On Mar 3, 2011, at 12:58 AM, David Bobroff wrote:
On 3/3/2011 6:23 AM, Tim McNamara wrote:
I have not been able to locate a way to do jazz style multiple bar repeats
like these for writing out chord progressions for solos. Can anyone point
me to the place in the documentation (assuming
On Mar 3, 2011, at 6:30 PM, Colin Hall wrote:
For the record I've attached a complete source file to demonstrate how I do
chop marks.
I like how those render and will have other uses for them. Thanks!
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On Mar 3, 2011, at 6:11 PM, Robin Bannister wrote:
Tim McNamara wrote:
There is a number in the middle of the bar which indicates how many bars to
repeat, with a heavy horizontal bar on either side of the number.
Would this do the sort of thing you're looking for? You ask for a
multi
is better then the third of it, when it is
possible. And it's even easier to take.
This is why I love open source, people really can contribute :-D.
@ Tim McNamara
Could you specify what you mean with fourth fingering? As I see it, as far as
I've seen the pdf, the fourth fingering is doubling
On Feb 6, 2011, at 1:03 PM, Marc Hohl wrote:
Am 06.02.2011 18:32, schrieb Tim McNamara:
There is a fourth note, double one of the notes in the triad, in the dim
fingerings that is not in the score. IME the fingering should match the
score in cases where there is a score.
I think
On Feb 5, 2011, at 9:49 PM, Carl Sorensen wrote:
I've put together a proposed set of dim and dim7 fretboards.
You can download it at
https://sites.google.com/site/cdslilypond/docs/display-dim-fretboards.pdf?a
ttredirects=0d=1
or view it at
On Feb 3, 2011, at 5:01 PM, Jan Warchoł wrote:
2011/2/1 Tim McNamara tim...@bitstream.net
Jazz guitarist and Lilypond user here. I would call that a G(no 3rd)
I'd say that it's a Gsus chord. It means basically the same: a chord
with no third.
Usually the third is replaced by a fourth
On Feb 1, 2011, at 8:13 AM, Jürgen Ibelgaufts wrote:
Hello,
I want to write down guitar chords and frets with extra voicings, say a G
chord with an extra Fifth on the B string, 3rd fret, or Em chord with an
extra G on the treble e string. As these extra notes belong to the chords,
you
On Feb 1, 2011, at 9:47 AM, Jürgen Ibelgaufts wrote:
to be more precisely: no power chords, no slash chords. Just for example an
extra fifth to the g major chord (which may be redundant but gives another
voicing).
When the fret diagram for the G chord is 320003 (not lilypond syntax, but
On Jan 30, 2011, at 3:45 AM, bart deruyter wrote:
I can only speak for guitarists, because I am a guitarist, classical
guitarist, and I'll definatly stick to the correct naming for the correct
chords, and I am now going to create my own version of this predefined guitar
diagrams list. If
On Jan 30, 2011, at 11:23 AM, Colin Campbell wrote:
There is a discussion on -bug about the display of chords for jazz
musicians, essentially asking for simplification in the interests of
readability. Following on Bart's suggestion, is it feasible to create
alternate display modes tied to a
On Jan 29, 2011, at 1:02 PM, bart deruyter wrote:
I've noticed something strange in the predefined chord diagrams for guitar.
While writing on my book for teaching guitar, I noticed the chord C#
diminished is weird to say at the least. The fret diagram is very wrong I'm
afraid :
On Jan 23, 2011, at 6:21 AM, Patrick Schmidt wrote:
nice work! I just think that the name modal transposition is a little
misleading in this case. At first I thought that I could change the mode of a
tune with your function e.g. transpose music from c\major to c\minor or
something like
copyright = Tim McNamara 2010, All Rights Reserved
}
harmonies = \chordmode {
r8
% 1
bes2:min7 ges2:7
des1:maj7
bes2:min7 ges2:7
des1:maj7
% 5
bes2:min7 ges2:7
bes2:min7 ees2:7
ees2:min7 aes2:7
des1:maj7
% 9
ces1:min6
ges1:maj7
ces1:min6
ges1:maj7
% 13
ces1:min6
ges1:maj7
aes1:7
des1:maj7
On Jan 7, 2011, at 5:10 PM, Neil Puttock wrote:
On 4 January 2011 14:47, Tim McNamara tim...@bitstream.net wrote:
Sure, since all of my .ly files fail to compile with 2.12.3 that's easy.
Here's a whole file that fails for me. There's no melody notated as of yet,
which simplifies things
Neil's fix with pop-chords.ly corrected the problem. Thanks, Neil!
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On Jan 4, 2011, at 12:11 AM, James Bailey wrote:
On Jan 4, 2011, at 6:52 AM, Tim McNamara wrote:
On Jan 3, 2011, at 11:44 PM, James Bailey wrote:
On Jan 4, 2011, at 1:23 AM, Tim McNamara wrote:
On Jan 3, 2011, at 12:25 PM, James Bailey wrote:
I don't know if this is what you
On Jan 4, 2011, at 12:11 AM, James Bailey wrote:
On Jan 4, 2011, at 6:52 AM, Tim McNamara wrote:
On Jan 3, 2011, at 11:44 PM, James Bailey wrote:
On Jan 4, 2011, at 1:23 AM, Tim McNamara wrote:
On Jan 3, 2011, at 12:25 PM, James Bailey wrote:
I don't know if this is what you
On Jan 3, 2011, at 1:09 AM, -Eluze wrote:
Tim McNamara wrote:
#(ly:set-option 'delete-intermediate-files #t)
\paper {
indent = 0.0
ragged-last = ##f
\header {
title = Lilypond Test
composer = McNamara
meter = Swing Ballad
}
it compiles without errors
On Jan 3, 2011, at 12:25 PM, James Bailey wrote:
I don't know if this is what you were looking for, but this compiled just
fine for me on my osx 10.6.5 on an intel iMac:
Hmm, well doesn't seem to be a bug. That was my main question. Thanks, guys!
On Jan 3, 2011, at 11:44 PM, James Bailey wrote:
On Jan 4, 2011, at 1:23 AM, Tim McNamara wrote:
On Jan 3, 2011, at 12:25 PM, James Bailey wrote:
I don't know if this is what you were looking for, but this compiled just
fine for me on my osx 10.6.5 on an intel iMac:
Hmm, well
On Dec 30, 2010, at 12:00 AM, James Bailey wrote:
On Dec 30, 2010, at 3:52 AM, Tim McNamara wrote:
Is this a bug?
Interpreting music...
/Applications/LilyPond.app/Contents/Resources/share/lilypond/current/scm/chord-ignatzek-names.scm:208:9:
In procedure chord-name-pop-markup
Is this a bug?
Interpreting music...
/Applications/LilyPond.app/Contents/Resources/share/lilypond/current/scm/chord-ignatzek-names.scm:208:9:
In procedure chord-name-pop-markup in expression (name-root root
lowercase-root?):
Isn't there a missing to pair with the ?
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On Dec 2, 2010, at 10:06 AM, LazyLew wrote:
I have some simple questions - can't find it in the manuals so far,
because
there's so much there.
- is it easy to adapt fonts for chords? I like 'em bold, the way
you often
see in jazz sheets.
On a Mac anything with changing fonts seems to
Begin forwarded message:
Hello all! I am having trouble making the last line stretch to the
end. Also, I would like to have numbers for all the verses not
just for the first part.
Here is my file:
\version 2.13.35
\include gregorian.ly
\header {
subtitle = Veni Creator Spiritus
%
On Nov 21, 2010, at 12:41 PM, MING TSANG wrote:
Yes, (1) \transpose f des {music} works. I use english.ly so (2)
\transpose f dflat {music} also works. I was told D-flat is
equivalent to B-flat minor; but in term of key signature print D-
flat has 5 flats while B-flat minor has 5 sharps.
On Nov 20, 2010, at 2:33 PM, MING TSANG wrote:
How can I specifiy key minor or key major in transpose?
Is it possible \transpose from f major to b flat minor? How to
code in \transpose?
I don't believe this is possible in Lilypond, at least using the
\transposition command. If it is
There has been a significant fork which may affect this particular
Lilypond project. Many/possibly most of the OOo developers quit the
OOo project and have started LibreOffice in protest against the
parent company that was paying for OOo development. I don't know the
details but they are
On Oct 27, 2010, at 8:05 AM, Valentin Villenave wrote:
On Wed, Oct 27, 2010 at 2:05 PM, Robert Clausecker
fuz...@gmail.com wrote:
Hi guys!
Greetings,
As we have a good support for SVG now, wouldn't it be nice to add a
--svg switch to the program, so that you can write
lilypond --svg
On Oct 27, 2010, at 9:48 AM, Graham Percival wrote:
On Wed, Oct 27, 2010 at 09:06:27AM -0500, Tim McNamara wrote:
On Oct 27, 2010, at 8:05 AM, Valentin Villenave wrote:
On Wed, Oct 27, 2010 at 2:05 PM, Robert Clausecker
fuz...@gmail.com wrote:
Hi guys!
As we have a good support for SVG
On Oct 27, 2010, at 10:53 AM, Valentin Villenave wrote:
On Wed, Oct 27, 2010 at 4:06 PM, Tim McNamara
tim...@bitstream.net wrote:
Hmm. This is prompting a rather harsh reaction from me which will
predictably draw all kinds of flames. I am always bemused by the
recurrent
user-dismissive
On Oct 22, 2010, at 7:57 AM, Éditions IN NOMINE wrote:
last night in a discussion someone claimed that there is a triple
bbb in real music, he said it was in a Chopin piece but could not
say which.
I think I am fairly educated in music but never heard of a triple
bbb or ###. Do you know
While this doesn't solve the problem (somebody else seems to have
done that), it'd sure be nice if using marks for segno and coda would
be a lot more user friendly- like
g1\segno
g1\coda
perhaps as one can with g1\fermata, although both coda and segno are
probably more properly
On Oct 2, 2010, at 8:57 AM, Stefan Vollmar wrote:
Dear all,
I am new to this list and have just started using Lilypond.
I am deeply impressed with the quality of the output and the wealth
of documentation - thank you!
I am a physicist by profession with a background in software
Using
lilypond -dshow-available-fonts x
was suggested as a way to look at the fonts Lilypond has available.
Doing this from the command line on my Mac (10.4.11 FWIW), I got:
[tim ~]$ lilypond -dshow-available-fonts x
GNU LilyPond 2.12.3
ERROR: In procedure primitive-load-path:
ERROR:
In the following snippet, Lilypond puts beams over the last three 8th
notes and it looks clunky:
\times 2/3 { d4 e4 d4 } b4 g'8 f8
e8 d8 c'8\staccato r8 r2
I want the c'8 to not be beamed with the other two 8th notes in the
last measure. When I use \noBeam
\times 2/3 { d4 e4 d4 } b4 g'8
Nicolas Sceaux wrote:
Having a useful lilypond mode in Emacs would be really great.
Using the existing lilypond-mode for all my .ly file editing already and
it's pretty useful to me- but of course there is always room for
improvement. What are you thinking that you'd like to see?
I'd like
On Jul 3, 2010, at 5:20 AM, Jan Nieuwenhuizen wrote:
Op donderdag 01-07-2010 om 18:44 uur [tijdzone -0300], schreef
Bernardo
Barros:
Is the Emacs mode being actively also developed? If so, is there a
project/repository somewhere?
That depends. We've had our emacs mode sitting in the
On Jun 21, 2010, at 4:51 PM, Ole Schmidt wrote:
Hi,
While engraving I came across the problem to display a simple
triplet which consists of a quarter and an eighth note
and it seems to be difficult. The default beaming is odd and using
brackets leads to an error warning.
Do I completely
On Jun 9, 2010, at 3:07 AM, snozpacker wrote:
For a certain polytonal piece, I need to display chord names of the
form
C7/F#7. That is, I need to be able to have an entire chord after
the
slash, not just the root.
I already know how to modify the main part of the chord using
On Jun 9, 2010, at 3:06 AM, snozpacker wrote:
Can I set ragged-bottom and ragged-last-bottom in the \layout
block? Right
now they're in the \paper block, but if I move it to the \layout
block, they
don't seem to have an effect. Why?
I think it just belongs to the \paper block for the
Put
#(ly:set-option 'delete-intermediate-files #t)
in your .ly files and the .ps file will be automatically deleted.
Much simpler that doing it from the command line.
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On Apr 14, 2010, at 11:04 PM, dflo404 wrote:
My apologies if this has been covered, but I have been unable to
find clear
instructions on how to add a coda. I'm still learning Lilypond, so
I'm
still trying to understand the breakdown of a lilypond file.
Let me explain what I want exactly:
On Mar 31, 2010, at 4:51 AM, Valentin Villenave wrote:
On Wed, Mar 31, 2010 at 3:03 AM, Tim McNamara
tim...@bitstream.net wrote:
I have no idea how to help other than this. Is there a Norwegian
Lilypond
mailing list?
Not that I know of. But considering François-Xavier also speaks French
Norwegian. Per Google:
Good evening,
I have created an index. I want it available on the Norwegian
LilyPond list. Maybe they can help me?
Sincerely,
Jean Francois-Xavier
French composer and painter
I have no idea how to help other than this. Is there a Norwegian
Lilypond mailing list?
On Mar 20, 2010, at 6:39 AM, Mats Bengtsson wrote:
Quoting Carl Sorensen c_soren...@byu.edu:
On 3/19/10 8:40 AM, Phil Holmes em...@philholmes.net wrote:
According to the documentation for 2.12.3 There is no support
for chords
where the same note occurs with different accidentals in the
On Mar 11, 2010, at 6:17 AM, Weblily wrote:
PS: I am currently preparing an article about weblily.net for the
LilyPond Report. Maybe this can be a starting point for discussing
ideas about how weblily.net might become a useful tool for the
LilyPond community.
One thing that springs to
On Mar 12, 2010, at 12:41 PM, Erden Oguz wrote:
Hello,
due to the real rhythmic expression of tuplets as played in
Strathspeys in bagpipe music, I am trying to write down tuplets
with different note lengths:
\times 2/3 { f16 [e16 c4] }
Unfortunately, the last note, the crotchet is not
On Feb 28, 2010, at 1:56 AM, Patrick McCarty wrote:
On 2010-02-27, Werner LEMBERG wrote:
I don't see any non-ASCII characters in my file. Oh, I take
that back now
that I scrutinize closer... I have © in the input file. Well,
that's easy
to get rid of. And doing so eliminates the glyph
I've had lilypond-mode working in Emacs for a year now, using Carbon
Emacs on Mac OS X 10.4. Works great, kuds to whomever wrote the
mode. I just built the latest Emacs 23.1 to give it a try; it
initially didn't work with Lilypond at all until I remembered I had
to add the lilypond-mode
Here's the programming error I mentioned in my other post. It is
repeated about seven or eight times:
programming error: FT_Get_Glyph_Name () error: invalid argument
continuing, cross fingers
programming error: Glyph has no name, but font supports glyph naming.
Skipping glyph U+, file
On Feb 26, 2010, at 3:35 PM, Patrick McCarty wrote:
On Fri, Feb 26, 2010 at 1:04 PM, Tim McNamara
tim...@bitstream.net wrote:
Here's the programming error I mentioned in my other post. It is
repeated
about seven or eight times:
programming error: FT_Get_Glyph_Name () error: invalid
On Feb 26, 2010, at 9:23 PM, Patrick McCarty wrote:
On Fri, Feb 26, 2010 at 4:16 PM, Tim McNamara
tim...@bitstream.net wrote:
On Feb 26, 2010, at 3:35 PM, Patrick McCarty wrote:
Also, which LilyPond version are you using? I've been working on a
lot of Pango/text issues lately, so some
On Feb 20, 2010, at 1:30 PM, Brett McCoy wrote:
I am typesetting a lead sheet and it has a very strange chord --
G7b9#9. I confirmed that this chord is correct (freakin jazz people
;-P ), but can't figure out how to get the chord name to display.
Using g:7.9-.9+ only results in g7#9 since
On Feb 16, 2010, at 8:55 AM, Phil Holmes wrote:
2. I'm trying to engrave a song which uses numerals as its sole
lyrics.
Enclose them in quotes.
That works, thanks - albeit it's a bit of a pain, since the music I
have uses individual number as words in the lyric, so the complete
On Feb 14, 2010, at 2:54 AM, Peter Chubb wrote:
Is there a sane way to do this?
Thinking as a player, I'd rather see this as a coda
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On Feb 14, 2010, at 3:04 PM, Peter Chubb wrote:
Tim == Tim McNamara tim...@bitstream.net writes:
Tim On Feb 14, 2010, at 2:54 AM, Peter Chubb wrote:
Is there a sane way to do this?
Tim Thinking as a player, I'd rather see this as a coda
It's only one bar in the middle. I'd like to
get
On Feb 10, 2010, at 10:15 PM, Michael J. O'Donnell wrote:
My proposed solution behaves as though you had written
{ \include MyFile.ly }
rather than the desired
\include MyFile.ly
Lots of simple debugging code works fine, but in the usual case where
MyFile.ly is full of variable
On Feb 8, 2010, at 2:56 PM, Gavin Johnson wrote:
Hi all,
I've been reading the docs* and trying things like: e1:m.6- or
e1:m.maj7 but not really found anyway to represent a harmonic minor
scale as a chord. The output I'm looking for would be something like
Em(maj7).
e1:min7+
'delete-intermediate-files #t)
\paper {
indent = 0.0
ragged-last = ##f
}
\header {
title = Recycling Day
subtitle = Concert Pitch
composer = McNamara
meter = Up-Tempo Swing or Bebop
copyright = Tim McNamara, All Rights Reserved
}
\include ../../pop-chords.ly
\include ../../paren
Fonts are an issue with almost all Linux/Unix applications ported
into OS X using the Aqua interface. OpenOffice.org doesn't use fonts
correctly either (somewhat of a bigger issue in an office suite);
NeoOffice corrects this by putting a Java container around OO.o at
the cost of
On Jan 18, 2010, at 9:54 AM, Wafaic wrote:
Sorry, I tried it,
\chords { a:m7.5- }
but I did not get what I hope.
I have someting like this same appearence:
Aº , except that the little º looks like this: ø
Is there another solution?
With regards,
Eric
Too lazy to fix the top-posting- see
On Jan 3, 2010, at 3:33 PM, C.Flothow wrote:
When trying to prepare an example for this list (concerning the
missing paragraph Ancient and Modern from One Source) I came
across the following problem:
\version 2.12.2
{\time2/2 \times 1/2{\relative c''{g1 g \time 3/2 f fis2 g1 a2
On Dec 19, 2009, at 2:49 AM, David Kastrup wrote:
Robert Ley robert...@gmail.com writes:
Also, please remember that some of us, me included, have little
experience
writing command lines, so when you put, as part of the first
information on
command line use:
Create a directory to
On Dec 18, 2009, at 2:59 AM, David Kastrup wrote:
Kees van den Doel kvand...@shaw.ca writes:
Of course there is nothing really wrong with the current website.
Most people will want to just download lilypond and try it out; who
has time to read all the crap on a product's website? Once
On Dec 17, 2009, at 12:10 PM, Robert Ley wrote:
The hard disc format is determined by the type of processor you
have in the machine: GUID format for Intel chips, MacOS Extended
for PPC chips. I have a G4 [PPC] chip, so both Ext. and Int. are
formatted with MacOS Extended.
The EXTERNAL
On Dec 17, 2009, at 2:48 PM, Graham Percival wrote:
On Thu, Dec 17, 2009 at 8:23 PM, Kees van den Doel
kvand...@shaw.ca wrote:
From: Graham Percival gra...@percival-music.ca
On Thu, Dec 17, 2009 at 3:30 PM, Valentin Villenave
No. The alternate input page is extremely easy to find.
On Dec 16, 2009, at 8:55 AM, John Mandereau wrote:
Le mardi 15 décembre 2009 à 20:20 -0600, Tim McNamara a écrit :
Wouldn't it be simplest to set the Reply-To header to the list? Then
all replies go to the list by default.
No. For good reasons about this, see
http://www.unicom.com/pw
On Dec 15, 2009, at 11:07 AM, Kees van den Doel wrote:
If lilypond came with a rudimentary GUI I think it would at least
octuple the number of people trying it out.
Something simple like a window with File/compile menus, a text
editor pane, compile messages at bottom,
and a score preview.
On Dec 15, 2009, at 7:09 AM, Graham Percival wrote:
On Tue, Dec 15, 2009 at 11:39 AM, Federico Bruni
brunol...@gmx.com wrote:
Il 15/12/2009 12:22, Philip Potter ha scritto:
Please keep all discussion on list - the easiest way to do this
is to
click Reply All and ensure that
Sorry, I initially just sent this to Jan and meant to send it to the
group.
On Nov 12, 2009, at 2:11 AM, Jan Nieuwenhuizen wrote:
Op donderdag 12-11-2009 om 08:41 uur [tijdzone +0100], schreef David
Kastrup:
Carl Sorensen c_soren...@byu.edu writes:
_Addressing_ the actual problems is
On Nov 11, 2009, at 11:29 AM, David Kastrup wrote:
For me, this situation is awkward, impeding and dissatisfactory. For
others, it is reason to go away. I don't see that anything is gained
for chastising me for my impression. That is merely shooting the
messenger. Actually, more than the
On Oct 24, 2009, at 9:16 AM, Graham Percival wrote:
I have to admit I'm pretty disappointed with the user community.
Well, since you reject the majority of what is sent to you, it
probably discourages people from trying to contribute.
___
On Oct 21, 2009, at 4:13 AM, Peter Berlau wrote:
I have done writing done some patterns of my favorite sax players and
like to transpose this patterns to any key.
I found a solution but I am not sure if this is a elegant method, also
maybe it is more useful to make use of the enharmonics to
On Oct 6, 2009, at 1:17 AM, David Bobroff wrote:
Ami Magori Cohen wrote:
Hi,
Thank you very much for this software,and for your help.
After having read about this wonderful software,I have downloaded
it and tried to get started,but i'm stuck!When I open the
software,I see a blank page
I am having problems getting LilyPond to properly position coda
glyphs. I've included the code to see if others reproduce it. The
first coda glyph should be at the end of bar 28 but LilyPond insists
on putting it at the end of bar 29. The /break command seems to be
involved (is this a
And of course I replied only to myself, since the reply-to header is
not set to the mailing list for some reason.
Begin forwarded message:
From: Tim McNamara tim...@bitstream.net
Date: September 16, 2009 9:17:03 AM CDT
To: Tim McNamara tim...@bitstream.net
Subject: Re: Help with positioning
Andrew Tucker wrote:
In NR B.2 Common chord modifiers, I think the line with:
Minor-major seventh
Minor triad, major seventh
maj7.5-
- should change to: maj7.3- (both text and chord)
Clearly maj7.5- is *not* a minor-major seventh chord so that's a good
catch.
The syntax that seems most
On Sep 2, 2009, at 7:56 PM, Patrick Horgan wrote:
Tim McNamara wrote:
I am a guitarist.
If all he wants is a chord chart, some paper and a pencil would be
a better approach. Or even a word processor two write out the
chords like Ralph Patt did with the Vanilla Book.
http
On Sep 3, 2009, at 10:21 AM, Christian Henning wrote:
Hi there, I'm at work and don't really have much time.I just wanna
state that I presented my problem with a reduced sheet. The problem
was regarding the chord durations and not with the melody. I'm a
software engineer and this is how I post
On Sep 1, 2009, at 9:30 PM, Christian Henning wrote:
Am I right, that lilypond is rarely used for my type of notation?
Meaning rock/pop tunes for acoustic guitar.
No, the style of music makes no difference. But LilyPond is intended
for engraving music which is fundamentally based upon
On Sep 2, 2009, at 3:59 PM, Patrick Horgan wrote:
Tim McNamara wrote:
On Sep 1, 2009, at 9:30 PM, Christian Henning wrote:
Am I right, that lilypond is rarely used for my type of notation?
Meaning rock/pop tunes for acoustic guitar.
No, the style of music makes no difference
On Aug 30, 2009, at 10:23 PM, Christian Henning wrote:
Hi there, adding a dot to a chord duration prolongs it by 50%. g4.,
for instance, is 1.5 beats or three 8th notes. g4.. is 1.75 beats, I
believe. Which would translate into seven 16th notes. But what is
g4...? Here, with 3 dots.
Two dots
On Aug 25, 2009, at 3:50 AM, Simon Mackenzie wrote:
Sorry but as a first time user to lilypond and music in general
this section in the tutorial was about as clear as mud to me.
Not wanting to offend anyone just stating how I felt the fist time
I read this section in the learning tutorial.
On Aug 25, 2009, at 9:27 PM, Christian Henning wrote:
Hi there, I cannot figure out how to encode a 16th note rhythm. When
counting by mouth I would say: 1and 2and 3and 4and when all notes
are taking part. In lilypond I would write: g16 g g g g16 g g g g16 g
g g g16 g g g. But how do I: 1ad
On Aug 14, 2009, at 9:41 AM, Christian Henning wrote:
Hi all, thanks a lot for your reply. I think I understand now. Inside
the \improvisationOn section I don't have to reuse the real chord
name. A placeholder might be sufficient? So instead of writing g1:sus
I can just use g1. All I want in
On Aug 12, 2009, at 6:41 PM, Graham Percival wrote:
I'm not certain if the question was clear, so let's do this again
and put it to a vote.
These two images have the same top-level menu item selected.
Which is easier to see?
http://lilypond.org/~graham/solid.png
On Aug 9, 2009, at 9:05 AM, Simon Mackenzie wrote:
So again my question is, how can I assign a new value to a variable
so I can make all this happen and keep my global declarations /
assignments to an absolute minimum and meet my goal of ensuring
good clarity in my lilypond code for
On Aug 8, 2009, at 8:54 AM, Simon Mackenzie wrote:
Here is my scenario
If I create a variable at the top scope how do I reassign its value
in a subsequent scope eg.
aVariable = \markup { \bold bananas }
\book {
\bookpart {
\aVariable % bananas
On Aug 8, 2009, at 8:11 AM, Akira wrote:
Please look at -
http://picasaweb.google.co.jp/Lilypondakira/
Lilypond#5367578175183729026
Root name of chord (/F, /D) is so large that I can't recognize
what is chord name or what is root note, so I want to decrease font
size of chord name root
On Aug 1, 2009, at 8:41 PM, Nick Payne wrote:
The best introduction to Lilypond that I have seen is at
http://www.eugenecormier.com/pdfs/lilypond-guide.pdf. It's what I
used when
getting started with Lilypond. By comparison, the manuals are a bit
daunting.
Wow. There is some stuff in
On Jul 25, 2009, at 1:56 AM, Paul Scott wrote:
What I commented on is still the current online docs for the
developmental version:
http://lilypond.org/doc/v2.13/Documentation/
Here is the entire text from 2.2.1 for lilypond-mode for Emacs:
***
2.2.1 Emacs mode
Emacs
On Jul 22, 2009, at 11:12 PM, David Fedoruk wrote:
In my discussion with my jazz professional, we looked at complex
chords, in fact we deliberately looked for complex ones to find out
how they were expressed. We found, quite amazingly that the more
complex the chord got the more
On Jul 24, 2009, at 1:51 AM, Paul Scott wrote:
David Stocker wrote:
Paul,
Are you using Linux or Windows XP?
After you install LilyPond, you'll have all the files you need for
lilypond-mode to work right there in your installation directory.
You'll just need to tell Emacs where to
On Jul 24, 2009, at 11:47 AM, Paul Scott wrote:
I am still concerned why AU 2.2.1 doesn't seem to make sense.
Sorry to be pig-ignorant here, but what the frak is AU 2.2.1?
Obviously it's some kind of abbreviation for documentation, but
unfortunately I've not seen the whole name spelled
On Jul 15, 2009, at 7:46 PM, Peter Buhr wrote:
When writing the fingering for guitar, there is a notation used to
indicate a
guide finger in left-hand shifting. The fingering mark looks like
-3, but the
- is rotated up about 30 degrees, which means to silently slide
the 3rd
finger from
On Jul 15, 2009, at 8:42 PM, David Fedoruk wrote:
I did, as I mentioned earlier, visit my local music store and
looked at their selection of fake books. I found what was the
first legally published one in its new format. I was dissa pointed.
That's not very specific. By chance were you
On Jul 15, 2009, at 9:42 PM, Graham Percival wrote:
For example, nobody is working on Introductions-Features.
I'll have a go at this in the next few days. The basics are already
there and seem to me to just need a little polishing, maybe a few
slightly different headings. But it's
On Jul 11, 2009, at 1:02 AM, John Mandereau wrote:
2009/7/11 Tim McNamara tim...@bitstream.net:
How about something like Drupal? Or do you not want to make
editing the Web
site that direct?
It's not in the culture of Lily authors and most current contributors,
and they are
too busy
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