er.Y-offset #Y
> \etc #})
Should have worked when using -\moveDynTweak ... Since you are not
using this for anything other dynamic expressions, it would be likely
better to use define-event-function here, obviating the need to write -
before \moveDynTweak .
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t wine, as suggested by the original glass symbol.
One would certainly want to avoid that the result of a Margarita mixing
song ends up being a Pinacolada. Clearly more symbols are needed.
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\once \offset Y-offset #Y DynamicLineSpanner
> \etc #})
>
> but this doesn't work.
There is a difference between a tweak and an override.
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k...@aspodata.se writes:
> Jacques Menu:
> ...
>> Now, how about a full 12xn table service?
> ...
>
> What is that ?
I'd assume a set for 12 persons consisting of n items for each.
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>> ...
>
> The first basses won't get much drinking done during a vivace
> crotchet, especially as they have to squeeze a breath in as well! Why
> do the other voices get five times as long to get tipsy? I think we
> should be told ...
Because they are still sober
Dan Eble writes:
> On Sep 14, 2019, at 17:15, David Kastrup wrote:
>>
>> Here is an example showing _slurs_. Are you telling me that the
>> many instances of two slurred A4 notes are to be sounded only once?
>> That would sound pretty awful, and this is a Bach
e as-performed
> version, then I'd also be interested in that effect. Sometimes I've
> used a MIDI editor to fix things up that way.
If you want ties, write ties. If you want slurs, write slurs. It's as
simple as that.
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te starts.
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eak I can use to move
> everything at once, or do I need to add my own music function which
> tweaks all five grobs?
Have an example that won't react to just tweaking the VerticalAxisGroup
?
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Wols Lists writes:
> On 14/09/19 10:50, David Kastrup wrote:
>> Also I would imagine that learning by ear is pretty tricky for ensemble
>> rather than solo work.
>
> Probably no harder than anything else ... I'm bad at remembering stuff,
> but years ago I was tol
"just fell out" in a manner similar to how Midi renditions
are done.
I don't know whether Braille distinguishes cis and des: if it does, that
would likely be the major stumbling block against just using a
computer-generated Midi as the
rything in C (minor).
Look up \modalTranspose in the manual.
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Wols Lists writes:
> On 06/09/19 17:00, David Kastrup wrote:
>> I am not saying "it never will be able to do" things like that but the
>> mechanisms are not there even in rudimentary form, so the manner in
>> which it may be done at some prospective future time is
d it never will be able to,"
> then that's the answer. I'm not trying to argue with you, just
> clarifying what I was imagining.)
I am not saying "it never will be able to do" things like that but the
mechanisms are not there even in rudimentary form, so the manner in
which
an place a score multiple times with its distribution
across pages being different every time. When do you plan to take
action for "detecting if the current page was the first or last page of
a score" when each copy of the score will have a different page
distribution? This actio
"pands"8 __ _ _ _ _ _ _ _ _2
>"dans"4 "nos"8 "cli"8 --
> "mats"1 __ _
I rather doubt that. Care for a minimal example?
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Robin Bannister writes:
> David Kastrup wrote:
>
>
>> A number list counts as not-number?.
>
> So I changed the not- number? predicate to also exclude number-list?
> but this was no better. And then I determined all the individually
> problematic lilypond-scheme-p
Robin Bannister writes:
> David Kastrup wrote:
>
>> Could you please post an actual minimal example we
>> could talk about usefully?
>
> OK. I'm moving, but unsure of the direction.
>
> notnumber.ly is a complete instance of trying to be more specific.
>
Robin Bannister writes:
> David Kastrup wrote:
>
>> So your examples are much too generic to give advice. It's likely that
>> you can solve your problem by using a much more specific predicate than
>> list? unless the form of list that you want to admit really needs to
es are much too generic to give advice. It's likely that
you can solve your problem by using a much more specific predicate than
list? unless the form of list that you want to admit really needs to
allowq something like a single-element string list. Mayb
"Urs Liska" writes:
> 14. August 2019 11:55, "David Kastrup" schrieb:
>
>> "Urs Liska" writes:
>>
>>> Hi all,
>>>
>>> I'm currently rewriting my lilyglyphs package
>>> ...
>>
>> Woul
nce the mechanism is made for that) to just add those kerning pairs to
the Emmentaler font itself?
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ed to use your package manager to manually
> uninstall any existing LilyPond package if you have one that you want
> to replace.
Not even that. /usr/local/bin takes priority over /usr/bin so there is
usually no harm in keeping the system LilyPond as well. Y
eal world practice they are remarkably stable.
2.19.83 is a prerelease of 2.20. In general x.x.80 to x.x.99 are
prereleases to x.x+1.0. Consequently, they tend to have a higher rate
of success than other unstable releases.
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Aaron Hill writes:
> On 2019-08-05 2:30 pm, David Kastrup wrote:
>> Simon Albrecht writes:
>>> By the way, I happened to see that section 1.3.4 of the Extending
>>> Manual sets off on the fact that it’s not possible to attach
>>> articulations t
Simon Albrecht writes:
> On 03.08.19 21:03, David Wright wrote:
>> I'm not sure what "tiny bit on networks" means,
>
> It was a tiny bit sarcastic, IIUC ;-)
I usually don't read the HTML-formatted versions of the mails on this
list, so the tiny sarcasm mark was lost
need to be rewritten.
It only works in music sequences now, not in general. You'll still not
be able to state something like
var = \music -. ->
if I remember correctly.
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#(module-remove! (current-module) 'line-width)
>> }
>>
>> should work for doing this via Scheme.
>
> This works, thanks! Shall this be mentioned somewhere in the
> documentation?
I am skeptical it makes a lot of sense. If there is a significant need
for this, it wo
t-margin
>>}
>
> To ask differently: In file `paper.scm' I can see
>
> (module-remove! m 'line-width)
>
> to remove `line-width'; I now wonder what value for `m' I have to
> use...
\paper {
#(module-remove! (current-module) 'line-width)
}
should work for doing this
}
>
> {
> \once \override Stem.stencil = ##f
> \once \override Flag.stencil = ##f
> \parenthesize $secondNote
> }
> #}
> )
Not a fan of using overrides in such situations since they might af
make both sides get compressed?
{ R1*2 R1*2 }
Not sure what is happening here.
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David Wright writes:
> On Sat 27 Jul 2019 at 18:57:35 (+0200), David Kastrup wrote:
>> David Wright writes:
>> > On Sat 27 Jul 2019 at 11:32:58 (+0100), Wols Lists wrote:
>> >> On 26/07/19 12:23, Peter Toye wrote:
>> >> >
>> >>
; them, and then put the text between the lines.
>
> I would advise against that because PNGs are rastered. The hint is in
> the name: portable-Network-graphics.
Uh, what in the name indicates rasterisation?
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d end a bracket at the same musical
> moment.
>
>
So how do you distinguish a nested bracket starting and ending at the
same musical moment to ending one bracket and starting the next at the
same musical moment?
> to the documentation.
The documentation is not an inspiration for experiments but should make
clear what happens when doing what.
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in future versions.
>
> I have no idea what you are talking about. What is not coherent in
> your opinion? You don't like the
>
> c'4\startGroup\stopGroup
>
> construction? For me this looks like a quite natural extension
> (which, I guess, most of us have tried already) – at
ng more
coherent, even if it means a larger effort in coding at the program
(rather than the user) level. Try-it-until-it-works features are
indistinguishable from bugs and could work differently in future
versions.
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Peter Toye writes:
> David,
>
> \paper {
> #(set-paper-size "a4" 'landscape)
> }
Wait. Maybe try
\paper {
#(set-paper-size "a4landscape")
}
instead. Could be that the PDF conversion isn't happy abou
Peter Toye writes:
> David,
>
> \paper {
> #(set-paper-size "a4" 'landscape)
> }
That should, depending on Ghostscript and LilyPond version, suffice for
printing in actual (rotated) landscape orientation.
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Peter Toye writes:
> I have a score with the paper set to A4 landscape.
How so?
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e correctly (after removing the ">"
> and running convert-ly)
Could be 2.19.16:
commit b12ee555e33d483eed0832d8502ad7a282ef9796
Author: David Kastrup
Date: Mon Oct 6 00:31:58 2014 +0200
Issue 2010: \lyricsto may turn into a voice-mangling zombie
The problem here wa
^^^
That's sort of pointless since for compiling LilyPond, you need the
development package (guile-1.8-dev I think which isn't available as far
as I remember). The scripts are fine running with guile-2.0.
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others to install and use ly 2.20.
2.20 has not been released yet. We are still struggling with
release-critical stuff. Though I should prepare another prerelease
soonish.
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https
Ubuntu's standard version 2.18.2
(short of the version complaint, of course) but not with my
self-compiled version close to master. Can you check with the most
recent development version (2.19.83 I think)?
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Thomas Morley writes:
> Am Mo., 15. Juli 2019 um 21:37 Uhr schrieb David Kastrup :
>>
>> Werner LEMBERG writes:
>>
>> >> any idea how to realize inter-letter spacing? Has someone already
>> >> written a macro like
>> >>
>> >>
t used yet within
> LilyPond...
>
> PS: Right now, I would be thankful for a pointer to this simplistic
> solution :-)
\markup \override #'(word-space . 0.4)
\line { #(map! string (string->list "foobar")) }
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n it up, and if I do not manage to find some treatise
with a superficial search, it would be too much to expect for a new
user.
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definition because it
would be inefficient if every transformation would have to create a
copy.
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t of the variable name.
Correct. Scheme syntax is very simple. Some characters like ()" act as
delimiters, but most others are only split into words with intervening
spaces. LilyPond syntax is different, but writing # or $ hands control
over to the Scheme parser.
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>>
and
4
Unless, of course, you add/remove engravers.
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e -- lei -- son }
> \addlyrics { ky -- rie_ \ital e -- lei -- son \italx }
\version "2.19.82"
ital = \temporary \override LyricText.font-shape = #'italic
italx = \revert LyricText.font-shape
{ c'1 c' d' c' }
\addlyrics { ky -- \markup { rie \italic e } -- \ital lei -- son \italx }
-
knowledgers get to
see, there is no record what context a grob originated from.
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rotection problems
are quite elusive to track down. This propably changes the actions the
Melody_engraver takes.
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is a case of some conversions having become
> illegal for later versions of gcc. Is there a cheap way to make the
> build succeed in order to be able to bisect for the
> misplaced-note-head bug?
I think I used a few cherry-picks commits for building. Embarrassingly,
it doesn't appear like I have
ot change the \version to something not corresponding to the syntax
in the file.
> and compile - error occurs. Then I try to use frecobaldi to do the
> convert-ly and it fails.
If you write \version "2.19.83", convert-ly will do nothing because it
expects the file to already
likely to have a relevant effect on the
allocation/deallocation patterns exposing (but not causing) the
problem. In particular, I suspected the context modification related
code, and outcommenting or removing context modifications will be
equally effective of not running through those code parts.
--
to) updating the \version header.
> How to set up frecobaladi v3.0.1 so that the tools - convert-ly works?
Do not change the \version header to something that does not correspond
to the version of the code in the file: that just misleads convert-ly.
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n reported only fairly recently, and we had some
restructures in the corresponding code.
If you remove all \consists declarations (unfortunately also likely
changing the output significantly), does this help?
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lt;< { r8 f8 as 4 } \\ { b,2 } >> es4 es, \fermata |
> }
>
> The spaces may not be technically necessary, but if you’re at all
> going to share code with others, please put them in.
They come in handy at the latest when you are int
(including its creation, so we are talking about
things like line-count), you really want to change them within the
TabStaff's context modification block (the thing starting with \with )
so that they are in effect before the first StaffSymbol is being drawn.
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ts". It's like paying for a soccer player under the condition
that he gets to be involved in home team plays at all cost, and then he
gets to sell hot dogs.
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msk...@ansuz.sooke.bc.ca writes:
> On Wed, 12 Jun 2019, David Kastrup wrote:
>> > nor conceptually TeX-like, despite the fact that it uses backslashes.
>>
>> It's a batch processing system with plain text input syntax. That makes
>> for workflows not unaccustom
mable the same way TeX is" is basically just TeX because TeX is
so very weird. LilyPond's music functions do a pretty nice job filling
the niche of transforming input of some reasonably concise form into
something else. For people exploring system-governed music, th
robably object to the construction of having a \new Staff \with {
> ... } inside a _music_ variable, but of course it's possible to do it
> that way.
>
>
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> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
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before the first " and it works fine:
>
>
>
> 1^\markup {
> \fret-diagram #"6-x;5-3;4-2;3-o;2-1;1-o;"
> }
So? If we required new documentation to work for old versions, how
could there ever be progress?
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_
xamples of yours that fail and report whether this one change
_reliably_ cures the problem. If it does, I have something more to work
with.
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engraver has already been garbage-collected.
I know this is hard to check but do you have the impression that this
problem reliably depends on using the Melody_engraver ?
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Does anyone know why and how to fix? Thank you.
>
> Maybe the reason for your irritation could be the following:
>
> Lilypond renders its output to a temporary folder unless you save your
> ly-file, which brings lilypond to render all output files to the
> "official&quo
that one but it will of course affect the
whole *Ped. sequence.
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lope
>
> Though, guile has sometimes problems with trigonemetric procedures if
> the angle gets close to multiples of PI/4. I was beaten by this
> problem before.
So don't use them.
cos(atan(slope)) = 1 / sqrt (1 + slope^2)
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Jacques Menu writes:
> Hello,
>
> MusicXML allows node head colors such as https://lists.gnu.org/mailman/listinfo/lilypond-user
is, as of now, rather vague. Any synchronization so far that I
know of is in the context of animated scores and there is no canonical
way of doing that.
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em and write the notes one octave lower (possibly aided by
the \transpose function).
If you used LilyPond only for 2 days it might have been worthwhile
looking at examples for guitar notation in the manual.
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. At least you can change this nowadays with
\voices 1,3,2 << \\ \\ >>
and thus write the voices in top-to-bottom order even when having more
than two voices.
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very much indeed
> for reminding me of the existence of after.
Well, so far it's more the existence of the idea of \after . It's not
like it is part of LilyPond yet.
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you want \after
after =
#(define-music-function (delay ev main) (ly:duration? ly:music? ly:music?)
#{ \context Bottom << { s$delay <> $ev } #main >> #})
And then you can write
{ \after 2. ^\markup "some markup" R1 | }
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David Kastrup writes:
> phpguru writes:
>
>> Hi
>>
>> I have a Mendelssohn choral work with german (de) and latin (lat)
>> lyrics. How can I achieve to set the latin lyrics in italics?
>>
>> % works, but both lyrics are in regular/upright f
\lyricsto "bass" { \tiny \bassLatVerse }
\new Lyrics \with { \override LyricEvent.font-shape = #'italic }
\lyricsto "bass" { \bassLatVerse }
I haven't tried this out because you did not provide a minimal working
example. Could conceivably work.
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fine \f ("forte"). But the main
problem is that an expression like $music cannot take articulations
(this has been ameliorated to some degree in current development, likely
appearing as 2.21 eventually).
You can achieve about the same effect with << $music <>-
es Hebrew letters for
transliterating what amounts to a German dialect with a long separate
history).
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e regions. That
should be usable for octave-shifting, shouldn't it?
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diatly after
>
> b'
>
>
> and then you type
>
> c
>
>
> What if the editor proposes to autocomplete with '' ?
>
> This is just an idea.
You know that Frescobaldi can convert absolute to relative and vice versa?
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<
> \new Staff {
> c'4 d' e' f'
> \repeat volta 2 {c' d' e' f' | g' a' b' c''}
> }
> \new ChordNames \with { chordChanges = ##t } {
> g1 \once \unset chordChanges \repeat volta 2 {g1|1}
> }
>>>
That does not look significantly worse. Mostly be
a' b' c''}
}
\new ChordNames \with { chordChanges = ##t } {
g1 \once \unset chordChanges \repeat volta 2 {g1|1}
}
>>
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e of data characteristic to each property. It is immaterial
whether the default setting is a function.
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uld be enough to override (and revert)
Stem.transparent since Flag inherits transparency from it by default.
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ize-and-automatic-scaling.
> And my default browser settings are german :-/
The German translation is missing translators. It is trailing by
several years by now. If your Swiss Email address can insinuate better
fluency with French or Italian: those translations are actively
ma
n explicit ‘landscape’ or ‘portrait’,
the presence of a 'landscape symbol only affects print orientation,
not the paper dimensions used for layout.
I'll readily admit that it's not mentioned in the "Changes" section.
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ersion "2.19.16"
{
1
}
It's really an uphill struggle to figure out what your problem actually
is.
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David Kastrup writes:
> dtsmarin writes:
>
>> Oops! Wrong minimal example!
>>
>>
>> #(define enh-acc
>> (lambda (grob)
>> (let* ((stencil (ly:accidental-interface::print grob))
>>(new-stil
>>
>
> 1
> 2
> 2
>
> }
Sigh. An example of what you would want to work. Not an example of
what is needed to make this work.
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e exhibiting the problem?
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dtsmarin writes:
> Is it possible to tweak the stencil for an accidental within a chord?
>
> Something similar in functionality with:
> \tweak Stem.color #red
> \tweak Beam.color #green c8 e
> 4
Uh, what is wrong with exactly that?
efined using define, not
define-public. Now _that_ would have been a feature worth a regtest!
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= \quoteDuring "quoted" {s1}
\new Staff \with {instrumentName = "Quoted"} \quoted
\new Staff \with {instrumentName = "Quoting"}
{ \new Voice \with { \transposition c } \quoting }
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t the time markups are evaluated, the page breaking decisions have not
yet been made, and of course those decisions depend on what your markup
command will produce. So this information is still to be established at
this time.
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lil
Jacques Menu writes:
>> Le 1 mai 2019 à 10:01, David Kastrup a écrit :
>>
>> Jacques Menu writes:
>>
>>> Unfortunately, \transposition can only be used when the notes are written
>>> in «
>>> instrument » pitch, not concert pitch.
IDI
> output too, which I don’t know how to do.
With \transposition .
> I’d prefer to keep the notes unchanged, in concert pitch, instead of
> modifying them - hence my post.
How about a minimal example exhibiting the problem?
<http://lil
David Kastrup writes:
> Jacques Menu writes:
>
>> Thanks Lukas and Aaron for your help.
>>
>> In fact, my use case is merely to listen to the MIDI file from within
>> Frescobaldi, to ear-proof the score. I don’t have any MIDI equipment,
>> and organ sound i
e would get both the
> printed score and the MIDI pitches alright, even for instruments
> unknown to standard MIDI.
>
> Can that be done?
That's what \transposition is for. Look it up in the manual.
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le. And not susceptible to mail clients courteously
replacing the required ' (Unicode/ASCII 39) with the non-operative ’
(Unicode 8217).
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