On 30 April 2018 at 03:50, Torsten Hämmerle
wrote:
>
> An exception may be orchestral parts (as mentioned by Lukas).
> On the one hand, many (non-professional) players of monophonic instruments
> often prefer an easy-to-read line avoiding "unnecessary" double accidentals
> and do not care very mu
I’ve created a documentation patch for slurs and beams, based on our earlier
conversation.
I’d welcome any feedback you have for me.
Thanks,
Carl
From: Carl Sorensen
Reply-To: Ticket 5316 <5...@issues.testlilyissues.p.re.sourceforge.net>
Date: Sunday, April 29, 2018 at 5:05 PM
To: Ticket 531
Hi Kieren,
Your version did help me enormously. Thank you very much.
The whole score is now what it should be.
I usually work with separate voices to be collected in the score, but with the
extra BC-line I could not get it right. I spent most of this day wondering
what the hell the error messa
Salut Torsten,
OK, now everything is clear, it’s precisely on jazz chords I’m working.
Thanks!
JM
> Le 29 avr. 2018 à 19:50, Torsten Hämmerle a écrit :
>
> Jacques Menu Muzhic wrote
>> Do I get it right that this is key-independent too for the diminished
>> fifth of E flat?
>
> Salut Jacques
Thanks for that, Andrew. Your suggestion and my own continued thinking made
me realize that scoping and evaluation order were the challenges I was
facing.
Scoping is tricky because I'm outside the usual scopes--Score, Staff and
Voice. But I am in a book (or bookpart) and so can set a property in t
Jacques Menu Muzhic wrote
> Do I get it right that this is key-independent too for the diminished
> fifth of E flat?
Salut Jacques,
Yes, a diminished E flat chord will always be a diminished E flat chord,
consisting of the notes E flat + G + B doubleflat. no matter what key you're
in.
And it's qu
Torsten Hämmerle wrote
> foxfanfare wrote
>> I can achieve it for the left part with "stencil-offset", but the same
>> option didn't work in the right section!
>
> Hi,
>
> The reason why stencil-offset only works for the "cresc." on the left is
> because the "cresc." text belongs to the DynamicTe
foxfanfare wrote
> I can achieve it for the left part with "stencil-offset", but the same
> option didn't work in the right section!
Hi,
The reason why stencil-offset only works for the "cresc." on the left is
because the "cresc." text belongs to the DynamicTextSpanner, whereas the "f"
on the rig
Hello Lukas,
Thanks for your answer.
In fact, it not the interval name, but the note such as B double flat that
concerns me currently.
Do I get it right that this is key-independent too for the diminished fifth of
E flat?
JM
> Le 29 avr. 2018 à 18:41, Lukas-Fabian Moser a écrit :
>
> Jacq
Hi Robert,
> Whatever I tried, it stubbornly kept "bass" for both staves. What am I doing
> wrong?
There’s a spurious instrument name setting. But given the structure of your
code, it’s very hard to spot.
Might I suggest putting all of your note code into variables, then building
them togethe
Hello,
I have finally managed to apply your recommendations in my score.
On the whole they work out very well except for one error that I have not been
able to get rid of: to change the staff name of the upper staff in "cantus".
Whatever I tried, it stubbornly kept "bass" for both staves. What
Jacques,
Say I’m considering chords with an E flat root.
Is is always true that:
- the diminished fifth is B double flat
- the augmented fifth is B natural
- the diminished unisson is E double flat
- the augmented unisson is E natural
or can this depend on the
Hello folks,
Say I’m considering chords with an E flat root.
Is is always true that:
- the diminished fifth is B double flat
- the augmented fifth is B natural
- the diminished unisson is E double flat
- the augmented unisson is E natural
or can this depend on
Hi everyone,
I can't figure how to change the Y-attachement of the line in a
DynamicTextSpanner.
I try to attach it to the bottom of the dynamic text.
Here is the sample code:
\version "2.19.81"
\relative {
\override DynamicTextSpanner.bound-details = #
'((right (attach-dir . -1)
On 29/04/18 13:42, Wol's lists wrote:
> On 29/04/18 00:00, J Martin Rushton wrote:
>> On 28/04/18 04:46, Karlin High wrote:
>>> On 4/27/2018 8:28 PM, Andrew Bernard wrote:
It falls into the category of alliteration, which abounds in English
>>>
>>> As a poetry form, too - "Beowulf" and J. R. R
Hi Wol,
Metre is the word you are looking for!
On 29 April 2018 at 22:42, Wol's lists wrote:
> Shakespeare is almost all poetry, not prose. And it rarely rhymes. I can't
> remember the correct term, but poetry is defined by repeating rhythms, not
> by rhyming. Much like music, actually ... :-)
On 29/04/18 00:00, J Martin Rushton wrote:
On 28/04/18 04:46, Karlin High wrote:
On 4/27/2018 8:28 PM, Andrew Bernard wrote:
It falls into the category of alliteration, which abounds in English
As a poetry form, too - "Beowulf" and J. R. R. Tolkien's unfinished work
"The Fall of Arthur" come
Torsten Hämmerle wrote
> A factor of 6/7 means a magstep value of approx. -1,3344.
Sorry, it's a magstep of -1.3344 (I was using the German decimal comma out
of a habit).
And concerning the presumed bug, I came to the conclusion that it's rather a
feature, not a bug.
Changing or not changing the
Hello,
The alt-default breves are shifted oddly in chords with seconds and unisons, as
in the example below:
\version “2.19.80"
{
\time 2/1
\override NoteHead.style = #'altdefault
\breve
\breve
}
Is there a way to match up the vertical lines of these breves (as in the second
tweak
Hi Brent,
I'd do it just the way Andrew did it (use the "traditional"
fontSize/staff-space approach).
I don't know why you need to make one staff in organ music slightly smaller,
either, but I'll take it for granted and supposing you need a factor of 6/7:
A factor of 6/7 means a magstep value of
David Sumbler writes:
> I must apologise to the list members for wasting their time by asking
> my latest question (below). I can only put it down to a "senior
> moment", which is quite worrying, as such incidents do seem to be
> getting more frequent. Or perhaps it is a side-effect of the low-
I must apologise to the list members for wasting their time by asking
my latest question (below). I can only put it down to a "senior
moment", which is quite worrying, as such incidents do seem to be
getting more frequent. Or perhaps it is a side-effect of the low-dose
Amitriptylene I am taking f
Hi Brent,
Would something like this do perhaps?
\version "2.19.81"
\score {
\new PianoStaff
<<
\new Staff = "right"
\with {
fontSize = #-6
\override StaffSymbol.staff-space = #(magstep -6)
}
\relative c'' {a4 a a a \bar "|."}
\new Staff = "left" \relativ
Good morning,
Many thanks for your quick reactions and helpful advice.
Because it will take me a while to try these solutions in my score, and because
at this moment I am in rural France where my internet connection is very buggy
and unstable --- in a few minutes I may be disconnected till lat
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