On Sat, Feb 21, 2015 at 9:48 PM, Johan Vromans jvrom...@squirrel.nl wrote:
The tiniest example I could create reveals that it seems to be related to
the d:dim7 chord.
The example you attached compiles for me without any errors or unusual
messages (on 2.18.2).
2015-02-21 20:55 GMT+01:00 Jim Long lilyp...@umpquanet.com:
I'd like to take just a slight tangent on the recent thread about
increasing system-system-spacing. I often have scores that show
up with uneven spacing. A tiny example is attached.
First, is it syntactically correct?
And second,
2015-02-21 22:53 GMT+01:00 bobr...@centrum.is bobr...@centrum.is:
I've made my first attempts with \cueDuring. I have it working but I've hit
a small snag. The part being quoted has slurs which I want to appear in the
cue. I found how to add various *-events to cues in order to add slurs.
Thanks Trevor!
So this with stretching demands to be the next thing to put your teeth into.
/Kaj
Den 2015-02-21 23:15, skrev Trevor Daniels:
Kaj wrote Saturday, February 21, 2015 9:10 PM
One thing (among others) I still do not understand: why are there three
keys describing the distance
2015-02-22 0:00 GMT+01:00 bobr...@centrum.is bobr...@centrum.is:
I want to adjust the end of the slur to provide a visible suggestion that
that the slur continues on past the end of the quoted passage. Will this not
work in such a situation?
-David
No.
cueDuring quotes events. An
- Original Message -
From: Thomas Morley thomasmorle...@gmail.com
To: bobr...@centrum.is
Cc: Lillypond Users Mailing List lilypond-user@gnu.org
Sent: Saturday, February 21, 2015 10:05:07 PM
Subject: Re: cue_problem
2015-02-21 22:53 GMT+01:00 bobr...@centrum.is bobr...@centrum.is:
I've made my first attempts with \cueDuring. I have it working but I've hit a
small snag. The part being quoted has slurs which I want to appear in the cue.
I found how to add various *-events to cues in order to add slurs. The
problem is that the slur in question ends *after* the quoted
Kaj wrote Saturday, February 21, 2015 9:10 PM
One thing (among others) I still do not understand: why are there three
keys describing the distance between staves and systems? In the Notation
Reference
Thank you very much, Harm.
On Sat, Feb 21, 2015 at 10:52:52PM +0100, Thomas Morley wrote:
harmonies = \new ChordNames
\with {
%% !!!
%% from NR:
%% Setting staff-affinity to #f causes a non-staff line to be
- Original Message -
From: bobr...@centrum.is
To: Thomas Morley thomasmorle...@gmail.com
Cc: Lillypond Users Mailing List lilypond-user@gnu.org
Sent: Saturday, February 21, 2015 10:38:09 PM
Subject: Re: cue_problem
- Original Message -
From: Thomas Morley
Hi Kieren!
Thanks for the info.
You might be correct in what you suggest. However so far I have not seen
any complete description of stretchability. There are some words in the
paragraphs about Structure of flexible vertical spacing alists (the
link I gave in my previous note), but those are
Jim Long wrote Saturday, February 21, 2015 7:55 PM
I'd like to take just a slight tangent on the recent thread about
increasing system-system-spacing. I often have scores that show
up with uneven spacing. A tiny example is attached.
First, is it syntactically correct?
Yes; not sure the
Hello Grey,
To be sure I get you right : you’d like the users of your site to able to adapt
and complement an existing score according to their taste, is that it?
JM
Le 21 févr. 2015 à 06:24, Grey greybubble...@yahoo.com a écrit :
A little late but I hope everyone is have a great year.
Hi,
I'm typesetting Renaissance music and I'm trying to show a mensural time
signature followed by a proportion, i.e. cut 'tempus perfectum' 3/2, as here
appears on page 2:
http://javanese.imslp.info/files/imglnks/usimg/1/11/IMSLP78902-PMLP43368-
Hi Francesco,
See: http://lsr.di.unimi.it/LSR/Item?id=725
It would go:
\version 2.18.2
#(define ((double-time-signature glyph a b) grob)
(grob-interpret-markup grob
(markup #:override '(baseline-skip . 2.5) #:number
(#:line ((markup (#:fontsize 4 #:musicglyph
Taste is somewhat a broad term but pretty much.
I could estimate 5 ways it's going to be use.
1. re-composition of existing piece (same instruments)
2. new composition (different instrument)
3. new composition (remix/cover)
4. listening in general
5. new composition in general
In regard to
Hello Grey,
How will you « mix », so to say, LP scores with files from remix software, and
how can a user modify/enrich music produced by the latter directly on the web
site, without having these software installed on their workstation?
JM
Le 21 févr. 2015 à 18:20, Grey
On 2015-02-21 06:04 AM, Noeck wrote:
Hi Kaj, hi Lilypond users,
I also would like to say that again that spacing is a bit daunting. But I hope
with the help you got here, it is possible to adjust the spacing you need. The
deeper understanding will come with time and it is difficult if one wants
*How will you « mix », so to say, LP scores with files from remix software*
When I said mix, I mean to only mix musical notes and not software related.
*and how can a user modify/enrich music produced by the latter directly on
the web site, without having these software installed on their
Perfect! Thanks a lot!
Messaggio originale
Da: pierre.schneider.pa...@gmail.com
Data: 21/02/2015 16.52
A: Francesco Spigafras...@libero.it
Cc: lilypond-userlilypond-user@gnu.org
Ogg: Re: Mensural time signature + proportion
Hi Francesco,
See: http://lsr.di.unimi.it/LSR/Item?id=725
It
On Fri, Feb 20, 2015 at 8:52 PM, Johan Vromans jvrom...@squirrel.nl wrote:
With 2.18.2 I often get messages like:
the pitch is () compare #Pitch ceses
What am I doing wrong?
Hi Johan,
Could you please post some LilyPond code that will reproduce this error (a
tiny example if possible)?
Taste is somewhat a broad term but pretty much.
I could estimate 5 ways it's going to be use.
1. re-composition of existing piece (same instruments)
2. new composition (different instrument)
3. new composition (remix/cover)
4. listening in general
5. new composition in general
In regard
On Feb 21, 2015, at 9:50 AM, Jacques Menu imj-muz...@bluewin.ch wrote:
To be sure I get you right : you’d like the users of your site to able to
adapt and complement an existing score according to their taste, is that it?
IMSLP supports uploading arrangements.
Hi Kaj, hi Lilypond users,
I also would like to say that again that spacing is a bit daunting. But I hope
with the help you got here, it is possible to adjust the spacing you need. The
deeper understanding will come with time and it is difficult if one wants to
understand everything at once.
To
Hi Joram!
Thanks a lot! This is most helpful for a Lily newbie like myself!
/Peter
Peter Danemo
+46-70-653 21 91
E-post: petedom...@gmail.com
Web: danemo.com
21 feb 2015 kl. 14:04 skrev Noeck noeck.marb...@gmx.de:
Hi Kaj, hi Lilypond users,
I also would like to say that again that
Thanks, Shane. I turned auto beaming off and hid a flag, and it was
perfect. Maybe I'll finish this piece after all!
Knute Snortum
(via Gmail)
On Fri, Feb 20, 2015 at 1:57 PM, Shane Brandes sh...@grayskies.net wrote:
I ran into this problem way back with version 2.12. It is always
On Sat, Feb 21, 2015 at 8:04 AM, Noeck noeck.marb...@gmx.de wrote:
Hi Kaj, hi Lilypond users,
I also would like to say that again that spacing is a bit daunting. But I
hope
with the help you got here, it is possible to adjust the spacing you need.
The
deeper understanding will come with
Hi,
I've seen it once – didn't realize it is so similar. It doesn't contain the
spacing within a score, though, which was the issue of the original thread.
http://joramberger.de/files/LilypondSpacing.pdf
Here's another visual guide that Abraham Lee created that's similar:
Hi Joram!
I will say that compilations and overviews like this are most valuable
and usable tools for people (like me) in the state where the different
objects and concepts begin to come out of the shadows, but still you do
not know the connections between them or their exact roles. So thank
Hi Kaj (et al.),
if I understand it correct, the effective (resulting) distance will always be
the biggest of the three, hence
effective_distance = max(minimum-distance; basic-distance; padding).
Is there any reason to use three, one should be sufficient.
If I understand correctly, three
On Sat, 21 Feb 2015 18:38:33 +
Kevin Barry barr...@gmail.com wrote:
Hi Johan,
Could you please post some LilyPond code that will reproduce this error (a
tiny example if possible)?
The tiniest example I could create reveals that it seems to be related to
the d:dim7 chord.
-- Johan
%!
Noeck wrote
To make the use of spacing settings easier, I put the most relevant
settings on
this page:
http://joramberger.de/files/LilypondSpacing.pdf
Thanks Joram, this is very helpful!
Here's another visual guide that Abraham Lee created that's similar:
I'd like to take just a slight tangent on the recent thread about
increasing system-system-spacing. I often have scores that show
up with uneven spacing. A tiny example is attached.
First, is it syntactically correct?
And second, how can I get the system spacing more even?
The example
Hi Kaj,
Kaj Persson wrote
I think that aids like this are very valuable to lead the novice past
all the pitfalls surrounding her/his way towards the bigger
understanding. At first you just use it, finding it a good help, which I
will do now. Later on by investigating how it works, it also
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