Re: Vertical alignment of RehearsalMarks

Hi Peter, I would suggest the following series of overrides to the /Score.RehearsalMark/ object: /\override RehearsalMark.outside-staff-priority = ##f \override RehearsalMark.Y-offset = #0 \override RehearsalMark.extra-offset = #'(-2 . -0.5)/ This will effectively disable collision avoidance,

Re: How to remove all notes and only show Chords and Lyrics?

. But then the distance between chords and the corresponding lyrics is relatively big (like setting the above padding to 2.0). Which spacing setting can be used to reduce this spacing? Kind regards Dominic On 11.12.19 15:21, Kieren MacMillan wrote: > Hi Aaron, > >> I would probably use a \p

Re: How to remove all notes and only show Chords and Lyrics?

ystem-system-spacing)" between some lines. In most lines it is less than 2, but the two gaps have 5.21 or 27.86. How can I reduce those? I can't find a reason for those gaps being that big ... Kind regards Dominic On 10.12.19 18:11, Kieren MacMillan wrote: > Hi Dominic, > >> Hi J

Re: How to remove all notes and only show Chords and Lyrics?

the reason for this and how I could solve it? Kind regards Dominic On 10.12.19 15:14, lilyp...@de-wolff.org wrote: > > >> -Original Message----- >> From: Dominic Sonntag >> Sent: Tuesday, December 10, 2019 8:44 AM >> To: lilyp...@de-wolff.org >> Cc: lilyp

Re: How to remove all notes and only show Chords and Lyrics?

the chords in the second version (without notes) are always a bit late, they should appear more to the left. Do you have an idea how to solve this? Best regards Dominic On 06.12.19 22:59, Kieren MacMillan wrote: > Hi Dominic, > >> in a special case I need a "score" wi

Re: How to remove all notes and only show Chords and Lyrics?

This is really quite close, but can I remove that horizontal line and bring the chords and lyrics closer together? On 07.12.19 15:50, lilyp...@de-wolff.org wrote: > > >> -Original Message- >> From: lilypond-user >> On Behalf Of Dominic Sonntag >> Sent:

How to remove all notes and only show Chords and Lyrics?

esult should look something like this: F C It's not time to make a change, or see my attached image. How can I achieve this? (Maybe with the least effort on changing the input as it is a long song.) Kind regards Dominic

\magnifyStaff breaks chords with 2nds

I am using the latest unstable version (2.19.83), but have also tested with LilyBin (2.19.48). Here is a tiny example: /\version "2.19" \new Staff \with { \magnifyStaff #(magstep -0.5) } \relative { \stemDown 4 }/ The chord contains the interval of a 2nd, so it should

Re: Hairpin 'to-barline' ignored in Dynamics context when grace notes are present?

Thanks, Torsten! Terminating the hairpin on a spacer grace note is the solution. -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org

Hairpin 'to-barline' ignored in Dynamics context when grace notes are present?

Illustration below: In the upper example, the hairpin stretches all the way to the terminating dynamic, despite explicitly telling it not to with the 'to-barline' property. If I take away the acciaccatura (in the lower

Re: Subtitle is written in bold, how to make it not bold?

/subtitle = \markup { \medium "This will not be in bold" }/ is a quick way to get around it. Long term, you could redefine scoreTitleMarkup and bookTitleMarkup (someone else will tell you where to find those!) Dominic -- Sent from: http://lilypond.1069038.n5.nabble.com/Us

Re: Why doesn't \once \override NoteColumn.force-hshift work on more than one note in a measure

I believe it's because the second note does not naturally collide with any other, and has no cause to be 'forced' out of the way. Instead use /\once \override NoteColumn.X-offset/ for those notes. I'm sure another user will explain the technical reasons! -- View this message in context:

Re: Line breaks on a "where allowed" basis

I would use /\autoLineBreaksOff/ just before a passage that must not be broken, followed by /\autoLineBreaksOn/ where you don't mind it being broken again. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Line-breaks-on-a-where-allowed-basis-tp202699p202701.html Sent from

BBC SO playing from a Lilypond score

how the piece will sound; I entered it from the composer's manuscript and never exported a MIDI file. Image of the first page attached: <http://lilypond.1069038.n5.nabble.com/file/n197758/page_1_%28small%29.png> Dominic -- View this message in context: http://lilypond.1069038.n5.nabb

Re: Slur not accepting \shape corrections

The \shape command, if I remember correctly, functions like a "\once \override", so it needs to immediately precede the note to which the slur is attached, thus: /\stemUp r8 \shape #'((0 . 0)(0 . 0)(0 . 0)(0 . 0)) Slur c( g' c e g / -- View this message in context:

Re: space the width of key signature

Why not use StanzaNumbers instead of instrumentName to label verse numbers? http://lilypond.org/doc/v2.19/Documentation/notation/stanzas -- View this message in context: http://lilypond.1069038.n5.nabble.com/space-the-width-of-key-signature-tp192079p192083.html Sent from the User mailing list

Re: partially frenched score

I define the following macros, which I adapted from the LSR some time ago: /showEmptyStaff = { \set Staff.keepAliveInterfaces = #'( rhythmic-grob-interface multi-measure-rest-interface lyric-interface stanza-number-interface percent-repeat-interface) } unShowEmptyStaff = { \unset

Workaround for issue 1515?

line above somehow causes *everything* to be 'correctly' quoted, but I want to be able to selectively quote parts - e.g. not dynamics or slurs or articulations. Is this an insurmountable bug, or is there a workaround that exists by inserting some special event type into quotedCueEventTypes? Tha

Re: AutoBeam Behaving Properly?

Even simpler (for the 3/4 case): /\set Timing.beamHalfMeasure = ##f/ -- View this message in context: http://lilypond.1069038.n5.nabble.com/AutoBeam-Behaving-Properly-tp189326p189330.html Sent from the User mailing list archive at Nabble.com. ___

\breakDynamicSpan in a Dynamics context?

results in a more automatic way? Many thanks! Dominic <http://lilypond.1069038.n5.nabble.com/file/n184789/dynamic-line.png> /\version "2.19" mel = \relative c' { c,8 8 8 8 8 8 4 c'8 8 8 8 8 8 4 c'8 8 8 8 8 8 4 } dyn = { \repeat unfold 3 { s2. \pp \<

Re: How to adjust the padding between a StemTremolo and a NoteHead?

Thanks everyone! tisimst, I slightly modified your solution and it seems to work great - thanks! For reasons I don't understand, it only changed the first StemTremolo in my score, but when I changed 'after-line-breaking' to 'before-line-breaking' it changed all of them. -- View this message in

How to adjust the padding between a StemTremolo and a NoteHead?

there are, which is not ideal. Any ideas? Thanks, Dominic -- View this message in context: http://lilypond.1069038.n5.nabble.com/How-to-adjust-the-padding-between-a-StemTremolo-and-a-NoteHead-tp179448.html Sent from the User mailing list archive at Nabble.com

Re: missing glissando

This will work: /\version 2.18.2 \language english { \clef bass c2._ \override Glissando.style = #'trill c4 \glissando | %m81 \clef treble c c'''8 r2 \bar|. %m82 }/ You forgot to put the actual \glissando command. Also, I swapped the order of the notes in the final chord so that the

Re: TextSpanner + \mark?

Lack of easy tempo spanners is one of Lilypond's most prominent weaknesses. A rall... spanner as a tempo mark for all players is absolutely standard notation. Attached is a template I arrived at a while ago with the help of some other forum users, that solves the problem in most cases, and

Tempo spanners

this would not be practical (I am working on an orchestral score with thousands of bars which needs to be robust) Any help or insight would be greatly appreciated! Thanks, Dominic http://lilypond.1069038.n5.nabble.com/file/n172220/tempo-spanners.png tempo-spanners.ly http://lilypond.1069038.n5

Re: Tempo spanners

Thanks, Kevin - that appears to work perfectly! -- View this message in context: http://lilypond.1069038.n5.nabble.com/Tempo-spanners-tp172220p17.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list

Re: arpeggio on single note

I also ran into this problem recently. Here is what I came up with as a visually acceptable solution: /\version 2.19 \relative c' { \once \override Arpeggio.positions = #'(-2 . 1) \once \override Stem.extra-offset = #'(0 . 1) \once \override Stem.length-fraction = #0.75

Re: Adjusting the position of tempo indications

You probably need to adjust MetronomeMark.padding in the score context rather than TextScript.padding in the Staff context, thus: /\override Score.MetronomeMark.padding = #4/ -- View this message in context:

Tied \afterGrace notes don't work?

result? Thanks, Dominic -- View this message in context: http://lilypond.1069038.n5.nabble.com/Tied-afterGrace-notes-don-t-work-tp168089.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Tied \afterGrace notes don't work?

Ah, I figured it out by setting /\set Staff.tieWaitForNote = ##t/ -- View this message in context: http://lilypond.1069038.n5.nabble.com/Tied-afterGrace-notes-don-t-work-tp168089p168091.html Sent from the User mailing list archive at Nabble.com.

Re: Selectively override padding of glissando lines in chords?

I'm afraid not. It worked for the original situation when I asked, but I'm having trouble modifying it to fit this slightly different context, and don't know how to proceed after much searching. Hopefully there is a solution. -- View this message in context:

Re: Selectively override padding of glissando lines in chords?

I am a little closer to my goal. I have come up with the following music function: /glissIndexPadHack = #(define-music-function (parser location index additionalpad normalpad) (number? number? number?) #{ \once \override

Re: Selectively override padding of glissando lines in chords?

Brilliant - Thanks, David! -- View this message in context: http://lilypond.1069038.n5.nabble.com/Selectively-override-padding-of-glissando-lines-in-chords-tp167966p168000.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user

Selectively override padding of glissando lines in chords?

-dots-chords.png Thanks for any answers! Dominic -- View this message in context: http://lilypond.1069038.n5.nabble.com/Selectively-override-padding-of-glissando-lines-in-chords-tp167966.html Sent from the User mailing list archive at Nabble.com

Re: slur problem

The slur should be attached to the end of the 'fis', not the beginning of the 'd', like this: /fis,1( \time 3/4 d'2.)/ -- View this message in context: http://lilypond.1069038.n5.nabble.com/slur-problem-tp165923p165926.html Sent from the User mailing list archive at Nabble.com.

Re: Tremolos not working in cued voice

I just tried it and can't figure it out either! Does anyone else know? -- View this message in context: http://lilypond.1069038.n5.nabble.com/Tremolos-not-working-in-cued-voice-tp162345p162417.html Sent from the User mailing list archive at Nabble.com.

Re: Tremolos not working in cued voice

Search the notation reference for quotedCueEventTypes. I'm pretty sure if you add 'tremolo-event' to the list, it will work as you want it. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Tremolos-not-working-in-cued-voice-tp162345p162386.html Sent from the User mailing

How to have separate \paper variables for different scores in the same book?

wrap the first and second scores in their own \bookpart, each with their own \paper block, then the second score appears on its own page, which isn't what I want. What's the best and simplest way to achieve this? Thanks for any suggestions! Dominic -- View this message in context: http

Re: How to have separate \paper variables for different scores in the same book?

Yes, it compiles but has no effect. I just had a more thorough search online and it looks like there's no official way to do it - annoying! -- View this message in context:

Re: How to have separate \paper variables for different scores in the same book?

An example of what? I am not reporting a bug, I am asking what the correct method is to achieve a certain outcome. I listed my attempts in order to illustrate things I had already tried. I am using the very latest development version (2.17.26), but I also use the stable version via lilybin.com

TextSpanner in Score context?

by having something like this: /\repeat unfold 16 { \tempo . s16 }/ but that wasn't great because the dots didn't act as a single line (some of them were pushed out of the way by high notes) Any suggestions? Thanks! Dominic -- View this message in context: http://lilypond.1069038.n5

Re: Glissando collides with accidentals

I believe this bug was finally fixed in the very latest version (2.17.15). Prior to that I made a macro that adjusted the Glissando.bound-details.right.padding value temporarily each time, but it has no use now. -- View this message in context:

Re: How to force a superfluous CombineTextScript to be printed?

Thanks Ian, I'll try that. -- View this message in context: http://lilypond.1069038.n5.nabble.com/How-to-force-a-superfluous-CombineTextScript-to-be-printed-tp149514p149574.html Sent from the User mailing list archive at Nabble.com. ___

How to tweak/override the individual Glissando objects in a chord?

itself, but /a'' \tweak Glissando.extra-offset #'(0 . -1) bes c1 \glissando c, d e1/ has no effect. What is the correct syntax for accessing the individual Glissando lines separately? Cheers everyone! Dominic -- View this message in context: http://lilypond.1069038.n5.nabble.com/How-to-tweak

How to force a superfluous CombineTextScript to be printed?

. Surely there is a more automatic way than this? Thanks, everyone! Dominic -- View this message in context: http://lilypond.1069038.n5.nabble.com/How-to-force-a-superfluous-CombineTextScript-to-be-printed-tp149514.html Sent from the User mailing list archive at Nabble.com

Dynamics, spacers, and partcombine used at once.

, but many of them claim to be 'fixed' - yet they apparently are not. I have attached a .ly file containing a series of minimal examples to illustrate the observations I have made above. Thanks everyone, Dominic -- View this message in context: http://lilypond.1069038.n5.nabble.com/Dynamics

Re: Dynamics, spacers, and partcombine used at once.

, Keith OHara [via Lilypond] ml-node+s1069038n149196...@n5.nabble.com wrote: Dominic dominicirving at gmail.com writes: My goal is to produce an orchestral score which both - uses *\partcombine* - has dynamics separately defined To make this go smoothly, you will probably need

Re: Dynamics, spacers, and partcombine used at once.

Hi Carl, I tried that and it does indeed work (at least in my small test example), but it does seem like it destroys the semantic integrity of the code to have notes and rests that are not really functioning as notes or rests. Nevertheless, I'll keep it in mind as a solution to consider in the

How to repair volta bracket ending?

Hello, I have a song with three different repeat endings and special volta bracket text. Everything works fine except the middle volta bracket has no vertical line at the right end. Can you please help me with this? Thanks Dominic \version 2.14.2 voltaI = \markup { 1. 3. 5. } voltaII

LaTeX font as Lyric font in LilyPond?

-available-fonts any I cannot find a font name like Computer Modern. But how to address the LaTeX font under Linux? Thanks Dominic ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: How to create a coda with a gap?

signature and the segno sign to the left. But there are still the staff lines going far too right. Any ideas how to solve this? Yours Dominic - Ursprüngliche Mail - Von: Gilles Sadowski gil...@harfang.homelinux.org An: lilypond-user@gnu.org Gesendet: Donnerstag, 25. November 2010 00:59:26

Re: How to create a coda with a gap?

this works great! Thanks Dominic - Ursprüngliche Mail - Von: Robin Bannister r...@dataway.ch An: Dominic Neumann m...@dominicneumann.de, lilypond-user@gnu.org Gesendet: Donnerstag, 25. November 2010 10:32:52 Betreff: Re: How to create a coda with a gap? Dominic Neumann wrote

How to create a coda with a gap?

not be there. 3. The segno sign is for too high. 4. The first volta bracket doesn´t have an end line. Can you please help me with that? Thanks Dominic LILYPOND CODE: \version 2.12.3 voltaI = \markup { \text \fontsize #2 \sans 1.+2. } voltaII = \markup { \text \fontsize #2 \sans letzt } \score

simple page break command in lilypond-book?

Hi, is there a simple way to create a page break in a song that is build with lilypond-book? \pageBreak doesn´t work there. Dominic ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Centering chorus between even verses

There is only the definition of leftbrace and rightbrace but these are not used in any place. So they don´t show up. I´ve tried to add \rightbrace after \dropLyrics which works quite good, but has one fundamental problem: The brace uses one note as a syllable would. Maybe someon else has a helping

Re: pdf file

Hi Naomy, please explain what you did to produce a pdf file. If you don´t know what to do, the Learning Manual is a good starting point: http://lilypond.org/doc/v2.11/Documentation/user/lilypond-learning/index Dominic 2008/11/12 Naomy Gaudet [EMAIL PROTECTED]: i just installed lilypond and i

Re: Vertical spacing between different verses

. Play around with a and b (this should be numbers) to achieve what you want: \layout { \context { \Lyrics \override VerticalAxisGroup #'minimum-Y-extent = #'(a . b) } } Dominic ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org

Re: Three newbie questions

Welcome to LilyPond, André! 1) I don´t know, but I´m interested, too! 2) You should set \germanChords or \semiGermanChords to meet your needs. 3) I don´t think, it´s possible to let LilyPond decide how to print stanzas at the end. Dominic 2008/11/6 Atte André Jensen [EMAIL PROTECTED]: Hi I

Re: Formatting of lyric syllables

Hi Till, to let the stanza number appear bold, just write \set stanza = 4. before syllable. The issue is, that when having 4 repeats with 2 voltas, the fourth stanza Do you mean 4 verses in a repeat with two voltas? Please provide us a little example. Dominic

Re: Formatting of lyric syllables

before is placed too much to the right (here in 2.11.51). Then I replaced (4.) by the \set stanza command I already mentioned. Dominic 2008/11/6 Till Rettig [EMAIL PROTECTED]: Bailey James E. schrieb: Aha! this one I know. music = \new Voice = stimme \relative { c4 d e f g a h c } lyrik

Re: Why do so many newcomers post to bug-lilypond?

2008/11/4 fiëé visuëlle [EMAIL PROTECTED]: Am 2008-11-04 um 21:10 schrieb Mats Bengtsson: fiëé visuëlle wrote: Regarding those newbies who are looking for a GUI: Why don't we publish a screenshot or two? Users are looking for screenshots if they evaluate a new application (at least I

Re: urgent: people for a fair-copy needed

I could help, too. But I also wouldn´t do it for such a low price if it wasn´t published under such a license Valentin mentioned. If it was to be published as a book where they earn money with, there should be more money to get ... Dominic 2008/10/25 Valentin Villenave [EMAIL PROTECTED]: 2008

Re: How to stop melisma line?

Hi Dmytro, replace uplyr by the following: uplyr = \lyricmode { la -- la -- la -- la __ _ _ la -- la -- la } You should know, that _ does the same as \skip 1, but is easier to write. Hope this helps! Dominic 2008/9/29 Dmytro O. Redchuk [EMAIL PROTECTED]: Hi, all. In vocal scores i

Re: Hidden rests without visible space

I´m not sure what you exactly want, but maybe you can give us a short .ly example? You could try to use s followed by the value of the invisible rest. Dominic 2008/9/4 Aaron Dalton [EMAIL PROTECTED]: Is it possible to create hidden rests that do not create visible space? I have used skips

Re: lyrics and repeat

There was a similar question some days ago. Do the answers help you? http://www.mail-archive.com/lilypond-user@gnu.org/msg39370.html Dominic 2008/9/1 Grammostola Rosea [EMAIL PROTECTED]: Grammostola Rosea wrote: Joseph Haig wrote: You want to add: versetwo = \lyricmode { % Second line

Re: lyrics and repeat

To add more lines of lyrics easily add another \addlyrics { ... } after the first. It doesn´t matter if there´s a repeat in the notes - LilyPond typesets the lyrics as you see them on the paper. Hope this helps Dominic 2008/8/31 Grammostola Rosea [EMAIL PROTECTED]: Hi, I want to add lyrics

Re: lilypond as an web-based application?

Hi Stefan, Valentin has already started such a project. I don´t know how good it works. Probably it´s only a starting point: http://valentin.villenave.info/lilypond/ Dominic 2008/8/30 Stefan Thomas [EMAIL PROTECTED]: Dear lilypond-users, I have had an (maybee studpid) idea in the last days

Re: Converting lilypond to music xml

, but is it at all possible to add lyrics? Dominic 2008/8/25 Johan Vromans [EMAIL PROTECTED] Alastair Irving [EMAIL PROTECTED] writes: I'd be very surprised if this hasn't been asked before, but searches of the archives haven't turned up anything useful. Is there any way of converting lilypond

Re: Time signatures (Common, Cut Common)

/Ancient-time-signatures#Ancient-time-signatures) you can see that \override Staff.TimeSignature #'style = #'default works, too. There are also some other styles you can define. Dominic 2008/8/25 Anthony W. Youngman [EMAIL PROTECTED] It's not in the manual, and I can't search the LSR because it's

Re: lyrics

Hi Lara, PLEASE give us some source code. Then we can probably help you! It´s much easier for us if we do not have to create a sample for ourselves. Thanks, Dominic 2008/8/23 Lara Diamand [EMAIL PROTECTED] Thanks everyone for the help with the skipping of text! It worked well

Re: Beginner problem with PianoStaff

. Dominic 2008/8/24 Don Ravey [EMAIL PROTECTED] I've just begun to learn LilyPond and already have this problem: when I try to use PianoStaff, LilyPond crashes without even writing a log entry. I uninstalled and reinstalled LP with no effect. If I remove the PianoStaff reference

Re: lyrics

to be followed by a number. The value of the number doesn´t have any effect, if I remember right. Dominic 2008/8/20 Paul Scott [EMAIL PROTECTED]: Kieren MacMillan wrote: Hi all, You have to put skips in your music to skip endings, etc. where you don't want lyrics. I usually do this with _ (underscore

Re: lyrics

{ \refrSkip \verseTwo } \addlyrics { \refrSkip \verseThree } Dominic 2008/8/20 Paul Scott [EMAIL PROTECTED]: Dominic Neumann wrote: It can be, but this only works in \lyricmode: Which is the only way I do lyrics. :) Paul OKAY: \repeat unfold 4 \skip 1 NOT OKAY: \repeat unfold 4 _ OKAY

Re: lyrics

Hi Lara, I don´t exactly understand what you mean. Please send me an example of your LilyPond code or an image of what you want to have. Then I could help even better. Dominic 2008/8/19 Lara Diamand [EMAIL PROTECTED]: Hi Dominic, Thanks, this realy helps, one thing is not yet solves though

Re: ChordNames prints small characters for added bassnotes, I'd prefer capital like C/E or Cm/Es ...

with small letters. Dominic 2008/8/19 Werner [EMAIL PROTECTED]: For the following music in \chordmode ChordNames prints Fm7/as, (how) is it possible to obtain Fm7/As? f1:m7/as (btw.: Interistig would be too small characters for minor chords like g instead of Gm or gm instead of Gm

Re: Newbie chord alignment question

e1 e1 } } Additionally, you don´t have to tell the \key in harmonies, because that doesn´t matter. Dominic 2008/8/19 Naveen Santhanam [EMAIL PROTECTED]: Hello, I am new user to this wonderful program. I have quick question

Re: Registration Problem and Encoding Problem

of the status bar. Then you can change it, too. Then the statusbar shows (lilypond,lilypond,UTF-8). Dominic 2008/8/19 Joseph M. Krush, Ph. D. (MusicTheory) [EMAIL PROTECTED]: 2) As far as I can see, I have followed all instructions received so far. LilyPond is downloaded and installed, Java

Re: lyrics

would be to use different context names for the different parts and address them with \lyricsto. Dominic 2008/8/18 Lara [EMAIL PROTECTED]: Hi, I have a song that has three parts, first with one line of text, then with two lines (and a repeat)and then again with one line. I tried to use \set

Re: Score with large empty section at the top

Hi Maarten, I think it is standard behaviour. I remember there was a command to let LilyPond display all the spaces it uses and its names. But I don´t remember the command and couldn´t find it by searching ... Dominic 2008/8/13 SPAM [EMAIL PROTECTED]: I'm transcribing a piece for six brass

Re: Score with large empty section at the top

If you don´t want the wide gap, add ragged-bottom = ##t to your paper section. Dominic 2008/8/14 Dominic Neumann [EMAIL PROTECTED]: Hi Maarten, I think it is standard behaviour. I remember there was a command to let LilyPond display all the spaces it uses and its names. But I don´t

Re: How to add double barlines to a gregorian chant?

Okay, I´ll try to play around with different versions. In the current case that´s not such a problem for me, because there are some chants I have to produce NOW and they have to look good. After that I probably won´t use gregorian chant that soon. Dominic 2008/8/12 Kurt Kroon [EMAIL PROTECTED

Re: Please forget LM MG NR IR SL AU

differentiating is okay, but you should also have others in your mind. Dominic I don't understand a lot of the code discussions on the list (especially ones with long strings of Scheme coding), but that doesn't keep me from using the list. Peace, Ralph On Tue, Aug 12, 2008 at 3:29 PM, Han

Re: Please forget LM MG NR IR SL AU

Sure, that´s right! 2008/8/12 Ralph Palmer [EMAIL PROTECTED]: I agree, Dominic. It wasn't intended to be insular. On the other hand, when someone is responding to a question about Scheme or about deep (I don't even know the correct term) code, I don't see how one can, or if one should try

Re: Please forget LM MG NR IR SL AU

I understand your position very well, Graham. But we should also try to improve the way of helping via the mailing list to convince newcomers of the power of LilyPond. What about providing a signature to the mailing list explaining these abbreviations? I don´t know if this is possible, but it

Re: How to add double barlines to a gregorian chant?

I wonder why it doesn´t work whereas there is an online version where it works. I´ve got the most recent version of LilyPond. Which version is used at http://kainhofer.com/~lilypond/Documentation? Or are there special command-line options improving the output? Dominic 2008/8/11 Joseph Haig

Re: How to move noteheads to the left? (was: Re: How to add double barlines to a gregorian chant?)

solve this? Dominic 2008/8/1 Dominic Neumann [EMAIL PROTECTED]: 2008/7/31 Dominic Neumann [EMAIL PROTECTED]: 2008/7/30 Joseph Haig [EMAIL PROTECTED]: An even more unfortunate side effect of this is that if you have long melimata the spacing gets messed up, because lilypond allocates a certain

How to move noteheads to the left? (was: Re: How to add double barlines to a gregorian chant?)

2008/7/31 Dominic Neumann [EMAIL PROTECTED]: 2008/7/30 Joseph Haig [EMAIL PROTECTED]: An even more unfortunate side effect of this is that if you have long melimata the spacing gets messed up, because lilypond allocates a certain amount of space for each neume even though they are clustered

Re: How to add double barlines to a gregorian chant?

2008/7/30 Joseph Haig [EMAIL PROTECTED]: 2008/7/29 Dominic Neumann [EMAIL PROTECTED]: Okay, then it breaks already after the fourth note ... this doesn´t help much. Now I added some more \noBreak commands after other notes and now it fits into one line. That´s not what I would call a clean

Re: How to add double barlines to a gregorian chant?

everytime even if there´s obviously enough space to print it in only one line? Is there a simple way to place the star symbol exactly under the breathe symbol? Thanks, Dominic \version 2.11.44 \include gregorian-init.ly #(set-global-staff-size 10) \score { \new VaticanaVoice = cantus

Re: adding graphics with external program

Hi Matth, Isn´t scribus capable of including pdf files directly? In my opinion this would be the better way - if it´s possible. Dominic 2008/7/29 Matthieu Jacquot [EMAIL PROTECTED]: Hi, I use scribus to write an essay containing a lot of little music examples (made with lily of course

How to add double barlines to a gregorian chant?

Okay, then it breaks already after the fourth note ... this doesn´t help much. Now I added some more \noBreak commands after other notes and now it fits into one line. That´s not what I would call a clean solution ... :-/ Dominic 2008/7/29 Thomas Scharkowski [EMAIL PROTECTED]: I don't have

Re: Is this possible

That´s great! Thank you. Do you know a way to strech the spacing between the noteheads? Now it looks very ugly, probably because there are no lyrics attached to it. I already tried to assign -lyrics, but that wasn´t very good. Dominic 2008/7/29 Reinhold Kainhofer [EMAIL PROTECTED

Re: broken octaves

improve it. Is that possible? Dominic 2008/7/26 Jay Anderson [EMAIL PROTECTED]: Stefan Thomas kontrapunktstefan at googlemail.com writes: Dear Lilypond-users, I have in mind an input like:\relative { \brokenoctaves {c d e f g }}and the desired output is:\relative { c c' d d' e e' f f' g g' }Can

Re: broken octaves

Hi Stefan, are you sure you want c c' d d' ... instead of c c' d, d' e, e'? You could write a scheme function for that. I´ll try it, but I´m not too experienced in such things. Dominic 2008/7/25 Stefan Thomas [EMAIL PROTECTED]: Dear Lilypond-users, I have in mind an input like: \relative

Re: nopc -- Proposed Predefines

them. Any votes? Carl This sounds consequential to me, because it reminds me of the \autoBeamOff and ... On function - so we have consistency (I don´t know if it´s consistent with other constructs ...). Dominic ___ lilypond-user mailing list

Lyric braces?

Hi, how do I create braces within lyrics to clarify that two lines of text belong to the same verse (see textbrace1.jpg) or when there´s a part of lyrics which belongs to all verses (see textbrace2.jpg)? Dominic attachment: textbrace1.jpgattachment: textbrace2

Re: Forcing a chord output

this? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user DNVerlag, Inh. Dominic Neumann Lessingstraße 8 D-09130 Chemnitz Telefon: 0371 2839374 Fax: 0371 2839376 E-Mail: [EMAIL PROTECTED] WWW: www.dnverlag.de

Different distance line - chordnames within one score

usually publish are not allowed to be sent here. Is this a known problem? I don´t know where I should start searching ... Dominic ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: lilypond-book with multi-dir projects

and recompile it all. But that takes minutes ... Dominic ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

LaTeX sans font for LilyPond lyrics?

Hi, is there an easy way to use the LaTeX sans font for LilyPond lyrics? I already search the mailinglist but I couldn´t find a solution for it. Dominic ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo

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