Mr. Morley- Thank you for the response.
I can see where some brackets are missing but it seems now that you point
them out that the log/error file and Frescobaldi should have been able to
point them out too. And neither did.
So I will put in the ones I can find and try to compile,thanks
jay
Hi Harm,
On Sat, Oct 6, 2012 at 6:20 AM, Thomas Morley
wrote:
[...]
> two month ago I created the code below (the same is attached, too).
> It is not exactly what you want, but it should give you some ideas.
Just tried this out. Very cool!
-David
Hi pabuhr,
On Sat, Oct 6, 2012 at 5:21 PM, pabuhr wrote:
[...]
>
> Below is my attempt at a guide finger (which I'm sure you saw a few months
> ago).
http://www.mail-archive.com/lilypond-user@gnu.org/msg73509.html
[...]
> The problem with my
> version is that the combined guide/finger-number
I'm using glissandos to indicate a guide finger in fingering, and in ...
Hey Nick, we certainly struggle with indicating a guide finger. 8-)
First, an observation, which I know you are already aware of, but I'll make it
anyway. It is important to differentiate between the glissando, which ma
2012/10/6 David Kastrup :
[...]
> \new GrandStaff << $@(make-list 6
> #{\new Staff { \repeat unfold 2 { s1 \pageBreak } }
> #}) >>
>
> is a bit more concise.
:D
___
lilypond-user mailing list
lilypond-user@gn
Thomas Morley writes:
> \new GrandStaff {
> $(make-simultaneous-music
>(map
> (lambda (x)
> #{
>\new Staff { \repeat unfold 2 { s1 \pageBreak } }
> #})
>(iota 6)))
> }
\new GrandStaff << $@(make-list 6
#{\new Staff { \repeat
2012/10/6 The Doctor (Michael D) :
> Hi. This may seem simple to some, but I am having some difficulty with this.
> I would like to have Lilypond produce blank sheet music with a grand staff.
> I found the attached code, but cannot figure out how to add the bass clef.
> Any help is appreciated. Als
Hi. This may seem simple to some, but I am having some difficulty with
this. I would like to have Lilypond produce blank sheet music with a
grand staff. I found the attached code, but cannot figure out how to add
the bass clef. Any help is appreciated. Also I am getting an error
message as well
Hi Urs,
I tried before with GrandStaff and that didn't change a thing.
PianoStaff does! I didn't know PianoStaff was a context too. Thanks!
Jethro
On 10/06/2012 09:58 PM, Urs Liska wrote:
No opportunity to test right now,
but why not
\context
{
\PianoStaff
...
and
\context
{
2012/10/6 :
> Hello-
>
> I 'think' I copied the info out of the 2.16 manual for the score below but
> both my editor and Frescobaldi won't compile it and both say they can't find
> errors.
>
> It looks weird to me but that's because I am not used to the 'new' format
> for this but what's missing.
No opportunity to test right now,
but why not
\context
{
\PianoStaff
...
and
\context
{
\GrandStaff
...
?
HTH
Urs
Am 06.10.2012 21:55, schrieb Jethro Van Thuyne:
I'm trying to centralize all layout instructions in a style sheet, but
I'm struggling with the instrumentName property
I'm trying to centralize all layout instructions in a style sheet, but
I'm struggling with the instrumentName property for GrandStaff. The code
below works for staves in regular systems, but the font property isn't
applied to piano staves. Any ideas?
\context
{
\Staff
\override I
>> > Rehearsal marks are one of the things that has
>> > extra-spacing-width set to (inf . -inf) so that it reserves no
>> > space during note-spacing
>>
>> Something learned again Could this please be added to the
>> `Rehearsal marks' section in the documentation?
>
> Better to describe how ex
Werner LEMBERG gnu.org> writes:
> > Rehearsal marks are one of the things that has extra-spacing-width
> > set to (inf . -inf) so that it reserves no space during note-spacing
>
> Something learned again Could this please be added to the
> `Rehearsal marks' section in the documentation?
Bett
Hello-
I 'think' I copied the info out of the 2.16 manual for the
score below but both my editor and Frescobaldi won't compile it and both
say they can't find errors.
It looks weird to me but that's because I
am not used to the 'new' format for this but what's missing. If there
are some >>'s
Shashank Raja writes:
> I want to write a scheme function that doubles a note such that the
> pitch (let's call it 'x') is retained, but the respective durations
> are such that {x8.. x32} is displayed.
> Since \displayMusic{ c'8.. c'32 } outputs this:
> https://raw.github.com/gist/3843324/f7779
I want to write a scheme function that doubles a note such that the pitch
(let's call it 'x') is retained, but the respective durations are such that
{x8.. x32} is displayed.
Since \displayMusic{ c'8.. c'32 } outputs this:
https://raw.github.com/gist/3843324/f77790c4917337539936584ae65bb886f804edec
2012/10/6 Nick Payne :
> I'm using glissandos to indicate a guide finger in fingering, and in
> most cases where there are chords, I don't want it between all the notes
> in successive chords. Can this be done without creating a separate
> hidden voice with the single notes having the glissando bet
- Original Message -
From: "Janek Warchol"
To: "The Doctor (Michael D)"
Cc:
Sent: Saturday, October 06, 2012 10:08 AM
Subject: Re: Tuplets in Orthodox Liturgical Music
On Sat, Oct 6, 2012 at 1:17 AM, The Doctor (Michael D)
wrote:
I am using the gregorian to arrange Eastern Orthod
On 10/06/2012 01:17 AM, The Doctor (Michael D) wrote:
I am using the gregorian to arrange Eastern Orthodox chant music. I am working
on music from the eight tones (which has a lot of 'recitatives') and *would
like* to be able to use tuplets to 'group' and indicate notes and thus syllables
that s
On Sat, Oct 6, 2012 at 1:17 AM, The Doctor (Michael D)
wrote:
> I am using the gregorian to arrange Eastern Orthodox chant music. I am
> working on music from the eight tones (which has a lot of 'recitatives') and
> would like to be able to use tuplets to 'group' and indicate notes and thus
> syl
On Sat, Oct 6, 2012 at 2:38 AM, Brad Smith wrote:
> When should you
> use ly:pitch and when should you use ly:music? (Is there a place in
> the documentation that is good for learning these things?)
I'm no expert on music functions, but i'd say that ly:music? is used
when the argument would be a
I'm using glissandos to indicate a guide finger in fingering, and in
most cases where there are chords, I don't want it between all the notes
in successive chords. Can this be done without creating a separate
hidden voice with the single notes having the glissando between them.
e.g. in the followin
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