On Fri, 8 Feb 2013, Adam Spiers wrote:
Hi all,
I'm happy to announce the release of ly2video 0.4.1.
Great !
Feedback is very welcome; you can use the issue tracker:
https://github.com/aspiers/ly2video/issues
or mail me. Pull requests are of course even more welcome than
feedback!
On 08/02/13 18:17, Michael Winter wrote:
That forces the beams to be flat but if I try to put them in the
middle for all of it, crazy stuff starts to happen. See example below.
If you want to specify explicit positions for the beam ends, the
positions are relative to the stave that the first
On 7 Feb 2013, at 23:33 , Joseph Rushton Wakeling wrote:
The regular one doesn't, the full-Boehm instrument does. See e.g.
this example:
http://www.clarinetsdirect.biz/RC-F279670.html
But that also has the low-ees, because it still is a soprano it
sounds higher then the low-ees in the
Hi Jeff,I've created a small database with instruments, loaded that with the key possibilities of the woodwind stencils and I use a small Perl-script to generate the .ly and .pdf-file. I've attached the intermediate .ly for you (for the generic bassoon), it compiles right away and you'll see every
On 02/08/2013 10:11 AM, Wim van Dommelen wrote:
But that also has the low-ees, because it still is a soprano it sounds higher
then the low-ees in the bass-clarinet. The key lay-out is similar as the
basset-clarinet (which is in A, not B flat). Confusing all this is ...
Not really ... ?
Wim van Dommelen m...@wimvd.nl writes:
On 7 Feb 2013, at 23:33 , Joseph Rushton Wakeling wrote:
That is not that easy, it is not ly-code, but Scheme code and
tougher (more and
more stacked upon another) as I expected. The basic files involved
are together
already 3200 lines (some are
But it also looks like we should look into autoload here. There is
no point loading this sort of baggage into every LilyPond run.
Does guile support autoload out of the box?
Werner
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And hopefully loads once then :-)
Regards,
Wim.
On 8 Feb 2013, at 10:49 , Werner LEMBERG wrote:
But it also looks like we should look into autoload here. There is
no point loading this sort of baggage into every LilyPond run.
Does guile support autoload out of the box?
Werner
Werner LEMBERG w...@gnu.org writes:
But it also looks like we should look into autoload here. There is
no point loading this sort of baggage into every LilyPond run.
Does guile support autoload out of the box?
Seemingly in connection with modules.
--
David Kastrup
Does guile support autoload out of the box?
Seemingly in connection with modules.
IIRC, there are attempts to have lilypond modules as soon as we
migrate to guile2, so this would be a nice benefit...
Werner
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Werner LEMBERG w...@gnu.org writes:
Does guile support autoload out of the box?
Seemingly in connection with modules.
IIRC, there are attempts to have lilypond modules as soon as we
migrate to guile2, so this would be a nice benefit...
Reality check: the current codebase already uses
On 02/07/2013 02:26 PM, Wim van Dommelen wrote:
The clarinet-with-low-gis, bass-clarinet and low-bass-clarinet will then
be intermediate stencils, but otherwise complete and callable from the
outside, which is fine for example for writing down a specific thing in the high
registers or a special
On Fri, Feb 8, 2013 at 8:37 AM, Martin Tarenskeen
m.tarensk...@zonnet.nl wrote:
On Fri, 8 Feb 2013, Adam Spiers wrote:
Hi all,
I'm happy to announce the release of ly2video 0.4.1.
Great !
Feedback is very welcome; you can use the issue tracker:
Hi list,
if I include lilypond-book-preamble.ly Lilypond outputs the systems
individually and cropped.
In my first tests I saw that the first two systems are the
bookTitleMarkup and the scoreTitleMarkup.
Can I assume that this is always the case. I.e. can I assume that the
third system is
On Fri, 8 Feb 2013, Adam Spiers wrote:
I already fixed it prior to this release:
https://github.com/aspiers/ly2video/commit/327558f
I've closed the issues, but please file a new one immediately
if you see any other problems. Thanks for raising this!
Sorry, I was trying my old copy.
On 8 Feb 2013, at 11:35 , Joseph Rushton Wakeling wrote:
On 02/07/2013 02:26 PM, Wim van Dommelen wrote:
The clarinet-with-low-gis, bass-clarinet and low-bass-
clarinet will then
be intermediate stencils, but otherwise complete and callable
from the
outside, which is fine for example for
Thomas Morley wrote
below a markup-command to print bar-lines.
For now it is limited to bar-lines containing thick-bar-line,
thin-bar-line and/or colon-bar-line.
Every additional bar-line (dashed, dotted etc) would need an
additional construction-procedure.
\bar-line follows the procedures
On 02/08/2013 12:58 PM, Wim van Dommelen wrote:
Have never seen these 4 key-versions, but might very well be possible.
Used to be the norm -- the earliest examples in the clarinet family are basset
clarinets and basset horns dating from the end of the 18th century (i.e.
contemporary with
Am 08.02.2013 13:01, schrieb Eluze:
Thomas Morley wrote
below a markup-command to print bar-lines.
For now it is limited to bar-lines containing thick-bar-line,
thin-bar-line and/or colon-bar-line.
Every additional bar-line (dashed, dotted etc) would need an
additional construction-procedure.
On Fri, Feb 8, 2013 at 9:37 AM, Marc Hohl m...@hohlart.de wrote:
Am 08.02.2013 13:01, schrieb Eluze:
[...]
certainly a function for the LSR!!
+1
...or to be included somewhere in the sources? I did not look closely to
the code,
but if there is a broader intersection between the stuff
On 8 Feb 2013, at 13:55 , Joseph Rushton Wakeling wrote:
http://www.circb.info/sites/default/files/La%20prima%20musica%20per%20clarinetto%20basso_0.pdf
Thanks!
I see, so it's a little-finger d for both lh and rh?
Yes.
Again, so Selmer has only 3 thumb keys, it's just the notes
delivered
On 02/08/2013 05:30 PM, Wim van Dommelen wrote:
Mmmh, but the correct use of it is vital. See e.g. Sparnaay pages 57 and 58. By
looking back to these pages I noticed he writes the usage of the hole with a
cross in circle one. Henri Bok does the same. I like the graphical
representation along the
On 08/02/13 23:01, Eluze wrote:
Thomas Morley wrote
below a markup-command to print bar-lines.
For now it is limited to bar-lines containing thick-bar-line,
thin-bar-line and/or colon-bar-line.
Every additional bar-line (dashed, dotted etc) would need an
additional construction-procedure.
On 8 Feb 2013, at 18:31 , Joseph Rushton Wakeling wrote:
On 02/08/2013 05:30 PM, Wim van Dommelen wrote:
Mmmh, but the correct use of it is vital. See e.g. Sparnaay pages
57 and 58. By
looking back to these pages I noticed he writes the usage of the
hole with a
cross in circle one. Henri
Hello,
i would like more space between note-head / end of a stem an tenuto/staccato/
portato-marks.
How to get that?
Greetings
Werner
(Btw - I also wonder about the big staccato-dot and the small dot in the
portato-
mark.)
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Hello everyone,Here's another obscure question. If you change the line-positions to create a custom staff, for example to have a 4-line staff, what is the best way to also change the "midpoint" of the staff, so that the stem directions are correct for the altered staff? (Notes should get upwards
Nick Payne-3 wrote
On 08/02/13 23:01, Eluze wrote:
Thomas Morley wrote
below a markup-command to print bar-lines.
For now it is limited to bar-lines containing thick-bar-line,
thin-bar-line and/or colon-bar-line.
Every additional bar-line (dashed, dotted etc) would need an
additional
On 02/08/2013 09:03 PM, Wim van Dommelen wrote:
I agree it needs an explanatory diagram at hand and it also calls for a
possibility to have a numeric entry for specifying which key(s) to use for which
note. But through the years I've learned that coming back with these kind of
global things
Hello all!
Almost certainly my #1 frustration with Lily right now is the fact that
MetronomeMark collisions resolve so poorly.
Why is it so difficult to get them to push remaining MMs to the right
(stretching the music underneath to accomodate, if necessary)?
Each score I engrave — and
This tiny example generates two instances of the warning:
programming error: insane spring distance requested, ignoring it
continuing, cross fingers
Am I doing something wrong?
This isn't a show-stopper, as Lily seems to continue and generate
the output I'd expect, even in the larger work that
It looks like lilypond is trying to indicate you attached something to an
item that does not exit as a drawn entity and is reporting as a slightly
bizarre but not enough to force it to stop. Seems to be a completely
reasonable thing to do.
Shane
On Fri, Feb 8, 2013 at 10:18 PM, Jim Long
Kieren MacMillan kieren_macmillan at sympatico.ca writes:
Almost certainly my #1 frustration with Lily right now is the fact that
MetronomeMark collisions resolve so poorly.
Why is it so difficult to get them to push remaining MMs to the right
(stretching the music underneath to
On Fri, Feb 8, 2013 at 10:18 PM, Jim Long lilyp...@umpquanet.com wrote:
This tiny example generates two instances of the warning:
programming error: insane spring distance requested, ignoring it
continuing, cross fingers
\version 2.16.1
\score {
\new Staff {
\partial 8
Eluze elu...@gmail.com writes:
the big difference is that you can scale it in the \markup where you use it,
e.g.
\markup {
\fontsize #14 \bar-line #.|:
\fontsize #-4 \bar-line #.|:
}
will render two differently sized start repeat signs, whereas there is no
effect in the \markup \score
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