Ah, you're saying that if I'd read past the "vertical spacing" and
"horizontal spacing" sections I'd have found the section titled to fit my
question and be a happier guy? Thank you for that.
And also for pointing out page-count. That does seem easiest and in fact it
worked. I always like it best
On Sun, 9 Jul 2023, Knute Snortum wrote:
> note out of the other hand. This is why I suggested that the MIDI performer
> could ignore \parenthesize notes. Would this create a pile of workarounds
> for you?
Not as long as I don't use \parenthesize. But I think it's preferable not
to have a
On Sun, Jul 9, 2023 at 7:54 AM wrote:
> On Sun, 9 Jul 2023, David Wright wrote:
>
> > players. But that's the problem here. When two real voices happen on
> > the same note, the result doesn't sound like one louder voice, yet
> > that's the effect you get from MIDI,¹ where the "two" voices are
>
Hi Tom
The documentation provides different methods to fit music on fewer
pages:
https://lilypond.org/doc/Documentation/notation/fitting-music-onto-fewer-pages
Adding page-count = 6 to your /paper block is probably the easiest option.
Best wishes,
Jakob
On 10.07.2023 00.39, Tom Sgouros
Tom Sgouros writes:
> Hello all:
>
> I have a piece that spans seven printed pages, and I wish it was six. There
> are just four meagre measures on that last page and I wish I could persuade
> Lilypond to squeeze one more line onto the sixth page, as it did on the
> fifth page. I've looked at
Hello all:
I have a piece that spans seven printed pages, and I wish it was six. There
are just four meagre measures on that last page and I wish I could persuade
Lilypond to squeeze one more line onto the sixth page, as it did on the
fifth page. I've looked at some of the vertical spacing
On Sun 09 Jul 2023 at 10:53:58 (-0400), msk...@ansuz.sooke.bc.ca wrote:
> On Sun, 9 Jul 2023, David Wright wrote:
>
> > players. But that's the problem here. When two real voices happen on
> > the same note, the result doesn't sound like one louder voice, yet
> > that's the effect you get from
Knute Snortum writes:
> On Sun, Jul 9, 2023 at 6:57 AM wrote:
>
>> On Sun, 9 Jul 2023, Knute Snortum wrote:
>>
>> > I'm not sure exactly how one would deal with this problem, other than
>> with
>> > tags. Maybe \parenthesize could not produce MIDI output? Or is there a
>> way
>>
>> Is that a
On Sun, 9 Jul 2023, David Wright wrote:
> players. But that's the problem here. When two real voices happen on
> the same note, the result doesn't sound like one louder voice, yet
> that's the effect you get from MIDI,¹ where the "two" voices are
Not on *my* MIDI synthesizer. Two notes are two
On Sun 09 Jul 2023 at 09:57:23 (-0400), msk...@ansuz.sooke.bc.ca wrote:
> On Sun, 9 Jul 2023, Knute Snortum wrote:
>
> > I'm not sure exactly how one would deal with this problem, other than with
> > tags. Maybe \parenthesize could not produce MIDI output? Or is there a way
>
> Is that a
On Sun, 9 Jul 2023, Knute Snortum wrote:
> In the MWE the instrument is a piano, so you wouldn't want the note to sound
> louder than the surrounding notes, because the doubled note is played by
> only one hand. But I can see this might be a problem if the two staves were
> for two voices.
On Sun, Jul 9, 2023 at 6:57 AM wrote:
> On Sun, 9 Jul 2023, Knute Snortum wrote:
>
> > I'm not sure exactly how one would deal with this problem, other than
> with
> > tags. Maybe \parenthesize could not produce MIDI output? Or is there a
> way
>
> Is that a problem? If these are two notes in
Michael Gerdau writes:
> AFAICT the note is not played louder. However it is played twice and
> then depending on your sound device that may or may not result in that
> note being louder.
When my sound device is a violin, I can testify that playing the same
note simultaneously on two different
On Sun, 9 Jul 2023, Knute Snortum wrote:
> I'm not sure exactly how one would deal with this problem, other than with
> tags. Maybe \parenthesize could not produce MIDI output? Or is there a way
Is that a problem? If these are two notes in different MIDI channels,
then the MIDI output is just
AFAICT the note is not played louder. However it is played twice and then
depending on your sound device that may or may not result in that note being
louder.
Mobil gesendet
> Am 09.07.2023 um 15:46 schrieb Knute Snortum :
>
>
> Hi everyone.
>
> If two voices play the same note, the MIDI
Hi everyone.
If two voices play the same note, the MIDI output for that note is louder
(twice as loud?) than the surrounding notes.
%%%
\version "2.25.6"
\score {
\new PianoStaff <<
\new Staff { g'8 d' e' d' g'2 }
\new Staff { \clef bass b8 d' c' d' b2 }
>>
\layout {}
\midi {}
}
Hi all,
I was wondering if anyone has a technique for trills with more than one
trill pitch. I have been using custom text spanners drawn with the trill
shape and I've used some fancy tweaking on a group of after-grace notes. I
recently ran into a problem (which is not necessarily the purpose of
Thank you, Valentin and David.
I was not aware that << >> construct can be used this way.
> I do seem to remember that LilyPond did
> not deal well with it?
“1.5.1 Single voice — Simultaneous expressions” of NR says:
This can be useful if the simultaneous sections have identical rhythms, but
On Sun, 9 Jul 2023 at 13:10, Jean Abou Samra wrote:
> Le samedi 08 juillet 2023 à 17:44 +1000, Vaughan McAlley a écrit :
>
> When a staff-switch line goes over a page break, the first system in the
> next page is stretched and may cover the next system. In the example here,
> it nearly touches,
Thank you Valentin
Le dim. 9 juil. 2023 à 09:26, Valentin Petzel a écrit :
> Hello Pierre,
>
> I think this should rather be
>
> { <\tweak duration-log #2 g \tweak duration-log #2 e' e''>2^. }
>
> Alternatively one can simply do
>
> \new Voice << g4 e' e''2^. >>
>
> (the \new Voice is necessary
Valentin Petzel writes:
> Hello Pierre,
>
> I think this should rather be
>
> { <\tweak duration-log #2 g \tweak duration-log #2 e' e''>2^. }
>
> Alternatively one can simply do
>
> \new Voice << g4 e' e''2^. >>
>
> (the \new Voice is necessary as there has been no music before this, so there
>
Hello Pierre,
I think this should rather be
{ <\tweak duration-log #2 g \tweak duration-log #2 e' e''>2^. }
Alternatively one can simply do
\new Voice << g4 e' e''2^. >>
(the \new Voice is necessary as there has been no music before this, so there
does not exist a voice, and Lilypond will
Thank you, Pierre!
I’ve realized that an example is in "5.3.4 The \tweak command” in NR by
searching “duration-log”.
Thanks again.
> 2023/07/09 14:11、Pierre Perol-Schneider
> のメール:
>
> PS. Added to the LSR: https://lsr.di.unimi.it/LSR/Item?id=1170
>
> Le dim. 9 juil. 2023 à 07:07, Pierre
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