechera, (Moscow Nights). The melody has four verses, each
On May 5, 2011, at 9:08 PM, Ken Smith wrote:
I'm new to LilyPond (v2.12.3) and to music notation in general, so I'm just a
tad beyond the starting point on LilyPond's learning curve. I'm scratching
my head now as to how to write the repeats in my learning testfile,
Podmoskovnye Vechera,
Christopher R. Maden cr...@maden.org writes:
I am trying to tackle the swing music problem that someone posted about
earlier; it arises in traditional Irish music as well.
I’m blocked on detecting eighth-notes, though (or quavers for you Brits).
It seems like this should work (event is an
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