Re: have multiple voices under same tuplet bracket

2018-11-18 Thread Ryan Michael
uplet 4/3 { s4 g'4 } } \new Voice { \voiceFour \tuplet 4/3 { r4 g'8 d'8 } } >> On Sun, Nov 18, 2018 at 8:33 PM Ryan Michael wrote: > hello lilypond community, > I am trying to have sustained voices across a 4/3 eighth note tuplet > bracket. My desire is to simply have one tupl

have multiple voices under same tuplet bracket

2018-11-18 Thread Ryan Michael
hello lilypond community, I am trying to have sustained voices across a 4/3 eighth note tuplet bracket. My desire is to simply have one tuplet bracket which encloses each of the four voices as a single entity. Lilypond seems to discretize / assign tuplet brackets for each voice given the

Re: textSpanner at arbitrary positions independent of music

2018-10-14 Thread Ryan Michael
n %here is where the system break occured } \new Voice { r1 r1 r1 } >> r1\startTextSpan r1\stopTextSpan On Sun, Oct 14, 2018 at 2:27 AM Ryan Michael wrote: > THank you Pierre, > exactly what i was looking for. However, how can i turn off the left > textSpan property if i want to

Re: textSpanner at arbitrary positions independent of music

2018-10-14 Thread Ryan Michael
gt; Pierre > > Le dim. 14 oct. 2018 à 09:38, Ryan Michael a > écrit : > >> Hi all >> >> So i have a scenario where I want a textSpanner to follow a heading i >> have >> over the treble clef of a system where there is only action in the left >> hand

textSpanner at arbitrary positions independent of music

2018-10-14 Thread Ryan Michael
Hi all So i have a scenario where I want a textSpanner to follow a heading i have over the treble clef of a system where there is only action in the left hand (Bass clef). e.g. % \version "2.18.2" up = \new Staff = "up" { r1/^\markup{\huge "molto rit."} r1\startTextSpanner r1

add vertical space to ottava

2018-09-28 Thread Ryan Michael
Hello, So I know how to change the priority of the ottava such that it appears on the outside of other elements of the system. However, in my case, I simply want to increase the vertical space between the ottava in the other elements. How do I accomplish this? I have tried something like %%%

tweak markup text

2018-09-25 Thread Ryan Michael
Hello I am trying to offset my markup text above the staff by a horizontal quantity. I can't seem to do so. I have tried % \version "2.18.2" r8^\markup{\tweak #'X-offset #1.5\huge"tempo I"} r8 r2. % but that results in a syntax error. -- ॐ नमः शिवाय

hide entire tuplet entity

2018-08-26 Thread Ryan Michael
Hello. I am currently working on a piano piece and I want to have sustain spans below the bass clef while the left hand is resting for whole measures. I want to the sustain to line up with tuplets on the right hand in the treble clef. My current strategy is to fake the same phrase in the bass clef

Black filled crotchet notehead for diamond shape

2018-08-26 Thread Ryan Michael
Hello I am trying to write crotchet notation but with the \harmonic default shape. Instead of it having a open notehead i would like it to be filled black like in a normal eighth note or quarter note. Is there a way to customize the \harmonic notation for these shorter durations of notes? Thanks!

Re: mix dynamic within markup on single note

2017-11-10 Thread Ryan Michael
Sorry should read *"submit"* not submit. Ryan. On Fri, Nov 10, 2017 at 10:20 PM, Ryan Michael <ryan.wiegh...@gmail.com> wrote: > I am trying to place "submit" markings after dynamics, but I would like > the dynamics to be the actual default dynamic font as op

mix dynamic within markup on single note

2017-11-10 Thread Ryan Michael
I am trying to place "submit" markings after dynamics, but I would like the dynamics to be the actual default dynamic font as opposed to bold text. Here is my current hacky approach: %% \version "2.18.2" { \time 4/4 d'4\pp fis' fis'\fermata bes'-\markup{\bold "ff" \italic

Re: create more horizontal space per

2017-11-06 Thread Ryan Michael
% I think it is because I have an incorrect not duration, but I have checked the first few bars again and again and they seem correct. On Mon, Oct 16, 2017 at 2:14 AM, Thomas Morley <thomasmorle...@gmail.com> wrote: > 2017-10-16 9:36 GMT+02:00 David Kastrup <d...@gnu

create more horizontal space per

2017-10-15 Thread Ryan Michael
Hello! I am trying to have a bar take up way more horizontal space since I have a lot of dynamic markings that bunch up since they are at small subdivisions of the note and with great frequency for example I try \version "2.14.1" { a32\p bes32\pp g32\mp d'32\<~ d'8 bes'8->-\markup{\bold

Re: increase spacing between consecutive staves in solo music

2017-10-10 Thread Ryan Michael
Ah okay so I need to do " system-system-spacing.basic-distance = #8" where do I put it in my score? Ryan. On Tue, Oct 10, 2017 at 2:02 PM, Karlin High <karlinh...@gmail.com> wrote: > On Tue, Oct 10, 2017 at 3:49 PM, Ryan Michael <ryan.wiegh...@gmail.com> > wro

increase spacing between consecutive staves in solo music

2017-10-10 Thread Ryan Michael
Hello, I am writing a piece for clarinet which has a single Staff. I would like the music to have more vertical space between each system as it is drawn normally. How do I do that? Thanks! Ryan. -- ॐ नमः शिवाय ___ lilypond-user mailing list

Re: tweak ottava to be above rest of system

2017-10-08 Thread Ryan Michael
yes that is exactly what i was seeking todo. Thank you! Ryan. On Sun, Oct 8, 2017 at 11:48 AM, Ben <soundsfromso...@gmail.com> wrote: > On 10/8/2017 2:33 PM, Ryan Michael wrote: > > Hello, > I am trying my 8va to be above the rest of markup (which includes a > \markup and

tweak ottava to be above rest of system

2017-10-08 Thread Ryan Michael
Hello, I am trying my 8va to be above the rest of markup (which includes a \markup and a fermata). Currently it is below the fermata and the \markup but i would like it to go above each of those items. Here is what causes it: %% \version "2.18.2" up = \new Staff = "up" { \ottava # 1

Re: Cowell cluster notation

2017-10-01 Thread Ryan Michael
Here is what is displaying with the above SMUFL glyph names: https://ibb.co/kbfw0b Sorry I didn't include in original email. On Sun, Oct 1, 2017 at 1:00 AM, Ryan Michael <ryan.wiegh...@gmail.com> wrote: > Thank you Both for your suggestions, > I have tried Joram's approach by

Re: Cowell cluster notation

2017-10-01 Thread Ryan Michael
Thank you Both for your suggestions, I have tried Joram's approach by 1) adding the Bravura otf to my Lilypond installation by adding it in the following location : Lilypond.app/Contents/Resources/share/fonts/otf/Bravura.otf 2) I linked my .ly file to the snippets folder by including it with the

making a tie between voices

2017-06-18 Thread Ryan Michael
I have my right hand of my piano music and i want to tie the in the first voice to the next use of it in time << \stemDown c''8~ \new Voice { \stemUp c''16 e''16~ } >> << \new Voice { \stemUp 4. } It is currently not tying the c'''8 in the first voice

crossStaff beaming not connecting both staves

2016-09-27 Thread Ryan Michael
I am following the lilypond documentation for cross Staff beaming: http://lilypond.org/doc/v2.19/Documentation/notation/common-notation-for-keyboards#cross_002dstaff-stems I have the following in my lower voice: %% r8 r32 \autoBeamOff \voiceOne \crossStaff{ des,32-> \tuplet 4/3{

beaming a phrase across piano staves

2016-09-25 Thread Ryan Michael
I have an upper and lower part of a piano staff. In the upper staff I have the following phrase which I would like the last note, a Gb in the second octave of the instrument be engraved on the bass clef of the second staff. Currently it is just placed below the treble with ledger lines:

Re: drawing glissando line with (gliss) as text across line

2016-06-22 Thread Ryan Michael
-22 22:42 GMT+02:00 Ryan Michael <ryan.wiegh...@gmail.com>: > > Hello, I am trying to engrave the following gesture: > > > > % > > bes16\glissando > > \tuplet 3/2{ aes8\glissando-\markup{\teeny"glissando between Ab and Bb"} > >

drawing glissando line with (gliss) as text across line

2016-06-22 Thread Ryan Michael
Hello, I am trying to engrave the following gesture: % bes16\glissando \tuplet 3/2{ aes8\glissando-\markup{\teeny"glissando between Ab and Bb"} \once \hide NoteHead a8\glissando \once \hide NoteHead a16\glissando bes16~} my idea is to draw the first 16th

Re: how to override of TextScript.stencil into a tweak

2016-06-03 Thread Ryan Michael
t; > > Le 3 juin 2016 à 09:52, Simon Albrecht <simon.albre...@mail.de> a écrit > : > > > > On 03.06.2016 09:27, Ryan Michael wrote: > >> I would only like to add the stencil boxer to the letter "B" above the > staff. > > > > Just guessing: Perh

how to override of TextScript.stencil into a tweak

2016-06-03 Thread Ryan Michael
I have the following snippet %% \time 4/4 \once \override TextScript.stencil = #(make-stencil-boxer 0.1 0.3 ly:text-interface::print) r1\fermata-\markup{\teeny "wait for viola cue"}\stopTextSpan^"B" %%% However the above applies a stencil

print instrument abbreviations to left of staff

2016-05-19 Thread Ryan Michael
Hello, I have a string quartet score, and I would like to show the canonical abbreviations for each instrument to the left of each staff line throughout the piece. How can I do that? Ryan. p.s. this is my layout: \score { \new StaffGroup << \new Staff << \global \cello >> \new Staff

Re: making TextSpanner.style a very bold and large period

2016-05-15 Thread Ryan Michael
great idea! Thank you all! On Sun, May 15, 2016 at 7:50 PM, Andrew Bernard wrote: > Hi Ryan, > > Yes, at 2.19.41 specifying dotted-line style for text spanners just uses > tiny dashes that look a bit like dots, and you can’t make them larger. > > I have scheme code to

Re: making TextSpanner.style a very bold and large period

2016-05-15 Thread Ryan Michael
f a g b, b\stopTextSpan % It just prints bigger dashes, while intermittently placing a "." at the period length On Sun, May 15, 2016 at 6:00 PM, Carl Sorensen <c_soren...@byu.edu> wrote: > > > On 5/15/16 4:24 PM, "Ryan Michael" <ryan.wiegh..

Re: making TextSpanner.style a very bold and large period

2016-05-15 Thread Ryan Michael
please confer with this Schoenberg op 30 engraving, where the "rit ... Tempo" are designed in the way I am trying to achieve. https://www.youtube.com/watch?v=AidU-4YF03Y On Sun, May 15, 2016 at 3:18 PM, Ryan Michael <ryan.wiegh...@gmail.com> wrote: > Hello I am trying

making TextSpanner.style a very bold and large period

2016-05-15 Thread Ryan Michael
Hello I am trying to go for a classic textSpan look, by using essentially a period '*.*' quite large and bold. as the in lieu of the 'dashed-line, line style. Is there a way I can do this? Thank you! Ryan. -- ॐ नमः शिवाय ___ lilypond-user mailing

override NoteHead size for one not in a chord

2016-05-11 Thread Ryan Michael
I have a chord and I am trying to make the last note, which happens to also be in parenthesize, to have a small Font-size for the notehead. Here is my lily code : \tuplet 3/2{32 ees'16\harmonic } which currently just renders the same font-size for all notes (the default size) -- ॐ नमः शिवाय

Re: problem with Illustrator exported eps using \epsfile

2016-05-05 Thread Ryan Michael
For future thread reference, in adobe illustrator, if you do "Save As > EPS file" You want to set the "Preview Format" field to "None" On Thu, May 5, 2016 at 10:53 PM, Ryan Michael <ryan.wiegh...@gmail.com> wrote: > You are brilliant Sven! how co

Re: problem with Illustrator exported eps using \epsfile

2016-05-05 Thread Ryan Michael
:34, Ryan Michael <ryan.wiegh...@gmail.com> wrote: > > > > Forgive me. The error is: > > > > > > lilypond/current/scm/stencil.scm:779:26: Wrong type argument in position > 1: > > #f > > > > On Thu, May 5, 2016 at 3:23 PM, Simon Albrecht <s

Re: problem with Illustrator exported eps using \epsfile

2016-05-05 Thread Ryan Michael
Forgive me. The error is: lilypond/current/scm/stencil.scm:779:26: Wrong type argument in position 1: #f On Thu, May 5, 2016 at 3:23 PM, Simon Albrecht <simon.albre...@mail.de> wrote: > On 06.05.2016 00:14, Ryan Michael wrote: > >> I have the following snippet >> >&g

problem with Illustrator exported eps using \epsfile

2016-05-05 Thread Ryan Michael
I have the following snippet %%% 2\fermata^\markup{ \epsfile #X #20 #"recorder_fingering.eps" } %%% Where I use an eps file generated from Adobe Illustrator. Here is the .eps file http://www.mediafire.com/download/f3st88sh146vbja/recorder_fingering.eps I

Re: writing a tuplet with \note in \markup

2016-04-26 Thread Ryan Michael
> 2016-04-26 20:50 GMT+02:00 Ryan Michael <ryan.wiegh...@gmail.com>: > > I have the following : > > > > \markup { > > \teeny\note #"16" #UP \teeny"=" \teeny \note #"8" #UP > > } > > > > but I would like the sixteen

writing a tuplet with \note in \markup

2016-04-26 Thread Ryan Michael
I have the following : \markup { \teeny\note #"16" #UP \teeny"=" \teeny \note #"8" #UP } but I would like the sixteenth note that I draw with \note to be equivalent to an eighth note within a tuplet ,not just a vanilla eighth note. How would that be notated with \note? Thanks! Ryan. -- ॐ

drawing eigth-note in /markup

2016-04-22 Thread Ryan Michael
Hello I would like to draw a simple eighth note = eighth note in the ^\markup{} on a particular bar of music. How can I draw two eighth notes in a markup block without a staff? Please see attached for what I am going for. Thanks! Ryan. -- ॐ नमः शिवाय

Re: Transpose down a perfect fifth

2016-04-11 Thread Ryan Michael
Why is that a bad idea? On Monday, April 11, 2016, David Kastrup <d...@gnu.org> wrote: > Ryan Michael <ryan.wiegh...@gmail.com <javascript:;>> writes: > > > Sorry all . I was doing \transpose but on something demarcated as > \relative > > c'{} > >

Re: Transpose down a perfect fifth

2016-04-10 Thread Ryan Michael
Sorry all . I was doing \transpose but on something demarcated as \relative c'{} Which meant it was an octave higher after transposition On Sunday, April 10, 2016, Tim McNamara <tim...@bitstream.net> wrote: > > > Sent from my iPad > > > On Apr 10, 2016, at 5:21 PM,

Transpose down a perfect fifth

2016-04-10 Thread Ryan Michael
Hello . I have a score that I would the entirety of to be transposed down a perfect fifth. I tried \Transpose c f,{ E4 e f g g f e d c c d e e4. D8 d2 r2 } But that was greater than a fifth. Then I tried \transpose c f{ %ibidem% } But that also didn't work ... } -- ॐ नमः शिवाय

Re: override default bar width for only one bar

2016-01-31 Thread Ryan Michael
pacing > > Cheers, > Pierre > > 2016-01-31 3:34 GMT+01:00 Ryan Michael <ryan.wiegh...@gmail.com>: > >> Hello , >> I would like the current bar width of my piece to be 3 x the current bar >> width for only one measure? I imagine i use an \override but can't thin

override default bar width for only one bar

2016-01-30 Thread Ryan Michael
Hello , I would like the current bar width of my piece to be 3 x the current bar width for only one measure? I imagine i use an \override but can't think of what else I would do to accomplish this task. Thanks! Ryan. -- ॐ नमः शिवाय ___ lilypond-user

Re: override default bar width for only one bar

2016-01-30 Thread Ryan Michael
Thanks! except i don't wish to hide the bar, but rather stretch out its width for a single measure. On Sat, Jan 30, 2016 at 11:26 PM, Helge Kruse wrote: > You can hide the bar lines as in the example of the notation reference: >

Re: setting Notehead for a single chord which follows the custom Notehead

2016-01-14 Thread Ryan Michael
Precisely! Thank you! On Thu, Jan 14, 2016 at 1:04 PM, Thomas Morley <thomasmorle...@gmail.com> wrote: > 2016-01-14 21:49 GMT+01:00 Ryan Michael <ryan.wiegh...@gmail.com>: > > I am trying to use the triangle notepad for all of the notes in a chord, > but > > would

setting Notehead for a single chord which follows the custom Notehead

2016-01-14 Thread Ryan Michael
I am trying to use the triangle notepad for all of the notes in a chord, but would not like the triangle notehead to appear anywhere else in the score. I have the following: \version "2.18.2" \relative { \set shapeNoteStyles = ##(triangle triangle) 1~

Re: slurs across bar lines with glissandi and hidden noteheads

2016-01-12 Thread Ryan Michael
'' >> { >> \once \hide NoteHead >> a\glissando c >> } >> >> >> >> >> >> Am 12.01.2016 22:12, schrieb Ryan Michael: >> >>> I have the following two bars: >>> >>> %51% >>> tuplet 3/2{ >>> r8-ma

slurs across bar lines with glissandi and hidden noteheads

2016-01-12 Thread Ryan Michael
I have the following two bars: %51% \tuplet 3/2{ r8-\markup{\italic "gesprochen"} d'8 dis8} \tuplet 3/2{ r16 cis cis a r16 cis} \tuplet 3/2{ cis a r16 a cis8\glissando} \once \hide NoteHead g4\glissando %52% cis,2 r4 r8 dis'-\markup{\italic "gliss"} I would like to make a slur from the g4 of

adding stand alone text after a score

2016-01-08 Thread Ryan Michael
Hello I have the following score block: \score { \new StaffGroup << << \new Staff \new Voice = "recorder" << \global \recorder >> >> << \new Staff \new Voice = "viola" << \global \viola >> >> \new Lyrics \lyricsto "viola" \verseOne >> \markup { \fill-line { Hello

how to add header to markup after score

2016-01-08 Thread Ryan Michael
I have the following basic lilypond layout \header{ title = "Title of My Piece" composer = "Ryan Wieghard" } \score{ %score stuff% } \pageBreak \markup{ %Text formatting, columns, etc.% } I would like to add a header to the markup that follows the score. When I write: \header

placing crescendo and decrescendo markings within span of a whole note

2016-01-06 Thread Ryan Michael
I have the following lilypond format dis1\<~ dis1~\!\>dis2\! but really i want a dis1 with < > (cresencendo / decrescendo) underneath it. How can I do that and size the crescendo and decresendo to my liking (say span the < to last 3 quarters of the whole note and the > to last a quarter)

Re: trying to attach lyrics to global variable in /score

2016-01-03 Thread Ryan Michael
> \new Voice = "recorder" \recorder > >> > \new Lyrics \lyricsto "recorder" \verseOne > >> > > \layout { } > \midi { } > } > %% > > It’s more logical IMO to keep the Lyrics outside the Staff, but both work.

trying to attach lyrics to global variable in /score

2016-01-03 Thread Ryan Michael
I have the following lilypond code: \score { \new StaffGroup << \new Staff << \global \recorder >> \new Lyrics \lyricsto "recorder" { \verseOne } \new Staff << \global \viola >> >> \layout { } \midi { } } However I get the error: *cannot find Voice `recorder'*

Music running off page, yet passes bar line check

2015-12-28 Thread Ryan Michael
I have the following music : \tempo 4=40 \time 4/4 \clef bass \barNumberCheck #1 b,1\glissando \barNumberCheck #2 \once \hide NoteHead bes4\glissando a2\glissando \once \hide NoteHead a4\glissando \barNumberCheck #3 \once \hide NoteHead a4\glissando b-\markup{"don't articulate b. stop gliss

putting music functions in markup

2015-12-06 Thread Ryan Michael
I would like to add the engraving of in an editorial note within the markup below an actual note event. It simply needs to show the interval of a fifth and that the top note has the harmonic note head. How can I do that? The following throws an error saying you can't add music functions in the

problem adding \epsfile to markup

2015-12-05 Thread Ryan Michael
I have a local EPS file called "niolin.eps" which I am trying to add to my markup. I think i need to add a bounding box for it for it to work, but am not sure how to do that. I exported the EPS file directly from Adobe Illustrator. Here is the lilypond error code: Wrong type argument in

Re: problem adding \epsfile to markup

2015-12-05 Thread Ryan Michael
Here is the eps file: https://www.mediafire.com/?xhsu0jiidib2k9u What is the simplest lilypond file I could make to prove that it is not the larger structure of the file and is the eps file causing problems. And if it is the latter case, how do I ameliorate the eps file? I simply did an export

printing individual parts causes the whole score to print too

2015-12-01 Thread Ryan Michael
So I have the following seperate .ly file: \include "eiertanz-1.ly" \header { instrument = "Violin" } { \violinOne } Which prints the variable which points to the *Voice* violinOne defined in " eiertanz-1.ly" however the whole score prints and then the single voice is printed. How Can I

Re: how to simulate or vectorize free hand curve notation

2015-11-16 Thread Ryan Michael
? Could you circle them on the > image or otherwise indicate what you need? There exist a variety of > different methods for curves of various sorts. > > Andrew > > > On 15 Nov 2015, at 12:56, Ryan Michael <ryan.wiegh...@gmail.com> wrote: > > I have some glissandi

Re: how to simulate or vectorize free hand curve notation

2015-11-16 Thread Ryan Michael
like the above slur but without actually engraving noteheads, just the curve itself. On Mon, Nov 16, 2015 at 1:37 PM, Ryan Michael <ryan.wiegh...@gmail.com> wrote: > The curves, say, on the second treble staff, in the image. > > On Mon, Nov 16, 2015 at 12:09 AM, Andrew Berna

how to simulate or vectorize free hand curve notation

2015-11-15 Thread Ryan Michael
I have some glissandi curves that I would like to input into my lilypond score. Is it possible to load some vectorized equivalent across x Bars? Or to simulate my original hand drawn curves somehow? Here is the example of the notation style I would like to make:

Re: switch to an additive music engraving mode

2015-11-12 Thread Ryan Michael
yes! On Wed, Nov 11, 2015 at 11:59 PM, Urs Liska <u...@openlilylib.org> wrote: > Am 12.11.2015 um 08:02 schrieb Ryan Michael: > > I was wondering if there is a way to shift out of the divisive time > > model of lilypond > > and simple engrave notes, of whatever valu

Re: switch to an additive music engraving mode

2015-11-11 Thread Ryan Michael
Looks like I could just use the example for Chants or Psalms notation: http://lilypond.org/doc/v2.18/Documentation/snippets/rhythms#rhythms-changing-time-signatures-inside-a-polymetric-section-using-_005cscaledurations On Wed, Nov 11, 2015 at 11:02 PM, Ryan Michael <ryan.wiegh...@gmail.

switch to an additive music engraving mode

2015-11-11 Thread Ryan Michael
I was wondering if there is a way to shift out of the divisive time model of lilypond and simple engrave notes, of whatever value, without setting a global system of bars. I know that you can remove bars, but, at least in that case, in the background, it still is functioning under the global time

Re: New Staff doesn't go away after end symbol

2015-10-28 Thread Ryan Michael
and extra staff symbol below each real staff with lines. Please see attached. On Wed, Oct 28, 2015 at 1:44 PM, Malte Meyn <lilyp...@maltemeyn.de> wrote: > > > Am 28.10.2015 um 21:26 schrieb Ryan Michael: > >> On Wed, Oct 28, 2015 at 12:52 PM, Malte Meyn <lily

Re: New Staff doesn't go away after end symbol

2015-10-28 Thread Ryan Michael
On Wed, Oct 28, 2015 at 12:52 PM, Malte Meyn <lilyp...@maltemeyn.de> wrote: > > > Am 28.10.2015 um 20:37 schrieb Ryan Michael: > >> The following is the snippet that happens *within *my single voice cello >> score. >> >> \new Staff << >>

Trying to displace note heads from stem

2015-10-25 Thread Ryan Michael
I know there are ways in lilypond to not display the stem. I would like to do something slightly different, which is to position the note head associated with a stem at varying distances away from the stem to denote a relative rhythmic placement which can be seen in Xenakis' Mists