Hi,
This appears to be a known scam of sorts.
http://www.hoax-slayer.com/domain-name-application-scam.shtml
(this is your exact scam)
http://www.fraudwatchers.org/forums/showthread.php?t=58331
(related)
Good luck,
Ben
m...@mikesolomon.org wrote
Begin forwarded message:
From:
Thanks for all the responses there are lots of options to try here
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/cre-sen-do-tp145225p145387.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-user
Hello everyone, I'm trying to do a SATB vocal score with a harp accompaniment,
and I'd like to combine the following two templates: Single staff template
with notes, lyrics, chords and frets + Vocal ensemble template, so that I can
enter more stanzas, one after the other, below each other, for
2013/5/3 SoundsFromSound soundsfromso...@gmail.com
Hi,
This appears to be a known scam of sorts.
http://www.hoax-slayer.com/domain-name-application-scam.shtml
(this is your exact scam)
http://www.fraudwatchers.org/forums/showthread.php?t=58331
(related)
Good luck,
Yes, I've seen many
Am Freitag, den 03.05.2013, 06:56 + schrieb Nandi:
Hello everyone, I'm trying to do a SATB vocal score with a harp accompaniment,
and I'd like to combine the following two templates: Single staff template
with notes, lyrics, chords and frets + Vocal ensemble template, so that I
can
Urs Liska ul at openlilylib.org writes:
As I don't quite see what you exactly want to achieve, I suggest you
- decide which of the templates is better as a start,
- try to figure out which music variables you would need in addition,
- send this as an attachment and
- tell us exactly what is
OK, that's clear now.
attached you'll find a working file where I (partly) combined the
templates (you'll figure out the rest).
I removed the text variables from the first template (sopranoWords etc.)
Instead I entered the stanza variables (and the chords variable) from
the second template.
In
Urs Liska ul at openlilylib.org writes:
attached you'll find a working file where I (partly) combined the
templates (you'll figure out the rest).
Unfortunately I can't unarchive the .bin file.
Can you send it in another format, or just
copy the .ly text here? Thanks very much!
Nandi
Hm, as far as I know (and my mail reader tells) I attached a plain .ly
file ...
But you'll find the content of that file at the end of this message (in
the hope mail transfer protocols and readers won't mess it up ...)
Urs
Am Freitag, den 03.05.2013, 09:20 + schrieb Nandi:
Urs Liska ul at
BTW: If you use Frescobaldi you can also achieve what you want with the
Score Setup Wizard.
You can also use that to learn about different ways to set up a score
(but keep in mind that there are always different ways to achieve things
in LilyPond).
Urs
Am Freitag, den 03.05.2013, 11:33 +0200
Urs Liska ul at openlilylib.org writes:
Hm, as far as I know (and my mail reader tells) I attached a plain .ly
file ...
But you'll find the content of that file at the end of this message (in
the hope mail transfer protocols and readers won't mess it up ...)
Urs
Your .ly file was
2013/4/26 Federico Bruni fedel...@gmail.com:
2013/4/24 Don Armstrong d...@donarmstrong.com
It will be uploaded to unstable once the current testing releases
(wheezy). Then it will transition to the new testing (jessie), and
soon after that I'll make an upload to backports.
Because 2.16
How should one use mdash; in a markup block?
This isn't right. I tried a few variants as well. All replicate the
text mdash; instead of inserting the symbol.
\markup a mdash; dash
hjh
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Hi,
How should one use mdash; in a markup block?
If you're on a Mac, it's option+shift plus the - key: —
Don't know on other OS/keyboards.
p.s. You can also just cut and paste the one I just typed up there… and here –
is an en-dash, for future reference.
Hope this helps!
Kieren.
Am 03.05.2013 13:16, schrieb James Harkins:
How should one use mdash; in a markup block?
You can use the unicode character directly: —
Cheers,
Joram
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Il 30/04/2013 06:36, Jay Anderson ha scritto:
I believe this has been discussed in the past, but I couldn't find an
enhancement request filed.
This is the old thread:
http://thread.gmane.org/gmane.comp.gnu.lilypond.devel/29244/
Bye,
Carlo
--
.-. | Registered Linux User #443882
Am 03.05.2013 13:35, schrieb Noeck:
Am 03.05.2013 13:16, schrieb James Harkins:
How should one use mdash; in a markup block?
You can use the unicode character directly: —
Some methods:
1.) copy this: —
2.) (under linux): Compose + - - -
3.) what you probably intended: use the html
On May 3, 2013 7:29 PM, Kieren MacMillan kieren_macmil...@sympatico.ca
wrote:
Hi,
How should one use mdash; in a markup block?
If you're on a Mac, it's option+shift plus the - key: —
Don't know on other OS/keyboards.
p.s. You can also just cut and paste the one I just typed up there… and
Noeck wrote
You can use the unicode character directly: —
Some methods:
3.) what you probably intended: use the html code:
http://www.lilypond.org/doc/v2.16/Documentation/notation/special-characters#ascii-aliases
\paper {
#(include-special-characters)
}
\markup mdash;
small wonder
Am 03.05.2013 13:59, schrieb James Harkins:
On May 3, 2013 7:29 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca mailto:kieren_macmil...@sympatico.ca
wrote:
Hi,
How should one use mdash; in a markup block?
If you're on a Mac, it's option+shift plus the - key: ---
Don't know on
Since this leads to extra notes and I have to play tricks to keep the bar
numbering in sync:
\cadenzaOn
es4 - \glissando
\hideNotes
es,4
\unHideNotes
r4 r2
\cadenzaOff
\hideNotes
% | % 54
s1*1
\unHideNotes
\bar |
wouldn't it be possible to have this particular glissando to
I read the docs on how to do this but is there an easier way to memorize how to
do this? the fractions confuse the heck out of me lol! I'm in 12/8 so I'll have
4 doted quarter notes so would the multi measure rest look like this for one
measure
R4. R4. R4. R4. |
for example?
Thanks all. and
- Original Message -
From: Sarah k Alawami marri...@gmail.com
To: lilly pond discuss discuss lilypond-user@gnu.org
Sent: Friday, May 3, 2013 4:13:44 PM
Subject: multi measure rests
I read the docs on how to do this but is there an easier way to memorize how to
do this? the fractions
Am 03.05.2013 18:13, schrieb Sarah k Alawami:
I read the docs on how to do this but is there an easier way to memorize how
to do this? the fractions confuse the heck out of me lol! I'm in 12/8 so I'll
have 4 doted quarter notes so would the multi measure rest look like this for
one
Ok. I see there a dotted hole note, but a dotted whole note or in this case
whole rest is only 8 eithgh notes if I counted correctly which my coffee
deprived brain probably did not lol! I get the feeling that i'm making this
harder then it really is. lol!
Take care all and thanks.
On May 3,
Am 03.05.2013 18:44, schrieb Sarah k Alawami:
Ok. I see there a dotted hole note, but a dotted whole note or in this case
whole rest is only 8 eithgh notes if I counted correctly which my coffee
deprived brain probably did not lol! I get the feeling that i'm making this
harder then it
A MultiMeasureRest for one measure always _looks_ like a whole note rest, no
matter how long its real duration is.
Maybe it's this what you mix up?
Best
Urs
Sarah k Alawami marri...@gmail.com schrieb:
Ok. I see there a dotted hole note, but a dotted whole note or in this
case whole rest is
I'm running Frescobaldi 2.0.9 on Fedora 17.
There is supposed to be a Rumor plugin but I can't find it. Am I
overlooking something?
-- Johan
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Hello:
The first 89 measures of a piano piece compiles without error. With the 90th
measure the notation runs off the right edge of the page. No error message
is given.
The attached file has measures 88 - 90 of the right hand.
Please point out my error.
Thank you for your kind
You have a triplet that spans the whole of your music. My guess is that this
is preventing line breaking. Do you mean the whole music should be a single
triplet
--
Phil Holmes
- Original Message -
From: Mark Stephen Mrotek
To: lilypond-user@gnu.org
Sent: Friday, May
2013/4/29 Werner LEMBERG w...@gnu.org:
\relative c'' {
cis4 cis \bar \break
cis cis
}
How about
\relative c'' {
cis4 cis \bar \break
cis! cis
}
Thanks, but this makes an additional accidental in case the bar
doesn't get broken. I want a solution which is
Mr. Holmes:
Thank you for replying.
No, the tuplet is intermittent. It appears in various measures in the first
88 measures without incident.
In the attached it is only with the { }.
As stated in the attached code, measures 88 and 89 compile without error.
Only with the addition of
Hello,
2013/5/3 Mark Stephen Mrotek carsonm...@ca.rr.com
Hello:
The first 89 measures of a piano piece compiles without error. With the
90th measure the notation runs off the right edge of the page. No error
message is given.
The attached file has measures 88 – 90 of the right hand.
On 04/05/13 05:20, Mark Stephen Mrotek wrote:
Hello:
The first 89 measures of a piano piece compiles without error. With
the 90th measure the notation runs off the right edge of the page. No
error message is given.
The attached file has measures 88 -- 90 of the right hand.
Please point
I remember and use it this way:
R length times so many
so: R1*3 is three times the length of one whole note. Always calculate
the total length you need and that it gets there.
I tried simply this: Assume you want 4/4 followed by 3/4 and three
full measures rest in each:
{
\time
Nick Payne:
Thank you for your reply and the solution.
I appreciate the time and effort you took to find it.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Nick Payne
Sent: Friday, May 03, 2013
Marek Klein,
Thank you for the reply and the solution.
I appreciate the time and effort you spent to find it.
Mark
From: Marek Klein [mailto:ma...@gregoriana.sk]
Sent: Friday, May 03, 2013 12:59 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: run off page
Hello,
Possibally. Like I said I'm so new to lily pound and I'm trying to read the
docs as best I could but sometimes the explanations are just a tad unclear.
lol! and I'm trying to do my final assignment from a transcription in braille
gone wrong. lol!
Take care.
On May 3, 2013, at 9:58 AM, Urs
Hi,
I also have a question for you: You seem to use braille music output
from LilyPond. Is that builtin in LilyPond? Could you (or anyone) point
me to some documentation how to use that? I would like to try it.
Cheers,
Joram
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On 05/03/2013 03:11 PM, Wim van Dommelen wrote:
I remember and use it this way:
R length times so many
so: R1*3 is three times the length of one whole note. Always calculate
the total length you need and that it gets there.
FWIW, the general form of what I do is
R1*time
Op Fri, 03 May 2013 20:07:56 +0200
Johan Vromans jvrom...@squirrel.nl schreef:
I'm running Frescobaldi 2.0.9 on Fedora 17.
There is supposed to be a Rumor plugin but I can't find it. Am I
overlooking something?
Not in 2.x unfortunately.
--
Wilbert Berendsen
Op Thu, 02 May 2013 07:59:00 +1000
Nick Payne nick.pa...@internode.on.net schreef:
Wouldn't it be easier on the performer to have cresc. poco a poco
or dim. poco a poco, so that they don't have to scan to the end of
the phrase to see if it is a crescendo or diminuendo.
Yes, but in this case I
Actually I'm not. The university brailled my piano transcript Im working off
of. It would be nice though if maybe a musk student could learn lily pond and
output it in to braille so all of my stuff could be done in house. using music
vml or some such thing.
Take care.
On May 3, 2013, at 2:30
Hi Ming and Jun,
This should work for the special period character. If there are any other
punctuation marks you need at the ends of words, add them as strings to the
variable called punct-right. Note: punctuation which goes to the left is
handled differently. If you need additional
I tried within my dymanic stave and this was the result:
s4 s8 {s8-\tweak#'textcre\cresc s4 s8-\tweak#'textscen\cresc s8%|28
s4 s8-\tweak#'textdo\cresc s8 s4 -\tweak#'textmolto\cresc s4%|29
s4\f} s4 s4 s4%|30
http://lilypond.1069038.n5.nabble.com/file/n145436/pearl.png
--
View this message
David,
Thank you very much. I try to do two punctuation to the left, but I cannot
make it work. Any help is appreciated. Please refer to a and c from the
.png
Thank again,
Ming.
From: David Nalesnik david.nales...@gmail.com
To: Jun Wang
Ming,
On Fri, May 3, 2013 at 9:08 PM, MING TSANG tsan...@rogers.com wrote:
David,
Thank you very much. I try to do two punctuation to the left, but I
cannot make it work. Any help is appreciated. Please refer to a and c
from the .png
As I explained in my email, if you need
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