Noeck wrote
Hi,
is the lilypond code formatting that Frescobaldi does also available as
a commandline tool?
Joram
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What do you mean by
Zitat von Noeck noeck.marb...@gmx.de:
Hi,
is the lilypond code formatting that Frescobaldi does also available as
a commandline tool?
Joram
I'm not sure about the current state of affairs, but Wilbert is/has
been busy moving lots of stuff in a dedicated module and removing
dependencies
2014/1/2 u...@openlilylib.org
Zitat von Noeck noeck.marb...@gmx.de:
Hi,
is the lilypond code formatting that Frescobaldi does also available as
a commandline tool?
Joram
I'm not sure about the current state of affairs, but Wilbert is/has been
busy moving lots of stuff in a
Federico Bruni fedel...@gmail.com schrieb:
2014/1/2 u...@openlilylib.org
Zitat von Noeck noeck.marb...@gmx.de:
Hi,
is the lilypond code formatting that Frescobaldi does also available
as
a commandline tool?
Joram
I'm not sure about the current state of affairs, but Wilbert is/has
- Original Message -
From: Noeck noeck.marb...@gmx.de
To: lilypond-user lilypond-user@gnu.org
Sent: Thursday, January 02, 2014 7:23 AM
Subject: output diff
Hi
I remember that I have seen something like a diff of output files for
lilypond as regtests some where. Objects that match are
On Fri, Dec 6, 2013 at 2:40 PM, Noeck noeck.marb...@gmx.de wrote:
is it possible somehow, to split contents of a music expression into
two? I am asking for a piano staff which I would enter as follows:
upper = { a4\f g f e\p }
lower = { a,1 }
Greetings,
sorry for answering so late but this
On Sat, Dec 28, 2013 at 3:22 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Best, I suppose, would be to have a calculated default with a manual override
option. =)
Hi Kieren,
I’m a bit late but:
I did use LilyPond for long and complex scores (operas tend to be a
LOT less complex
Valentin Villenave valen...@villenave.net writes:
- Trust not only the program but the community. I can’t count the
hundreds of times where I got stuck, angstily asked a crucial question
and got my life-defining answer WITHIN MINUTES. Every roadblock I
encountered evidently wasn’t _that_ much
Noeck noeck.marb...@gmx.de writes:
Hi
I remember that I have seen something like a diff of output files for
lilypond as regtests some where. Objects that match are drawn in black
and if not, the old one is printed in red and the new in green.
Is that available as a general tool?
Yes and
2014/1/2 Tim McNamara tim...@bitstream.net:
The MacPorts installation includes Cairo +quartz +x11, the +quartz of which
is incompatible with Pango. Apparently the +quartz backend for Cairo is
broken. Pango is a dependency for xpn, which I would like to install, but
Pango refuses to
Janek, you wrote Monday, December 09, 2013 11:31 PM
2013/12/6 Trevor Daniels t.dani...@treda.co.uk:
Janek Warchoł wrote Thursday, December 05, 2013 11:29 PM
2013/12/6 Trevor Daniels t.dani...@treda.co.uk:
A simpler approach would be to embed templates into LP so that they
could just be
Hi Valentin,
What you’re describing is actually exactly what I do in my own scores:
http://git.savannah.gnu.org/cgit/opus-libre.git/tree/lib/libdynamics.scm#n22
The advantage of the code I use is that it takes the dynamics from
either the upper or the lower staff:
\new PianoStaff
\new
But if I would like to get an accelerando of 110 %, from 1 to 1.1, how
could this be done?
2014/1/1 David Kastrup d...@gnu.org
Stefan Thomas kontrapunktste...@gmail.com writes:
Dear community,
is it possible to use fractional or decimal numbers in ly:make-moment?
Fractional: yes,
Stefan Thomas kontrapunktste...@gmail.com writes:
2014/1/1 David Kastrup d...@gnu.org
Stefan Thomas kontrapunktste...@gmail.com writes:
Dear community,
is it possible to use fractional or decimal numbers in ly:make-moment?
Fractional: yes, decimal: no.
\once \override Beam
On Thu, Jan 2, 2014 at 1:40 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
http://git.savannah.gnu.org/cgit/opus-libre.git/tree/lib/libdynamics.scm#n22
This is a wonderful function/extension, which — in my opinion — should be in
the regular distro.
It *is* quite useful (at least to
Ok, sorry, I didn't see that rightly in the manual!
Thanks,
Stefan
2014/1/2 David Kastrup d...@gnu.org
Stefan Thomas kontrapunktste...@gmail.com writes:
2014/1/1 David Kastrup d...@gnu.org
Stefan Thomas kontrapunktste...@gmail.com writes:
Dear community,
is it possible to use
I have a vague recollection that someone has already mentioned this, but I
cannot find it anywhere.
The 2.18 convert-ly is placing \version 2.17.97 in its output files when
run with options -eb.
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- Original Message -
From: Patrick or Cynthia Karl pck...@mac.com
To: lilypond-user@gnu.org
Sent: Thursday, January 02, 2014 3:28 PM
Subject: convert-ly version 2.18
I have a vague recollection that someone has already mentioned this, but I
cannot find it anywhere.
The 2.18
Hi Keith,
The \pushToTag function does not insert skips of the correct length.
It inserts existing pieces of music into other music without adjusting
lengths, nor computing any lengths.
Correct.
It would be helpful for LilyPond to compute rest-lengths for us.
That *would* be great!
I am
Hi Valentin,
- Like all of my code, it is written in a ugly-hackish-sort-of way,
making use of tags etc.
Yes… What would be the non-ugly-hackish-sort-of-way?
- It also encourages the *user* to write in a ugly-hackish-sort-of way
(for instance you can begin a crescendo in the lower Staff and
I figured I'd wait till 2.18.0 to see if something magical occurred, but
now I know for sure...
When I use the snippet:
#(define fonts
(make-pango-font-tree Linux Libertine G
Nimbus Sans
Luxi Mono
(/ myStaffSize 20)))
On my Mac (which is Snow Leopard) I do not get Linux Libertine but some
On Thu, Jan 2, 2014 at 11:39 AM, Joshua Nichols
josh.d.nich...@gmail.com wrote:
I figured I'd wait till 2.18.0 to see if something magical occurred, but now
I know for sure...
When I use the snippet:
#(define fonts
(make-pango-font-tree Linux Libertine G
Nimbus Sans
Luxi Mono
(/
Hello,
Last time (a long time ago) I had that problem, I deleted the fonts cache
file created by LilyPond in my user folder with:
Philippe
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Weirdness-With-Fonts-and-Font-Tree-Snippet-tp156948p156954.html
Sent from the
On Thu, 02 Jan 2014 07:51:03 -0800, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
1. Can this be “prefix” rather than “postfix”? e.g.,
2. Could we use \alignTo instead of overloading \tag? e.g.
\alignTo #’verse R1 ...
Yes, that would actually be easier to interpret.
It would
Thanks for your response Carl,
Is the font installed at the
User level or at the Computer level?
I think it is both. I installed a user font (that was from the source)
and that appeared on the user level... but the system had a font called
Linux Libertine G which is native to LibreOffice (the
2014/1/2 Joshua Nichols josh.d.nich...@gmail.com
When I use the snippet:
#(define fonts
(make-pango-font-tree Linux Libertine G
Nimbus Sans
Luxi Mono
(/ myStaffSize 20)))
On my Mac (which is Snow Leopard) I do not get Linux Libertine but some
sans serif font (I imagine it is
Hi all,
Does anyone have a function to automatically lay out a list of markups in two
columns?
Bonus points for margin/width/gutter parameter control, and auto page-breaking.
=)
I’m doing it all manually right now, and it’s a bit frustrating…
Thanks,
Kieren.
Hello all,
Riffing on some recent threads/discussions… I’d love to have a discussion about
what can (and cannot) be done to take the current \book \bookpart
mechanism(s) to the goal line, and then come up with a list of specific feature
requests (and possible bounties) to get us there.
Here
I ran the command verbatim, and nothing occurred. Need I tell you I am not
that in-tune to programming stuff, so I might be missing something.
IC,
Josh
On Thu, Jan 2, 2014 at 12:05 PM, Federico Bruni fedel...@gmail.com wrote:
2014/1/2 Joshua Nichols josh.d.nich...@gmail.com
When I use the
2014/1/2 Joshua Nichols josh.d.nich...@gmail.com
I ran the command verbatim, and nothing occurred. Need I tell you I am not
that in-tune to programming stuff, so I might be missing something.
try running just:
fc-list
and post here the output (if any)
Le 01/01/2014 19:01, Federico Bruni a écrit :
Dear Lilyponders
some recent posts in this list made me think about the weaknesses of
Mutopia and why people who may contribute to it are not doing so.
I'd like to have some feedback from you. Which change in the Mutopia
interface/decisions would
My second score created with Lilypond is (again) choral music, set with a
mensurstriche.
It's a 100 measure score; here I present the first 10 measures, and the
upper two staffs, copy-pasted in this message. Can you please have a look,
your comments are appreciated.
When creating source
Another discussion point:
3. \bookpartTitleMarkup (analogous to \bookTitleMarkup and \scoreTitleMarkup).
Cheers,
Kieren.
On Jan 2, 2014, at 1:40 PM, Kieren MacMillan kieren_macmil...@sympatico.ca
wrote:
Hello all,
Riffing on some recent threads/discussions… I’d love to have a discussion
Federico, thanks for writing this. There is a mixture of hope and despair
in the responses, as well as an understanding of the complexities in an
all-volunteer site.
The content in Mutopia is substantial enough to be a great resource and
managing this content via volunteers will always be a
On Wed, Jan 1, 2014 at 11:11 AM, David Kastrup d...@gnu.org wrote:
Federico Bruni fedel...@gmail.com writes:
Dear Lilyponders
some recent posts in this list made me think about the weaknesses of
Mutopia and why people who may contribute to it are not doing so. I'd
like to have some
David Kastrup wrote
We are proud to announce the release of GNU LilyPond 2.18.0 - the new
stable release.
Congratulations! Many thanks and props to David and the whole LilyPond team
for all their hard work. Great to see LilyPond continuing to improve with
another solid release.
Best wishes
Colin Tennyson colintenny...@outlook.com writes:
There is the hierarchical ordering:
Score
StaffGroup
Staff
Voice
(And of course there are additional levels in between, as part of the
internal Lilypond implementation. )
As you can see in my 10 measure snippet, I inserted a
Am 02.01.2014 11:39, schrieb Valentin Villenave:
On Fri, Dec 6, 2013 at 2:40 PM, Noeck noeck.marb...@gmx.de wrote:
is it possible somehow, to split contents of a music expression into
two? I am asking for a piano staff which I would enter as follows:
upper = { a4\f g f e\p }
lower = { a,1 }
On Thu, Jan 2, 2014 at 6:43 PM, Joshua Nichols josh.d.nich...@gmail.com wrote:
see attached. It was lengthy.
IC,
Josh
I didn't find an entry for Linux Libertine in your listing.
On my machine, I checked Font Book and it looks like I have it
installed both as a user copy and as a system
Glen Larsen glenl@gmail.com writes:
3. Requisites for the lilypond files
Some people are discouraged by the criteria to get the files accepted. For
example, they may create the score with Denemo and then export the lilypond
file, but they cannot check the quality of the file.
I'd suggest
Okay, so I did the obvious and went through the Fontbook and literally
clicked and dragged the fonts into the computer (I guess that's the sys
place) tab, and then I re-typeset the file: It worked...
Well... there's for a lot of heartburn! Thank y'all for helping out! I
can't believe that to get
Joshua Nichols josh.d.nichols at gmail.com writes:
see attached. It was lengthy.
For future reference, probably you needed this, for case-insensitive
searching.
fc-list | grep -i libertine
hjh
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David Kastrup wrote
\transpose c' c' can just be removed and/or inserted.
If a single music expression is preceded with \transpose c' c', the
result is again a single music expression. And since \score only
accepts a single music expression, you can always insert \transpose c'
g' right
On Thu, Jan 2, 2014 at 7:38 PM, Joshua Nichols josh.d.nich...@gmail.com wrote:
Okay, so I did the obvious and went through the Fontbook and literally
clicked and dragged the fonts into the computer (I guess that's the sys
place) tab, and then I re-typeset the file: It worked...
Well...
Colin Tennyson colintenny...@outlook.com writes:
David Kastrup wrote
\transpose c' c' can just be removed and/or inserted.
If a single music expression is preceded with \transpose c' c', the
result is again a single music expression. And since \score only
accepts a single music expression,
Hi Keith,
It would extend the following rest,or skip, so that the rest ends when
\tag#'verse happens in the conductor part. Maybe \extendUntil#'verse would
be more explicit, but syntax can follow function.
It could also be something like
\attachAt #’verse {
R1
c’4 d' e’ f’
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Hello,
I would like to know how to use the \include command for only part of a score.
It is not described in the manual.
A reply would be much appreciated.
Thanks.
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On Thu, Jan 2, 2014 at 6:55 PM, guocuozuoduo brian777...@hotmail.com wrote:
I would like to know how to use the \include command for only part of a score.
It is not described in the manual.
sectionA.ily:
\relative c' {\time 4/4 c1 |}
sectionB.ily:
\relative c' {e1 |}
score.ly:
\score {
\new
On 1/2/14 10:51 AM, Joshua Nichols josh.d.nich...@gmail.com wrote:
Thanks for your response Carl,
Is the font installed at the
User level or at the Computer level?
I think it is both. I installed a user font (that was from the source)
and that appeared on the user level... but the system had
Hi Colin,
On 1/2/14 12:20 PM, Colin Tennyson colintenny...@outlook.com wrote:
Following the example in the above link I have placed the layout-declaring
commands in a separate group called 'barSetup':
- \hide Staff.BarLine
- All the instances of \break
- \undo \hide \Staff.BarLine
The \undo
This is great information to have. Thanks for that tip!
IC,
Josh
On Thu, Jan 2, 2014 at 7:11 PM, Carl Peterson carlopeter...@gmail.comwrote:
On Thu, Jan 2, 2014 at 7:38 PM, Joshua Nichols josh.d.nich...@gmail.com
wrote:
Okay, so I did the obvious and went through the Fontbook and
I've gone through and removed everything at the User level that is
duplicated at the System level. This is great information. Thanks again for
the tips!
IC,
Josh
On Thu, Jan 2, 2014 at 8:22 PM, Carl Sorensen c_soren...@byu.edu wrote:
On 1/2/14 10:51 AM, Joshua Nichols
Indeed, I have found that on Mac OS X, the system is very picky
about what it sees and doesn't see. For instance, I use the
SkyFonts program to install fonts from the Google Fonts site.
Apparently, it doesn't install them as system fonts, so if I want to
use them in LilyPond (and PT Sans
On Thu, 02 Jan 2014 17:31:24 -0800, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
It could also be something like
\attachAt #’verse {
R1
c’4 d' e’ f’
... }
Then it would end up extending the current \pushToTag functionality
by filling with rests the duration from the
I'd like to have some feedback from you. Which change in the Mutopia
interface/decisions would make you start contributing or contributing more?
I wanted to contribute with the 4th symphony of Schumann which was
ready to be submitted. I had spent some time to adjust the page layout
for A4 paper
Am 03.01.2014 06:51, schrieb Daniel Rosen:
How can I modify the code below so that it produces output more along the lines
of the attachment (regarding the numbers over the percent repeats)? I want the
number to express how many measures are being repeated, not how many
repetitions.
I think
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