the GNU GPL, a license, with the GNU
project.
The output of Lily is not GPL'd, so you're free to do with that as you
please.
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importantly, their development team does not take our complaints in
the least bit serious. The fact that it seems impossible to compile
autopackage without autopackage itself (ie. it's not possible to cross
compile it) was the straw that broke the camel's back.
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very much
free-form, and that you are merely listing conventions.
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Stephen Torri wrote:
On Thu, 2006-01-05 at 02:04 +0100, Han-Wen Nienhuys wrote:
So I am looking for a notation that tells me to strum either up or down
for a certain period of time. For example strum down once per beat in a
4/4 time.
what does strum notation look like?
Well I have found
Stephen Torri wrote:
On Thu, 2006-01-05 at 14:44 +0100, Han-Wen Nienhuys wrote:
- example #1 -
This one uses a specific head for notes and uses typical timings (e.g.
quarter notes). The direction of strumming up or down is done by a
character above the note. This would be used
-experience, I recommend you to choose
between any of the following options
- switch over to MacOS
- sponsor the development team for Windows usability work
- volunteer time to help engineer the Windows release
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never bother bothers to read the lilypond-user mailing list, let alone
participate in discussions.
Can we have either informative input or blissful silence?
Thanks.
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for such work,
since it implies I make more money off lily than I need for myself.
Sadly, this is not the case right now.
I'm not
interested in being a cheerleader or a yes-man.
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of fonts installed.
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notation look like?
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settable properties on the grob page as well, though.
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versions.
Yes - this is a problem. We're very busy fixing up the binary releases,
please be patient for another few days.
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century and I don't want Finale to be be more flexible than lily...:-).
Han-Wen, could it be a sponsored feature?
Certainly, but isn't it much easier to make new context with 1-line
staves at fixed distances (see PianoStaff definition for inspiration)?
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between the staves is fixed. They're just
like cross staff beams.
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fiëé visuëlle wrote:
Am 2006-01-03 um 02:07 schrieb Han-Wen Nienhuys:
The old ice-9/boot-9.scm problem strikes again, this time with LP
2.7.26-1 on MacOS X
something's obviously broken with the PATH searching. For now you can
fix temporarily with
LILYPOND_RELOCATE_PREFIX
feel and while
useful aren't particularly interesting.
That's an interesting observation, given that LISP is probably older
than all of the languages you mention :)
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page for 130 eur.
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The price for grace and harmonic notes are at 90 and 65 eur respectively.
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Han-Wen Nienhuys wrote:
David E. Nelson wrote:
I am not sure if you have discussed this before, but why not extend
tablature support in LilyPond by allowing the user to input symbols for
Hi Dave,
What a wonderful idea! I've added these ideas to the LilyPond sponsor
ship page, see
{ \circle \musicglyph #scripts.stopped }
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.
... or is there a reason to prefer one to the other?
it saves on typing if you have many \scores
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, it has no effect on
Score.NonMusicalPaperColumn doesn't work.
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of each page of a \book using Lilypond 2.6.4. Can anyone give me
any clues? Is this likely to be easy to accomplish?
Thanks
Mark
Hi Mark,
that's not possible, currently. If you want, I can add it as a sponsored
micro-feature for 45 euro.
regards,
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{ .. }
DURATION_IDENTIFIER
foo = #(ly:make-duration ... )
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}
\clef tenor \untransposed
}
Thanks! The clef problem is solved.
How can I change the stemdirection when I do another queDuring from the
same quote?
I guess something like
\cueDuring ...stuff..
\context Voice=cue { \stemUp }
Maarten
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are property settings. They are not events,
and can't be caught like this.
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Tobias Schlemmer wrote:
work. Unfortunately I do not know, if the tex backend honours the
produced text metrics.
It should. As the tex backend just takes the metrics from the result of
running the texstr file, lily doesn't care about what encoding you use.
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Trent Johnston wrote:
Thanx for the hints. I've successfully hidden the tuplet numbers.
The lyrics and barline question is proving troublesome...
where do I put the \consists Separating_line_group_engraver
\layout {
\context { \Lyrics \consists ... } }
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, the easiest is to tune scoreTitleMarkup in the \paper block
see ly/titling-init.ly for inspiration.
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}
\clef tenor \untransposed
}
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this approach might be a
problem if you actually need gimp-print.
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.i386.rpm.
Are the *.src.rpm files available?
I actually forgot which they were. it's probably easier to follow the
instructions at the bottom of the install page.
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.
I put the spec on lilypond.org/donwload/binaries/Fedora-4/
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was for a homebrew version
of ESP GS 8.15rc[1-3]; I think the Rawhide packages obviate it.
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Andrzej Kopec wrote:
Han-Wen Nienhuys writes:
Sorry for lack of clearness. I meant brackets. I was looking for some
graphical object
which can be aligned to edges of StaffSymbol independently to duration of
current
note/rest/space. Rest seems to shift slightly to left if previous
bar.
The grace note confuses Lily. I've commited a fix in CVS.
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and be placed just above the notehead or beam wherever it
is the staff.
try this
\relative { \stemUp b'-\tweak #'quantize-position ##t -| }
A recent 2.7 is needed for this. If your version is too old, you can
probably get away with
\once \override Script #'quantize-position = ##t
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Kenneth Teh wrote:
You have a mechanism for defining new contexts. Would
it be possible to use this mechanism for this purpose?
For the price I set, I will write a new engraver, and also change the
syntax slightly.
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).
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option is to override the stencil callback for StaffSymbol.
If you have problems with this, I can cook up a sponsored aleatoric
example .ly , but I guess there will be lots of people eager to
demonstrate their elite L1l33P0nd ski11z :)
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Andrzej Kopec wrote:
Han-Wen Nienhuys writes:
// \\
||--|---|||-
||.-|---|--.|||-
||.-|---|--.|||-
||--o---|---|||-
||--o
, this turned out to be trivial to do. I'm not sure why I didn't
do it earlier.
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the functions require a context as an argument.
What do you mean by current ? Where do you need it ?
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Don Blaheta wrote:
Quoth Han-Wen Nienhuys:
Don Blaheta wrote:
2) Is there a Scheme function to retrieve the _current_ context? It
looks like all the functions require a context as an argument.
What do you mean by current ? Where do you need it ?
The context that is enclosing the point
LYRICS_STRING or STRING
parseStringResult = { \context Voice =
\lilyvartmpc { \override NoteHead #(quote font-size) = #3 }
error: errors found, ignoring music expression
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2.7 release,
\chords {
c:sus4
\notemode { \tweak #'text #foo c4 }
c:dim7
}
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with this line.
thanks. Fixed.
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)
-extent (common, X_AXIS)[-direction]
puts the distance between inner edges of the bounds of SPANNER in X.
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(quote ((0 . 2) (1 . 4) ... )))
I guess.
You need an extra quote because the expression of a stencil is evaluated
another time in the back-end.
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of an app doesn't necessarily
help with programming it.
Case in point: as a die-hard Emacs user, I still don't know how to write
Elisp.
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of graphic stuff? Can you give examples?
As always, if you find something missing from LilyPond, you can have it
added through the sponsored features program, see
http://lilypond-design.com/sponsor/
is better to work on a
grafical software after the first edition in
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will be slower than the current
GUILE/Scheme combo.
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for exe files of that one.
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.
I do wonder how what the impact on performance would have been. Python
objects are more heavyweight than SCMs, and the Garbage Collection
opened a lot of possibilities in developing Lily.
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of possibilities in developing Lily.
I though Python had a GC... Did I miss anything ?
It didn't 7 years ago.
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. We're have been desperately trying to
flush all C++-isms down the toilet for years now :)
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the musicians start complaining about that
it's hard to realize what bars have what time signature, then you can
easily print the time signatures again.
That would result in incorrect spacing.
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= Self_alignment_interface::y_aligned_on_parent
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. 1.5))
))
and I want to know value of Staff.fontSize inside this macro, which in turn I
want to
assign to scaleFactor variable.
Staff.fontSize ends up in the font-size property in PROPS. You can't
access context variables from markups.
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notice
any incorrect spacing.
the problem is that a single beat should be spaced the same in 3/4 and
9/8. In 9/8, a beat is 3 8ths, while it is 2 8ths in 3/4.
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curvethick, Real linethick)
in lily/lookup.cc
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because the prefix nature made it easy to add the # hack to
LilyPond.
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, so it should work to do
\number {
\column { 2 4 }
+
\column { 3 4 }
}
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you're talking about the tempo markings here ?
It should be doable in markup:
* use \note for the notes
* use \arrow-head and \line for the arrows.
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).
Thanks, added this to the bug repository as crash-beamed-rests.ly:
%crash critical
%Sean Reed
\version 2.7.15
\header {
texidoc = lily segfaults.
reportedin =2.7.16
}
\relative c' {
r16[ b r8]
}
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iterators don't know whether midi or layout output is being produced.
I'm planning to restructure the syntax of \score, \book and \midi in the
2.9 cycle so this will no longer be an issue.
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)
- grace notes
- setup of staves
Let me know if anyone wants to sponsor any feature.
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Bertalan Fodor wrote:
Could an easier and faster way be sponsored?
I could add something along the lines of
\tag
which would be used like
\tweak #'(style . baroque) c4
Cost: 130 EUR (incl VAT for EU individuals)
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\time 3/4 \mark Second mark
c'4 c'4 c'4
}
}
%%% END SNIPPET %
Works great on Second mark; I take the fact that First mark not
working is the bug you're hunting down? (Or I'm just botching the
should be fixed in 2.7.20
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`(,Self_alignment_interface::centered_on_x_parent))
)))
which centers the center of the mark over the center of the X parent.
an alternative is
\override #'X-offset = #Self_alignment_interface::x_aligned_on_self
which puts the mark directly on the X-parent.
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I've noticed ask about aligning true, boxed rehearsals
... though, of course, I might not have been reading the posts
carefully enough!)
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.
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address is
listed.
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iso. \fermata for R rests.
I've put up real support for
R^\fermata
as a sponsored feature, for 65 EUR.
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-H title foo.ly
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this is related to the recent system bracket restructuring. It
should work unchanged in 2.7.19
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. Jan?
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\catcode`\} = \other
+ \catcode`\' = \other
doesn't work.
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the lines of very first
note are hidden, no matter how long the passage is before the next
\startStaff is used.
is this a known problem, or am i using it wrong?
Hi,
thanks for reporting this. It's a bug, which I fixed for 2.7.19.
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, the articulation is not attached to
the note, and it would be difficult to attach the right symbol
(articulation, fingering, etc.) to the right note head.
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shudder at the thought of hacking in TeX macros)
Werner?
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Thomas Scharkowski wrote:
from 2.7.17 did not work, no error messages,
2.7.18 full install did work.
did not work ? which means?
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(merge the code below with the default
stencil proc for noteheads)
I'd be happy to real support for generically parenthesizing objects as
a sponsored feature. Contact me for details.
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it. You can accelerate things by sponsoring.
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containing guile
code that makes lilypond do the following:
1) Read another .ly file
2) parse that file
3) convert the resulting music to .ly source code
4) write this code to a third .ly file
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can you verify that you're using pango 1.6 or better?
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programs.
Is it worth including it in Lilypond, since our program already support
some ancient notation? Depending on your opinions, I sure could help
sponsoring it.
Can you point me to an image of this symbol?
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LilyPond Software
yet? Or do we have to manually make one notehead
invisible?
what is the convention for hymn books in this case?
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noteheads are put together and what you see is a rectangle.
Has it been fixed yet? Or do we have to manually make one notehead
invisible?
This is fixed in 2.7 CVS. I'm not sure if the solution is good, though.
The result looks like a lozenge now.
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http
. Is there any way
to do this automagically (i.e. if the text crosses slur line, then raise
the text above slur)? Or at least do that rasing somehow less wordy, like
^^text gets raised by #1.0, ^^^text gets raised by #2.0, etc?
this is fixed in 2.7.x
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/question5.gif
\mf and con passione got messed up. Will this behavior change?
perhaps, but for now you have to intervene manually.
I don't think it's unequivocal which one should be on top, so automation
will be difficult.
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
Mats Bengtsson wrote:
at beat 1 in the above example. Also, I would like to hear an authoritative
explanation from the main LilyPond hackers on how to input this kind of
repeat that is not aligned with a measure. In early LilyPond versions, I
There is no clean way at the moment.
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Han-Wen
handles it brilliantly as well. Mozilla still does it wrong;
not quite so badly as it use to, but still wrong.
Ah; then we have to do some investigation; LilyPond, since also uses the
gnome text widget.
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Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen
Erik Sandberg wrote:
Then, how does this make it possible to drop InnerXX contexts? There must
still be one individual StaffGroup-ish context definition for each level of
context nesting?
What's the point in context nesting, except for being able to nest brackets?
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Han-Wen Nienhuys
#'positions ?
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) ( 4.0 . 4.0 ))
to no effect, not even errors.
Tell me more.
see the slur-manual.ly regression test.
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little incentive for seasoned users to subscribe to such a list.
I fear that the installation list wouldn't have enough people with
enough knowledge to help.
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variable.
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Tim Sawyer wrote:
I'm trying to upgrade from 2.0 to 2.6, and I'm having trouble.
Anyone any ideas? convert-ly seems to output it the same as it went in.
Check out the manual section on drum notation. There have been some
syntax changes.
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