subdivide (bes4, 5) - sorry about that.
On Tue, Jun 23, 2015 at 12:33 PM, Avner Dorman avnerdor...@gmail.com
wrote:
Hi All,
Is there a quicker way to write out repeated notes?
Maybe something that conceptualizes the notes
as a fraction of the total duration?
I am thinking of a function
Hi All,
Is there a quicker way to write out repeated notes?
Maybe something that conceptualizes the notes
as a fraction of the total duration?
I am thinking of a function like subdivide(pitch, ratio) which
takes the complete duration and subdivides into equal parts.
So instead of writing
I meant subdivide (best4, 5)
On Tue, Jun 23, 2015 at 12:33 PM, Avner Dorman avnerdor...@gmail.com
wrote:
Hi All,
Is there a quicker way to write out repeated notes?
Maybe something that conceptualizes the notes
as a fraction of the total duration?
I am thinking of a function like
Luca,
On Tue, Jun 23, 2015 at 5:09 AM, Luca Danieli [via Lilypond]
ml-node+s1069038n178112...@n5.nabble.com wrote:
Hello Lilypond-ers again!
How can I write an appoggiatura, which goes into an acciaccatura, and then
into the main note?
More or less this is what I thought:
appoggiatura
Am 23.06.2015 um 18:33 schrieb Avner Dorman:
Hi All,
Is there a quicker way to write out repeated notes?
Yes, although unlike the one you proposed:
http://lilypond.org/doc/v2.18/Documentation/notation/short-repeats
HTH, Simon
Maybe something that conceptualizes the notes
as a fraction of
It seems to happen at the end of a line...
-- Originalnachricht --
Von: musicus tomtom-ilm...@web.de
An: Urs Liska u...@openlilylib.org; lilypond-user@gnu.org
Gesendet: 23.06.2015 20:24:35
Betreff: Re[2]: \shape curves relative to NoteHead etc.
Hi Urs,
thanks for the \shapeII link! I
PS. The second one is a little tricky; here’s what you get for both:
{ b'4:16 \tuplet 5/4 b'4*5/4:16 }
Am 23.06.2015 um 20:57 schrieb Simon Albrecht:
Am 23.06.2015 um 18:33 schrieb Avner Dorman:
Hi All,
Is there a quicker way to write out repeated notes?
Yes, although unlike the one you
The most simple approach would probably be something like
\set stanza = \markup {
\translate #'(0 . -1) \left-brace #22
3.
}
(in the upper verse; adjust values to taste)
Yours, Simon
Am 23.06.2015 um 22:54 schrieb RomanticStrings:
I am curious how I might achieve this bracket between two
I am curious how I might achieve this bracket between two verses, one of
which is a translation of the other.
http://lilypond.1069038.n5.nabble.com/file/n178126/Fleeting_Days-verse-bracket.png
While we're at it, how might one best achieve the spacing between the verse
couples? I added an
2015-06-23 13:30 GMT+02:00 Amelie Zapf a...@ameliezapf.com:
Hi David,
Pop music in the U.S.A. may be the monetary epicentre of the musical
universe, but most of LilyPond's developer base are rather removed from
there.
I must disappoint you, I'm a Berlin jazz pianist that just happens to do
Thank you, Simon. It does indeed create a bracket to the left of the verse.
It creates a space below the top verse, however, as well. Is there any way
to prevent that?
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Bracketing-verses-tp178126p178131.html
Sent from the
2015-06-23 23:08 GMT+02:00 Thomas Morley thomasmorle...@gmail.com:
2015-06-23 13:30 GMT+02:00 Amelie Zapf a...@ameliezapf.com:
Hi David,
Pop music in the U.S.A. may be the monetary epicentre of the musical
universe, but most of LilyPond's developer base are rather removed from
there.
I
2015-06-23 22:54 GMT+02:00 RomanticStrings conor.p.c...@gmail.com:
I am curious how I might achieve this bracket between two verses, one of
which is a translation of the other.
http://lilypond.1069038.n5.nabble.com/file/n178126/Fleeting_Days-verse-bracket.png
While we're at it, how might one
Amelie Zapf a...@ameliezapf.com writes:
As long as you don't mind me asking questions, especially on
poorly-documented functions,
I have the utmost admiration for our documentation writers but they
still have to work with what the core developers (when still around)
hand them, and the core
Hi,
Using Harm's link and Simon markup:
\version 2.18.2
% After: http://lsr.dsi.unimi.it/LSR/Item?id=641
%%
http://lilypond.1069038.n5.nabble.com/Different-markups-for-odd-and-even-lyrics-lines-stanzas-td58072.html
#(define (lyricswitch context)
(let ((cnt 0))
(make-engraver
Am 23.06.2015 um 11:10 schrieb Luca Danieli:
Hello Lilypond-ers!
Maybe it is a weird and naive question but I am getting blind, and I
cannot find the answer anywhere:
- if I want to enlarge the characters in my *.ly file (in Frescobaldi),
how can I?
Edit-Preferences-Fonts Colors
--
Hello Lilypond-ers!
Maybe it is a weird and naive question but I am getting blind, and I cannot
find the answer anywhere:
- if I want to enlarge the characters in my *.ly file (in Frescobaldi), how can
I?I tried cmd++ but it enlarges the score presentation.
Luca
Il giorno mar 23 giu 2015 alle 11:10, Luca Danieli
mr.luce...@hotmail.it ha scritto:
- if I want to enlarge the characters in my *.ly file (in
Frescobaldi), how can I?
I tried cmd++ but it enlarges the score presentation.
Ciao Luca
Open the menu EditPreferencesFonts and colors.
At the bottom
Am 22.06.2015 um 23:43 schrieb Thomas Morley:
2015-06-22 23:29 GMT+02:00 Michael Rivers michaeljriv...@gmail.com:
Yes, exactly. Thank you!
I have run into another problem in the meantime: fermatas over barlines
appear at the end of lines, but the rehearsal marks appear at the beginning.
Do you
On 23 Jun 2015, at 02:05, Larry Kent kentla...@gmail.com wrote:
My apologies..I'm sure I've seen this in the documentation or on this
list somewhere, but today when I actually need this, I can't find a way to
do this.
I want to have 3 systems per page, except only 2 systems on the
Hi David,
Pop music in the U.S.A. may be the monetary epicentre of the musical
universe, but most of LilyPond's developer base are rather removed from
there.
I must disappoint you, I'm a Berlin jazz pianist that just happens to do
some studio work. Since, apart from the classical scene,
Hi all,
I hope I didn't scare everybody away with my last message containing the
rhythmic specification of the Nashville Number System. That was not my
intention. But I think it would be great if Lilypond could also support
this kind of notation, since it is a quasi-standard for studio musicians
Amelie Zapf a...@ameliezapf.com writes:
Hi all,
I hope I didn't scare everybody away with my last message containing the
rhythmic specification of the Nashville Number System. That was not my
intention. But I think it would be great if Lilypond could also support
this kind of notation,
Hello Lilypond-ers again!
How can I write an appoggiatura, which goes into an acciaccatura, and then into
the main note?More or less this is what I thought:
appoggiatura fis16\pp { \acciaccatura fis 8 fis2\mp }
Luca
Greetings All,
I use this:
\set tupletFullLength = ##t
\override TupletBracket.full-length-to-extent = ##t
to set tuplet brackets to full length, and to extend to the barline.
I require this globally for the whole score. Using 2.19.22 I have noticed I
have to place this at the
Hey all,
I'm testing a way to integrate syntax highlighted LilyPond code in a
GitBook book. I'm quite happy so far with everything (particularly
because I could finally pick up an idea that might eventually lead to
colored code examples in the LilyPond manuals).
But I'm stuck with the problem of
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