at least November. There are some partial
workarounds. Google for LilyPond on 10.5 or Leopard for more
information. I don't know why a notice isn't on the LilyPond downpage
by now.
Paul Scott
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\fermata
R1^\fermataMarkup \repeat unfold 6 c''1 }
}
Thanks,
Paul Scott
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Ole Schmidt wrote:
I looks like it treats percussion like alto clef with middle C on the
center line.
alto clef is so hard to read :)
What instruments are you writing for that need pitches and also need
percussion staff.
This is possibly related to
Showing melody rhythms
looks like it treats percussion like alto clef with middle C on the
center line. This is possibly related to
Showing melody rhythms
in Section 2.4.1 in the documentation.
Paul Scott
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Ole Schmidt wrote:
I write for Schlitztrommel which is a tuned percussion instrument
I recognize the instrument but I don't know how to write for it. Does
it not use a normal treble or bass clef?
Paul
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, Clifford Brown, Gerry
Mulligan and
others. All licks present in the database were carefully transcribed and
examined to contain no errors.
I just visited the site and it would seem the search mechanism is
somewhat awkward. One should be able to click to the final result.
Paul Scott
Valentin Villenave wrote:
2008/1/11, Paul Scott [EMAIL PROTECTED]:
That's a good answer which I can use
This is not really needed anymore, as LilyPond can support all UTF-8
characters natively.
I was actually thinking about normal characters like '' which have
another
I can no longer find (with the 2.11 docs) how to put special (reserved)
characters into text markup. Can someone please remind me?
TIA,
Paul Scott
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Germain G. Ivanoff-Trinadtzaty wrote:
I can no longer find (with the 2.11 docs) how to put special
(reserved) characters into text markup. Can someone please remind me?
TIA,
Paul Scott
Maybe :
\markup \char #'2014-Germain
That's a good answer which I can use.
I was actually thinking
Jonas Nyström wrote:
Hi!
Where can I find information about how to install the latest Lilypond
versions on my Ubuntu machine?
No problem with the .deb versions I've found, but they're a bit dated...
This has changed recently. 2.10.33 is available for Debian sid by
apt-get.
Paul Scott
skip note, i.e.
s1*0^Allegro
R1*4
Attached is an example which doesn't work that way. It centers the test as
MultiMeasureRestText
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-internals-big-page#MultiMeasureRestText
would be expected to do.
Paul Scott
\version 2.11.37
\score
that you have the correct paper size? I believe it's A4 but
I haven't found that in the doc's yet.
Paul Scott
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Wilbert Berendsen wrote:
Op dinsdag 1 januari 2008, schreef Paul Scott:
\version 2.11.36
caesuraOn = \override BreathingSign #'text =
#(make-musicglyph-markup scripts.caesura.straight)
caesuraOff = \override BreathingSign #'text =
#(make-musicglyph-markup scripts.rcomma)
{
c'4
of
doing the builds and a Mac G3 and possible access to an XP box.
Paul Scott
- Documentation Editor (1 hour): when there's a submission to
lilypond-devel (*not* lilypond-user) for new docs, add them. If
there's a bug discussion that requires noting the bug in the
docs, do it. Review the new
Han-Wen Nienhuys wrote:
2008/1/1, Paul Scott [EMAIL PROTECTED]:
Graham Percival wrote:
An previously announced, am I gradually leaving LilyPond. This
leaves a large number of tasks unfilled.ate lilypond knowledge)
I would consider the job of Documentation Editor. Does
it free to accept other
types of text such as Chinese, Japanese, Russian and Arabic languages?
LilyPond fully supports UTF-8. Just make sure your editor supports
it and it is enabled.
Paul Scott
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Wilbert Berendsen wrote:
Op zondag 30 december 2007, schreef Paul Scott:
I used to be able to replace the breath mark with something like the
following which I have corrected for the new straight caesura glyph name:
caesuraOn = \override BreathingSign #'text =
#(make-musicglyph-markup
cst.ly
Description: Binary data
On Dec 31, 2007, at 5:43 AM, Wilbert Berendsen wrote:
I created a file only containing:
---8--8--
caesuraOn = \override BreathingSign #'text =
#(make-musicglyph-markup scripts.caesura.straight)
{ c d
\caesuraOn \breathe
e
where I wanted it.
This code used as:
\caesuraOn \breathe
doesn't seem to work in 2.11.36 (I get scripts.rcomma).
TIA for any ideas why,
Paul Scott
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all right (but not sure). Can
you help me?
The result is one staff in bass clef. I believe you need to have a
separate \relative { ... } for each staff rather than enclosing the
whole PianoStaff in one \relative { ... } .
HTH,
Paul Scott
SINCERELY
On Dec 30, 2007, at 9:51 PM, hhpmusic wrote:
These are my files.
I'll check more in a few minutes but I never create a Staff of any
kind inside a \relative{ ... }. Try reversing the \relative and \new
Staff for each hand.
Paul
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On Dec 30, 2007, at 9:59 PM, hhpmusic wrote:
Sorry, the octave of rh is wrong, for I'm writing the file in my
braille computer with braille keys. I often miswrite ' to ,.
But the error is still here.
I now have both staves. Something you will have to deal with is that
LilyPond is
On Dec 30, 2007, at 9:59 PM, hhpmusic wrote:
Sorry, the octave of rh is wrong, for I'm writing the file in my
braille computer with braille keys. I often miswrite ' to ,.
But the error is still here.
I now have both staves. Something you will have to deal with is that
LilyPond is
.
Create sections like
parti = \relative c' { ... }
and
partii = \relative c' { ... }
in the separate files and
\score {
\parti partii
}
in the main file.
Paul Scott
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Mats Bengtsson wrote:
Paul Scott wrote:
Deacon Geoffrey Horton wrote:
I'm not looking at triplets (or tuplets) here. I've got a piece
entered in 4/2 time, and I'd like to convert it to 4/4 without going
through and manually altering all the durations. If the manual says
how to do this, I
.) with half of that duration and then do it for
the duration twice that long, etc.
Paul Scott
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Dominic Neumann wrote:
2007/12/9, Paul Scott [EMAIL PROTECTED]:
why does ||: exist and :|| not? seems unlogical to me...
The second question is not answered and should be considered something
like a bug.
The following leads to no bar line at the end of the repeated section
since
Trevor Daniels wrote:
Paul Scott wrote on 09 December 2007 15:06
Now you know the meaning of ||:. What would
then be the sense of :||?
||: produces a double barline at the end of
the bar before ||: if
there is a linebreak. But at :|| you want
} \break \bar :|| f'1 g'1 }
Paul Scott
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Han-Wen Nienhuys wrote:
2007/11/21, Paul Scott [EMAIL PROTECTED]:
I've just release 2.11.35.
I'll be happy to test it when it's available.
it's already on lilypond.org, however, something must have broken with
our mirroring process to linuxaudio.org
Found it.
Thanks
Paul Scott wrote:
Han-Wen Nienhuys wrote:
2007/11/21, Paul Scott [EMAIL PROTECTED]:
I've just release 2.11.35.
It solves both problems in this thread!
Thanks!
Paul
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Francisco Vila wrote:
2007/11/21, Paul Scott [EMAIL PROTECTED]:
Han-Wen Nienhuys wrote:
2007/11/21, Paul Scott [EMAIL PROTECTED]:
I've just release 2.11.35.
I'll be happy to test it when it's available.
it's already on lilypond.org, however, something
Paco Vila wrote:
GNU LilyPond 2.11.35
ERROR: In procedure primitive-load-path:
ERROR: Unable to find file ice-9/boot-9.scm in load path
I promise further testing.
switching back to .De34 works fine.
Works fine on my Debian sid system.
Paul
} r2 |
}
}
Paul Scott
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Han-Wen Nienhuys wrote:
2007/11/17, Joe Neeman [EMAIL PROTECTED]:
PPPS: In the next version, you will be able to set page-count = #some-number
in the paper block, which should make these things easier to control.
I've just release 2.11.35.
I'll be happy to test it when it's
Joe Neeman wrote:
On Mon, 12 Nov 2007 19:00:02 Risto Vääräniemi wrote:
Dear Han-Wen and all,
2007/11/11, Han-Wen Nienhuys-5 wrote:
Yes. There is finally light at the end of the GUB tunnel, so
hopefully this or next week.
Thanks for the info. I was just about to write a
Jeff Elliott wrote:
I also have (just last night) had a similar vertical spacing problem
(2.11.34).
I had a piece covering two pages, the majority on the first page, and
the page break was where
I wanted it. Then I change a bit of the spacing of a text markup
(extra-offset) and I lost one of
Joe Neeman wrote:
On Sat, 10 Nov 2007 14:58:45 Paul Scott wrote:
2.11.34
In this example there is clearly room for another system on the first
page. Removing anything from the header will allow another system to
move to the first page. Whatever is removed from the header clearly
doesn't
Han-Wen Nienhuys wrote:
2007/11/11, Paul Scott [EMAIL PROTECTED]:
Thanks very much. Sorry I missed the bug report.
Will there be a 2.11.35?
Yes. There is finally light at the end of the GUB tunnel, so
hopefully this or next week.
Great! Thanks,
Paul
for several hours reducing my real example to the
following. If a simpler example is needed I will see what I can do.
Thanks,
Paul Scott
\version 2.11.34
\include english.ly
#(set-default-paper-size letter)
#(set-global-staff-size 20.8)
\paper{
paper-size = letter
ragged-bottom = ##t
ragged
Michael David Crawford wrote:
Paul Scott wrote:
2.11.34
In this example there is clearly room for another system on the first
page. Removing anything from the header will allow another system to
move to the first page. Whatever is removed from the header clearly
doesn't take as much
. This is great!!
Thanks to everyone improving the documentation!!!
Paul Scott
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and Vertical Spacing sections of the manual.
TIA for any ideas or references to previous discussions,
Paul Scott
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Moved back to list:
Steven Weber wrote:
I always use extra-offset: \once \override Score.RehearsalMark
#'extra-offset = #'( 0 . -2 )
It's not optimal, since it removes the rehearsal mark from future collision
detection, but if you're just moving it vertically, it should be fine.
Thanks! I
bottom-margin = .3\cm
}
\layout{
indent = 0\in
\context { \RemoveEmptyStaffContext }
}
TIA for any ideas,
Paul Scott
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like the current instrument
header field for each movement?
TIA,
Paul Scott
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block
doesn't seem to make sense.
Is there a current way to change something like the current instrument
header field for each movement?
TIA,
Paul Scott
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^\markup{ \left-align{ Poco meno } } R2*5 %117
R2*2
}
TIA for any ideas.
Paul Scott
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Tao Cumplido wrote:
yes, I tried that but the double-barline needs to be there and when I remove it
the second ending bracket is closed which shouldn't be.
Replace || with ||:
Paul Scott
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be doing wrong?
LilyPond is not a point and click GUI program. There is no icon. It's
more like a compiler.
Please start with the tutorial.
http://lilypond.org/doc/v2.10/Documentation/
Paul Scott
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refer suggests more, It is:
{ voice_one } \\ { voice_two }
All of those symbols are necessary,
Paul Scott
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refer suggests more, It is:
{ voice_one } \\ { voice_two }
All of those symbols are necessary,
Paul Scott
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that either of those will happen. I agree that it makes
life a bit harder for Trevor and the like... but I think we only have a
dozen serious users who track unstable.
*hand*
Paul Scott
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Comment: Using GnuPG with Mozilla - http
name
Paul Scott
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Version: GnuPG v1.4.6 (GNU/Linux)
Comment: Using GnuPG with Mozilla - http://enigmail.mozdev.org
iD8DBQFGG67EVxeh4Z8mvCsRAihNAKCtCtCO7hNmO0/0edtH/1gBGPiqrQCguo3M
97lzvnbtHgx0l0qVbzG0JHA=
=Eorh
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-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Nicolas Sceaux wrote:
The newer documentation on music functions 12.1 uses
define-music-function instead of define* Where can I find documentation
to make the #:optional once? part above work with define-music-function
so I can write some more
more functions that I want?
TIA,
Paul Scott
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Comment: Using GnuPG with Mozilla - http://enigmail.mozdev.org
iD8DBQFGDXayVxeh4Z8mvCsRAl0wAKCXxGBAWJfYYho9vCuLDBsR03XeBQCglRLp
74vLrGspSSAMArFO/N1LCJs=
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Hash: SHA1
Arvid Grøtting wrote:
Paul Scott pslist at ultrasw.com writes:
Han-Wen Nienhuys wrote:
2007/3/26, Paul Scott pslist at ultrasw.com:
Is anyone running 2.11.21-1 on a PowerPC. Previous versions have worked
but the latest version tells me
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Han-Wen Nienhuys wrote:
I don't understand. Are you running a Linux-PPC version on MacOS or vice
versa?
I guess I was confused. I'm running X (XDarwin) on a PPC Mac with OS X
10.4.9.
I thought I had run a previous Linux-PPC version on X (XDarwin)
/local/lilypond/... I don't remember the exact path but it's in the
same bin directory as lilypond-book and the others. As I said this has
worked with previous versions.
TIA,
Paul Scott
-BEGIN PGP SIGNATURE-
Version: GnuPG v1.4.6 (GNU/Linux)
Comment: Using GnuPG with Mozilla - http
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Han-Wen Nienhuys wrote:
2007/3/26, Paul Scott [EMAIL PROTECTED]:
Is anyone running 2.11.21-1 on a PowerPC. Previous versions have worked
but the latest version tells me it can't run a binary file.
It's quite well possible that it's not working
on repeatedly
in one group I am a member of.
Paul Scott
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iD8DBQFGBLSRVxeh4Z8mvCsRAgpiAJ94YAx8i+AzfjRYBqY96xSWqw/fZACgjD0o
pObwMpCnk0rhVEH5HwEVucE=
=WirA
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Cesar Penagos wrote:
Hello Team:
I send this because I'm trying to use the ~ symbol in lyrics, it seems
not work properly. May be a Bug? This is the Log. report:
Maybe someone else will see a Windows problem. It works fine with
2.11.20 on Linux. Are you referring to the ~ in Señor ?
Paul
What would it cost to get a better caesura (railroad tracks)? I will
consider sponsoring it. Here are examples of caesuras attached.
It should be a pair of parallel lines not two distorted commas.
I sent this once but one of the attachments was rejected.
Thanks,
Paul Scott
attachment
Mats Bengtsson wrote:
Please search the mailing list archives for related discussions.
I probably started most of those discussions and now we have something
which is certainly uglier than any of Han-Wen or Jan's standards.
As far as I can remember, the main problem has been to find a
layout,
tremolo 8 { e16( cis) } }
clma = \relative c' { \repeat tremolo 8 { e16( g) } }
{
\clm \clma \clm \\ \clma
}
TIA,
Paul Scott
tremdiv.pdf
Description: Adobe PDF document
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between-system-padding is set a small 1...
I am having the same problem. I can make a small change and get a
segfault and then change it a little differently and get output. I get
those messages either way.
Paul Scott
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David Rogers wrote:
On Thu, 25 Jan 2007 02:25:06 -0700, Paul Scott wrote:
Does Mac no longer use carriage for end of line since OSX. That seem
to be the case from the command line.
You are exactly correct. The vast majority of new files you will create, with
just about any OS X app
) w/ 2.11.15-2 on OS 10.4.8 and did not have it with 2.11.15-1
Paul Scott
Regards,
Stan
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.
Does Mac no longer use carriage for end of line since OSX. That seem to
be the case from the command line.
I have had limited experience with a Mac so I could use any other
pointers to relevant documentation.
TIA,
Paul Scott
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Han-Wen Nienhuys wrote:
Paul Scott escreveu:
Does Mac no longer use carriage for end of line since OSX. That seem to
be the case from the command line.
I have had limited experience with a Mac so I could use any other
pointers to relevant documentation.
TIA,
on the 1st run, lilypond
Valentin Villenave wrote:
2007/1/25, Paul Scott [EMAIL PROTECTED]:
Can someone point me to documention as to which version of Lily I should
on a Mac G3 (Pismo) running OS 10.4.7? The darwin choices here:
http://lilypond.org/vc/gub.darcs/READ-ME don't necessarily match what I
have. From
Mats Bengtsson wrote:
Paul Scott wrote:
on the 1st run, lilypond indexes all the font files, and that can
take a
long time.
Does convert-ly (Compile/Update Syntax) invoke the same indexing?
No!
Ok. I was confused because a screen comes up and doesn't seem to
indicate completion
Monica Fluter wrote:
Sorry to bother you again but I did as you told me but I'm still
encountering the same problem.
error: syntax error, unexpected \time
\time 2/4
Even without the brackets. I've tried every way I could but to no avail..
We need to see the full input or often we can't guess
Mats Bengtsson wrote:
Paul Scott wrote:
Graham Percival wrote:
(snip)
Umm, the normal place?
http://lilypond.org/download/binaries/
It would be useful to have that link on the web site just like there
is a link for older stable versions. I've found it before by asking
here but it would
here
but it would be nice to just have a link.
Thanks,
Paul Scott
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for you as you did
above. Maybe the clef problem is similar to the time problem.
HTH,
Paul Scott
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Ezequiel Sierra wrote:
Take a look at this file and see the line that has \break \break it
dosent work not even with one break
If you back this up and try removing things one at a time you will
either discover your problem or arrive at a short version so we can help
more easily.
Paul Scott
.
Paul Scott
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American name)
This is the
\partial
command. If you need, say, a quarter-note anacrusis, you type quarter
note - asterisk - one after the commad, in this way:
\partial 4*1
No need for the *1. We don't say c4*1 or s4*1.
Paul Scott
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Manuel wrote:
Paul, are
anacrusis
upbeat
pickup
all commonly understood terms in english speaking countries?
Yes. There are probably some musicians who are not familiar with anacrusis.
Paul
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with why my Scheme definitions containing:
#{ \once \override TextScript #'padding = #$padding #}
seem to have stopped working?
Paul Scott
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Manuel wrote:
Paul, I have now changed this part. What do you think?
That all seems great! You might consider adding to the following the
explanation about the reversal of the numbers from the way we normally
think, e.g. 16*5 instead of 5*16 (or 5/16).
(insert graphic here)
There is no
something c e g, are called
brokets.
In over 40 years with computers I have never seen or heard that term. I
use the term I learned angle brackets. I don't recommend using
brokets without defining it.
Paul Scott
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syntax).
Paul Scott
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option that invoked the preprocessor of our choice. OTOH anyone capable
of setting up the preprocessor commands could probably write the simple
script to cause the preprocessor to be invoked followed by a call to Lily.
Paul Scott
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m:n {sequence-of-notes},
Actually, I would prefer this too.
Yes! \times is shorter than \tuplet to type.
Paul Scott
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instead of adding them.
You are thinking too mathematically IMHO.
I support Eriks idea:
. it is much easier to write 2 3 instead of 2/3
much?? It's about the same on my keyboard. 2/3 is even easier with the
numeric keypad.
Paul Scott
%% supposse this is A1, bu I prefer boxed A1
\mark A2%% supposse this is A2 ...
\mark A3%% supposse this is A3 ...
\mark \default%% supposse this is boxed B
I believe that Score.markFormatter only works from \mark \default for
the others you need:
\mark \markup{ \box A1 }
, etc.
Paul
is a bad thing. We could make \tuplet accept 3:2 2/3 and 3.
Is it relevant that ':' and '/' actually both mean divide?
Paul Scott
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are always serious errors. Please send the offending input.
I also got some segfaults from 2.11.2 but I needed to get the part done
and didn't stop to report it since I was able to make a change and keep
going. It might have had to do with empty lyrics. I'll try again.
Paul Scott
:
7.2.3 Printing chord names
Which show how to put the volta brackets over the chords:
harmonies = \chordmode {
c1:m c:m \break c:m c:m d
}
\new ChordNames {
\set chordChanges = ##t
\harmonies }
\new Staff \transpose c c' \harmonies
HTH,
Paul Scott
:|
}
I've used that a number of times. Unfortunately it's a mess when you
need to transpose the part!
Paul Scott
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. Unfortunately
it's a mess when you
need to transpose the part!
Paul Scott
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Victor Eijkhout wrote:
Version 2.9.27
Input:
parta = { r1 \mark\default r1 }
partb = { c1 \mark\default c1 }
\score {
\new Staff = x {\parta}
\new Staff = y {\partb}
}
My answer would be the same as Thies'
notes.ly contains:
global = { s1 \markdefault s1 }
parta = { R1 R1 }
partb = { c1
Victor Eijkhout wrote:
If I put \mark \default in each part, then I get an annoying warnnig message
about duplicate marks when
I include the parts in a score document. What's the easiest way around this?
Can you give the version number of LilyPond you are using and a small
example?
Paul
anyone agree that the default font size for chord names is too big
and worse that the accidentals in chord names are too big for the text?
Paul Scott
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remember needing the source
to set up lilypond-mode.
TIA,
Paul Scott
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.
MarkEvent) (types general-music mark-event event))
#Prob: Music C++: Music((origin . #location
nmark.ly:4:8))((display-methods #procedure #f (mark)) (name .
MarkEvent) (types general-music mark-event event))
I'll send this to the bug list if I haven't missed something in the
latest manual.
Paul
cis] } c4 d e f f e d }
I would consider sponsoring a fix if necessary as this bug keeps me from
delivering an arrangement unless I change the beaming.
Thanks,
Paul Scott
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examples are not obvious to me.
Thanks,
Paul Scott
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