I'd like to add that I think that Lilypond's main strength is as a
typesetting/publishing programme. For composing and arranging, I find it's
better to have a page of blank manuscript in front of you that you can 'fill
in', something that Lilypond's text-input paradigm doesn't really allow for.
hello
i think it's called tenuto in lilypond and it belongs to the Script
objects. you could change the distance to the notehead with
\once \override Script #'padding = #.75
and/or define a function which you can apply before you insert a tenuto:
myTenuto = { \once \override Script
eluze elu...@gmail.com writes:
hello
i think it's called tenuto in lilypond and it belongs to the Script
objects. you could change the distance to the notehead with
\once \override Script #'padding = #.75
and/or define a function which you can apply before you insert a tenuto:
myTenuto
On Fri 23 Sep 2011, 13:48 David Kastrup wrote:
ten = -\tweak #'padding #.75 --
{ c''1\ten }
Great, even { c''1^\ten } and { c''1_\ten } do work,
thanks .)
--
Dmytro O. RedchukEasy to use is easy to say.
Bug Squad -- Jeff
Am 23.09.2011 01:53, schrieb Tim Roberts:
Janek Warchoł wrote:
If your friend would like to see what Lily can do, i'd show him this:
http://www.apollinemike.com/scores/granini.pdf
From a publishing perspective, that's impressive on a nearly magical
scale. As a musician, please forgive my
Pretty amazing stuff, both musically and visually! Mike, any chance of
seeing the original ly files?
On 9/23/11 10:22 PM, Urs Liska wrote:
Am 23.09.2011 01:53, schrieb Tim Roberts:
Janek Warchoł wrote:
If your friend would like to see what Lily can do, i'd show him this:
Mike
On Fri, Sep 23, 2011 at 1:22 PM, Urs Liska li...@ursliska.de wrote:
Am 23.09.2011 01:53, schrieb Tim Roberts:
Janek Warchoł wrote:
If your friend would like to see what Lily can do, i'd show him this:
http://www.apollinemike.com/scores/granini.pdf
From a publishing perspective,
on 2011-09-23 at 13:40 eluze wrote:
i think it's called tenuto in lilypond
of course! [in lilypond and elsewhere :-), i just had a lapsus...]
and it belongs to the Script objects. you could change the distance to
the notehead with
\once \override Script #'padding = #.75
this works! as
nice abbreviation, thanks!
i wonder however if - and how - one could override the default padding
(.20) defined in \script.scm, as to continue to use the normal liylpond
syntax!
Eluze
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lilypond-user mailing list
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2011/9/23 Brent Annable brentanna...@gmail.com:
I'd like to add that I think that Lilypond's main strength is as a
typesetting/publishing programme. For composing and arranging, I find it's
better to have a page of blank manuscript in front of you that you can 'fill
in', something that
On Sep 23, 2011, at 2:30 PM, Peekay Ex wrote:
Mike
On Fri, Sep 23, 2011 at 1:22 PM, Urs Liska li...@ursliska.de wrote:
Am 23.09.2011 01:53, schrieb Tim Roberts:
Janek Warchoł wrote:
If your friend would like to see what Lily can do, i'd show him this:
On Fri 23 Sep 2011, 10:30 luis jure wrote:
i see that this override changes the placement of all the objects
belonging to Script, including articulation marks like accent and the
rest. anyway, i prefer to use a global \override in my template, instead
of individual tweaks.
i understand one
On Fri, Sep 23, 2011 at 8:59 AM, Dmytro O. Redchuk
brownian@gmail.comwrote:
On Fri 23 Sep 2011, 10:30 luis jure wrote:
i see that this override changes the placement of all the objects
belonging to Script, including articulation marks like accent and the
rest. anyway, i prefer to use a
On Fri, Sep 23, 2011 at 4:15 AM, Brent Annable brentanna...@gmail.com wrote:
I'd like to add that I think that Lilypond's main strength is as a
typesetting/publishing programme. For composing and arranging, I find it's
better to have a page of blank manuscript in front of you that you can 'fill
- Original Message -
From: Bernardo Barros bernardobarr...@gmail.com
To: Brent Annable brentanna...@gmail.com
Cc: lilypond-user@gnu.org
Sent: Friday, September 23, 2011 5:08 PM
Subject: Re: High-level users?
On Fri, Sep 23, 2011 at 4:15 AM, Brent Annable brentanna...@gmail.com
wrote:
On Fri, Sep 23, 2011 at 9:17 AM, Phil Holmes m...@philholmes.net wrote:
(It means my music production route is Capella download - Musescore -
MusicXML - mxml2nwcc - Noteworthy - nwctxt - nwctxt2ly - lilypond -
pdf)
But you know you can export from musescore to lilypond directly, don't
you?
3. Re:High-level users? (m...@apollinemike.com)
Just got back home from transcribing chipmunk noises for my most recent
choral work.
I'll just say that being called nuts is the single greatest compliment I
could possibly receive.
.
Cheers,
MS
Very funny. Love it.
I'd
Urs Liska wrote:
Am 23.09.2011 01:53, schrieb Tim Roberts:
From a publishing perspective, that's impressive on a nearly magical
scale. As a musician, please forgive my parochial and archaic attitude,
but that's nuts.
Did you take the time to explore the pieces?
I don't think one is able to
2011/9/23 Tim Reeves tim.ree...@tokamerica.com:
3. Re:High-level users? (m...@apollinemike.com)
Just got back home from transcribing chipmunk noises for my most recent
choral work.
I'll just say that being called nuts is the single greatest compliment I
could possibly receive.
.
On Thu, Sep 22, 2011 at 6:08 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
Hi David,
Running centerGrobBetween_rev2.ly the log states:
Failure to center #Grob TextScript between LeftEdge and BarLine
Present in system? LeftEdge #t BarLine #t
left bound: #Grob LeftEdge right
This has all been very interesting. But almost nobody addressed my main
question. Namely, are there any, or many, pros out there who have chosen
LilyPond over Sibelius or Finale? I did appreciate hearing from Kieran
MacMillan.
Somebody said there have been 2 million downloads of MuseScore.
i'm neither expert nor knowledgeable with scheme but i would prefer a
solution that lets you define your own preferences and include them with
-dinclude-settings=….ly
afaics in script.scm a list is defined with (sub-)properties of many/all
script objects.
now it should be possible to
2011/9/23 eluze elu...@gmail.com
i'm neither expert nor knowledgeable with scheme but i would prefer a
solution that lets you define your own preferences and include them with
-dinclude-settings=….ly
afaics in script.scm a list is defined with (sub-)properties of many/all
script objects.
On Fri, Sep 23, 2011 at 4:38 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
But I didn't manage to shorten it.
Not sure if this is expressed in the best form, but putting this line at the
top of the file should change the 'padding value of the tentuo mark only:
#(assoc-set!
Am 23.09.2011, 23:38 Uhr, schrieb Thomas Morley
thomasmorle...@googlemail.com:
Hi,
this does the job:
\version 2.14.2
#(define-public my-script-alist
`(
(accent
. (
%- Test
\layout {
On Fri, Sep 23, 2011 at 5:08 PM, eluze elu...@gmail.com wrote:
now we need a way to only override the relevant items - i.e. to replace the
padding for tenuto in the original list! (then we even get rid of the
\layout part!)
anybody has ideas?!
Yes, with the line I just posted you don't
Am 24.09.2011, 00:08 Uhr, schrieb David Nalesnik
david.nales...@gmail.com:
On Fri, Sep 23, 2011 at 4:38 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
But I didn't manage to shorten it.
Not sure if this is expressed in the best form, but putting this line at
the
top of the
2011/9/24 David Nalesnik david.nales...@gmail.com
On Fri, Sep 23, 2011 at 4:38 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
But I didn't manage to shorten it.
Not sure if this is expressed in the best form, but putting this line at
the top of the file should change the
Dmytro O. Redchuk brownian@gmail.com writes:
On Fri 23 Sep 2011, 13:48 David Kastrup wrote:
ten = -\tweak #'padding #.75 --
{ c''1\ten }
Great, even { c''1^\ten } and { c''1_\ten } do work,
thanks .)
I wished the documention made it easier to figure out the kinds of thing
that just
2011/9/24 David Nalesnik david.nales...@gmail.com
On Fri, Sep 23, 2011 at 5:08 PM, eluze elu...@gmail.com wrote:
now we need a way to only override the relevant items - i.e. to replace
the padding for tenuto in the original list! (then we even get rid of the
\layout part!)
anybody has
2011/9/24 Thomas Morley thomasmorle...@googlemail.com
There might be another point of interest: How to reset?
I'm aware it could be done with a new #(assoc-set! ... ) using default
values.
I was wrong: This doesn't work! Sorry!
But:
Is there another, easier method?
Best,
Harm
Hi Harm,
On Fri, Sep 23, 2011 at 5:52 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2011/9/24 Thomas Morley thomasmorle...@googlemail.com
There might be another point of interest: How to reset?
I'm aware it could be done with a new #(assoc-set! ... ) using default
values.
I
2011/9/24 David Nalesnik david.nales...@gmail.com
Hi Harm,
On Fri, Sep 23, 2011 at 5:52 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2011/9/24 Thomas Morley thomasmorle...@googlemail.com
There might be another point of interest: How to reset?
I'm aware it could be done
Hi,
I used the code below in a String Symphony piece -- to space out the
staves -- making it easy for me to read when I am conducting. It
appears that 2.14 doesn't like the following anymore -
\with { \override VerticalAlignment #'max-stretch =
#ly:align-interface::calc-max-stretch }
makes the
On Fri, Sep 23, 2011 at 7:28 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2011/9/24 David Nalesnik david.nales...@gmail.com
Hi Harm,
On Fri, Sep 23, 2011 at 5:52 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2011/9/24 Thomas Morley thomasmorle...@googlemail.com
Is there a way to scale the durations of a passage of music, say, by a factor
of 2, so that not only do the notes take twice as much time, but the displayed
note values are also doubled?
\scaleDurations does only the former, but not the latter.
I'm finally sitting down to typeset a couple of
James Harkins jamshar...@gmail.com writes:
Is there a way to scale the durations of a passage of music, say, by a
factor of 2, so that not only do the notes take twice as much time,
but the displayed note values are also doubled?
\scaleDurations does only the former, but not the latter.
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