Eluze eluzew at gmail.com writes:
karol wrote
This doesn't solve the problem. Look at the example. In the first system
spacing is proper, but in the second, distance between 'b' and 'd' is 9
(should be 10.5).
I think this is a paradoxical situation:
if a staff (group) is removed then
You should have searched cautionary accidental or reminder accidental
or accidental, cautionary in the index of Notation Reference:
http://lilypond.org/doc/v2.16/Documentation/notation/lilypond-index.html
Il 16/dic/2013 01:51 Guy Stalnaker jimmyg...@gmail.com ha scritto:
I have a composition
Mr. O'Hara,
Thank you for your replay and instructions - similar to that of Mr. Loomis. I
shall try them in context today.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Keith
Am 16.12.2013 02:24, schrieb Kieren MacMillan:
I’d like to have the score title (i.e., the whole two-line column)
automatically centered (i.e., it should be lined up exactly with the book
title, in this case), and the boxed song number (which may have two or three
digits in other songs!)
Mark Stephen Mrotek carsonm...@ca.rr.com writes:
Mr. O'Hara,
Thank you for your replay and instructions - similar to that of
Mr. Loomis. I shall try them in context today.
Possibly \bar \nobreak would do what you want here. While it will
disrupt the spacing, the bar numbers will stay
Tom Dickson wrote
I have a verse that has a very long slur, and the lyrics run into the
slur.
Technically, it's the dashes that are printed between the syllables. I'm
able
to change the font for that part of the verse to italics, but I can't seem
to
figure out what to use to increase the
Keith OHara k-ohara5...@oco.net writes:
Eluze eluzew at gmail.com writes:
karol wrote
This doesn't solve the problem. Look at the example. In the first system
spacing is proper, but in the second, distance between 'b' and 'd' is 9
(should be 10.5).
I think this is a paradoxical
Tom van der Hoeven wrote
The partn.lyp files contain definitions like
partname = Part N
music = \relative c'' { a b c d }
within the book I use \partname and \music.
The question is:
Has a variable definition to be outside any environment,
[...]
for instance the \book environment.
Hi all,
Thanks for the help… until someone comes up with a truly “automated” method,
I’m simply going to hand-code the extra spacing “strut, e.g.
\version 2.17.29
\paper {
bookTitleMarkup = \markup \fill-line { \abs-fontsize #18 \fromproperty
#'header:title }
scoreTitleMarkup = \markup
Hi Kieren,
this is how I might do it:
use combine to place the number above the title line, so it doesn't
disturb its centering.
%%%
\version 2.17.29
\paper {
bookTitleMarkup = \markup \fill-line { \abs-fontsize #18 \fromproperty
#'header:title }
scoreTitleMarkup = \markup \center-column {
On 12/16/2013 11:25 AM, Kieren MacMillan wrote:
Hi all,
Thanks for the help… until someone comes up with a truly “automated” method,
[...]
Hi Kieren,
how about the following? Uses
- \with-dimensions to fake zero extent for the markup that should not
be considered for spacing,
- \halign
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hi all,
Thanks for the help… until someone comes up with a truly “automated”
method, I’m simply going to hand-code the extra spacing “strut, e.g.
It does not get a price for being pretty and requires the markup changes
committed late in
Hi David and Alexander,
These are extremely clever (and nearly identical) solutions — thanks!
Now I just need to figure out why it messes up when moving it from this minimal
snippet to my full titling system.
(It’s almost certainly an unintended effect of \with-dimensions…)
But this definitely
2013/12/16 Henning Hraban Ramm lilypon...@fiee.net:
Am 2013-12-15 um 18:26 schrieb Thomas Morley thomasmorle...@gmail.com:
Additional bass is downcase.
germanChordNames.ly
And how can I change that?
Mostly I’d like my additional bass uppercase, only in some cases (sic)
lowercase.
I'll try
Never mind: I simply forgot to reintroduce (in my real titling block) a \column
to “counteract” the initial \fill-line (from the snippet).
All is now perfect — thanks again!
Kieren.
On Dec 16, 2013, at 6:14 AM, Kieren MacMillan kieren_macmil...@sympatico.ca
wrote:
Hi David and Alexander,
On 12/16/2013 12:14 PM, Kieren MacMillan wrote:
Hi David and Alexander,
These are extremely clever (and nearly identical) solutions —
thanks!
Welcome.
Now I just need to figure out why it messes up when moving it from
this minimal snippet to my full titling system. (It’s almost
certainly an
This is great also for me thanks!
Francois
2013/12/16, Thomas Morley thomasmorle...@gmail.com:
2013/12/16 Henning Hraban Ramm lilypon...@fiee.net:
Am 2013-12-15 um 18:26 schrieb Thomas Morley thomasmorle...@gmail.com:
Additional bass is downcase.
germanChordNames.ly
And how can I change
I thought that the time change might force it to align correctly, but when
you have it in 2/2 and use \bar the exact same problem appears. Doing
what Keith suggested (and what I originally tried, but I couldn't remember
how to make the SpanBar transparent) should work the best.
On Mon, Dec 16,
On 12/16/2013 02:54 PM, Alex Loomis wrote:
This is really minor, but I was noticing that the positioning of the
spaces in Fairy Tale Ending gives it the illusion of being a little
too far to the left. Is there a way to center lines on a word instead of
centering the entire phrase?
Hi Alex,
Hi Alex(i),
I cannot see an automated version around the corner which figures out the
proper word to put in the center. Might be doable by looping over all words,
computing their extents, and taking the most centered one”
No… but it would be a reasonably good manual/automatic hybrid if you
Hi Alex,
This is really minor
It *is* really minor… but I like your eye for detail! =)
Thanks,
Kieren.
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Alex,
Visually it is perfect! Thank you for the time you took to do this. It's
still a grace note in midi, but I can live with that. As a grace note it
does not affect lyrics, which is a plus. It's still in the midi output,
but if I'm doing something with the midi, I can always comment out
Hello again,
Here’s what I’ve cobbled together, with no real understanding of what these
things actually do… ;)
\layout {
\context {
\type Engraver_group
\name TextLine
\consists Collision_engraver
\consists Axis_group_engraver
\consists Separating_line_group_engraver
Gentlemen,
In context, Schubert Impromptu D. 899, the command lines
\once\override Score.BarLine #'transparent = ##t
\once\override Score.SpanBar #'transparent = ##t
\bar|
Inserted the key change correctly. Lilypond maintained spacing and broke the
line after the key change.
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hello again,
Here’s what I’ve cobbled together, with no real understanding of what these
things actually do… ;)
\layout {
\context {
\type Engraver_group
\name TextLine
\consists Collision_engraver
\consists
Hi David,
It's folded into Axis_group_engraver, so you just need to set
remove-empty and remove-first to ##t.
Thanks.
Except now no text appears at all…?
Kieren.
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Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hi David,
It's folded into Axis_group_engraver, so you just need to set
remove-empty and remove-first to ##t.
Thanks.
Except now no text appears at all…?
I see
keepAliveInterfaces = #'(
bass-figure-interface
Hi David,
You probably need to set the keepAliveInterfaces of your text engraver
to a list including an interface that is actually getting used by your texts.
D’oh. Thanks.
Oh, and for once, I actually *truly appreciated* the “teach a man to fish”
approach of your response. ;)
All the best,
Hi all,
I'm having an issue where a short alternate ending on a piece results
in the last staff being a bit short. I have not encountered this with
other music, and when trying to put together a shorter minimal working
example couldn't reproduce the problem. The song in question, however,
is
On Mon, Dec 16, 2013 at 11:28 AM, Sam Whited s...@samwhited.com wrote:
Hi all,
I'm having an issue where a short alternate ending on a piece results
in the last staff being a bit short. I have not encountered this with
other music, and when trying to put together a shorter minimal working
On 12/16/2013 12:38 PM, James Worlton wrote:
Your last chord in the \harmonies variable is still set at duration '2'.
Wow, that's almost embarrasing. Thanks for that; just one of those
things I should have noticed, but didn't.
Best,
Sam
--
Sam Whited
pub 4096R/EC2C9934
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hi David,
You probably need to set the keepAliveInterfaces of your text engraver
to a list including an interface that is actually getting used by your texts.
D’oh. Thanks.
Oh, and for once, I actually *truly appreciated* the “teach a
On Mon, 16 Dec 2013 01:07:35 -0800, David Kastrup d...@gnu.org wrote:
Keith OHara k-ohara5...@oco.net writes:
The StaffGrouper, that makes different spacing at the end of a group, is
created by the Vertical_align_engraver (despite what the manual says) so
if you remove the
On Mon, Dec 16, 2013 at 11:41 AM, Sam Whited s...@samwhited.com wrote:
On 12/16/2013 12:38 PM, James Worlton wrote:
Your last chord in the \harmonies variable is still set at duration '2'.
Wow, that's almost embarrasing. Thanks for that; just one of those
things I should have noticed, but
Keith OHara k-ohara5...@oco.net writes:
On Mon, 16 Dec 2013 01:07:35 -0800, David Kastrup d...@gnu.org wrote:
Keith OHara k-ohara5...@oco.net writes:
The StaffGrouper, that makes different spacing at the end of a group, is
created by the Vertical_align_engraver (despite what the manual
Hanno wrote
I'm looking for a way to include the key in my title,
because currently I write this manually into the subtitle-field
and keep forgetting to change this after transposing.
Hi Hanno, Unfortunately I don't know of a way to do this. It seems that
the title is processed before any
Hi all,
I am trying to typeset a song and there are two levels of lyrics
where one runs faster and the other slower such that in a single
measure you have a word on a whole not in one voice and in an other
voice you have several words on several notes. The thing i am trying
to accomplish is to
- Original Message -
From: Shane Brandes sh...@grayskies.net
To: LilyPond User Group lilypond-user@gnu.org
Sent: Monday, December 16, 2013 5:59 PM
Subject: Lyric extender
Hi all,
I am trying to typeset a song and there are two levels of lyrics
where one runs faster and the other
Shane Brandes wote Monday, December 16, 2013 5:59 PM
I am trying to typeset a song and there are two levels of lyrics
where one runs faster and the other slower such that in a single
measure you have a word on a whole not in one voice and in an other
voice you have several words on several
Hi Trevor (et al.),
You don't say what release you are using, but if it's a fairly
recent release 17 this may help you:
http://www.lilypond.org/doc/v2.17/Documentation/notation/techniques-specific-to-lyrics#polyphony-with-shared-lyrics
This is nice!
But ultimately it shows that we still need
Lilypond version 2.17.95 sorry about version the omission.
I solved the problem with this unpleasant kludge:
\once\override TextScript.extra-offset = #'(4.2 . -2.5) g bes es1
but if anyone comes up with something more effective I will implement
it. The melismaBusy set unset
Hi Shane,
I solved the problem with this unpleasant kludge:
\once\override TextScript.extra-offset = #'(4.2 . -2.5) g bes es1
but if anyone comes up with something more effective I will implement it.
At the very least, adjust the extender itself, rather than adding a
Surely if it's his solo it is up to him/her how he wishes to interpret
it. His interpretation can change ( should change) if his mood
changes.
Steve
On Sat, Dec 14, 2013 at 12:41:36PM +0100, Xavier Noria wrote:
Not specific to Lilypond but hope you don't mind the question, I have
looked for
I used Kieren's approach which has the virtue of making the adjustment
obvious to the object being adjusted, but it is still computationally
expensive in so far as i still had to guess at the value of the
extension and has to run several guesses. If this had been more than a
2 page Christmas ditty
Hi Shane,
it is still computationally expensive
…which is exactly why I’ve [again] posted a feature request for a
computationally free” function:
p.s. This situation is exactly the type of thing which has prompted me to ask
(many times in the past) for the ability to set width
Hello all,
A large proportion of my compositions and arrangements include voice. There are
certain (one might almost say “many”) things about Lily’s vocal engraving
engine that need fixing. Hence I was very excited when Janek took that part of
Lily on during his Google Summer of Code stint.
hi kieren,
On Mon, Dec 16, 2013 at 10:01 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hello all,
When a Staff is populated by \partcombine, it is often difficult to
tell/remember who is playing right after a page-break. (n.b., Unlike
percussion or vocal staves, it isn’t
Hello all,
When a Staff is populated by \partcombine, it is often difficult to
tell/remember who is playing right after a page-break. (n.b., Unlike percussion
or vocal staves, it isn’t normal practice to change the shortInstrumentName of
a \partcombine-d Staff.)
I’ve seen several scores
Hi Simon,
i posted almost the same question in october:
http://lists.gnu.org/archive/html/lilypond-user/2013-10/msg00482.html (and
http://lists.gnu.org/archive/html/lilypond-user/2013-10/msg00324.html )
Ha!
and got no answer. maybe this time…
Fingers crossed…
Kieren.
Hello all!
I would love to hear from anyone who has engraved a full opera or musical (with
at least vocal score plus full score) in Lilypond.
Specifically:
1. Is lilypond-book the only sane way to do it?
2. What functions/extensions/tricks did you use to bend Lily to your will?
3. What pitfalls
Kieren:
I would love to hear from anyone who has engraved a full opera or
musical (with at least vocal score plus full score) in Lilypond.
If you count H.Purcells Dido et Æneas for a full opera, take a look
at:
http://turkos.aspodata.se/noter/dido_et_aeneas/
Specifically:
1. Is
I haven't done one but I am keen to learn. If those who know don't mind me
asking what their strategies/workflows are like for such huge works?
Thanks
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/calling-all-opera-musical-engravers-tp156024p156026.html
Sent from the
I just installed version 2.17.97 (before I used 2.14 or 2.16).
Now I get for the following code no barline at the place, where I want to
get the :| repetition-barline.
c2 r |
\bar ||
\mark \markup { \musicglyph #scripts.coda }
r1
\bar :|
\break
% Coda
\mark \markup { \musicglyph
2013/12/16 Werner mey@web.de
I just installed version 2.17.97 (before I used 2.14 or 2.16).
Now I get for the following code no barline at the place, where I want to
get the :| repetition-barline.
this has changed to \bar :|.
http://lilypond.org/doc/v2.17/Documentation/changes/index.html
Hello Federico,
this has changed to \bar :|.
thank you very much!
Werner
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I don't see the change in the list.
On Mon, Dec 16, 2013 at 5:40 PM, Werner mey@web.de wrote:
Hello Federico,
this has changed to \bar :|.
thank you very much!
Werner
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Hello LilyPond community!
I want to use LilyPond file format for storing music sheets, could you tell
me if there are any lilypond file format parsers available? Preference is
.net based, but any other parsers would be useful too.
With Regards,
Michael
on the bottom of the page:
The bar line user interface has changed. Bar glyphs now resemble the
appearance of the bar line, so a left repeat sign has to be coded as .|:.
The command \defineBarLine provides an easy way to define additional bar
line styles.
You may have used Ctrl + F instead of
Hi all, ( I sent this out a few days ago but never saw it come through)
Could someone rewrite the text for LilyPond 2.17.97 Notation
Reference: 2.2.2 Piano to reflect that leaving the final \sustenutoOff
in the text variant of the sustain pedal function does not do the same
fancy auto ending
2013/12/16 Thomas Morley thomasmorle...@gmail.com:
2013/12/16 Henning Hraban Ramm lilypon...@fiee.net:
Am 2013-12-15 um 18:26 schrieb Thomas Morley thomasmorle...@gmail.com:
Additional bass is downcase.
germanChordNames.ly
And how can I change that?
Mostly I’d like my additional bass
Dear Kieren and all,
Il 16/12/2013 22:59, Kieren MacMillan ha scritto:
I would love to hear from anyone who has engraved a full opera or musical (with
at least vocal score plus full score) in Lilypond.
I engraved the critical edition of Traetta's /Enea nel Lazio/ in full
score. It's a 18th
Kieran-
I am finished with my latest opera The Map we're starting a
kickstarter proposal in January or Feb. The director and conductor are
on board, auditions probably in Sept '14.
8 singers, 8 instrumentalists, minimal spoken dialogue fully scored
out.
I did not use lily -book it was/is
Am 2013-12-17 um 06:36 schrieb Thomas Morley thomasmorle...@gmail.com:
2013/12/16 Henning Hraban Ramm lilypon...@fiee.net:
Am 2013-12-15 um 18:26 schrieb Thomas Morley thomasmorle...@gmail.com:
Additional bass is downcase.
germanChordNames.ly
And how can I change that?
Mostly I’d like my
On Dec 16, 2013, at 11:59 PM, Kieren MacMillan kieren_macmil...@sympatico.ca
wrote:
Hello all!
I would love to hear from anyone who has engraved a full opera or musical
(with at least vocal score plus full score) in Lilypond.
Specifically:
1. Is lilypond-book the only sane way to do
Hello,
This is the shortest example I can make (I've removed the part of the verse
that doesn't collide with notes and left only the part that shows the
issue):
altoMusic = \relative c' {
r4 f2( bes4 |
bes8[ a8 g8 f8] g8[ f8] ees4) |
r4 f8([ ees8] d4 g4 |
g8[ f8 ees8 d8] ees8[ d8] c4) |
On Dec 17, 2013, at 8:42 AM, bombcar lilyp...@bombcar.com wrote:
Hello,
This is the shortest example I can make (I've removed the part of the verse
that doesn't collide with notes and left only the part that shows the
issue):
altoMusic = \relative c' {
r4 f2( bes4 |
bes8[ a8 g8 f8]
Yes. It's hard to see in that short example; I've uploaded the entire file
and PDF here:
http://schnecke.bombcar.com/random/dingdongmerrilyonhigh.ly
http://schnecke.bombcar.com/random/dingdongmerrilyonhigh.pdf
As you can see the verses are fine; the refrain has a slur run into the
dashes.
-tom
On Dec 17, 2013, at 8:52 AM, bombcar lilyp...@bombcar.com wrote:
Yes. It's hard to see in that short example; I've uploaded the entire file
and PDF here:
http://schnecke.bombcar.com/random/dingdongmerrilyonhigh.ly
http://schnecke.bombcar.com/random/dingdongmerrilyonhigh.pdf
As you can
On 12/17/2013 07:52 AM, bombcar wrote:
Yes. It's hard to see in that short example [...]
Hi Tom,
well, it was non-existent there, at least with the versions I could
check quickly (2.14.2 and 2.17.96). Some thoughts:
For 2.16, it's probably okay to use
\override LyricHyphen #'Y-extent =
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