Thomas Morley writes:
> Well, not really. As said before, my feelings were ambivalent.
>
> After reconsidering:
>
> It's more a possibility I sometimes use. Mostly because of lazyness in typing.
>
> Writing
> \new Staff \with \some-function-returning-a-context-modification ...
> instead of
> \new
Hi Joe,
Set Beam.positions.
I use this concept continually, for my work, in almost every bar. Here are
a couple of utility functions I wrote that you may find handy. Nothing
special, just convenient.
setBeamPos =
#(define-music-function
(left right)
(number? number?)
"Manually set beam pos
I tried to typeset multiple scores without using bookpart or book block. So
far, oddHeaderMarkup and evenHeaderMarkup cannot be applied to score header.
The same problem happened with oddFooterMarkup and evenFooterMarkup.
It would be very flexible and speed my work a lot if there is solution to
Please see the code fragment below.
In measure 2, I want to shorten the stems of the first two beamed notes.
I tried using \override Stem.detail.beamed-lengths, but I cannot get it to
work.
Can someone point me in the right direction?
Thanks for any help that you are willing to prov
2016-07-01 11:50 GMT+02:00 David Kastrup :
> David Kastrup writes:
>
>> Thomas Morley writes:
>>
>>> 2016-07-01 7:05 GMT+02:00 David Kastrup :
Thomas Morley writes:
>>>
> %% works:
> tstII =
> \with { instrumentName = "foo" shortInstrumentName = "foo" }
> \new Staff \tstII {
On 7/1/2016 12:18 PM, Dominic wrote:
> Why not use StanzaNumbers instead of instrumentName to label verse numbers?
> http://lilypond.org/doc/v2.19/Documentation/notation/stanzas
>
Br. Gabriel Marie: Is the need for a stanza number at each line caused
by having so many stanza that readers lose thei
Hi,
Am 01.07.2016 um 20:30 schrieb Br. Gabriel-Marie | SSPX:
> Well, so this will get rid of the time-signature,
>
> \override TimeSignature.break-visibility = #all-invisible
I don't know where you put this but I think you need a Staff (or Score)
there because the TimeSignature is in the Staff a
Because stanza numbers only appear on the first line. Using
instrumentName to label verse numbers provides automatic
numbering on every line. It wasn't my idea, actually,
credit for that goes to Thomas Morley a few issues ago in
Vol 163:issue 95. It works quite well.
On 7/1/2016 1:30 PM,
Well, so this will get rid of the time-signature,
\override TimeSignature.break-visibility = #all-invisible
But I still can't get rid of the three sharps that go with
the clef. This keeps on appearing at the end of the line
and I can't get rid of it. It seems to persist no matter
what setti
Why not use StanzaNumbers instead of instrumentName to label verse numbers?
http://lilypond.org/doc/v2.19/Documentation/notation/stanzas
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Sent from the User mailing list a
Oh, I got this one too.
\override TimeSignature.break-visibility = #all-invisible
I wouldn't have posted, but I already spent 20 minutes
trying to figure it out! Then when I post - voila! I get it.
Thanks, y'all, for all of your help.
On 7/1/2016 11:59 AM, Br. Gabriel-Marie | SSPX wrote:
D
During my piece I have a \break which causes the
time-signature to be inserted at the end of that line, but
all my music fits onto one small page, so I don't want that
extra markup.
So how do I suppress the extra time-signature at the end of
the line?
I found this, but it doesn't seem to do
Ah! I think I got this one:
\override LyricText #'extra-offset = #'(0.8 . 0)
This will allow me to add extra space between the numbers
(which are in the right place) and the start of the lyric text.
On 7/1/2016 10:46 AM, Br. Gabriel-Marie | SSPX wrote:
There is this one song that is in c-mi
There is this one song that is in c-minor and so the key
signature shows the three flat signs at the beginning of
each staff.
But c-major doesn't need any extra signs.
However, I am numbering my lyrics like this so that I get
numbers on every line:
\new Lyrics \with { instrumentName = "8."
s
Hi all
In the following paragraph, taken from
http://lilypond.org/doc/v2.19/Documentation/notation/arabic-music#arabic-key-signatures
Other maqams in the same bayati group, as shown in the table below:
(bayati, hussaini, saba, and ushaq) can be indicated in the same way.
These are all variat
David Kastrup writes:
> Thomas Morley writes:
>
>> 2016-07-01 7:05 GMT+02:00 David Kastrup :
>>> Thomas Morley writes:
>>
%% works:
tstII =
\with { instrumentName = "foo" shortInstrumentName = "foo" }
\new Staff \tstII { r1 }
>>>
>>> Issue 4911 is supposed to harmonize this
Thomas Morley writes:
> 2016-07-01 7:05 GMT+02:00 David Kastrup :
>> Thomas Morley writes:
>
>>> %% works:
>>> tstII =
>>> \with { instrumentName = "foo" shortInstrumentName = "foo" }
>>> \new Staff \tstII { r1 }
>>
>> Issue 4911 is supposed to harmonize this by stopping the second example
>> fr
2016-07-01 7:05 GMT+02:00 David Kastrup :
> Thomas Morley writes:
>> %% works:
>> tstII =
>> \with { instrumentName = "foo" shortInstrumentName = "foo" }
>> \new Staff \tstII { r1 }
>
> Issue 4911 is supposed to harmonize this by stopping the second example
> from working. This makes it possible
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