2014/1/11 Shane Brandes sh...@grayskies.net:
Working on the Godowsky challenge posed by Urs, I came up with this
really unpleasant workaround to splitting the beams as in the
original. Can anyone make this work without having to resort to adding
a second voice?
Sure, and i have already posted
Hi,
Some time ago we were discussing what percentage of slurs in LilyPond
need shaping:
2013/10/18 David Kastrup d...@gnu.org:
Janek Warchoł janek.lilyp...@gmail.com writes:
Hi all,
\shape is an awesome function, indispensable for creating
publication-quality slurs. However, after using it
Philip Rhoades p...@pricom.com.au writes:
Kevin,
On 2014-01-11 17:40, Kevin Tough wrote:
From a Fringe Coder,
I like Vim (text editor).
The choice of champions!
I like to code with minimal but descriptive
syntax(ie. Visual Basic).
Basic will cause brain damage - try Ruby!
For
Bric b...@flight.us writes:
trying random instruments from the list of instruments on this page:
http://www.lilypond.org/doc/v2.17/Documentation/notation/midi-instruments
here are the values for which my timidity (version 2.13.2) creates an
audible track (a few picked at random):
cello
David Kastrup d...@gnu.org schrieb:
Philip Rhoades p...@pricom.com.au writes:
Kevin,
On 2014-01-11 17:40, Kevin Tough wrote:
From a Fringe Coder,
I like Vim (text editor).
The choice of champions!
I like to code with minimal but descriptive
syntax(ie. Visual Basic).
Basic will
Daniel Rosen drose...@gmail.com writes:
myoctavate =
#(define-music-function (parser location music) (ly:music?)
(make-relative (music) music
#{ \context Bottom $music \transpose c c' $music #}))
\relative { \myoctavate { a b c d } e f g a }
That gets me the attached
Am 11.01.2014 07:39, schrieb David Kastrup:
Bric b...@flight.us writes:
trying random instruments from the list of instruments on this page:
http://www.lilypond.org/doc/v2.17/Documentation/notation/midi-instruments
here are the values for which my timidity (version 2.13.2) creates an
Hi all,
I am working on a score from Boosey and Hawkes and noticed that dotted
notes are different engraved compared with default Lilypond output. They
use \dotsDown when there is something (slur, tie, fermata) above the
dotted note. See the enclosed snippet and figure: default is Lilypond
Hi Ed,
[Boosey Hawkes] use \dotsDown when there is something (slur, tie, fermata)
above the dotted note.
Should Lilypond do that too?
According to Gould — which is, nowadays, the musical analogue of “according to
Hoyle” — the *tie* should be adjusted and not the *dot*.
So Boosey Hawkes’s
Hi David (and Daniel),
Kieren's solution does not actually work.
I had a nagging suspicion it wouldn’t work in every situation… =\
See URL:http://code.google.com/p/lilypond/issues/detail?id=3797 which
will, once completed, fix this problem.
Looking forward to that!
Best,
Kieren.
On Sat, 11 Jan 2014, Noeck wrote:
But you can do better than default timidity:
timidity/timidity++ has no default soundfont. In fact it doesn't have a
soundfont at all. It's the distributions that provide a soundfont or
patchset and use this as default.
But if you want to use another
Hi Janek,
Thank you for all your continuing and wonderful work on curves in particular,
and Lilypond in general!
1. Would you consider putting all your tweaks and shortcuts in a file — on
GitHub, maybe? ;) — so that we can all benefit from your expertise?
2. When might HDLCCO (the
Hi Phil, I'm replying to the whole list so others can also benefit from our
exchange.
Philip Rhoades wrote
Thanks for that - I am starting make progress with the manual but could I
impose on you once more so I can do some printing soon? How do I use the
stuff you have given me in the Staff
Hi all,
could someone else please look at this thread and try and help him out?
This looks like a scheme backtrace, but that’s all I can say. Is
something wrong with the Century Schoolbook L font installation or what
could help here? (It was an upgrade to 2.18 [see previous mails] so to
my
Janek,
I really thought someone did but that is only helpful if it is
possible to find missive again.
Cheers,
Shane
On Sat, Jan 11, 2014 at 3:16 AM, Janek Warchoł janek.lilyp...@gmail.com wrote:
2014/1/11 Shane Brandes sh...@grayskies.net:
Working on the Godowsky challenge posed by Urs, I
2014/1/11 Shane Brandes sh...@grayskies.net:
Janek,
I really thought someone did but that is only helpful if it is
possible to find missive again.
My previous mail was intended as a joke, but it was apparently a bad
one, sorry. The link is here:
Shane,
The thread is here:
http://lists.gnu.org/archive/html/lilypond-user/2013-12/msg01190.html
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Shane
Brandes
Sent: Saturday,
Hi,
My score is running out of the page, as in the in the link below.
Can someone give me a hint what could be the reason for that?
thanks!
ole
www.oleschmidt.info/bcl.pdf
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Hi Ole,
My score is running out of the page, as in the in the link below.
Can someone give me a hint what could be the reason for that?
It’s almost certainly a measure-duration problem.
Are you using bar-checks?
Kieren.
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ole m...@oleschmidt.info writes:
Hi,
My score is running out of the page, as in the in the link below.
Can someone give me a hint what could be the reason for that?
Try bar checks. It's usually because of notes losing sync with the
beginning of the bars (which are the only place where line
There has been a difference of opinion on why the default B7 guitar chord
shape should be. I'm making a poll to determine what the users would
prefer.
Would you like the first chord in the attachment (barred on fret 2) or the
second chord (open chord in first position)?
Thanks,
Carl
Try bar checks. It's usually because of notes losing sync with the
beginning of the bars (which are the only place where line breaks are
allowed by default).
As this question occurs from time to time, how about that:
A warning (like for barchecks) if a note spans over the end of a measure.
Would you like the first chord in the attachment (barred on fret 2) or the
second chord (open chord in first position)?
second
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On 11.01.2014, at 20:06, Carl Sorensen c_soren...@byu.edu wrote:
There has been a difference of opinion on why the default B7 guitar chord
shape should be. I'm making a poll to determine what the users would
prefer.
Would you like the first chord in the attachment (barred on fret 2) or
thanks for the quick answers, Kieren and David!
I had that before but could not remember what was the reason..
ole
Am 11.01.2014 um 19:47 schrieb Kieren MacMillan kieren_macmil...@sympatico.ca:
Hi Ole,
My score is running out of the page, as in the in the link below.
Can someone give
Carl Sorensen c_soren...@byu.edu writes:
Would you like the first chord in the attachment (barred on fret 2) or the
second chord (open chord in first position)?
I have a slight preferrence for the second although I don't mind the
first position.
In either position: why is the lower fis
Hello all,
Thanks for v2.19! Great work.
For anyone out there who wants a list of the changes, check here:
http://code.google.com/p/lilypond/issues/list?can=1q=label%3AFixed_2_19_0colspec=ID+Type+Status+Stars+Owner+Patch+Needs+Summaryx=typecells=tiles
For devs: would it be possible to
Johan Vromans jvrom...@squirrel.nl writes:
Carl Sorensen c_soren...@byu.edu writes:
Would you like the first chord in the attachment (barred on fret 2) or the
second chord (open chord in first position)?
I have a slight preferrence for the second although I don't mind the
first position.
Hi Jan-Peter,
I usually use [xe]latex, to produce the text needed for a preface or
foreword. That way I can use latex input with its own commands - in this
case: \twocolumn - and use hyphenation.
It is integrated in https://github.com/jpvoigt/lalily (latex.scm,
latex-init.scm). If you are
Hi all,
New question. I wish to force a hairpin to overlap note stems. How do we do it?
Shane
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Kieren MacMillan wrote
Hello all,
Thanks for v2.19! Great work.
For anyone out there who wants a list of the changes, check here:
O.k. that was a terrible question, after further working it is the
padding (is this the correct terminology?) that I want to get rid of.
For some reason the addition of a hairpin increases the space between
staves, which is probably admirable and useful behavior most of the
time. That is in this
On 11.01.2014, at 21:15, David Kastrup d...@gnu.org wrote:
Johan Vromans jvrom...@squirrel.nl writes:
Carl Sorensen c_soren...@byu.edu writes:
Would you like the first chord in the attachment (barred on fret 2) or the
second chord (open chord in first position)?
I have a slight
Hi,
Do you mean like the announcements found on the main website here?
http://lilypond.org/
Yes, exactly there.
The official “Changes” page (e.g.,
http://lilypond.org/doc/v2.19/Documentation/changes/index.html) does not list
absolutely every change, whereas the Google Code page [ostensibly]
- Original Message -
From: Kieren MacMillan kieren_macmil...@sympatico.ca
To: SoundsFromSound soundsfromso...@gmail.com
Cc: Lilypond-User Mailing List lilypond-user@gnu.org
Sent: Saturday, January 11, 2014 8:59 PM
Subject: Re: v2.19 released, etc.
Hi,
Do you mean like the
Hi Phil,
I do the release announcements and so could, in principle, add this. Whilst
not downplaying Kieren's request - would it be beneficial for anyone else?
I’m happy to hand-code” the Google Code URL every time…
I just thought other people might like it. =)
Thanks,
Kieren.
I do the release announcements and so could, in principle, add this.
Whilst not downplaying Kieren's request - would it be beneficial for
anyone else?
I like this idea, too. Especially for development versions.
That way I read about issue 3727:
Allow header blocks and output definitions in
On Jan 11, 2014, at 1:06 PM, Carl Sorensen c_soren...@byu.edu wrote:
There has been a difference of opinion on why the default B7 guitar chord
shape should be. I'm making a poll to determine what the users would
prefer.
Would you like the first chord in the attachment (barred on fret 2)
Phil Holmes m...@philholmes.net schrieb:
- Original Message -
From: Kieren MacMillan kieren_macmil...@sympatico.ca
To: SoundsFromSound soundsfromso...@gmail.com
Cc: Lilypond-User Mailing List lilypond-user@gnu.org
Sent: Saturday, January 11, 2014 8:59 PM
Subject: Re: v2.19 released,
[Quoting David Kastrup, on January 11 2014, 21:15, in Re: What should be t]
You know that this answer does not make sense? The second chord _is_
the first position variant.
You're right, although I assume you understand I meant the first
variant.
Uh, lowest note _must_ be root when strumming
Carl Sorensen-3 wrote
There has been a difference of opinion on why the default B7 guitar chord
shape should be. I'm making a poll to determine what the users would
prefer.
Would you like the first chord in the attachment (barred on fret 2) or the
second chord (open chord in first
Eluze elu...@gmail.com writes:
Carl Sorensen-3 wrote
There has been a difference of opinion on why the default B7 guitar chord
shape should be. I'm making a poll to determine what the users would
prefer.
Would you like the first chord in the attachment (barred on fret 2) or the
second
People,
On 2014-01-12 06:57, Kieren MacMillan wrote:
Hello all,
Thanks for v2.19! Great work.
For anyone out there who wants a list of the changes, check here:
Phil,
Any odd number version is a development version. You can find them here
www.lilypond.org/development.html
Shane
On Sat, Jan 11, 2014 at 8:41 PM, Philip Rhoades p...@pricom.com.au wrote:
People,
On 2014-01-12 06:57, Kieren MacMillan wrote:
Hello all,
Thanks for v2.19! Great work.
The repository packages are updated rarely, the lilypond website's packages
are updated pretty much day of.
On Sat, Jan 11, 2014 at 8:41 PM, Philip Rhoades p...@pricom.com.au wrote:
People,
On 2014-01-12 06:57, Kieren MacMillan wrote:
Hello all,
Thanks for v2.19! Great work.
For
Alex,
They are still showing:
LilyPond 2.18.0-1
Regards,
Phil.
On 2014-01-12 12:55, Alex Loomis wrote:
The repository packages are updated rarely, the lilypond website's
packages are updated pretty much day of.
On Sat, Jan 11, 2014 at 8:41 PM, Philip Rhoades p...@pricom.com.au
wrote:
To change the padding, use
\once \override Staff.Hairpin.outside-staff-padding = #'0
but depending on what's going on you might also have to manually set the
space between the staffs.
On Sat, Jan 11, 2014 at 3:54 PM, Shane Brandes sh...@grayskies.net wrote:
O.k. that was a terrible
Am Sonntag, den 12.01.2014, 12:59 +1100 schrieb Philip Rhoades:
Alex,
They are still showing:
LilyPond 2.18.0-1
Regards,
Phil.
That's because when you go to the Download page you're getting the
latest stable release, which _is_ 2.18.0.
If you want to see 2.19.x you have to either
http://www.lilypond.org/development.html
On Sat, Jan 11, 2014 at 8:59 PM, Philip Rhoades p...@pricom.com.au wrote:
Alex,
They are still showing:
LilyPond 2.18.0-1
Regards,
Phil.
On 2014-01-12 12:55, Alex Loomis wrote:
The repository packages are updated rarely, the lilypond
People,
On 2014-01-12 13:10, Urs Liska wrote:
Am Sonntag, den 12.01.2014, 12:59 +1100 schrieb Philip Rhoades:
Alex,
They are still showing:
LilyPond 2.18.0-1
Regards,
Phil.
That's because when you go to the Download page you're getting the
latest stable release, which _is_ 2.18.0.
If
I'm trying to make music-snippet images using lilypond, but I'd like each
snippet to always have trailing whitespace so that each of these images is
of the same width. Ultimately, these images will be embedded in an
emacs-org file (I am aware of lilypond-book).
I'm following the suggestions
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