beaming, see the manual.
/Mats
thx
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::print. So, to switch on the numbers, you just do
\override TupletNumber #'stencil = #ly:tuplet-number::print
An even simpler solution is to just revert the previous setting:
\revert TupletNumber #'stencil
/Mats
Oscar
On Tue, 2008-03-18 at 22:12 +0100, Mats Bengtsson wrote:
Quoting Marc
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Quoting Marc Hohl [EMAIL PROTECTED]:
On Tuesday 18 March 2008 18:38:59 Oscar van Eijk wrote:
...
It looks great, the arrows are much better than \rtoe/\ltoe, but
there is some
small problem left. You blanked the tuplets, but it looks as lilypond
reserves the space for the tuplet number -
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links to all relevant interfaces at
the bottom
of the page.
/Mats
Andrew Black - lists wrote:
Mats Bengtsson wrote:
Why not use the official documentation?
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-internals/item_002dinterface#item_002dinterface
I did look up
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luis jure wrote:
El Thu, 13 Mar 2008 10:16:02 +
Mark Knoop [EMAIL PROTECTED] escribió:
Attached FYI is the source for some excerpts from the second movement
of Opus Contra Naturam...
thanks for sharing this excerpt, i found many things to learn.
but could you please clarify
Risto Vääräniemi wrote:
The manual doesn't mention lyrics, though. Sometimes I'd like to move
a hairpin or similar above the lyrics. How do I do that?
One solution is to use the Dynamics context defined in the template called
Piano centered dynamics.
/Mats
robcanning wrote:
nice work luis!
i have been wondering if lilypond was capable of such things - it
seems it is! :)
pity this stuff is so tricky - would be great to see some of these
fairly standard notation elements made easier to achieve
would be great to see more examples of scores people
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Reinhold Kainhofer wrote:
Am Mittwoch, 12. März 2008 schrieb Andrew Black - lists:
I am a little confused by the following :
\override Score.BarNumber #'break-visibility = ##(#f #t #t)
\override Score.BarNumber #'break-visibility
= #end-of-line-invisible
-
SIGNATURE-
Version: GnuPG v1.4.6 (GNU/Linux)
iD8DBQFH2FuwTqjEwhXvPN0RAlB7AJ0U7vfAs06bPdwW0zZNfNW0BvT3MgCgvU5Y
p+5kKkM5VAAjwQpY8JDCoLU=
=vERp
-END PGP SIGNATURE-
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David Fedoruk wrote:
Hello:
I am trying to color ornaments based on which of the composer or
editors suggested them. Setting a variable for each color and
articulation seems like it should be almost the same as for a simple
NoteHead. Since the articulation is a property of the note, the
SIGNATURE-
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to a starting
place so I could take a crack at it?
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Kieren MacMillan wrote:
Hi Orm,
I'd like to color some notes in a piece but the dots aren't colored
as well (see example below). I found an option called dot-color
but can't get it to work.
As far as I can see, the dot-color is only used for fret diagrams.
\override Dots #'color =
If you use version 2.11, please note that this is one thing that has
changed, so please use the corresponding definitions
from ly/property-init.ly as a starting point. If I remember
correctly, convert-ly will issue a warning but will not solve the
problem automatically, when you upgrade your
Quoting Wilbert Berendsen [EMAIL PROTECTED]:
Op zaterdag 8 maart 2008, schreef Peter Kaplan:
Occasionally a crescendo or decrescendo needs to begin not at the
commencement of a note's duration, but rather halfway through the note.
Can such a situation be properly typeset using lilypond? If
I recognize the problem, when trying to use the precompiled binary
package of 2.10 or 2.11 on Debian Sarge. The funny
thing is that often I get the correct output anyway, but sometimes
LilyPond simply breaks halfway through the compilation.
/Mats
Quoting Alan McConnell [EMAIL PROTECTED]:
sdfgsdhdshd wrote:
Mats Bengtsson-4 wrote:
sdfgsdhdshd wrote:
There is now a problem with the lyric line:
My music is SATB+lyric (Win XP+2.11.41). The first word of the second
system
and the next systems collides with the system vertical bar, if the word
is
more than 2 or 3 letters
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Valentin Villenave wrote:
2008/3/7, luis jure [EMAIL PROTECTED]:
the problem was the clash between a and a-flat in the two voices. by
default lilypond merges the two noteheads, even if they have different
accidentals. first i found about force-hshift, and managed to move the
aes to
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sdfgsdhdshd wrote:
There is now a problem with the lyric line:
My music is SATB+lyric (Win XP+2.11.41). The first word of the second system
and the next systems collides with the system vertical bar, if the word is
more than 2 or 3 letters.
See the main section called Vocal music
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2/3 { g g'\f f f' e e'\)} \override Script #'padding = #1 e
e'2\fermata
Thx!
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the following lines
\override Score.KeySignature #'break-visibility = #all-invisible
\override Score.Clef #'break-visibility = #all-invisible
after the first note (or the first bar or wherever is suitable).
/Mats
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Oscar van Eijk wrote:
Hi All,
I'm 'Lilyponding' a small prelude I wrote. It's only one page, but I
can't get it without collisions.
I attached a PNG, if that's not clear enough; the PDF is at
http://vaneyck.terra-terra.com/Senorio.de.los.Llanos.pdf.
My problem is mainly the slur above bars
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!
Reinhold
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Graham Percival wrote:
No; just take the simplest possible .lytex file (such as the
template from the docs). Run
lilypond-book --pdf --out=/tmp foo.lytex
lilypond-book --pdf --out=/tmp foo.lytex
Both times, it compiles all the lilypond snippets and creates a
new foo.tex in /tmp/. I
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at 10:02 +0100, Mats Bengtsson wrote:
Oscar van Eijk wrote:
Hi All,
I'm 'Lilyponding' a small prelude I wrote. It's only one page, but I
can't get it without collisions.
I attached a PNG, if that's not clear enough; the PDF is at
http://vaneyck.terra-terra.com/Senorio.de.los.Llanos.pdf.
My
-user
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- http://www.tiscali.co.uk/securepc/
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Graham Percival wrote:
On Sun, 2 Mar 2008 13:00:55 +0100
Reinhold Kainhofer [EMAIL PROTECTED] wrote:
If you add \version 2.10.5 to the snippet (yes, I really hate it
that the snippets don't say with which version of lilypond they
work!!!) and let convert-ly run on it, you'll get the hint:
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}
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. Reinhold, can you take a look?
/Mats
Stefan Thomas wrote:
I use version 2.11.38
Is the problem with the vertical position of the pedal-bracket also
solved in the newest version?
2008/2/29, Mats Bengtsson [EMAIL PROTECTED]
mailto:[EMAIL PROTECTED]:
Please always tell what LilyPond version
Ivo Bouwmans wrote:
I asked for a link on the Lilypond download page, just to avoid
problems like Claude is experiencing, and I don't know why no link has
been made yet... Does the development team have any objections to my
LilypondScript? Please let me know!
The problem is rather that
Han-Wen Nienhuys wrote:
2008/2/26, Graham Percival [EMAIL PROTECTED]:
These are both valid:
{
c'2-\accent
c'2\accent
}
Should we keep the - version in the docs at all? Does it really add
anything (especially since most people use the plain \ version) ?
It's necessary for
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Kurt Kroon wrote:
(I'm not sure if one can extend this last one in LilyPond to more complex
examples, like when the numerator is an additive expression, and the
denominator is a single digit, e.g. (3+2+3)/8.)
I was mistaken ... it *is* possible to extend the syntax (which seems
for is the GrandStaff then?
Till
/Mats
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between the letter D and the
slash.
Marc
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paragraph as the formula link to
controlling direcition and posiitons.
Cheers,
- Graham
On Tue, 26 Feb 2008 09:54:41 +0100
Mats Bengtsson [EMAIL PROTECTED] wrote:
There's one particular aspect of controlling directions that's
specific for articulations, namely that each separate articulation
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Anh Hai Trinh wrote:
I'm having two \book blocks to produce a full score file and parts
file. Is it possible to suffix each book output filename
specifically, instead of the generic -1, -2, etc. ?
--AT
I figured I should factor out the common stuff and putting the \book
block into
See section Vertical collision avoidance in the 2.11 manual.
/Mats
Rune Zedeler wrote:
Rune Zedeler skrev:
\relative c'' {
f^\ g^Flying! c f\!
}
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Rune Zedeler wrote:
Rune Zedeler skrev:
Perhaps we should think about a better name for that section.
Or at least, add a see also 5.5.5 Vertical collision avoidance from
1.8.1.2 Text scripts.
I think that would do it, actually.
Then, you should add the corresponding links from all
,
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ismaehkloa wrote:
I am transcribing my daughter's hand written drum exercises into lilypond.
I'd love to be able to have each week's exercises on one pdf page.
I am working in windows and have problems running lilypond-book (I think).
It shouldn't be any problem. However, you can also do
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(for \voiceTwo)
the stave.
/Mats
Arvid Grøtting wrote:
Mats Bengtsson [EMAIL PROTECTED] writes:
There's one particular aspect of controlling directions that's specific for
articulations, namely that each separate articulation has its own rule for
the default direction. Some articulations
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Quoting Till Rettig [EMAIL PROTECTED]:
Hi,
I just noticed that the staff contexts of the examples in 1.1.3.5 are
PianoStaff. In 1.6 there is only mentioned GrandStaff. Which one is
the preferred one to be used? I would mention both in 1.6, but I
think we should develop guidelines which
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till wrote:
2. There is a lot of threads here on the list. You can play with all sorts
of spacing but nothing is yet really convincing. The most simple workaround
appears to be to scale all note durations to a singe duration, eg. 1/8,
which can be achieved by appending the note duration:
Nicolas Sceaux wrote:
A score is a Score :-)
Not if you want to attach a \header, \layout or \midi block to it, though
it seems that Han-Wen has just added some support for doing that.
/Mats
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acceptable (triplet of 8th are rendered
as triplet of 16th , while--allow-tuplet=8*2/3); if DUR=8
notes of triplet are rendered as 4th.
Best regards
Charlie
Mats Bengtsson a écrit :
Don't have too high expectations on what midi2ly can do with the
rhythm. As far as I know
Werner wrote:
(My opinion: That should be default layout.)
The opinion of the main LilyPond developers is to use hand-engraved
scores by the main German publishers as the inpiration when deciding on
the layout, see for example
measure?
Thnx in advance,
Oscar
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Reinhold Kainhofer wrote:
...
Also, how can I create a staff in scheme? A staff is no music expression, is
it?
Finally a question I can answer, or rather that LilyPond can answer for you.
Just use the \displayMusic function. For example, run LilyPond on the
following
example and look at
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Reinhold Kainhofer wrote:
My other problem comes from
the fact that if I give multiple piece names in the \header section, only
the last one is printed for all of them.
You need to add a separate score for each piece, and in each of these scores,
you can set the piece to something
Graham Percival wrote:
The advanced term is grobs, but I'd rather avoid that here. For
some reason I prefer controlling direction instead of
controlling placement, although I can't give any reason for
this.
I'm not fully convinced that everybody will understand what directions
refers to
Reinhold Kainhofer wrote:
Am Freitag, 15. Februar 2008 schrieb Victoria:
Is there a way to do a fermata? I've spent upwards of 2 hours looking in
the tutorial and just can't find it, if it's there.
http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Articulations
Also, if
Ledocq-Boccart wrote:
Hi,
I'm managing converting a *-midi.ly from 2.7.18 to 2.10.33
*-midi.ly is stored in C:\...\Lilypond\usr\bin.
It's not a good idea to use this folder as your working directory!
Please see
http://lists.gnu.org/archive/html/lilypond-user/2007-01/msg00038.html
for an
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Reinhold Kainhofer wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Montag, 18. Februar 2008 schrieb Simon Bailey:
that is what graham was suggesting. try the following snippet. all of
this information can be found in the NM, section 1.8.1.4 (Text Marks),
redirected from
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Kieren MacMillan wrote:
Hi Damian,
Just to confirm... are you looking for
\version 2.11.38
{ \set Staff.extraNatural = ##t beses' bes' }
i.e., to correct a previous accidental on the same note in the same bar?
If not, please give a good reason for having both accidentals but no
split
Valentin Villenave wrote:
2008/2/15, Mats Bengtsson [EMAIL PROTECTED]:
To understand why, you have to understand what the default setting
of DynamicLineSpanner #'Y-extent does, namely to calculate the actual
extent of the included dynamics indications. Then, once this has done
. Either they all have such examples, or
none.
Cheers,
- Graham
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