On 11/23/2017 1:14 PM, Werner LEMBERG wrote:
Are you aware of Urs's introduction to Scheme?
https://scheme-book.ursliska.de
Werner
Ooohh... this looks like a great resource! I did not know it existed,
thanks!
--
Karlin High
Missouri, USA
___
On 23.11.2017 17:28, Wols Lists wrote:
That "4" is actually a simple example of a common construct - it means
the fourth repeated bar. If I had had six bars, it might have had "4",
"5", "6" - it always starts counting at the first bar, but usually only
prints the count starting some way in (as he
Werner LEMBERG writes:
>> The problem, from my point of view, is that lilypond syntax is
>> simple and makes sense to me. As soon as scheme gets involved, the
>> learning curve is like hitting a cliff.
>
> Are you aware of Urs's introduction to Scheme?
>
> https://scheme-book.ursliska.de
It's
> The problem, from my point of view, is that lilypond syntax is
> simple and makes sense to me. As soon as scheme gets involved, the
> learning curve is like hitting a cliff.
Are you aware of Urs's introduction to Scheme?
https://scheme-book.ursliska.de
Werner
_
On 23/11/17 18:14, David Kastrup wrote:
The problem, from my point of view, is that lilypond syntax is simple
and makes sense to me. As soon as scheme gets involved, the learning
curve is like hitting a cliff.
The Scheme "involved" here is a music function wrapper. The body of the
music funct
Wol's lists writes:
> On 23/11/17 17:17, David Kastrup wrote:
>>> Can anybody give me any hints?
>> I really hate it when people don't even_try_ entering a single note
>> themselves and leave all the work to every single reader.
>
> Sorry. But it might be a problem someone's already solved, seei
On 23/11/17 17:17, David Kastrup wrote:
Can anybody give me any hints?
I really hate it when people don't even_try_ entering a single note
themselves and leave all the work to every single reader.
Sorry. But it might be a problem someone's already solved, seeing as
it's pretty common in my s
Wols Lists writes:
> This is actually very common in my sort of music. As you can see, I have
> a "\repeat percent 4 {}", and I have both a crescendo starting on the
> fourth bar, plus the number "4" above it.
>
> And I don't know where to start trying to enter this ... :-)
>
> That "4" is actual
On 23/11/17 16:53, SoundsFromSound wrote:
> Wols Lists wrote
>> This is actually very common in my sort of music. As you can see, I have
>> a "\repeat percent 4 {}", and I have both a crescendo starting on the
>> fourth bar, plus the number "4" above it.
>>
>> Can anybody give me any hints?
>>
>> C
Wols Lists wrote
> This is actually very common in my sort of music. As you can see, I have
> a "\repeat percent 4 {}", and I have both a crescendo starting on the
> fourth bar, plus the number "4" above it.
>
> Can anybody give me any hints?
>
> Cheers,
> Wol
>
> ___
This is actually very common in my sort of music. As you can see, I have
a "\repeat percent 4 {}", and I have both a crescendo starting on the
fourth bar, plus the number "4" above it.
And I don't know where to start trying to enter this ... :-)
That "4" is actually a simple example of a common c
11 matches
Mail list logo
