Re: "D.C. al Fine" best practice

Thanks, Karl, for your real-life example and for showing how to combine all these documentation fragments and snippets. Well-known to me, but it's about the combination ;-) Thanks. Looks perfect and is rather simple. Regards Stephan Am 13.05.2019 um 22:29 schrieb k...@aspodata.se: > To typeset

Re: "D.C. al Fine" best practice

I Confirm the Vaughan's opinion. 'Behind bars' is a must have book, very well structured and documented. I paid it around 60€ in  2015.   Rémy         > Message du 14/05/19 03:11 > De : "Vaughan McAlley" > A : "lilypond-user" > Copie à : > Objet

Re: "D.C. al Fine" best practice

On Tue, 14 May 2019 at 05:00, mu...@gmx.ch wrote: > Hello Rémy > > Thanks for the background information. Maybe this book might be a > valuable birthday gift in case my wife asks me next time ;-) > > You won't regret it. There isn't always only one way to do something, but if you're in doubt,

RE: "D.C. al Fine" best practice

Strephan, How about: \version "2.19.83" melody = \relative c' { c4 d e f^\markup {\center-align \bold "Fine"} \bar "||" | g8 g a f g g g4\fermata^\markup {\right-align \bold "D.C. al Fine"} \bar "|." } \score { \melody \layout { } } Ma

Re: "D.C. al Fine" best practice

Friedhelm Stümke: > @Karl > > the result can be seen in the last page of: > > http://aspodata.se/choir/ensemble/_nxt_/bwv128_d.pdf > may I suggest an additional "s" in "Menche"? It should be "Mensche". Yes, you may! Thank you very much, I didn't see it myself. Regards, /Karl Hammar

Re: "D.C. al Fine" best practice

@Karl the result can be seen in the last page of: http://aspodata.se/choir/ensemble/_nxt_/bwv128_d.pdf may I suggest an additional "s" in "Menche"? It should be "Mensche". greetings ___ lilypond-user mailing list lilypond-user@gnu.org

Re: "D.C. al Fine" best practice

To typeset some text at the bar line, see http://lilypond.org/doc/v2.18/Documentation/notation/writing-text#text-marks under "Selected Snippets", there is also an example how to make it appear at end of line. http://lilypond.org/doc/v2.18/Documentation/notation/align tells you how to make

Re: "D.C. al Fine" best practice

Hello Rémy Thanks for the background information. Maybe this book might be a valuable birthday gift in case my wife asks me next time ;-) Based on this: - How do you typeset Fine / D.C. al Fine in your editions (https://imslp.org/wiki/Category:Claverie,_R%C3%A9my ?) - How would you typset

re: "D.C. al Fine" best practice

and is aligned at the right of the end bar.   HTH   The best,   Rémy       > Message du 13/05/19 17:57 > De : "mu...@gmx.ch" > A : "lilypond-user" > Copie à : > Objet : "D.C. al Fine" best practice > > Hi folks > > I can i

"D.C. al Fine" best practice

Hi folks I can imagine several ways of displaying / tweaking / formatting "Fine" and "D.C. al Fine" markups. Probably the simplest might be: \version "2.19.83" melody = \relative c' { c4 d e f \bar "||" \mark \markup {Fine}| g8 g a f g g g4\fermata

Re: D.C. al fine, and "volta spanner" errors

On Wed, 2016-03-16 at 10:33 -0700, tisimst wrote: > \omit Score.VoltaBracket Many thanks Abraham. Not sure how I missed this in the docs, but it does the job beautifully. The real-life score is now giving "programming error: bounds of spanner are invalid" but that might be an entirely

Re: D.C. al fine, and "volta spanner" errors

Graham, On Wed, Mar 16, 2016 at 11:19 AM, Graham King-4 [via Lilypond] < ml-node+s1069038n188622...@n5.nabble.com> wrote: > Following on from an earlier thread[1], I have a snippet, below, that uses > a repeat to create a "D.C. al fine" structure. > > The snippet thro

D.C. al fine, and "volta spanner" errors

Following on from an earlier thread[1], I have a snippet, below, that uses a repeat to create a "D.C. al fine" structure. The snippet throws two warnings: "cannot end volta spanner" that appear to be caused by the "\set Score.repeatCommands" line. Whilst I could

Re: D.C. al fine

Noeck <noeck.marb...@gmx.de> writes: > Dear Graham, David, all, > > I never used a real repeat structure for D.C. al Fine pieces. But your > example, Graham, does it very nicely. I put it into a little function > below which makes it easy to reuse. A \repeatsegno follows the

Re: D.C. al fine

Dear Graham, David, all, I never used a real repeat structure for D.C. al Fine pieces. But your example, Graham, does it very nicely. I put it into a little function below which makes it easy to reuse. A \repeatsegno follows the same lines. I would consider these four versions to be standard

Re: D.C. al fine

Joram, I'm glad you found the snippet useful. Maybe it will find its way into the repository, although I don't know how to make that happen. Thanks for the reference to the previous thread[1]. It's not hard to see how the technique in the current thread can be extended to the various

Re: D.C. al fine

thanks Brian. authoritative and helpful. -- Graham On Mon, 2016-02-01 at 18:13 +, Brian Barker wrote: > At 17:38 01/02/2016 +, Graham King wrote: > >... for the first time ever, needed to use Da Capo al Fine. [...] > >If it passes expert inspection, it might make a useful snippet. If >

D.C. al fine

volta #f)) d c b c \bar "||" \once \override Score.RehearsalMark.self-alignment-X = #RIGHT \mark "D.C. al Fine" } { } } } } \score { \music } \score { \unfoldRepeats \music \midi { } }___

Re: D.C. al fine

Graham King writes: > I've been setting a piece of "modern" (i.e. 19th Century) music and, for > the first time ever, needed to use Da Capo al Fine. Achieving this for > the score and the MIDI output has proved to be surprisingly difficult, > which means I've