Re: #4975 [Windows] Grace notes cause staff to protrude into the margin

On 2016-11-19 02:51, Ralph Palmer wrote: Greetings - I'm running LY 2.19.40 under Windows 7 SP1. I ran into a situation that appears to be related to #4975. On Windows 10 and Lilypond 2.19.50 I get: Parsing... Interpreting music... Preprocessing graphical objects... programming error:

Re: #4975 [Windows] Grace notes cause staff to protrude into the margin

Hi Ralph, On Windows 10 under 2.19.49 I get: Parsing... Interpreting music... Preprocessing graphical objects... programming error: mis-predicted force, 108.120472 ~= 108.221141 continuing, cross fingers programming error: mis-predicted force, 108.120472 ~= 108.221141 continuing, cross

RE: #4975 [Windows] Grace notes cause staff to protrude into the margin

Ralph, It compiled under Lilypond 2.18.2, Frescobaldi 2.19, and Windows 7. Mark From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Ralph Palmer Sent: Friday, November 18, 2016 5:52 PM To: lilypond-user Mailinglist ;

Re: #4975 [Windows] Grace notes cause staff to protrude into the margin

Martin Neubauer wrote > I just tried it with 2.19.50 (on FreeBSD, though), and noticed no > problem. (Neither error message, nor unexpected output.) So maybe you > should try a newer version as well. > > Regards, > Martin > > On 19/11/2016 02:51, Ralph Palmer wrote: >> Greetings - >> >> I'm

Re: #4975 [Windows] Grace notes cause staff to protrude into the margin

I just tried it with 2.19.50 (on FreeBSD, though), and noticed no problem. (Neither error message, nor unexpected output.) So maybe you should try a newer version as well. Regards, Martin On 19/11/2016 02:51, Ralph Palmer wrote: > Greetings - > > I'm running LY 2.19.40 under Windows 7 SP1. > >

#4975 [Windows] Grace notes cause staff to protrude into the margin

Greetings - I'm running LY 2.19.40 under Windows 7 SP1. I ran into a situation that appears to be related to #4975. Here's an .ly file that's about as small as I can get it: Begin Snippet % \version "2.19.40" \include "english.ly" tune = \relative c'' { \clef treble \key a

Re: Getting a new computer

Hi, AMD FX-3600 here. real1m26.823s cpu MHz : 1400.000 bogomips: 7032.75 -- Francisco Vila. Badajoz (Spain) www.paconet.org , www.csmbadajoz.com ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Stepping down and moving on

On 11/18/2016 6:14 PM, Francisco Vila wrote: > I didn't mean Punctual as in 'fast delivery' but > rather tiny and sporadic. "Pointed" maybe? Or "punctuated?" -- Karlin High Missouri, USA ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Getting a new computer

On 11/16/2016 8:24 PM, Vaughan McAlley wrote: > I’ve included a large project if anyone with a newish computer would > like to test their compilation time. The main file is MDSM.ly. It > takes my computer between 4 and 5 minutes to compile. Thanks for sending that project! I find it very

Re: Trolling and unacceptable behaviour on the list

2016-11-18 10:58 GMT+01:00 Federico Bruni : > > I hope that you won't unsubscribe because of a stupid troll. > Can't you just ignore him? > > I never read his emails, as soon as I see his name I delete the email. "Do > not feed the troll" is the best answer IMO. > Blacklisting

Re: Stepping down and moving on

2016-11-18 18:27 GMT+01:00 David Kastrup : > Francisco Vila writes: > >> David: I don't know what to say. I am very grateful to you for your >> huge, unvaluable work and I wish you luck. > > In spite of the respectively English and Latin prefixes having the

Re: general question for composers

On 18.11.2016 22:41, SoundsFromSound wrote: So, my process is pencil/paper first, until piece is essentially complete - then engraving straight into LilyPond! That’s what I’m doing as well. Only sometimes I can’t wait and start entering the music when I’m only halfway done on paper :-)

Re: Combining \markup and \override in a variable

On 18.11.2016 22:41, David Sumbler wrote: I need to study this (and the previous answer) to see if I can fathom out the logic of it all. \tweak is a music function (which means it returns music) and it also takes music as its third argument. The dash turns a markup into a post-event, which

Re: Trolling and unacceptable behaviour on the list

Hi Andrew! As long as he uses his identity mclaren, you need to remember to ignore that one name. If mclaren would be banned, there probably would be a ferrari to ignore ... now you would need to ignore two names. The list administrator could also excommunicate ferrari ... maybe a porsche

Re: Override SystemStartSquare width?

2016-11-17 11:38 GMT+01:00 dtsmarin : > Hi Thomas, > > My code uses Scorlatti font and I'm trying to replicate SCORE's look. > > > I simply changed the offset and width of the brackets because Lilypond's >

Re: Getting a new computer

Michael Gerdau writes: >> I’ve included a large project if anyone with a newish computer would like >> to test their compilation time. The main file is MDSM.ly. It takes my >> computer between 4 and 5 minutes to compile. > > I've tested your files on both my windows machine and the

Re: Getting a new computer

> I’ve included a large project if anyone with a newish computer would like > to test their compilation time. The main file is MDSM.ly. It takes my > computer between 4 and 5 minutes to compile. I've tested your files on both my windows machine and the Linux box with the broken font handling and

Re: general question for composers

Kieren MacMillan wrote Friday, November 18, 2016 9:28 PM > my strategies include iterative printing: engrave a little, print out the > score (with skips for gaps), do pencil-work to fill in the gaps, repeat. This is exactly my approach, although, unlike Kieren, I'm only working on simple SATB

Re: general question for composers

Kieren MacMillan wrote > ... is how difficult it is to change the fundamental structure of a piece > in Lilypond. Working with, say, 40 staves (plus globals, etc.), if you > want to (e.g.) add a measure between m. 25 and m. 26, there is usually a > whole bunch of grunt work that needs to be done.

Re: Combining \markup and \override in a variable

On Fri, 2016-11-18 at 21:40 +0100, Thomas Morley wrote: > 2016-11-18 20:36 GMT+01:00 David Sumbler : > > > > I have a bar which contains 3 notes, e.g. > > > > fs4 ds as' | > > > > It comes after a passage which is pizzicato, but the 2nd and 3rd > > notes > > of this bar need

Re: general question for composers

Tobin Chodos wrote > hi all, > > this is a general question for composers using lilypond. at what point in > your process do you generally start engraving? Like most composers coming > from the consumer notation softwares, I'm accustomed to working in pencil > first, but not to completely

Re: Trolling and unacceptable behaviour on the list

2016-11-18 14:51 GMT+01:00 David Kastrup : > "Andrew Bernard" writes: > >> Hi Matthew, >> >> The people making it a big deal is just me. Now having lost all >> credibility, > > That's nonsense. The problem rather appears to be that you have lost > the fun,

Re: general question for composers

Hi Tobin, > this is a general question for composers using lilypond. at what point in > your process do you generally start engraving? Like most composers coming > from the consumer notation softwares, I'm accustomed to working in pencil > first, but not to completely separating the

general question for composers

hi all, this is a general question for composers using lilypond. at what point in your process do you generally start engraving? Like most composers coming from the consumer notation softwares, I'm accustomed to working in pencil first, but not to completely separating the engraving and

Re: Combining \markup and \override in a variable

2016-11-18 20:36 GMT+01:00 David Sumbler : > I have a bar which contains 3 notes, e.g. > > fs4 ds as' | > > It comes after a passage which is pizzicato, but the 2nd and 3rd notes > of this bar need to be arco. However, a normal "arco" marking over the > d sharp does not make

Combining \markup and \override in a variable

I have a bar which contains 3 notes, e.g. fs4 ds as' | It comes after a passage which is pizzicato, but the 2nd and 3rd notes of this bar need to be arco.  However, a normal "arco" marking over the d sharp does not make it sufficiently clear that that is what is intended: particularly because of

Re: How to set the font size for the repeat symbol.

Hi John, john ware-4 wrote > I am able to set the size of the BarLine's with bar-extent and the size of > the ChordName's with font-size. > My issue is, when I do this the colon for the repeat symbol does not > resize. So, I get big bar lines and a tiny colon for the repeat. BarLine has a

Re: Solution to 7 over sqr(71) time against integer polyrhythms

Carl Sorensen writes: > On 11/18/16 8:11 AM, "David Kastrup" wrote: > >>Carl Sorensen writes: >> >>> On 11/18/16 2:46 AM, "David Kastrup" wrote: >>> GMP is already linked into Guile exactly for that purpose. It

Re: Stepping down and moving on

Simon Albrecht-2 wrote > On 18.11.2016 18:47, SoundsFromSound wrote: >> Will someone be brought on to "replace" your primary role specifically, >> or >> will your role default and merge onto the existing members who have >> already >> been active on the development team alongside you for the past

Re: Solution to 7 over sqr(71) time against integer polyrhythms

On 11/18/16 8:11 AM, "David Kastrup" wrote: >Carl Sorensen writes: > >> On 11/18/16 2:46 AM, "David Kastrup" wrote: >> >>> >>> >>>GMP is already linked into Guile exactly for that purpose. It would not >>>really make a lot of sense to use it

How to set the font size for the repeat symbol.

Hi, I am using lilypond to generate scores(with chord names) and chord charts all from the same source. And what a wonderful tool you have created. The chord chart is simply the score with only the chord names and bar lines visible. And the chord names are shifted down between the bar lines. I

Re: Stepping down and moving on

On 18.11.2016 18:47, SoundsFromSound wrote: Will someone be brought on to "replace" your primary role specifically, or will your role default and merge onto the existing members who have already been active on the development team alongside you for the past years? Just curious what this

Re: Stepping down and moving on

On 18.11.2016 18:27, David Kastrup wrote: Francisco Vila writes: David: I don't know what to say. I am very grateful to you for your huge, unvaluable work and I wish you luck. In spite of the respectively English and Latin prefixes having the same formal meaning, the

Re: Stepping down and moving on

David Kastrup wrote > Francisco Vila > paconet.org@ > writes: > >> Will you be available for punctual, emergency calls for help? > > So it's unlikely that I'll be investing time during the week as I also > will need to brush up on several skills in my purportedly free time. > I'll certainly

Re: Stepping down and moving on

Francisco Vila writes: > David: I don't know what to say. I am very grateful to you for your > huge, unvaluable work and I wish you luck. In spite of the respectively English and Latin prefixes having the same formal meaning, the meaning of the resulting composites

Re: Stepping down and moving on

David: I don't know what to say. I am very grateful to you for your huge, unvaluable work and I wish you luck. Will you be available for punctual, emergency calls for help? 2016-11-17 18:50 GMT+01:00 Graham King : > David, > I'll add to the thread my deep thanks for

Re: Trolling and unacceptable behaviour on the list

On Fri, Nov 18, 2016 at 3:15 AM Andrew Bernard wrote: > As a list moderator, I would say that by now you should step in and > intervene in this. Blacklisting the person in question does not help me > personally as I still get all the replies and upsetting noise they are

Re: Solution to 7 over sqr(71) time against integer polyrhythms

Carl Sorensen writes: > On 11/18/16 2:46 AM, "David Kastrup" wrote: > >> >> >>GMP is already linked into Guile exactly for that purpose. It would not >>really make a lot of sense to use it independently. > > You are certainly more qualified than me to comment

Re: Solution to 7 over sqr(71) time against integer polyrhythms

On 11/18/16 2:46 AM, "David Kastrup" wrote: > > >GMP is already linked into Guile exactly for that purpose. It would not >really make a lot of sense to use it independently. You are certainly more qualified than me to comment on this. However, it appeared to me that using the

Re: Trolling and unacceptable behaviour on the list

Some types of personality and behavior can be taken for offense, or entertainment. For example, the "Dilbert" comic strip with the "Topper" character. en.wikipedia.org/wiki/List_of_Dilbert_characters#Topper Or even better, the "Flame Warriors" guide: http://flamewarriorsguide.com/ "Some

Re: Trolling and unacceptable behaviour on the list

On 2016-11-18 06:35 AM, Andrew Bernard wrote: Hi Matthew, The people making it a big deal is just me. Now having lost all credibility, it's time I unsubscribed and stopped contributing. Andrew Andrew, I hope you will reconsider the thought of unsubscribing: leaving the list simply Feeds

Re: Trolling and unacceptable behaviour on the list

"Andrew Bernard" writes: > Hi Matthew, > > The people making it a big deal is just me. Now having lost all > credibility, That's nonsense. The problem rather appears to be that you have lost the fun, and that is serious. Certainly a mclaren does not appear to be

RE: Trolling and unacceptable behaviour on the list

On Sat, 19 Nov 2016, Andrew Bernard wrote: > The people making it a big deal is just me. Now having lost all credibility, > it's time I unsubscribed and stopped contributing. Your call, but I didn't say "all." Only your real point would be stronger without the distraction. -- Matthew Skala

RE: Trolling and unacceptable behaviour on the list

Hi Matthew, The people making it a big deal is just me. Now having lost all credibility, it's time I unsubscribed and stopped contributing. Andrew -Original Message- From: msk...@ansuz.sooke.bc.ca [mailto:msk...@ansuz.sooke.bc.ca] Sent: Saturday, 19 November 2016 12:11 AM To: Andrew

Re: Trolling and unacceptable behaviour on the list

On Fri, 18 Nov 2016, Andrew Bernard wrote: > when asked politely refuses to give his name, refuses to provide minimal This "real name" business is completely irrelevant and the people trying to make it a big deal lose credibility on the other, much more important, points they make. -- Matthew

Re: Performance advice: Tied quavers in British (sacred) music

Alexander Kobel wrote Thursday, November 17, 2016 10:13 PM > The question is whether the singers are supposed to sing the note values > true to notation, or whether a final quaver after a long note indicates > that the final consonant is to be executed on the very beat where the > note is.

Re: Performance advice: Tied quavers in British (sacred) music

On Thu, 2016-11-17 at 23:31 +0100, Michael Gerdau wrote: > [longish explanation about how tied quavers are to be sung > in british choral music snipped] > > It is my understanding that there is no such thing as a strict rule > as to how that is to be sung. Agreed. I'm English (through no

Re: Solution to 7 over sqr(71) time against integer polyrhythms

Kieren MacMillan writes: > Hi David, > >>> Here’s the point where I instantly feel compelled to say “ok, now >>> let’s really ban him from the list”. You are calling Kieren, honorable >>> member of the community and one of the most proficient LilyPond users >>>

Re: Trolling and unacceptable behaviour on the list

Il giorno ven 18 nov 2016 alle 10:14, Andrew Bernard ha scritto: As a list moderator, I would say that by now you should step in and intervene in this. Blacklisting the person in question does not help me personally as I still get all the replies and upsetting noise

Re: Solution to 7 over sqr(71) time against integer polyrhythms

Colin Campbell writes: > On 2016-11-17 03:47 PM, Simon Albrecht wrote: >> >> Here’s the point where I instantly feel compelled to say “ok, now >> let’s really ban him from the list”. You are calling Kieren, >> honorable member of the community and one of the most proficient >>

Re: Solution to 7 over sqr(71) time against integer polyrhythms

Carl Sorensen writes: > On 11/17/16 7:21 PM, "mclaren" wrote: >> >>The deceptive Lilypond code shown above that prints those fake tuplets is >>truly contemptible because it doesn't address the real issue. The real >>issue is that Lilypond doesn't

Re: Solution to 7 over sqr(71) time against integer polyrhythms

"Mark Stephen Mrotek" writes: > To the Unknown Critic, > > Lilypond amazes me in many different and varied ways. I shall focus on only > one. > It was written for FREE. > It is developed for FREE. > It is provided for FREE. > It is supported for FREE. > It is documented for

Trolling and unacceptable behaviour on the list

Dear Sir, As a reasonably long term and active member of the mailing list, I am at the point of having to unsubscribe due to offensive, trolling, arrogant and vitriolic postings by one mcla...@metachromatic.gmail.com , a person who, when asked politely

Re: Create a bookpart with a scheme function

Still a little confused about how to dynamically create a bookpart: \version "2.18.2" freddy = \bookpart { \score { \new Staff { c d e f g } } } full_scores = \book { } #(ly:book-add-bookpart! full_scores freddy) \full_scores this doesn't seem to work. C:/Program Files

Re:Solution to 7 over sqr(71) time against integer polyrhythms

In the interest of Science!!1! I decided to test Kieren's example which, supposedly, makes Lilypond "hang". Let me just report that it compiles perfectly on my machine and produces the intended output. Here's a link to the uneventful log:

Re: Solution to 7 over sqr(71) time against integer polyrhythms

Hi Carl! There is a GNU library for arbitrary precision rationals. It may be possible to replace the LilyPond Rational type with an arbitrary precision rational type. Then the ability to go to big nested tuplets would be limited by the amount memory (perhaps the amount on the heap or the

Re: Bach - Brahms Chaconne ... for left hand

Mark, > http://www.free-scores.com/download-sheet-music.php?pdf=1288 Thank you, And to Gilles and SoundsFromSound as well David. pgpmBYLJJH6RB.pgp Description: OpenPGP digital signature ___ lilypond-user mailing list lilypond-user@gnu.org