Large set of parts

with bookparts so end up in a single output file? Thanks, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Is lilypond really suitable for composing?

a reduction to a full score. For the purpose of orchestrating it worked alright, but even working with a reduced score, lilypond is not an efficient tool for composing/creating. -Nathan On Thu, Mar 22, 2018 at 11:08 AM, jtruc34 <daverio.jo...@gmail.com> wrote: > That may seem like a stupid

Re: Is lilypond really suitable for composing?

I've been using lilypond for a much shorter time, but my impression is that lilypond excels when you know exactly what you want to input. It's also difficult to work on different parts of the score unless you set up some sort of system to break the piece into smaller chunks. So I've been doing

Re: Simple midi player

thanks to practice and a knowledgeable community. Your videos on lilypond and Frescobaldi have been very helpful, I wish I could return the favor! Take care, Nathan On Mon, Mar 5, 2018 at 9:28 PM, Ben <soundsfromso...@gmail.com> wrote: > > On 3/5/2018 6:22 PM, Nathan Sprangers wr

Re: Simple midi player

Thank you, this is a fantastic suggestion! For the benefit of others following this thread, on Debian at least, midish comes with a simple command line player, smfplay, which takes a starting measure number as a command line argument. Thanks, Nathan On Mon, Mar 5, 2018 at 7:27 PM, Guy Stalnaker

Re: Simple midi player

your environment. Frescobaldi is a very good option and has served me well, but it's not the only option. Thanks, -Nathan On Mon, Mar 5, 2018 at 3:11 AM, Jacques Menu Muzhic <imj-muz...@bluewin.ch> wrote: > Hello Nathan, > > Frescobaldi/SimpleSynth provides this, what’s the advanta

Simple midi player

Hello all, Can anyone suggest a simple midi player that can begin or cue playback from a specified measure/beat? I would like to be able to work using vim and a pdf reader. I've been using VLC for midi playback, but it only indicates a timestamp, not a measure/beat. Thanks, Nathan

Re: Disable extra space around StaffGroup?

Hi Torsten, Thank you, that makes so much sense now. I was definitely struggling to understand how the various spacing settings work together, especially between VerticalAxisGroup and StaffGrouper. Thanks, Nathan On Wed, Feb 21, 2018 at 5:49 AM, Torsten Hämmerle <torsten.haemme...@web.de>

Re: Disable extra space around StaffGroup?

(such as the clarinets, cornets, etc in Holst's First Suite for Military Band <http://imslp.org/wiki/First_Suite_for_Military_Band,_Op.28_No.1_(Holst,_Gustav)>), but there is typically no extra space around these staff groups. Thanks, Nathan On Tue, Feb 20, 2018 at 12:43 PM, Ben <sou

Disable extra space around StaffGroup?

group. Thank you, Nathan Sprangers ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

partcombine bug when using quoteDuring?

lody" s1 } { \quoteDuring #"alto" s2 % No problem: \quoteDuring #"alto" s1. } Thanks, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: "Text spanner"-ish thing with text in the middle

{ "10\"" } \tuplet 1/1 { c'4 c'4 c'4 c'4 } } (sorry for the double message, forgot to hit "reply all" on the first one it seems) nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Creating a 11-line system

= \markup \combine \raise #2 \musicglyph #"clefs.G" \lower #2 \musicglyph #"clefs.F" \clef alto \key es \minor c'1 } nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailm

Re: Creating a 11-line system

\combine \raise #2 \musicglyph #"clefs.G" \lower #2 \musicglyph #"clefs.F" \clef alto c'1 } nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Non-Standard Rhythmic Durations

brin, i'd say that's kinda outside the scope of lilypond, although you could probably put it together with scheme magic. instead, you should check out abjad (http://abjad.mbrsi.org/), which is perfect for that kind of thing. nathan ___ lilypond-us

Re: Export to ?????

translation between a number of music formats, including lilypond import and export. it's early in development, so definitely not helpful to you in its current state. but i know you're not the only person interested in this, so i just wanted to put this on the radar. nathan

Re: Hairpin endings

in this case. Hi David, Thanks for the info. I still prefer markups for this kind of thing because more people understand them and they're (somewhat) better documented. Less ly:foo stuff I have to look up, the better. Good to know the proper way though! Nathan

Re: Hairpin endings

thickness. anyone know how to convert a thickness value into staff spaces? nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: How to create measure with only slashes

it: { \override Rest #'stencil = #ly:percent-repeat-item-interface::beat-slash \override Rest #'thickness = #0.48 \override Rest #'slope = #1.7 \repeat unfold 16 { r4 } } Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org

Re: Tips on quick entry

syntax so you can confidently type a large chunk of music in without needing to look at the compiled output. Proofreading comes after the initial sprint through the music, and point and click is essential for that. Oh yeah, and I suggest using \language "english". Save a few

Re: Overlapping Characters in markup

staff spaces, but multiplied by the magnification of the font size relative to a font size of 0. It doesn't seem that \translate-scaled is aware of any font metrics like em size. Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https

Re: Overlapping Characters in markup

the following which has both characters, but no overlap: [...] Hi Samuel, \combine will overlay characters, and \translate lets you nudge things around to get them aligned properly. \markup { \combine V \translate #'(0.3 . 0.4) \override #'(font-name . "greextra")  }

Re: Is there a short way of forcing a particular octave?

the music. As an example, try typesetting a line that ascends over several octaves without an abundance of apostrophes and commas in the source. Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo

Re: Override SystemStartSquare width?

something in your code has squashed the delimiters together. Was that intentional? It would be helpful to see a minimal working example showing how to reproduce the screenshot. Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: How to get irrational tuplets inside a regular meter like 9/8

ion issues notwithstanding. Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Cross staff and beaming

as necessary. All you need to do then is manually shift one of the note columns until the stems connect, and it Just Works. Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Two different time signatures with different tuplets in 'em

On 2016-11-05 23:35, mclaren wrote: Urs Liska's and Andrew Ho's page break code works well on most examples I've worked through, but it doesn't work here. Hi mclaren, I hate to correct you, but the correct names are Hans Liska and Andrew Ho. Andrew

Re: Can't get page breaks for 7 over square root of 71 meter

\layout { \context { \Voice \remove "Forbid_line_break_engraver" } } I admit to posting this without making much effort to understand your code, so apologies if this is does not solve the problem. I also agree with Urs' comment on your tone

Re: Stencil questions (adding text and defining line style)

ort a lot to markups. They're not the perfect solution, but they're better documented and easier to use. Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Open Sound control?

col suited to your specific application. It's a cool protocol, and very much alive. But it's not very useful to LilyPond. Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: I am not top posting

the list gets confused. If that happens, put this at the top of the message: I'm not top posting. Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Segmentation fault with a bad systemStartDelimiter

ting music...Segmentation fault (core dumped) Is this the right place to report this sort of thing? Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Flute Accompaniment

StaffSymbol.staff-space = #(magstep -3) \override StaffSymbol.thickness = #(magstep -3) } { % Music follows here } it's been a while since I used LilyPond so this knowledge might be a bit out of date... I think in the development version there's a new way to do this. Nathan

Re: Lilypond statistics

://lilypond.org/doc/v2.18/Documentation/notation/saving-music-events-to-a-file). It gives you a "database dump" of all the events in a file. You can either process this output with other programs, or use a custom fork of event-listener.ly that does the statistics for you.

Re: Use jazz fonts in LilyPond?

On 2016-03-06 16:10, Nathan Ho wrote: On 2016-03-06 15:10, Eric Albert wrote: I've been working from Leigh Verlag's page on faking a Real Book page in LilyPond (thanks to Kieren for the link): http://leighverlag.blogspot.ca/2015/12/mimicking-real-book-look.html That page answers many of my

Re: Use jazz fonts in LilyPond?

different layouts. The Jazz Font plug won't fit into the LilyPond socket, and you'll have to use an adaptor. The Jazz Font website claims compatibility with Sibelius and Finale. To my knowledge, I don't think anyone has written a LilyPond adaptor for one of those two formats. Nathan

Re: Funny LilyPond Score

://opensource.com/life/16/2/lilypond-scores-beautiful-music Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: music writing

aps others on the list will be able to help you. Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: music writing

On 2016-02-27 10:51, Robert Sabourin wrote: will this program work on an apple computer? i have an i-mac. Hi Robert, Welcome to LilyPond! Yes, the program is available for Mac: http://lilypond.org/macos-x.html Nathan ___ lilypond-user mailing

Re: Exited with return code -1073741819.

countering the same bug. Whatever the case is, I don't think we can do much to help you without any code. Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Tie across voices

{ cs,8 es b' } \\ { \override NoteColumn.force-hshift = #0 \hideNotes s8 b8~ b8 } >> } Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: overlaying noteheads in different voices

-resolution Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Very fast typesetting regardless of beauty?

engraving. INScore (http://inscore.sourceforge.net/) is a very cool environment that employs guidolib for animated, interactive scores. Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Is this an error?

{ \new Staff \melody \layout { } \midi { } } Hi Joseph, This compiles fine for me. The weird output must mean that your language is set to deutsch, norsk, suomi, or svenska. Please check for a \language command. Nathan ___ lilypond-user

Re: Learning more complicated lilypond coding

snippet should work for you: http://lsr.di.unimi.it/LSR/Item?id=792 Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: simplifying chromatic scale notation

-staff version of Reed’s Twinline: http://musicnotation.org/system/twinline-notation-by-thomas-reed/ [1] There's http://www.simplifiedmusicnotation.org/. They offer a commercial plugin for Sibelius, but I also have a LilyPond implementation for it lying around somewhere.

Re: unterminated tie

. If you're in relative mode, the second f on this line ends up an octave higher. If you're in absolute mode, f is of course an octave lower than f'. Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

RE: unterminated tie

On 2016-01-15 12:26, Mark Stephen Mrotek wrote: Nathan, Thank you for your reply and the observation. I did not mention that the second f is after a clef change - bass to treble - so the ' is necessary. Since it compiles correctly, perhaps it is just a "glitch" in the program.

Re: Bravura svg font

On 2016-01-07 02:57, Paul Booker wrote: Thanks Nathan, Since posting, I've scanned the bug and devel groups, and it would appear I am not being fashionable in wanting to do this. The trend seems to be toward woff fonts for svg, is that the case? Yes and no. The openlilylib font project

Re: Bravura svg font

. It should be available at fonts.openlilylib.org but that site seems to be down for the moment. Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Bravura svg font

uot;Take Me Out to the Ballgame" in Finale PrintMusic, then edited it in Paint to make the noteheads baseballs and to make the clefs wear little baseball caps. Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/

Re: When to Use Pound Signs

ugkerr.net/Pumpkin/articles/Octatherp.pdf A lot of young people today call the symbol a "hashtag." Some might scoff at this since a hashtag is an application of a hash and not the symbol itself, but hey, metonymy is metonymy. Nathan ___ lilypo

Re: Child quote

On Mon, Sep 28, 2015 at 8:28 AM, Menu Jacques wrote: > Hello folks, > > My grand-son, 6 years and a half old, discovered what he named a rainbow in > the first LP score I’ve done for him. The goal is for him to copy it by hand > on empty staves. > The rainbow is actually a

Re: Time signature denominator as a note rather than number?

.n5.nabble.com/file/n181175/time_signature_with_notes.png> > > Thanks in advance! Hello, Have a look at this LSR snippet: http://lsr.di.unimi.it/LSR/Item?id=642 Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: OT: Beauty of programming languages

On Thu, Sep 10, 2015 at 12:50 PM, Kieren MacMillan <kieren_macmil...@sympatico.ca> wrote: > Hi Nathan, > >> Most music I work with now is not conventionally notated, >> so I haven't found much use for LilyPond recently. > > What kinds of things do you do? >

Re: OT: Beauty of programming languages

ly notated, so I haven't found much use for LilyPond recently. Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: set barlines manually

On Wed, Aug 26, 2015 at 12:40 PM, Mátyás Seress serima...@gmail.com wrote: Hi all, how can I set barlines completely manually throughout a whole sheet music? If you have no time signatures, remove Time_signature_engraver and use \cadenzaOn. You can place bars with \bar |. Regards, Nathan

Re: Randomness in layout

of the font. I just handwrite my lead sheets these days. I think the best way to make an engraving look dirtier would be to use LilyPond normally and apply some sort of post-processing. Perhaps convert to raster, add noise and distortion, and autotrace. Regards, Nathan

Re: Sibelius 8

, only $670 each. Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: A Chord Question

a look at http://lilypond.org/doc/v2.19/Documentation/notation/displaying-chords#customizing-chord-names, which contains all the info you'll need for customizing the chord name system. Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Polyphonic notes slur solution

and nothing was changed. This should do the trick: \override Staff.Arpeggio.stencil = #(lambda (grob) (ly:stencil-scale (ly:arpeggio::brew-chord-slur grob) -1 1)) Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https

Re: Polyphonic notes slur solution

= #ly:arpeggio::brew-chord-slur \override Staff.Arpeggio.X-extent = #ly:grob::stencil-width { b'\arpeggio } \\ { g'\arpeggio } % And, of course, the slur's too short vertically and there's no simple override to fix it... } Regards, Nathan ___ lilypond-user

Re: Assertion failed!

is at the top of the page and the note overlaps the clef). Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Formatting Titles...

Antiqua Bold) COMPOSER arranger = \markup \override #'(font-name . Book Antiqua Italic) Arranged by MARCO BAGOLIN tagline = } Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond

Re: Scheme function

) ) #:simple number (if (not (or (equal? number ) (equal? note ))) (markup #:simple :) ) #:italic note))) \relative c' { c1^\solfa C I do c1^\solfa I do c1^\solfa C do c1^\solfa C I } Regards, Nathan

Re: Formatting tempo text

{ \column { \line { \tiny \normal-text { ''Do You Want to smile?'' } } \line {Moderate - rhytmic, but expressive } } } c'1 } Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo

Re: ostinato rhythm

improve on it? (For example, sometimes I need the same rhythm involving three separate pitches.) TIA. Hi Dan, Have a look at http://lsr.di.unimi.it/LSR/Item?id=654 Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https

Re: dodecaphonic-no-repeat and grace notes

workaround is to force the accidental using an exclamation point: \relative c' { \accidentalStyle dodecaphonic-no-repeat \textLengthOn cis4 b cis2^all fine here cis2 \grace{b8} cis2^no accidental cis2 \grace{b8} cis!2^manually added } Regards, Nathan

Re: override stencil question

On Thu, Jun 4, 2015 at 2:41 PM, priosfilho pauloriosfi...@gmail.com wrote: Sorry, Nathan. I will try to make my point clearer. *Firstly*, I got the code developed earlier in this thread and altered the numbers of handles of path-gliss to four -- the original version came with the values

Re: override stencil question

On Thu, Jun 4, 2015 at 1:14 PM, priosfilho pauloriosfi...@gmail.com wrote: Thanks a lot, Nathan! This will really works fine. I just have one question now. I would very much appreciate if you could help me with that. I would like to have local control upon all the four variables of list

Re: override stencil question

, or link to the thread you got it from? Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: override stencil question

On Thu, Jun 4, 2015 at 11:35 AM, priosfilho pauloriosfi...@gmail.com wrote: Hey Nathan This is just the code developed in the thread plus more adjustable handles for curveto: Unfortunately this code isn't compiling for me. There are a few extra )'s in there. I created this from code

Re: change font name of just lyrics?

) (ly:grob-property grob 'text \new Staff { c'4 d'4 e'2 } \addlyrics { \override LyricText.stencil = #(force-font Ubuntu) Li -- ly -- Pond } Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman

Re: variable containing header

the header in a separate file and use \include. Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Sometimes order is significant

the forced accidental markers (!?) were places syntactically. This cheat sheet shows many note syntax elements in the correct order: http://joramberger.de/files/lilypond_sheet_2.18_en.pdf It seems that all the components starting with string number can be placed in any order. Regards, Nathan

Re: Sometimes order is significant

On Mon, May 25, 2015 at 2:38 PM, Nathan Ho when.possi...@gmail.com wrote: This cheat sheet shows many note syntax elements in the correct order: http://joramberger.de/files/lilypond_sheet_2.18_en.pdf It seems that all the components starting with string number can be placed in any order

Re: rhytm

exist any way to simply write the melody and apply to the melody this specific rhytm ? So I would write: g a b c d e f g ?? Thank you, g. Hi Gianmaria, Take a look at http://lsr.di.unimi.it/LSR/Item?id=654 Regards, Nathan ___ lilypond-user

Re: Question about copyrights and licenses on the LSR

that applies to all the submissions. It's all public domain. From http://lsr.di.unimi.it/LSR/html/whatsthis.html: The content of the database is public domain, so you can use it, copy it, modify and redistribute it with no obligation. Regards, Nathan

Re: Height of start bar brace

this to nudge it Y))) } \new Staff { R1 } \new Staff { R1 } Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: the sound of brushes

, and not something that can be controlled by LilyPond. Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Defining event classes

. ((description . BANG!) (types . (general-music event bang-event)) )) )) Hope this helps! David Thanks David, that works perfectly. I hope that there'll be an easy, forward-compatible way to do all this in the future. Regards, Nathan

Re: Padding inside \bracket markup?

... with an \override, or equivalent? Trevor. Try this: \bracket \pad-around #2 Foo Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Having shortInstrumentName appear at start of score (instead of instrumentName)?

'shortInstrumentName)) '()) \new Staff \with { instrumentName = Viola shortInstrumentName = Vla. \consists \shortInstrAsInstr } { c1 c1 \break c1 c1 } Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https

Re: Defining event classes

On Mon, Mar 30, 2015 at 1:44 PM, Nathan Ho when.possi...@gmail.com wrote: Hi list, What is the most up-to-date way to define my own event classes? I've looked at frameEngraver as a model but none of the old versions seem to be working. The most up-to-date one I could find (https

Defining event classes

class should be a list errors and the frames don't show up in the output, while this one (https://lists.gnu.org/archive/html/lilypond-user/2013-07/msg00554.html) spits out a few errors and segfaults. I'm using 2.19.17. Regards, Nathan ___ lilypond-user

Name of a context

Hi list, How do I extract the name of a context in Scheme? That is, I want to be able to get foo from, say, \new Voice = foo. I don't see this in the context properties lists. Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https

Re: Name of a context

-name returns the type of context it is. Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Problem with repeat alternative endings that contain lyrics and leading rests

on in the Staff. So you get two misaligned volta repeat systems, causing the funky output. I'm not entirely sure how to enter the structure into the lyrics in a way that lines up with the staff. Either way, I feel that the code in the documentation is misleading. Regards, Nathan

Re: Problem with lyrics in alternative endings that contain leading rests

On Tue, Mar 24, 2015 at 7:42 PM, Colin Campbell c...@shaw.ca wrote: I can see that the problem seems to involve a lack of output, but perhaps a bit more input might clarify it a bit? Now that's what I call a minimal example! \drummode { sn8 bd8 r8 cymc8 }

Re: Score content spilling off left side of page

:01.png Stan This is a known bug (https://code.google.com/p/lilypond/issues/detail?id=766). The solution is straightforward: just increase margin-left in the \paper block. If you also want the first system aligned with the others, use \paper { indent = 0 }. Regards, Nathan

Re: Guitar chord mode no longer produces MIDI file with chords

\new Voice { ... } \layout { ... } } \score { \new Staff \theChords \midi { } } Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Redefine chord default position in chordmode

want ChordNames to produce the output as if you entered { c f g }? Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Adjacent double bars

\bar :|.-.| e8 |e4. e8 f4. f8 g4. g8 a4. a8 b4. b8 c4. \break %Part 3 \bar |.-.| a8 | a4. a8 b4. b8 c4. c8 d4. \bar |. \break }% end relative \score { \new Staff \music } Regards, Nathan

Re: Fine piano pedals notation

On Sun, Mar 8, 2015 at 9:28 AM, 良ϖ p2b@gmail.com wrote: Hello, Although I often read messages from this mailing list, this is likely to be the first message I post to it. I've engraved some piano music already but it's always been pre-contemporary music: Bach, Liszt or even Debussy. Now

Re: Are these triple-dots of augmentation possible?

% 2/3 * 9/4 = 3/2 \scaleDurations #'(3 . 2) \shiftDurations #0 #1 $music \revert Staff.Dots.stencil #}) \new Staff { \time 2/2 \lDots c'4 d'4.. \time 4/2 \shiftDurations #-1 #0 { \lDots c'4 d'4.. } } %%% Regards, Nathan

Re: Levelling hairpins

and moves them into a Dynamics context? I doubt I have the skills to write that, but it would be very convenient. Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Augmentation Dot Appearance

\scaleDurations #'(5 . 6) $music \revert Staff.Dots.stencil #}) \new Staff { \time 2/4 \semiDot c'4. d'8. \semiDot e'4. f'8. } %%% Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org

Re: Better sound file then MIDI

=0B48p48kXy91YRUVqUGMzbl9PdGs This link is giving me a 403 error. Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Question for all LilyPond users (especially power users)

jazz lead sheets can be. Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Question for all LilyPond users (especially power users)

jazz lead sheets can be, typographically. Regards, Nathan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

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