Hello,
I’m wondering how I might move the Dynamics context vertically, for just one
system?
For example in the below example, I might want to move the dynamics in the
first system down, so that they’re closer to being centered between the two
staves, like in the second system.
\version
Very clever! I’ll give it a try.
Thanks,
Edward
---
Dr. Edward Neeman
www.neemanpianoduo.com
> On 26 May 2019, at 1:19 pm, Aaron Hill wrote:
>
> On 2019-05-25 7:34 pm, Edward Neeman wrote:
>> Thanks Xavier, that is a much neater option than going with ballpark
>> f
) 1.1) }
\tag #’piano { \override TupletBracket.padding = #1.1 }
and set the appropriate keep-with-tag in the separate \score blocks.
Best,
Edward
---
Dr. Edward Neeman
www.neemanpianoduo.com
> On 24 May 2019, at 9:38 pm, Xavier Scheuer wrote:
>
> On Fri, 17 May 2019 at 11:22, Edwa
Hi,
I couldn't find a good solution to my tweaking issue so I tried using
\magnifyStaff again. What is the best way to get the final bar lines to
align correctly? Is there a way to get the bar lines to align on their right
edge when at the end of system?
I am creating two output files from one
c }
}
>>
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Thanks, the make-tie-stencil was exactly what I was looking for!
I also didn’t realise it was possible to have a \score inside a markup, that
will be very useful in future.
Best,
Edward
---
Dr. Edward Neeman
www.neemanpianoduo.com
> On 31 Mar 2019, at 12:03 pm, Aaron Hill wr
Hello,
How might I have tie shapes within a markup context?
Sorry if I missed something obvious.
Thanks,
Edward
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Thanks David, that makes a lot of sense!
With your explanation in mind I’m thinking the current implementation in best.
Edward
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> On 13 Sep 2018, at 9:42 pm, David Kastrup wrote:
>
> David Kastrup mailto:d...@gnu.org>> writes:
>
\stemUp r
% \stemNeutral resets to default, that is \stemUp
\stemNeutral
\stemNeutral % this duplicate command is necessary
c,16
es ges bes
}
%%%
Thanks,
Edward
---
Dr. Edward Neeman
www.neemanpianoduo.com
> On 13 Sep 2018, at 2:52 pm, Federico Bruni wrote:
>
>
>
> Il giorno gio 13 s
y to reset the stems to normal.
Why might this be?
Thanks,
Edward
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ynamics = "dyn" { s1\p\< s1*6 s1\f }
\new Staff = "LH" \relative c { \repeat unfold 3 { c1 d e f }
\repeat unfold 7 { c1 d e f } } >>
---
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> On 22 Jul 2018, at 4:21 am, Ben wrote:
>
> Hi all,
>
> What is the
Hello Harm,
I just started playing around with this but it’s obviously a huge improvement.
Thanks a lot for nailing yet another one of my nagging Lilypond issues!
Best,
Edward
---
Dr. Edward Neeman
www.neemanpianoduo.com
> On 22 Jul 2018, at 8:04 pm, Thomas Morley wrote:
>
> 201
#})
slashI = {
\slash 50 0.6 1.0
}
<<
\new Staff { \grace { \slashI b''8[ c'''] } c'' }
\new Staff \with { \magnifyStaff #2/3 } { \grace { \slashI b''8[ c'''] } c''
}
>>
---
Dr. Edward Neeman
www.neemanpianoduo.com
___
l
fine.
Best,
Edward
---
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www.neemanpianoduo.com
> On 3 May 2018, at 6:53 pm, Torsten Hämmerle <torsten.haemme...@web.de> wrote:
>
> Hi Edward,
>
> On the one hand, the altdefault breve notehead needs to align with
> accidentals, on the other hand it shoul
a way to match up the vertical lines of these breves (as in the second
tweaked chord) by default?
Thanks,
Edward
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... and rereading your post, Aaron, I see you explain exactly why adding the
Articulation event doesn’t work. Sorry for the noise.
---
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> On 26 Apr 2018, at 10:26 am, Edward Neeman <edward.nee...@gmail.com> wrote:
>
> Interesting that
+1 from me for very slow launch times with OS X using both 2.19 and 2.18 (about
2 mins).
Though for me it only occurs for the first run after updating the OS. I assumed
it has something to do with the fonts.
Best,
Edward
---
Dr. Edward Neeman
www.neemanpianoduo.com
> On 25 Apr 2018, at 7
gt;> \bar "||"
}
\score {
\new Staff \with {
} { \clef bass \cello }
}
Though perhaps unnecessarily complicated, depending on how many percent signs
you need to “fix”.
Best,
Edward
---
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www.neemanpianoduo.com
___
li
gt; [mailto:lilypond-user-bounces+carsonmark=ca.rr....@gnu.org] On Behalf Of
> Edward Neeman
> Sent: Saturday, April 14, 2018 8:04 PM
> To: Lilypond-user <lilypond-user@gnu.org>
> Subject: Re: Pedal bracket alignment
>
> Hello Mark,
>
> After playing around with this pro
Brilliant thanks Harm! I’ll let you know if I manage to “break” it.
Best,
Edward
> On 15 Apr 2018, at 8:36 pm, Thomas Morley <thomasmorle...@gmail.com> wrote:
>
> 2018-04-15 5:04 GMT+02:00 Edward Neeman <edward.nee...@gmail.com>:
>> My dream option would be to b
of values for the pedal changes.Thanks,Edward
pedal-options.ly
Description: Binary data
On 15 Apr 2018, at 8:55 am, Edward Neeman <edward.nee...@gmail.com> wrote:\version "2.19.80"\relative { \set Staff.pedalSustainStyle =#'mixed \override Staff.PianoPedalBracket.shorten-pair = #'
ane suggests, placing the pedal marking in a \new Dynamics allows
> specific placement.
> Attached is an example.
>
> Mark
>
> -Original Message-
> From: lilypond-user
> [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
> Edward Neeman
> Se
Hello,
I would like to align the pedal bracket changes closer to the middle of the
notes they’re attached to, instead of at the beginning of the note.
What is the best way to achieve this? I have been using shorten-pair but that
leaves too much space between the Ped. mark and the start of the
Hello Joseph,
Are you looking for percent repeats?
http://lilypond.org/doc/v2.18/Documentation/notation/short-repeats
Best,
Edward
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Adjunct Instructor, South Georgia State College
Collaborative Pianist, Valdosta State University, Georgia
Artist Faculty, ELMS
\oneVoice a4 b\!
}
Best,
Edward
------
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Adjunct Instructor, South Georgia State College
Collaborative Pianist, Valdosta State University, Georgia
Artist Faculty, ELMS Conservatory, Jakarta
edward.nee...@gmail.com
www.neemanpianoduo.com
On Thu, Jan 18, 2018 at
#CENTER
"rest for X 16" }
\startStaff
c4 d e f
}
>>
}
}
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Dr. Edward Neeman
Adjunct Instructor, South Georgia State College
Collaborative Pianist, Valdosta State University, Georgia
Artist Faculty, ELMS Conservatory, Jakarta
edward.nee...@gm
It works! And I have no idea why...
Brilliant, thanks!
Edward
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Adjunct Instructor, South Georgia State College
Collaborative Pianist, Valdosta State University, Georgia
Artist Faculty, ELMS Conservatory, Jakarta
edward.nee...@gmail.com
www.neemanpianoduo.com
cidentalStyle forget
\offset Y-extent #'(1 . -1) Accidental
gis' gis'~ gis'!~ gis'
}
Thanks!
Edward
------
Dr. Edward Neeman
Adjunct Instructor, South Georgia State College
Collaborative Pianist, Valdosta State University, Georgia
Artist Faculty, ELMS Conservatory, Jakarta
edw
In Frescobaldi you can choose the Engrave (custom) option which lets
you add to the command line, and remembers the last used setting.
But I think your solution is better.
Best,
Edward
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Adjunct Instructor, South Georgia State College
Collaborative Pianist
Thanks Malte & caagr, exactly what I was looking for!
Best
Edward
--
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Adjunct Instructor, South Georgia State College
Collaborative Pianist, Valdosta State University, Georgia
Artist Faculty, ELMS Conservatory, Jakarta
edward.nee...@gmail.com
www.neemanpianoduo
I apologize if this is an obvious question: is there a way to set a font
for headers only? One that applies to all header elements but not the
score.
Thanks,
Edward
--
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Adjunct Instructor, South Georgia State College
Collaborative Pianist, Valdosta State University
(/ width 2))
(interval-widen yext (/ width 2)
Best,
Edward
--
Dr. Edward Neeman
Adjunct Instructor, South Georgia State College
Collaborative Pianist, Valdosta State University, Georgia
Artist Faculty, ELMS Conservatory, Jakarta
edward.nee...@gmail.com
www.neemanpianoduo.com
On Mon, D
That's funny, I have no idea. It only seems to give the error with a
\mark at the beginning of the score.
Best,
Edward
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Adjunct Instructor, South Georgia State College
Collaborative Pianist, Valdosta State University, Georgia
Artist Faculty, ELMS Conservatory
/v2.18/Documentation/notation/graphic.en.html
Best
Edward
--
Dr. Edward Neeman
Adjunct Instructor, South Georgia State College
Collaborative Pianist, Valdosta State University, Georgia
Artist Faculty, ELMS Conservatory, Jakarta
edward.nee...@gmail.com
www.neemanpianoduo.com
On Dec 4
\mark \markup \rounded-box "x" s1
\mark \markup \rounded-box "x" s1
}
\new Staff \relative c'' {
c1
g'1
a,1
c''1
}
>>
\layout {
\context {
\Score
\remove Mark_engraver
}
}
Best,
Edward
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Adjunct Instructor, South Georgia
\rounded-box "x" g'1
\mark \markup \rounded-box "x" a,1
\mark \markup \rounded-box "x" c''1
}
Best,
Edward
--
Dr. Edward Neeman
Adjunct Instructor, South Georgia State College
Collaborative Pianist, Valdosta State University, Georgia
Artist Faculty,
That's an easy workaround! Thanks.
Best
Edward
--
Dr. Edward Neeman
Adjunct Instructor, South Georgia State College
Collaborative Pianist, Valdosta State University, Georgia
Artist Faculty, ELMS Conservatory, Jakarta
edward.nee...@gmail.com
www.neemanpianoduo.com
On Nov 22, 2017
is annoying that Frescobaldi isn't
aware that these abbreviations aren't accepted. So if I convert
relative to absolute pitch in Frescobaldi, it changes my aeseh's to
aseh's, and I need to search and replace to be able to compile again.
Thanks!
Edward
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Adjunct
ng this line to your \paper block:
score-system-spacing = #'((basic-distance . 0) (padding . 3)
(stretchability . 0) (minimum-distance . 0))
Best,
Edward
--
Dr. Edward Neeman
Adjunct Instructor, South Georgia State College
Collaborative Pianist, Valdosta State University, Ge
You'll want to adjust the score-system-spacing variable in the \paper
block.
http://lilypond.org/doc/v2.18/Documentation/notation/flexible-vertical-spacing-paper-variables
Did you try setting ragged-last-bottom = ##f?
Best,
Edward
--
Dr. Edward Neeman
Adjunct Instructor, South
Wonderful!
So, if I understand correctly, the optional argument is the index
number (starting at 0) of the notes in the chord?
While I can see that may be useful, personally I would prefer to
rearrange the chord order...
Thanks,
Edward
--
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Adjunct Instructor, South
?
<>\startGraceSlur
\arpeggio
~/test11.ly:26:20: warning: no heads for arpeggio found?
<>\startGraceSlur
\arpeggio
--
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Artist F
ce {
\voiceOne
\once \slurDown
\grace e8_~\arpeggio 2.
}
\new Voice { \voiceTwo <cis, gis,> }
>>
}
>>
\layout {
\context {
\Score
\consists "Span_arpeggio_engraver"
connectArpeggios = ##t
}
}
}
Best
Hello,
I need to indicate that a note should be played with the right hand in a
two-voice piano texture. I'm using an L shape mark, like this:
\version 2.14.2
noteText = {
\once \override TextScript #'Y-extent = #'(3 . -3)
\once \override TextScript #'padding = #-0.5
\once \override
Keith,
Great thanks! There are so many great things hiding in the LSR, and I
never find what I need... Thank god for the mailing list.
Edward
On 12/17/11 10:28 PM, Keith OHara wrote:
Edward Neemanedward.neemanat gmail.com writes:
How can I move dynamics further from the staff?
How can I move dynamics further from the staff?
The following doesn't seem to work:
\version 2.14.2
\relative c' {
\override DynamicText #'outside-staff-padding = #10
c\p
}
Thanks,
Edward
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Pretty amazing stuff, both musically and visually! Mike, any chance of
seeing the original ly files?
On 9/23/11 10:22 PM, Urs Liska wrote:
Am 23.09.2011 01:53, schrieb Tim Roberts:
Janek Warchoł wrote:
If your friend would like to see what Lily can do, i'd show him this:
Hello,
In this example (taken from the Documentation page,
http://lilypond.org/doc/v2.14/Documentation/notation/beams ), the
beam doesn't extend over the rest on the right. How can I get it to
look like it does in the documentation?
Thanks,
Edward
Hi,
I'm using Lilypond 2.14.1 and MacOSX 10.5.8.
If I set the Beam 'stemlet-length to a value greater than 0, then
the beam looks like it should.
Thanks,
Edward
On 6/30/11 9:48 AM, Keith OHara wrote:
Edward Neeman edward.neeman
On 6/16/11 9:31 PM, Sepand Shahab wrote:
Dear list,
how can I adjust the bracket span length and 8va sign placement
(horizontally) on a case by case basis?
I found the ottava bracket interface section in the manual but am
not sure how to
Aha! Thanks!
Edward
On 6/11/11 3:11 AM, Xavier Scheuer wrote:
On 11 June 2011 06:29, Edward Neeman edward.nee...@gmail.com wrote:
Hello,
How do you remove empty staves from a PianoStaff context? The following
used to work in 2.12
Hello,
How do you remove empty staves from a PianoStaff context? The
following used to work in 2.12, but it no longer works in 2.14:
\version "2.14.0"
\new PianoStaff
\relative c' { c1 \break
On 5/30/11 1:08 AM, Andrea La Rose wrote:
Dear Collective Wisdom,
I posted here about a year ago about my piece. You were all very helpful and
I hope you can help me once again. Yes, it's the same pesky piece.
I've entered all the parts and need to finish editing it.
On 5/28/11 7:01 AM, Karim Barkati wrote:
Hi list!
I'm currently engraving a score using Lilypond, so first of all: thank you for your wonderful software!
In this contemporary score, there are many grace notes with one dynamic per note, so that having
On 5/24/11 5:58 PM, Albu wrote:
How do I put the trill or vibrato symbol? Without the "tr" I just want the
waves after the "poco vib" and end them where the chord begins
\version "2.12.1"
\relative c'
{
a'8.\mf des32 c_\markup { poco vib } f,4 \acciaccatura g8 e2~
e1~
{ \slideNotes d fis4 fis }
}
On 4/17/11 12:57 AM, Edward Neeman wrote:
Hello,
I would like to have slashes between notes of a chord (a Baroque
ornament that indicates that the lower neighbor notes should be struck
almost simultaneously in a light arpeggio). I've attached an
example. What would
Hello,
I would like to have slashes between notes of a chord (a Baroque
ornament that indicates that the lower neighbor notes should be struck
almost simultaneously in a light arpeggio). I've attached an example.
What would be the best way to do this?
Thanks,
Edward
attachment:
Hello,
Is there an easy way to make all the grace notes on a staff (but just
the grace notes) smaller?
Thanks,
Edward
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can't tell you something else than : see the grace
settings in *.../ly/engraver-init.ly*, line 638.
All the preset properties for grace notes are listed and set.
Best regards !
JMarc
Edward Neeman a écrit :
Hello,
Is there an easy way to make all the grace notes on a staff (but
just
r it a bug that lilypond doesn't do this by default. Cheers, Edward Neeman
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property. It is
meant to hide the bracket when there is a beam
connecting all the notes in the tuplet, but it doesn't
work in 2.7.12. You can get rid of all the brackets
by setting the bracket-visibility to #f, and then add
them where necessary with the \once \override command.
Cheers,
Edward
If you don't want barlines (except where you specify
them explicitly) add /cadenzaOn to any of the parts.
Otherwise it will add bars in 4/4 (default) time.
Cheers,
Edward Neeman
--- Arthur Dyck [EMAIL PROTECTED] wrote:
Can anyone tell me why I have an extra bar before
the double bar? I don't
a\startTrillSpan a
\once \override Rest #'transparent = ##t
r\stopTrillSpan
Cheers,
Edward Neeman
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--- Jay Hamilton, Sound and Silence
[EMAIL PROTECTED] wrote:
I think I've copied (retyped) it from the manual.
\once \override TextScript #'padding = 2.0
\markup{ \italic Moderato }
add a hash: #2.0
Cheers,
Edward Neeman
Hi list,
I have some ties at the end of a line that appear
unreadably small, like little dots. It seems that
\overriding the Tie 'control-points doesn't work
anymore (bug?) Is there any way to increase the size
of these ties?
Many thanks,
Edward Neeman
Hi Scott,
Even though it is a cadenza, the beams still work in
4/4. If you count it out, you will realise that the
beams are split in the natural place for 4/4 time. To
override this, please read the Manual beams section in
the manual
Cheers,
Edward Neeman
--- Scott Russell [EMAIL PROTECTED
Cheers,
Edward Neeman
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That looks right and it works for me. Can you give
the example in context?
Cheers,
Edward Neeman
--- Arthur Dyck [EMAIL PROTECTED] wrote:
I've just started using lilypond and I think I'm
over my head with the music
I'm working on. I'm trying to get transparent stems
by using \once
here}
In both cases you should be able to offset as you
please.
I found the
same with the
\mark \markup
construct; that it was not located correctly.
The placement of \marks is controlled by the
Score.RehearsalMark object instead of TextScript.
Cheers,
Edward Neeman
Hi Mats, sorry I answered this one too but am still a
bit careless with cc'ing the mailing list.
Cheers,
Edward Neeman
--- Mats Bengtsson [EMAIL PROTECTED] wrote:
It seems that nobody has answered your question,
However, a closely
related answer can be found in
http://www.mail-archive.com
--- Edward Neeman [EMAIL PROTECTED] wrote:
Date: Mon, 31 Oct 2005 11:27:45 +1100 (EST)
From: Edward Neeman [EMAIL PROTECTED]
Subject: Re: Text setting
To: Mats Bengtsson [EMAIL PROTECTED]
Hi list, Hi Mats,
In general I agree that \mark is the best way to add
tempos, etc. at the top
to fake, eg.:
\version 2.6.3
\new Staff \relative c' {
{c c c c'}
\new Voice
{\hideNotes c,2.\glissando c'4}
}
Cheers,
Edward Neeman
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find a solution to a particularly
stubborn problem, please post it in the Snippets
Repository so the rest of us can benefit!
Cheers,
Edward Neeman
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Hi Bart,
you want the allowBeamBreak set to true:
\set allowBeamBreak = ##t
Cheers,
Edward
--- Bart Diels [EMAIL PROTECTED] wrote:
L.S.,
As a Lilypond newbie I encounter problems with the
following.
In a certain part of the piece I am trying to
encode, the melody line
typically
Hi Liang,
The solution is included in the 2.7 manual, not 2.6.
Add this command:
\override Score.InstrumentName #'space-alist =
#'((left-edge extra-space . 2.0))
Cheers,
Edward Neeman
--- liang seng [EMAIL PROTECTED] wrote:
Hi, I would like to know how to lengthen the
horizontal distance
, a in voice Two a crochet to avoid
hiding the flag. I think the r8 is probably part of
voice Two to match the dotted crochet in the top
voice. Taking it out shouldn't change anything
though.
Cheers,
Edward Neeman
--
Alex Melhuish wrote:
Hello,
I hope you can help me. I'm trying
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