Surely there is a template for the Welcome to lilypond-user e-mail that gets
sent out that could be edited to add Your posts will appear after the
moderator approves your subscription. This could take up to a day.
Regards,
Jeff
From: Janek Warchoł
From: Jan Nieuwenhuizen
Jeff Barnes writes:
$ cat 'my-melody-in-lily-note-syntax.txt' | ~/bin/fourwayclose.pl |
lilypond
$ echo '{ a b c }' | LANG= lilypond -o stdin -
What's the LANG env variable for?
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I think the problem (because I experienced it too with my first post) is that
it takes up to a day to subscribe to the list. No feedback in the list welcome
message, no bounced message in your mail box... You just never see it in the
list, so one tries the web UI, re-posting, anything to try to
From: Tim McNamara
On Jun 4, 2012, at 8:30 AM, Jeff Barnes wrote:
From: Joseph Rushton Wakeling joseph.wakel...@webdrake.net
On 30/05/12 02:12, Han-Wen Nienhuys wrote:
One of the problems of LilyPond is that C++ had very poor support
for
things we desperately need: reflection
From: Tim Roberts
Jeff Barnes wrote:
While I'm sensitive to David's request to end the discussion for
now, there are some misconceptions about Qt that need addressing.
That's not entirely clear.
I don't think starting from here is fair, Tim. You didn't quote enough context
From: Kieren MacMillan kieren_macmil...@sympatico.ca
Hi David,
Who is going to learn reading notes, let alone writing them? Of course
LilyPond is only for geeks, because it is just geeks who bother with
writing music rather than listening to it.
In other words, composers who use Lilypond
From: Louis Guillaume
If I may start with a bit of humble philosophy, when I see a flat
9 especially, I almost always conclude that the tonality will
include a sharp 9 as well, simply because of the dissonance that
would result from having the flat 9 competing against an
unaltered
Thanks for the replies, everyone.
David Kastrup wrote:
\relative c' takes a music expression as an argument, and in this case,
the argument is the parallel music ... .
Interesting. Does \voiceXXX take a music expression too? If so, can I set the
bounds of the expression with {}?
I don't
David Kastrup wrote:
Jeff Barnes jbarnes...@yahoo.com writes:
I don't think that's necessarily applicable to Lily. The end
product
being distributed is paper (or perhaps a pdf file). I don't think the
GPL extends to that, does it?
Of course copyright extends to paper
This snippet illustrates a problem I'm having. The tie on the g is in the wrong
direction after I've finished with the voice split. How do I get the correct
tie direction? It looks like the \voices are still in scope wrt ties.
Also, why did I lose the \relative c' after the voice split?
\score
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The following music doesn't compile on the mac and causes a segfault on Linux.
Environments:
Mac OSX Lion
Ubuntu 12.04
LilyPond Versions
2.14.2-1 (mac)
2.14.2-2 (ubu from apt-get)
Command from ubu:
jbarnes@jbarnes-OptiPlex-780:~/mac/Documents/apc/music$ lilypond
WhenILookIntoYourHoliness.ly
It tends to feel like the classical case of Somebody Else's Problem,
and I am somewhat at a loss of how to deal with that without getting
cynical to a degree that those who do support me don't deserve.
Man, I feel ya.
I started playing around with LilyPond recently. I like it. As someone who
Let me first tell you that a _separate_ and unannounced mail copy of
something _also_ sent to a mailing list is considered quite rude since
it more often than not forces the recipient to answer the same mail
twice.
Point taken. Won't happen again.
Please read
I suppose the situation might be as follows: source code is freely
available (on website, github or whatever), but the binaries are not.
Anyone tech-savvy enough to serve himself doesn't have to pay, but
simple users do have. I think that if the price was low (say, 5$)
nobody might be
Tim McNamara wrote;
On May 24, 2012, at 1:00 PM, Jeff Barnes wrote:
Wouldn't your time be more wisely spent trying to get corporate sponsors? I
see a lot more success stories in the open source world where a corporation
donates developers to projects the company have an interest in.
Hmm
Hmmm, can't spot anything missing at
the moment.
Here's the entire test file.
http://pastebin.com/pSu6Asge
Hi Alex!
Another noob here... Take a look at line 133. Looks like
you're missing a closing quote.
Regards,
Jeff
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I apologize if this question has been asked before.
I want to write a full score for big band and somehow overcome the 15 staff
limit for midi playback. If I could merge the alto and tenor staves from 4 to
1, and do the same for trumpets and bones, I would have few enough staves for
midi
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