Hwaen Ch'uqi wrote
Greetings Ed,
I realize this is quite the crude solution, and perhaps you have
already considered it, but could you not simply include unneeded
measures at that particular area, inserting a \pageBreak between each?
At the page with the correct page number, you could
Trevor Daniels wrote
EdBeesley wrote Saturday, October 26, 2013 12:25 AM
I was just wondering is there an easier way to get around this, for
example
a bit of code that will 'reset' the page count to the number I want, e.g:
set current page number to 7
There is. See
http
I've got a score which I've had to add a section of graphic notation to. I
modelled this up in a separate file but now on trying to insert it into the
score/parts it's just an unworkable nightmare. So I've decided to make it
into a separate pdf and insert it into the right place with Acrobat. This
Digging up an old chestnut here... I've gone through the archives and it
seems that there was interest from several users for a reliable solution to
a slash through the first of a beamed group of grace notes.
The oft-quoted solution is the snippet at
http://lsr.dsi.unimi.it/LSR/Snippet?id=721
Thanks for your suggestions guys - I love the use of instrument name, much
less hacky than my original solution!
Thomas I tried your code in 2.16.2 but still ended up with a big gap between
the clef and first note?
I used NoteHead.extra-spacing-width because it was the first thing I tried
that
Wilbert Berendsen-4 wrote
Dear friends,
Frescobaldi 2.0.11 has been released, incorporating many improvements
and functionality contributed by other developers.
Highlights are musicxml import and configurable debug modes for building
PDF previews. See
EdBeesley wrote
Wilbert Berendsen-4 wrote
Dear friends,
Frescobaldi 2.0.11 has been released, incorporating many improvements
and functionality contributed by other developers.
Highlights are musicxml import and configurable debug modes for building
PDF previews. See http
Daniel Rosen wrote
-Original Message-
From: EdBeesley [mailto:
edplaysdrums@
]
Sent: Wednesday, October 16, 2013 10:30 AM
To:
lilypond-user@
Subject: Re: ANN: Frescobaldi 2.0.11 released
EdBeesley wrote
Thank you for this release and in general for this amazing program
karol wrote
Here's another example of an ugly output (whiteout.png)
\override DynamicText.whiteout = ##t
Something has to be done to prevent situations like this.
As a workaround I use this solution:
--begin--
#(define-public
(stencil-with-color stencil color)
I'm trying to make some easy to read exercises for the little kiddies I
teach. As you can see in the example below I've labelled which line is for
sticking and which is for counting - the only way I could figure out of
getting the markup before any notes was to add it to a spacer grace note (so
as
I'm a percussionist and I've played from parts that behave like the examples
Gilberto has given. I agree that the default behaviour of LP is a bit ugly,
and when shrunk down onto a part I imagine it would cause a few raised
eyebrows from my percussion colleagues! His proposed suggestions would be
Thomas Morley-2 wrote
Also possible:
\version 2.16.2
moreVerticalDynamicTextSpannerWhiteoutII =
#(define-music-function (parser location adds)(pair?)
(define (flexible-stencil-whiteout add stencil)
(let*
((x-ext (ly:stencil-extent stencil X))
(y-ext
David Kastrup wrote
EdBeesley lt;
edplaysdrums@
gt; writes:
Damnit David, I'm a musician not a programmer! In all seriousness
though I always do my best to figure out the answer myself via the
documentation.
Good. Then you can tell us where the documentation falls short
I don't think it was intended. The problem is that the documentation for
Lilypond is generally excellent and occasionally useless. Regular
contributors get a little tired of users who can't be bothered to read the
bits that are excellent, and instead ask here (often repeatedly asking
David Kastrup wrote
EdBeesley lt;
edplaysdrums@
gt; writes:
I think my main problem last night was that I couldn't figure out how
to turn the x-ext and y-ext into variables that could be passed to the
function. But looking at it now it almost seems obvious. Perhaps if
you could include
I'm trying to add a bit of padding to the whiteout function when used on a
\cresc. My results are best explained with code...
\version 2.16.2
exampleone = \markup {how it looks with whiteout}
exampletwo = \markup {how I want it to look}
examplethree = \markup {trying to use scheme}
\score {
Thomas Morley-2 wrote
Hi,
how about:
\version 2.16.2
moreVerticalDynamicTextSpannerWhiteout =
\once \override DynamicTextSpanner #'stencil =
#(lambda (grob)
(let* ((stil (ly:line-spanner::print grob))
(x-ext (ly:stencil-extent stil X))
(y-ext
Hi again everyone, I'm making a title page and I'd like one line of text to
overlap another line (see attached png). However nothing I've tried (\raise
or \translate) will force the text above the previous line. This is the code
I'm using at the moment:
\bookpart {
\markup
{
Hi Ben yes sorry I should have attached that font to my message, if you've
not found it yet then I've attached it to this one...
anirb___.ttf
http://lilypond.1069038.n5.nabble.com/file/n152077/anirb___.ttf
anirm___.ttf
http://lilypond.1069038.n5.nabble.com/file/n152077/anirm___.ttf
Apologies...forgot to attach png
http://lilypond.1069038.n5.nabble.com/file/n152074/text.png
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Jim, I'm afraid your example doesn't overlap on my 2.16, is this a change in
2.17?
Ben...that is /exactly/ what I was looking for! How did you do it?!
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Version?
--
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Sorry David, one of these days I'll remember to include that in my first
post!
2.16.2
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David Kastrup wrote
Backspacing was not really convincingly supported before 2.17.19. It's
likely possible to get the desired result in 2.16 using \combine and
\translate or other constructs, but it's not necessarily pretty.
--
David Kastrup
Would you recommend exporting it as a graphic
Actually I managed to get it working with \combine and \lower. It's a bit
'hacky' though as you can see from the random spaces I had to put in:
\bookpart {
\markup
{
\fill-line
{
\column
{
\raise #-8
Please forgive me bumping this thread but I quite urgently need to find the
answer to this and despite my best attempts I can't figure it out.
To recap in brief: I have a title page which Lilypond is counting as the
'first' page of the score, so that means that the copyright info isn't being
Thank you guys for your replies and advice.
SoundsfromSounds: I wish I could have got away with that but I didn't want
to add headache for the printer', as their quote was already so competitive
I'd have felt guilty for adding extra work at their end!
Eluze: I copied and pasted your code into
Thanks for your suggestions so far.
Sorry for the example, I missed a \ in front of the first paper and I should
have commented out my blah blah blahs, but anyway I've solved the problem
with the page-number-first: it has to go in the \paper block at the start,
before you open any \bookpart
(2.16.2)
I have
\override Score.SpacingSpanner #'strict-grace-spacing = ##t
set earlier in my score, but need to unset this for one specific bar. I've
tried both
\revert Score.SpacingSpanner #'strict-grace-spacing and
\override Score.SpacingSpanner #'strict-grace-spacing = ##f
but neither
dak wrote
They should if done correctly. Example?
--
David Kastrup
\score {
\new Staff \relative c' { \key des \major
\override Score.SpacingSpanner #'strict-grace-spacing = ##t
r8 \grace{\stemUp f' [ c ges ] } \stemNeutral bes,16 \f f'- a,
des'- a, c'- aes, ees'- aes,
dak wrote
I get the desired result with \newSpacingSection:
\score {
\new Staff \relative c' { \key des \major
\override Score.SpacingSpanner #'strict-grace-spacing = ##t
r8 \grace{\stemUp f' [ c ges ] } \stemNeutral bes,16 \f f'- a,
des'- a, c'- aes, ees'- aes, des-
2.16.2
I've added a title page to my score, the best way I could think of doing it
was to wrap the title page and score in separate \bookpart's . The structure
is like below:
\bookpart {
paper {
first-page-number = #0
print-first-page-number = ##f
}
\markup {blah blah blah title
Is there any way to make lilypond automatically slur over accents as in the
example below? I've been struggling with manually changing the control
positions for about an hour and can't get a satisfactory output, and I've
got another 8 similar occurrences to sort out too!
Apologies, I thought there would be just a general command for it.
Code for the example is:
a16( \ d cis a' | fis d' g, fis' b, e cis a'- \! g \ fis d a g
d'- cis a e d cis g~) \!
I also forgot to add, I'm using 2.16.2
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Thanks David,
That was indeed the piece of the puzzle I've spent an hour searching the
documentation for.
For anyone with the same problem in future, I added \once \override
Script #'avoid-slur = #'insidebefore the offending note.
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See example below from Sibelius (just look at those horrible default slurs,
e!)
I've tried just ending a hairpin early and adding markup but the result is
sloppy and needs lots of tweaking.
If possible I don't want to use the snippet that adds text under the
hairpins as the frequency of
Very nice, thankyou!
I think the 'poco' could do with going down a couple of pixels to be totally
in line with the hairpins. I tried adding a tweak:
pocoMarkup = \tweak #'Y-offset #-0.5 \markup {\normal-text \italic poco }
but Lilypond sneered at my efforts and it didn't work
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See example:
http://lilypond.1069038.n5.nabble.com/file/n151753/example.png
Gould states that tremolo lines should sit within the stave so as to not be
confused with ledger lines. Code used to generate this was
f ges1:32 ~ |
f ges:32
Should I repost this as a bug?
Also,
Easy one this time! I'm using crosshead notes but I want to tweak one back to
the default blob, this is what I'm using:
\tweak #'style #'default c a'
Obviously default is the wrong name because I get no notehead, so what is
it?
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Sorry should have mentioned, I'm using version 2.16.2 (although documentation
for that gives the same name)
See example below...
http://lilypond.1069038.n5.nabble.com/file/n150751/example.png
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Ack well spotted, I could have stared at that all day without seeing the
superfluous bracket!
Thanks
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Ahh it's so simple when you know the answer! Thanks guys :)
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lilypond-user
Figured I'd post this to this thread because it's a follow on from what we've
discussed.
I've extracted the time changes from the parts and put them in their own
'global' variable. Amazingly enough I managed to get it work as you've
suggested after only a couple of tries, so well done me ;)
Kieren I tried testing out your suggestions:
toptreb = {
c
}
topfoot = { \clef percussion \stemUp \autoBeamOn \override NoteHead
#'style = #'triangle
a16 [a ]r8. .
\time 5/16 \set Timing.beatStructure = #'(5) \tag #'test {}
Sorry Kieren I was trying to condense a lot of code. Hopefully this shows
what I'm trying to do...
http://lilypond.1069038.n5.nabble.com/file/n150633/example.jpg
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Ahhh I see how it works now. Once I send the part back for proofing I'll have
time to rewrite the structure a bit more sensibly.
Thanks again for all your help :)
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Hello again,
Am I correct in thinking that \RemoveEmptyStaves does not affect staves that
are part of a PianoStaff?
If so is there any way to get round this?
OR is there a way to a do the curly piano bracket thing for two staves but
not make them part of a PianoStaff?
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Perfect, thank you!
The code I used (for anyone that needs to do the same thing) was to add a
\with \remove tag in the staff declaration:
\new PianoStaff \with { \remove Keep_alive_together_engraver}
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\version 2.16.2
I'm writing a frenched score which has large gaps between the reappearance
of some staves. The piece is stuffed full of time signature changes, so I'm
hoping to find a way to skip input by a specified number of bars, or to a
specific bar. The only method I know is by inserting
Thanks for your answers thus far.
Kieren I think I understand the concept but I can't see a way of making that
work for what I'm doing.
Stefan likewise I think I understand but does that mean that I would need to
type out the full time signature sequence which I could then reuse for other
I've tried it and not succeeded with it so far, but before I copy and paste
code here, can I ask what the \global tag is doing in your snippet? It seems
to me like it's laying out a map of the time signature change in a piece. Is
this the recommended way to go about this? Up till now I've just
Thanks yes it does help, although I can't see why you'd add the \global
section after the \codaMusic ?
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Rachael the version is 2.16.2.
I've now got the code to work, but the fix for this seems rather strange. If
I put the code before any declared notes in a part it doesn't work, e.g:
vibestopstaff = \relative c'' { \time 2/4
\set Timing.baseMoment = #(ly:make-moment 2 4)
\set
Hi everyone please excuse this extremely dumb question but I can't for the
life of me figure out how to change the default beam settings for one staff
such that in a time signature of 2/4 all 4 quavers will be beamed together.
I've read the manual entries and tried a bunch of different variations
Thanks Andrew I was going to do that but the whole part I'm writing has the
same beaming pattern throughout, so to keep it tidy I was hoping to avoid
doing it manually for every bar. And I figured I might as well try and
understand how it works now rather than later!
On Sun, Sep 8, 2013 at 1:27
Thanks everyone for your continued help. Rachael I'm afraid your example
didn't work. I did actually study the relevant section of the manual for a
good half hour, and I can see why your example should work, but
unfortunately it doesn't :(
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