Re: Starting Piano music with acciaccatura on upper voice

Hi Thanks. I tried googling, but it looks like it didn't help much :-) Thank you On Sat, Feb 11, 2023 at 11:42 AM David Kastrup wrote: > Alberto Simões writes: > > > Hi > > > > I am starting a piano music this way: > > > > upper = \relative c'' { &g

Starting Piano music with acciaccatura on upper voice

Hi I am starting a piano music this way: upper = \relative c'' { \clef treble \key g \major \time 4/4 \acciaccatura ais8 b8. } and the lower voice as lower = \relative c { \clef bass \key g \major \time 4/4 fis8 } but the lower staff starts with a treble clef followed by

Re: music function playing well with context

On Wed, Feb 8, 2023 at 7:00 PM Alberto Simões wrote: > > > On Wed, Feb 8, 2023 at 6:57 PM Alberto Simões > wrote: > >> >> >> On Wed, Feb 8, 2023 at 6:50 PM Jean Abou Samra >> wrote: >> >>> On 08/02/2023 19:45, Alberto Simões wrote: >>

Re: music function playing well with context

On Wed, Feb 8, 2023 at 6:57 PM Alberto Simões wrote: > > > On Wed, Feb 8, 2023 at 6:50 PM Jean Abou Samra wrote: > >> On 08/02/2023 19:45, Alberto Simões wrote: >> >> > I just noticed this does not support chords: \myT f >> > While I can do that

Re: music function playing well with context

On Wed, Feb 8, 2023 at 6:50 PM Jean Abou Samra wrote: > On 08/02/2023 19:45, Alberto Simões wrote: > > > I just noticed this does not support chords: \myT f > > While I can do that manually (just a couple of cases) it would be nice > to learn how to handle these cases. >

Re: music function playing well with context

Hi On Tue, Feb 7, 2023 at 9:07 PM Jean Abou Samra wrote: > > \version "2.24.0" > > myT = > #(define-music-function (pa pb) (ly:music? ly:music?) >(ly:music-set-property! pa 'duration #{ 4 #}) >(ly:music-set-property! pb 'duration #{ 8 #}) > #{ \tuplet 3/2 { #pa #pb } #}) > > { >

Re: music function playing well with context

On Tue, Feb 7, 2023 at 9:07 PM Jean Abou Samra wrote: > On 07/02/2023 21:57, Alberto Simões wrote: > > Hello > > > > I am transcribing a piece that has a lot of tuplets: > > > >\tuplet 3/2 { a4 b8 } > > > > The duration of the notes is alw

music function playing well with context

Hello I am transcribing a piece that has a lot of tuplets: \tuplet 3/2 { a4 b8 } The duration of the notes is always this, just the pitch changes. I tried to create a music function with this code myT = #(define-music-function (pa pb) (ly:pitch? ly:pitch?) #{ \tuplet 3/2

Re: Unknown expression mark

On Sat, Jan 14, 2023 at 6:02 PM Alberto Simões wrote: > > > On Sat, Jan 14, 2023 at 5:58 PM Alberto Simões > wrote: > >> Hello, Friends >> >> Anyone knows: >> - what is this expression mark (in terms of the player) >> - how to mimic this in Lily

Re: Unknown expression mark

On Sat, Jan 14, 2023 at 5:58 PM Alberto Simões wrote: > Hello, Friends > > Anyone knows: > - what is this expression mark (in terms of the player) > - how to mimic this in Lilypond? > > As per Wikipedia, it looks like a Marcato -- https://en.wikipedia.org/wiki/Marcato

Unknown expression mark

Hello, Friends Anyone knows: - what is this expression mark (in terms of the player) - how to mimic this in Lilypond? Thank you! Alberto

Re: Non-relative voice begin

Thanks Jean, also useful :-) On Sat, Sep 17, 2022 at 7:17 PM Jean Abou Samra wrote: > Le 17/09/2022 à 19:58, Alberto Simões a écrit : > > Thank you, Martín! > > > > Martín's solution works fine; however, it might be inconvenient if > you have a polyphonic passage for

Re: Non-relative voice begin

Thank you, Martín! On Sat, Sep 17, 2022 at 6:57 PM Martín Rincón Botero < martinrinconbot...@gmail.com> wrote: > Hi Alberto, > > use a \relative block for each voice: > > << \new Voice \relative {} > \new Voice \relative {} >> > > Cheers, > Martín. > > www.martinrinconbotero.com > > > On

Non-relative voice begin

Hello When using voices << {} \new Voice {} >> the second starts relatively to the last note of the first one (because the full score is inside a \relative {} Is there a way to specify exactly the first note pitch for the second voice? Thanks

Re: CrossStaff and Dynamics

gt; Andrew Bernard wrote on 26/06/2022 12:35 PM: > > No need for shame. I think it depends on the direction of the stem in > > the upper staff doesn't it? So it's not always the case that you have > > to put the cross staff indication in the upper staff. I think. > > > > A

Re: CrossStaff and Dynamics

gt; << > \set PianoStaff.instrumentName = \markup\bold"Piano I" > \new Staff = "priRH" { \clef treble \IpriRH } > \new Dynamics = "priDy" \IpriDy > \new Staff = "priLH" { \clef bass \IpriLH } > >> > >&

CrossStaff and Dynamics

Hello I am using CrossStaff and everything worked fine. But after following a snippet that suggest adding the dynamics as an independent voice of spaces: \score { \new PianoStaff = "PianoStaff_pf" << \new Staff = "upper" << \upper >> \new Dynamics = "dynamics" \dynamics \new Staff

Re: Adding space between staves and Dynamics

\override VerticalAxisGroup.default-staff-staff-spacing.minimum-distance = #17 both in Staff and ChoirStaff contexts without any luck. Suggestions? :-) Thanks On Mon, Jul 25, 2016 at 12:18 AM, Simon Albrecht <simon.albre...@mail.de> wrote: > Am 24.07.2016 um 16:37 schrieb Alberto Simões: >

Adding space between staves and Dynamics

Hi How can I add a little more space between the Dynamics and the lower staff upper lyrics? (see attach). The group can be resumed as: \new ChoirStaff << \new Staff = "staffu" << \new Voice = "melA" \upA \new Voice = "melB" \upB >> \new Lyrics \with {

Re: Single slur with two endings (well, kind of) for repeats

On 08/06/16 22:50, tisimst wrote: \repeat volta 2 { c4 c4 ( } \alternative { { c4 ) r } { c2 \repeatTie } } Naturally, you can adjust its shape with the \shape command if desired, but this usually gives a pretty good starting shape. This look a lot more high level, but I understand

Re: Single slur with two endings (well, kind of) for repeats

On 08/06/16 21:02, David Wright wrote: On Wed 08 Jun 2016 at 20:33:51 (+0100), Alberto Simões wrote: Suppose something like \repeat volta 2 { c4 c4( } \alternative { {c4) r} {c2) } %%% this } the second end slur is not typeset. is there any elegant way to draw it, or i should try

Single slur with two endings (well, kind of) for repeats

Hi Suppose something like \repeat volta 2 { c4 c4( } \alternative { {c4) r} {c2) } %%% this } the second end slur is not typeset. is there any elegant way to draw it, or i should try to make an invisible note somewhere? Thanks Alberto

Re: LaTeX and markup "fine"

On 05/06/16 11:32, Alberto Simões wrote: On 05/06/16 11:30, Alberto Simões wrote: Hi I have a standard "\markup{Da Capo al fine}" in a score. That score is being included in a lilypond-book document. pdfTeX complains with: pdfTeX warning: pdflatex (file /usr/local/texlive/

Re: LaTeX and markup "fine"

On 05/06/16 11:30, Alberto Simões wrote: Hi I have a standard "\markup{Da Capo al fine}" in a score. That score is being included in a lilypond-book document. pdfTeX complains with: pdfTeX warning: pdflatex (file /usr/local/texlive/2015/texmf-dist/fonts/type1/public/tex-gyre

LaTeX and markup "fine"

Hi I have a standard "\markup{Da Capo al fine}" in a score. That score is being included in a lilypond-book document. pdfTeX complains with: pdfTeX warning: pdflatex (file /usr/local/texlive/2015/texmf-dist/fonts/type1/public/tex-gyre/qcsri.pfb): glyph `f_i' undefined the PDF gets 'Da

Re: Removing time signature from end of line

On 05/06/16 11:19, Klaus Blum wrote: Hi Alberto, here's what I would start with: % - \version "2.19.25" \defineBarLine "|-norepeat" #'("|" "" "|") % End / Start / Middle of line \relative c'{ \override

Removing time signature from end of line

Hi I would like to hide the cautionary time signature change from the end of the staff. I found out that \set Staff.explicitKeySignatureVisibility = #end-of-line-invisible works for the key, but I couldn't find the equivalent for the time signature. Also, this change is from a Marcia to

Re: Page Break in Lilypond-book

On 04/06/16 20:17, Alberto Simões wrote: On 26/05/16 10:23, Alberto Simões wrote: On 16/05/16 19:32, Alberto Simões wrote: On 16/05/16 18:50, David Wright wrote: On Sat 14 May 2016 at 15:34:30 (+0100), Alberto Simões wrote: > It seems that \pageBreak is not honored by Lilypond.

Re: Page Break in Lilypond-book

On 26/05/16 10:23, Alberto Simões wrote: On 16/05/16 19:32, Alberto Simões wrote: On 16/05/16 18:50, David Wright wrote: On Sat 14 May 2016 at 15:34:30 (+0100), Alberto Simões wrote: > It seems that \pageBreak is not honored by Lilypond. > I found an old post [1] that seems to

Re: Page Break in Lilypond-book

On 16/05/16 19:32, Alberto Simões wrote: On 16/05/16 18:50, David Wright wrote: On Sat 14 May 2016 at 15:34:30 (+0100), Alberto Simões wrote: > It seems that \pageBreak is not honored by Lilypond. > I found an old post [1] that seems to state that it is needed to > enclose eac

Re: Page Break in Lilypond-book

On 16/05/16 18:50, David Wright wrote: On Sat 14 May 2016 at 15:34:30 (+0100), Alberto Simões wrote: > It seems that \pageBreak is not honored by Lilypond. > I found an old post [1] that seems to state that it is needed to > enclose each portion in a different \book block (?). > &

Re: Can not reach the list

Just wait. I sent one on 14th, and got it delivered today :) On 15/05/16 22:03, Joram wrote: Hi, my mails do not reach lilypond-user. Does that only happen to me or is it a general problem? I have written 4 mails in the last week an none appeared on the list. Is there something I can do?

Page Break in Lilypond-book

Hi It seems that \pageBreak is not honored by Lilypond. I found an old post [1] that seems to state that it is needed to enclose each portion in a different \book block (?). Can anybody confirm? Or explain the better way to force page break from within a .ly file, to happen in the

Re: 4 hands piano pieces book

Dear Hwaen, Thanks for your share. I will try to look to the different presented approaches and check which is more adequate for my needs. But, unfortunately, only in my next hobby time slice, next weekend :) Alberto On 09/05/16 19:35, Hwaen Ch'uqi wrote: Greetings Alberto, I have been

Re: 4 hands piano pieces book

ight pages, of course. JM Le 8 mai 2016 à 17:16, Urs Liska <u...@openlilylib.org> a écrit : Am 8. Mai 2016 16:39:56 MESZ, schrieb "Alberto Simões" <al...@alfarrabio.di.uminho.pt>: On 08/05/16 15:37, Jean-Charles Malahieude wrote: Has anyone tried to build it as one markup

Re: 4 hands piano pieces book

On 08/05/16 15:37, Jean-Charles Malahieude wrote: Has anyone tried to build it as one markup with three columns (left pianist, the binding, and right pianist) on an A3-landscape sheet? The only problem would be the page numbering… That could always be done later... use pdfjam or the like to

Re: 4 hands piano pieces book

On 08/05/16 15:27, Urs Liska wrote: The issue with that kind of score is that one needs two independent scores with identical page breaks. AFAICS there's still no alternative to doing that manually, though. OK, that was what I feared. Thanks for confirming it. Alberto

Re: 4 hands piano pieces book

On 08/05/16 15:09, Andrew Bernard wrote: Hi Alberto, On 8 May 2016 at 23:55, Alberto Simões <al...@alfarrabio.di.uminho.pt> wrote: Hi I imagine this is a recurring question. Well, at least I remember doing a similar question about ten years ago. I am asking again because things

4 hands piano pieces book

Hi I imagine this is a recurring question. Well, at least I remember doing a similar question about ten years ago. I am asking again because things change, and I expect to be some better approaches to what I need. I want to prepare a small book of small 4 hands piece. This mean that I need

Re: Replying to posts

On 29/04/2016 11:59, Johan Vromans wrote: >There's some Lilypond questions on the tex StackExchange forum, and you'll >find some on the StackOverflow too. I have a very strong preference for one single place where all information lives. And I'm very happy with this mailing list. +1 for good

Music Notation/Interpretation question

Hi This is not exactly a Lilypond doubt... but imagine a chord, in a left hand piano piece, with Lilypond will eventually put c and g at the left of the note stem, and d and a at the right (what it does exactly is not relevant for the question). The question is: is the side of the note

Re: Orientation of notes in chords

On 26/03/16 00:18, Andrew Bernard wrote: LSR 861 Looks complicated, but OK, is possible. Thanks :-) ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Orientation of notes in chords

Hi If I type a chord with consecutive notes, like lilypond will choose what notes will go to the left or to the right of the beam. Is there any way to say which I want for each side? (mostly curiosity, but it might be useful in some situations) Best Alberto

Re: Multiple slurs on chord

On 20/03/16 22:22, David Kastrup wrote: Thomas Morley writes: Directly on-topic, we have the `doubleSlurs'-context-property, why not use it here? This requires some shaping of them, though. Thus I wrote a first sketch of a `shapeDoubleSlurs'-function, although I'm

Re: Multiple slurs on chord

On 20/03/16 17:47, Simon Albrecht wrote: { \clef bass \key g \major s2 4 } But I don’t recall how much of that is already possible and how much is merely desired. At any rate I’d consider something like that basically the right way of coding this example. It is a

Re: Multiple slurs on chord

On 20/03/16 17:31, Phil Holmes wrote: Hi Is it possible to do a multiple slur, one for each note? (see attach) Thanks alberto FWIW, if I were reading that, I'd assume they were ties and not change the upper two notes. At first I though the same. But in fact the first chord is dissonant

Multiple slurs on chord

Hi Is it possible to do a multiple slur, one for each note? (see attach) Thanks alberto ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Rhythm details

Thank you both, Always learning :) Best Alberto On 16/03/16 14:54, Malte Meyn wrote: Am 16.03.2016 um 15:49 schrieb Alberto Simões: Can anybody please let me know how this is called and, if you know, where in the documentation I can find how to typeset it? This is a tremolo. It means

Rhythm details

hi I am trying to find how to typeset the rhythm in attach, but given I do not know what is its name (neither in Portuguese, English or Italian or any other language) it is getting difficult to find how to do it. Can anybody please let me know how this is called and, if you know, where in

Re: Rhythm details

On 16/03/16 15:48, David Kastrup wrote: >>{ >>\time 3/4 >>\repeat tremolo 12 { 32 d'' } >>\repeat tremolo 12 { 32 d''~ } >>4 >>} > >Thank you. I got some issues to find that '12' thre, but with some >experiments I got there. Well, the contained phrase

Re: Rhythm details

On 16/03/16 15:38, David Kastrup wrote: Alberto Simões <al...@alfarrabio.di.uminho.pt> writes: hi I am trying to find how to typeset the rhythm in attach, but given I do not know what is its name (neither in Portuguese, English or Italian or any other language) it is getting dif

Re: CrossStaff Stems

On 14/03/16 13:10, Malte Meyn wrote: Am 14.03.2016 um 11:31 schrieb Alberto Simões: Is this still up to date? http://fritz.rmi.de/dokumentation/lilypond/Documentation/user/lilypond/Cross-staff-stems.fr.html No it isn’t. That’s documentation for LilyPond version 2.10.33. You can get

CrossStaff Stems

Hi Is this still up to date? http://fritz.rmi.de/dokumentation/lilypond/Documentation/user/lilypond/Cross-staff-stems.fr.html I tried it, but the staves got so distant from each other just to be sure the extended stem didn't overlap the upper line... I can prepare a smaller working example

Quick review request

Hi Yeah, more Gounod. Not a very interesting piece, but transcribed it for readability, and before sending it to IMSLP, I would love if someone could give a quick review on the transcription for errors. Of course that style corrections are welcome as well. Just note I will try to stick as

Re: positioning a rest

Try On 12/02/16 17:34, Patrick Karl wrote: { \new Staff << \time 3/4 << { \oneVoice r4 r \voiceOne g' } \new Voice { \voiceTwo s4 c'2 } >> >> } HTH ambs ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Lilypond doesn't respond anymore MacOSX 10.8

Hi Not easy to help. But, do you have disk space available? On 10/02/16 16:43, Darrémont Jean-Michel wrote: Hi everybody, Lilypond was working fine until today where it stopped working with message: " Application not responding". I just have to force quit. Thanks for any help. MacOSX

Re: LilyPond score used on PhotoScore site

On 09/02/16 17:04, Abraham Lee wrote: I was pleasantly surprised to see a Mutopia score (Beethoven's Piano Trio, Opus 11, Movement 1) "featured" on PhotoScore's product page. Here's the direct link to the page:

Re: LilyPond score used on PhotoScore site

On 09/02/16 17:48, Helge Kruse wrote: Am 09.02.2016 um 18:12 schrieb Alberto Simões: I was pleasantly surprised to see a Mutopia score (Beethoven's Piano Trio, Opus 11, Movement 1) <http://www.mutopiaproject.org/ftp/BeethovenLv/O11/Trio_op11_1/Trio_op11_1-a4.pdf> "featured"

Re: More Gounod :-)

Hello, Finally trying to review this. On 12/12/15 06:18, Brian Barker wrote: o It's a weird style that puts full stops other than at the end of sentences. You have sensibly excised the full stops after the title and the composer. It would be sensible also to lose them after "Murmurs of regret

Re: More Gounod :-)

Hi, Simon Although I still have some corrections to do, proposed by Brian, I would love to first close your suggestions. Yeah, last times have been rough, so a lot of time since this e-mail. On 11/12/15 22:55, Simon Albrecht wrote: On 11.12.2015 22:27, Alberto Simões wrote

Re: More Gounod :-)

On 31/01/16 15:36, Simon Albrecht wrote: On 11/12/15 22:55, Simon Albrecht wrote: On 11.12.2015 22:27, Alberto Simões wrote: It is in the common place: <https://github.com/ambs/music/tree/master/Gounod/FuneralMarchOfAMarionette> Just from a quick glance: – The slur in m.

More Gounod :-)

hello, Just finished transcribing and validating the Funeral March of a Marionette, by Charles Gounod. It is in the common place: https://github.com/ambs/music/tree/master/Gounod/FuneralMarchOfAMarionette If any of you have some time and look into it, trying to find transcribing errors,

Re: Using tiny inside a chord

Hi On 04/12/15 22:00, David Kastrup wrote: miny = \tweak font-size #-2 \etc and I hate when I try something that doesn't work, somebody suggest the same thing, and it works. Unfortunately I did not have saved my code, so, no idea what I did wrong. Thank you, David! Alberto

Using tiny inside a chord

hello I discussed this some time ago, I think... why doesn't this work? but it works if I apply tiny to the whole chord? Thank you Alberto ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Gounod - Le Rendez Vous

in a nutshell: s2\> s4\! instead of s2.\> s\! And I have yet another suggestion: It works as is, but LilyPond would have more freedom to make good linebreaks if you insert \bar "" at appropriate places in the introduction’s cadenza. Hi, Simon Better like this?

Re: Gounod - Le Rendez Vous

On 30/11/15 14:08, tisimst wrote: Now, that looks very nice. Great job! It will be a great addition to IMSLP. Thank you for your help. I will also contact Chris Sawyer, in case he wants to add these two musics to Mutopia. Best, Alberto ___

Re: Gounod - Le Rendez Vous

On 29/11/15 21:49, tisimst wrote: Alberto, On Sunday, November 29, 2015, Alberto Simões-2 [via Lilypond] <[hidden email] > wrote: On 22/11/15 22:27, tisimst wrote: > I think there was a misunderstanding about the voicing in Valse 2. The > beamed g

Re: Gounod - Le Rendez Vous

Hell, Simon On 23/11/15 00:03, Simon Albrecht wrote: The last measure of the Introduction actually has only two quarters (the half note isn’t dotted), to be complemented by the immediately following upbeat for Valse 1. I need your help with this. Although I got it working for the upper

Re: Gounod - Le Rendez Vous

On 22/11/15 22:27, tisimst wrote: I think there was a misunderstanding about the voicing in Valse 2. The beamed groups should NOT be in \voiceOne. They should be in \oneVoice. That should clean up the space taken up by their respective slurs, too. Hi, Abraham. Fixed those issues now. I

Re: Gounod - Le Rendez Vous

Hi, Abraham, On 22/11/2015 22:27, tisimst wrote: I think there was a misunderstanding about the voicing in Valse 2. The beamed groups should NOT be in \voiceOne. They should be in \oneVoice. That should clean up the space taken up by their respective slurs, too. Yep, I understood you were

Re: Gounod - Le Rendez Vous

Hi, Simon On 23/11/2015 00:03, Simon Albrecht wrote: The last measure of the Introduction actually has only two quarters (the half note isn’t dotted), to be complemented by the immediately following upbeat for Valse 1. Damn. I though I had that correct, as I recall from when I was looking

Re: Gounod - Le Rendez Vous

On 23/11/2015 00:03, Simon Albrecht wrote: It seems that you intentionally replaced -! by -. in Valse 1, however the original uses them distinctly and I’d stick with that. Ah, I see what you mean. Wasn't aware of that symbol... shame on me :-) Thanks Alberto

Re: Gounod - Le Rendez Vous

Hi On 22/11/15 13:52, tisimst wrote: Valse 1 looks great! There's a natural in the LH chord in m. 58 that shouldn't be there. If so a double check on all accidentals just to be sauté there aren't others that should or shouldn't be there. Yep, still fixing slurs, only. I have a couple other

Re: Gounod - Le Rendez Vous

On 12/11/15 17:53, Simon Albrecht wrote: On 12.11.2015 16:52, Alberto Simões wrote: Hello, Simon! On 12/11/15 11:21, Simon Albrecht wrote: Two annotations: – Sometimes it would be nice to have whiteout for DynamicTextSpanner against SpanBar; I don’t quite know the best way to do it, though

Re: Gounod - Le Rendez Vous

Hey, On 11/11/15 19:22, tisimst wrote: This is looking MUCH better (nice work with the extended dynamic lines ;-). I'll look at it in greater detail later, but here's one thing that I immediately noticed quite a few instances of that you would get dinged for: You should ALWAYS enclose a tied

Re: Gounod - Le Rendez Vous

Hi all, Final version here: https://github.com/ambs/music/blob/master/Gounod/LeRendezVous/suite.pdf Will submit it to IMSLP later to the end of the week, in case anybody spots any critical issue. I should say I am quite happy with it, and will print it ASAP to play it :) Thank you, again,

Re: Gounod - Le Rendez Vous

On 20/11/15 11:30, Alberto Simões wrote: Hey On 20/11/2015 05:49, Abraham Lee wrote: That being said, since there appears to be arguments for doing it both ways, I'd recommend that you pick one way and be consistent throughout the entire work. Can I ask what you like better? [1] Valse 2

Re: Gounod - Le Rendez Vous

Hey On 20/11/2015 05:49, Abraham Lee wrote: That being said, since there appears to be arguments for doing it both ways, I'd recommend that you pick one way and be consistent throughout the entire work. Yes, of course. I will try and check which one looks better. If you have updated files

Re: Gounod - Le Rendez Vous

On 11/11/15 19:22, tisimst wrote: [1] https://github.com/ambs/music/tree/master/Gounod/LeRendezVous This is looking MUCH better (nice work with the extended dynamic lines ;-). I'll look at it in greater detail later, but here's one thing that I immediately noticed quite a few instances

Re: Gounod - Le Rendez Vous

That's about all for now. Hope that helps. - Abraham Thank you, Abraham I will work the suggestions this weekend and let you all know when I have it fixed. Best, Alberto ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Gounod - Le Rendez Vous

Hello, Simon! On 12/11/15 11:21, Simon Albrecht wrote: Two annotations: – Sometimes it would be nice to have whiteout for DynamicTextSpanner against SpanBar; I don’t quite know the best way to do it, though. Perhaps you could use \markup\whiteout-box on the individual text bits? I didn't

Gounod - Le Rendez Vous

Dear list, Again, I am both pleased to announce the transcription of the Gounod Suite of Valses, "Le Rendez Vous" [1] and asking for any correction you might suggest. There is a couple of details you will find different from the original that are my own decision. But they should be clear.

Re: Gounod - Le Rendez Vous

Hi, Abraham This is looking MUCH better (nice work with the extended dynamic lines ;-). I'll look at it in greater detail later, but here's one thing that I immediately noticed quite a few instances of that you would get dinged for: You should ALWAYS enclose a tied note within a slurred

Re: Gounod - Le Rendez Vous

On 11/11/15 19:41, tisimst wrote: On Wed, Nov 11, 2015 at 12:29 PM, Alberto Simões-2 [via Lilypond] <[hidden email] > wrote: Although not doubting your suggestion, I would be very interested to know if there is such a thing like a document describing a "best practices&q

Re: Gounod - Le Rendez Vous

On 11/11/15 21:16, David Wright wrote: On Wed 11 Nov 2015 at 12:22:32 (-0700), tisimst wrote: This is looking MUCH better (nice work with the extended dynamic lines ;-). I'll look at it in greater detail later, but here's one thing that I immediately noticed quite a few instances of that you

Re: Gounod - Le Rendez Vous

On 11/11/15 20:00, Simon Albrecht wrote: I’d not keep slavishly to these, though; there has always been room for disagreement and personal preference in this discipline. Agreed :-) I think that disagreement is always good. But to disagree I need to know with which to disagree about :)

Chords with "optional" notes

Hello There are musics where chords have a smaller note, that is optional. I found some logs from this mailing list in 2007, suggesting things like: \tweak #'font-size #-4 g Is there any easier way? (as in, less verbose). In fact, I have a bunch of octave chords, where the upper

Re: Chords with "optional" notes

On 10/11/15 19:36, Marc Hohl wrote: Hello There are musics where chords have a smaller note, that is optional. I found some logs from this mailing list in 2007, suggesting things like: \tweak #'font-size #-4 g Is there any easier way? (as in, less verbose). In fact, I have a

Re: Chords with "optional" notes

On 10/11/15 19:36, Marc Hohl wrote: Am 10.11.2015 um 20:31 schrieb Alberto Simões: Hello There are musics where chords have a smaller note, that is optional. I found some logs from this mailing list in 2007, suggesting things like: \tweak #'font-size #-4 g Is there any easier

Re: Chords with "optional" notes

On 10/11/15 20:57, Simon Albrecht wrote: The cheapest way would be (using a syntax introduced very recently) %% sm = \tweak #'font-size #-4 \etc { } %% This sounds awesome. Love that \etc there :) ___ lilypond-user mailing list

Re: Removing "cautionary" natural

On 08/11/15 18:16, tisimst wrote: \once \omit Accidental Like a charm. Thank you! Alberto ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Cadenza... in the MIDI

THank you :) On 05/11/15 21:14, H. S. Teoh wrote: On Thu, Nov 05, 2015 at 09:00:26PM +, Alberto Simões wrote: Hello Probably this is in the manual, but I did not find it. Is it possible to change the tempo (playing speed) in a specific zone of the music? [...] Usually what I do

Removing "cautionary" natural

Hello I have a melody where, somewhere, there is a bes a little later, the is a bes' then a b' and later a b this last b has a natural mark (like the previous one) because (I think) it is in a different pitch. Nevertheless I would like to "remove" (hide) it. What is the easiest way? THank

Re: Cadenza...

On 03/11/15 21:57, Malte Meyn wrote: In LilyPond versions above 2.19.something there is the more advanced command \magnifyMusic that scales also stem lengths, beam thicknesses and some other things. \magnifyMusic #(magstep -2) { here comes the music } % magstep -2 is the same factor

Cadenza... in the MIDI

Hello Probably this is in the manual, but I did not find it. Is it possible to change the tempo (playing speed) in a specific zone of the music? Best, Alberto ___ lilypond-user mailing list lilypond-user@gnu.org

Website down?

Hi Just a heads up. I can't access lilypond. Neither http://downforeveryoneorjustme.com/lilypond.org Thanks ambs ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Valse des Sylphes - Charles GOUNOD

On 03/11/15 14:04, Alberto Simões wrote: I did not like them too, but no clue how to remove them. GNU LilyPond 2.18.2 here, but I can try to update (even on El Capitan!) Oh, damn. 2.18.2 is the latest stable :-/ Best, A. ___ lilypond-user

Cadenza...

Hello First, sorry if the name is not the correct one. For me the lilypond website is down for two days, making it hard to look the glossary :-) What is the correct/best/modern way to obtain something like the excerpt in attach? Making the measure have a different duration is easy... my

Re: Website down?

On 03/11/15 21:16, Federico Bruni wrote: Il giorno mar 3 nov 2015 alle 21:56, Edward Ardzinski ha scritto: I haven't been able to reach http://www.lilypond.org in a few days... it's working fine now still having trouble here. :(

Re: Valse des Sylphes - Charles GOUNOD

Hello On 03/11/15 16:05, Brian Barker wrote: Easy. In the case of bar 110, you have: 2 ~ | q4 Replace this with: 2 ~ | 4 - and similarly. Ah, good point :-) Me being lazy. Will fix it :) Thanks Alberto ___ lilypond-user

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