Hi David,
You give most fantastic and beneficial value and support to the community
and application. Rest assured it is appreciated.
Andrew
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Andrew Bernard writes:
> Hi Karlin and Klose,
>
> You get a lot more than just a treble clef, although that's what the OP was
> asking. You get a very refined and subtle complete font. Cadence is very
> subtle.
>
> I tend to think of Abraham's work as what is called
Hi Karlin and Klose,
You get a lot more than just a treble clef, although that's what the OP was
asking. You get a very refined and subtle complete font. Cadence is very
subtle.
I tend to think of Abraham's work as what is called payware in the flight
sim world - not commercial greed but some
On 2/8/2018 10:53 AM, Kieren MacMillan wrote:
For me personally, I can definitely say I am happy I bought Cadence: I've
completely switched over to Cadence as the font for my housestyle. The treble
clef is the big benefit, but there are also lots of other little improvements
(to my eye).
Hi Karlin (et al.),
> Look at the font examples for Abraham Lee's Cadence, and decide if a
> different treble clef is worth $39 USD for your purposes or not.
For me personally, I can definitely say I am happy I bought Cadence: I've
completely switched over to Cadence as the font for my
Hi Hilary,
Keeps getting wierder. Again different behaviour. Who can know the Mind of
Google?
Anyway, it's an old link that I had that is no longer current (but worked
for me tonight!).
Urs gave the right one.
Glad you like Emmentaler, but others have different qualities, but quite
subtle.
On 08/02/18 06:39, klose wrote:
Hi Andrew,
Thank you for your reply but it looks like the ink is dead?
I get a Google "sign in" page, which IMV is worse than a dead link.
(I'm happy with the Emmentaler font.)
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On 08.02.2018 05:40, Shane Brandes wrote:
What is it you don't like about that glyph? Your not the only person
who has said as much and I have yet to hear a decent explanation.
I think it’s simply a very characteristic glyph, one that sticks out and
goes beyond the ordinary, and as such it’s
On 2/8/2018 12:51 AM, klose wrote:
Thank you but they are not free. Any manuals explaining how to do it by
myself?
Look at the font examples for Abraham Lee's Cadence, and decide if a
different treble clef is worth $39 USD for your purposes or not.
Hi Klose,
Here's a possibility (v.2.19) :
%
\version "2.19"
%% Defs:
#(define-markup-command (gClef layout props thk mlt) (number? number?)
(interpret-markup layout props
(markup
(#:stencil
(make-path-stencil
'(M 1.117 -2.778
C 0.73 -2.782 0.363 -2.364 0.484
> Le 8 févr. 2018 à 07:39, klose a écrit :
>
> Hi Andrew,
>
> Thank you for your reply but it looks like the ink is dead?
Intended pun, given the post subject?
JM
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Hi Klose,
How very peculiar. While replying to you that linked worked just fine (but
I did think it looked somewhat out of date re content). Now going back
there as a result of your email the link is dead. Perhaps some strange web
server caching kicked in a updated the dead link to a notification
Thank you but they are not free. Any manuals explaining how to do it by
myself?
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Am 8. Februar 2018 07:39:43 MEZ schrieb klose :
>Hi Andrew,
>
>Thank you for your reply but it looks like the ink is dead?
>
>
look at musictypefoundry.com
>
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>
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Hi Andrew,
Thank you for your reply but it looks like the ink is dead?
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Hi Shane,
I note very briefly that regarding the design of the Cadence font by
Abraham Leigh he gives this reason:
In Cadence, I took the liberty of adjusting a few of the glyphs to suit my
tastes better. For example, the Emmentaler treble clef is just a little too
stylized for me, almost like
Hi klose,
Welcome to lilypond. You can change pretty much every single thing in
lilypond, one way or another. It admits of vast flexibility - unparalleled
in fact.
Our colleague here Abraham Lee (tismist) has made some very fine and
eminently usable engraving fonts. You may care to check them
Hi Shane,
You are right, I don't like the glyph of the treble clef. In my opinion, the
long line should be a straight one (like we see in Sibelius and Finale)
instead of a curved one.
Regards
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See section in the documentation 3.4.4 Replacing the notation font
What is it you don't like about that glyph? Your not the only person
who has said as much and I have yet to hear a decent explanation.
It would also be possible to edit your own version, but it is sort of
a cumbersome
As a long time Sibelius user, I recently changed into Lilypond. So far the
only thing I don't like is the treble clef shape. Is there any way to change
it?
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Hi, as a long time Sibelius user, I recently changed into Lilypond. The only
thing I don't like so far is the shape of treble clef. Any ways to change
it?
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