Vaughan McAlley writes:
> This is a slight variation on:
> http://lilypond.org/doc/v2.14/Documentation/snippets/vocal-music#single-staff-template-with-notes-and-lyrics
>
> I’m trying to apply the idea from Skips in lyric mode[1], so that the
> lyrics start in the second bar, but the \skip only sk
Hi Vaughan,
Actually that has always been my understanding and experience of how the \skip
command works - it skips single notes.
In your case you'd need \skip 4 for the full bar.
Best,
Robert
On 13 Aug 2012, at 07:05, Vaughan McAlley wrote:
> This is a slight variation on:
> http://lily
On Mon, 13 Aug 2012 15:05:41 +1000
Vaughan McAlley wrote:
> This is a slight variation on:
> http://lilypond.org/doc/v2.14/Documentation/snippets/vocal-music#single-staff-template-with-notes-and-lyrics
>
> I’m trying to apply the idea from Skips in lyric mode[1], so that the
> lyrics start in th
This is a slight variation on:
http://lilypond.org/doc/v2.14/Documentation/snippets/vocal-music#single-staff-template-with-notes-and-lyrics
I’m trying to apply the idea from Skips in lyric mode[1], so that the
lyrics start in the second bar, but the \skip only skips to the next
note.
Vaughan
\ve
On Sun, 12 Aug 2012 17:58:41 +0100
"Peter Gentry" wrote:
> ... all my attempts to make changes (apart
> from set-global-staff-size) have failed even when the syntax is
> accepted
I missed this part of your post the first time.
Lilypond's silence does not always indicate that your syntax was
ac
Peter Gentry sunscales.co.uk> writes:
> I have a score with many
> repeated beamed quavers and semi-quavers on ledger lines. The default
> layout is difficult to read as ledger lines and the staff produce an almost
> hypnotic effect which confuses the reader. This results in loss of
> concent
On Sun, 12 Aug 2012 17:58:41 +0100
"Peter Gentry" wrote:
> I have a score with many repeated beamed quavers and semi-quavers on
> ledger lines. The default layout is difficult to read as ledger lines
> and the staff produce an almost hypnotic effect which confuses the
> reader. This resuluts in l
Dear Peter,
I don't know what You want exactly, but maybee this can lead You to rhe
right idea:
\version "2.14.2"
music = { \repeat "unfold" 4 { 4 } }
ledgers = {
s4 \override NoteHead #'no-ledgers = ##t \override NoteHead
#'transparent = ##t
}
\new Staff {
\context Voice <<
On Sun, 12 Aug 2012, Johan Vromans wrote:
Martin Tarenskeen writes:
So if you have been using Finale for many years, and you have payed
money to upgrade to the newest Finale version year after Year, you now
suddenly can't read your old .etf files anymore!
Let's welcome those disappointed a
Johan Vromans writes:
> Martin Tarenskeen writes:
>
>> So if you have been using Finale for many years, and you have payed
>> money to upgrade to the newest Finale version year after Year, you now
>> suddenly can't read your old .etf files anymore!
>>
>> Let's welcome those disappointed and angr
Martin Tarenskeen writes:
> So if you have been using Finale for many years, and you have payed
> money to upgrade to the newest Finale version year after Year, you now
> suddenly can't read your old .etf files anymore!
>
> Let's welcome those disappointed and angry Sibelius and Finale users
> to
Martin Tarenskeen writes:
> I just saw this thread:
>
> http://www.finaleforum.com/forums/viewtopic.php?t=7538
>
> After the thread about Sibelius this discussion is yet another good
> reason not to rely (too much) on commercial software:
>
> It seems that Finale 2012 is not able to read Finale e
I confess having no experience with this, as LilyPond is the single
application I use for musical notation.
I just shared what I found in the documentation regarding this subject.
Jakub
2012/8/12 Laura Conrad
> > "Jakub" == Jakub Pavlík writes:
>
> Jakub> Oh, blind me. Using etf2ly you
> "Jakub" == Jakub Pavlík writes:
Jakub> Oh, blind me. Using etf2ly you can import from Finale
Jakub> directly...
You used to be able to. Have you done it with a recent lilypond
version?
I think the method that's encouraged for people with recent finale and
recent lilypond is to
I just saw this thread:
http://www.finaleforum.com/forums/viewtopic.php?t=7538
After the thread about Sibelius this discussion is yet another good reason
not to rely (too much) on commercial software:
It seems that Finale 2012 is not able to read Finale etf files anymore.
(Finale 2011 can).
Am 12.08.2012 16:54, schrieb Gabriel Taubman:
Thanks Marc!
I've found that if I make the measures look like this:
\stopStaff
s4
\startStaff
\bar ":"
\noBreak
g'4 a'16 g'16 g'8 g'4 f'8 g'4
\bar ":"
(note the \noBreak)
Oh, sorry – in my test file, the \noBreak was included, but appa
Oh, blind me. Using etf2ly you can import from Finale directly...
Jakub
2012/8/12 Jakub Pavlík
> Not directly.
> But you can export your music e.g. from Finale to one of the formats
> supported by the standard LilyPond converters and then convert the music
> from this format to LilyPond.
>
>
>
Not directly.
But you can export your music e.g. from Finale to one of the formats
supported by the standard LilyPond converters and then convert the music
from this format to LilyPond.
http://lilypond.org/doc/v2.14/Documentation/usage/converting-from-other-formats
Jakub
2012/8/9 Jeff Mau
> Wi
I have a score with many repeated beamed quavers and semi-quavers on ledger
lines. The default layout is difficult to read as ledger
lines and the staff produce an almost hypnotic effect which confuses the
reader. This resuluts in loss of concentration and rythmic
stumbles. I would like to space
Have a look at http://www.mrlauer.org/music/
The file http://www.mrlauer.org/static/etc/mrlutil.ly (utf8 section) provides
some commands to use oldstyle numbers and real smallcaps
Am 11.08.2012 um 14:31 schrieb Loïc Chahine :
> Dear all,
> In my scores, I use Adobe Caslon Pro for titles and oth
hello list,
in the essay, under "Optical sizing", we can read:
"At smaller sizes, LilyPond uses proportionally heavier lines so the music
will still read well."
is there a way to control this globally?
i'm using #(set-global-staff-size 13), and i find this compensation a
little bit excessive
On Sun, 12 Aug 2012 02:00:49 +0200, Antonio Soler
wrote:
Saludos.
Estoy en este momento trabajando en una partitura que incluye una línea
de
texto como indicador de repeticiones. Me gustaría obtener mayor espacio
entre la última nota de cada compás y la barra de compás que sigue para
pode
BrAthanasius wrote
>
> I would like the F to be above the first f\breve, B-flat above the second
> f\breve and the D-min above the D for the last note. Here is the code
> below:
>
please reduce your code to the part necessary to reproduce the problem!
to solve your problem you need to add cor
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