I like to have hairpins cut through barlines, extending to the note that ends
them on the first beat of the next bar, whenever there's a time signature
change. Stopping short of the barline in this case, as is the default, leaves a
bit too much space between the end of the hairpin
On Fri, Jan 1, 2021 at 3:27 AM Xavier Scheuer wrote:
> The space between Clef and first-note is documented in the Internals
> References manual,
> IR 3.1.26 Clef
> http://lilypond.org/doc/v2.20/Documentation/internals/clef
>
> You can modify the space-alist property for the first-note item.
t; \context {
> \Staff
> \omit TimeSignature
> }
> #(layout-set-staff-size 14)
> }
> }
> =
>
> The space between the clef and the first note is not compressible (almost
as if it's still leaving space for the time signature). Is there a way to
squeeze this? I
still leaving space for the time signature). Is there a way to
squeeze this? I'm wanting this in a footnote and it needs to be reduced
in size to look right. Thanks for the help.
-Jay Anderson
>
}
\score {\melody}
This is because ”grace time” is counted backward from its regular note value,
so in your example the time signature in voice one appears in beat 0 - 1/8
grace, that is before the grace note, while in voice two it is at beat 0
(without any grace timing), that is after the
Some would say you would be better writing this:
melody = \relative c'' {
\new Staff <<
{
\voiceOne
\time 4/4
\grace {c8} c4 d4 f2
\time 2/4
\grace {c8} c4 d4
}
\new Voice
{
\voiceTwo
a,4 b c2
a4 b
}
>>
}
\score {\melody}
Why don't you try something like this:
melody = \relative c'' {
<<
{
\time 4/4
\grace {c8} c4 d4 f2
\time 2/4
\grace {c8} c4 d4
}
\\
{
a,4 b c2
a4 b
}
>>
}
\score {\melody}
chie Fraser wrote:
>> > Hello all,
>> >
>> > I am trying the engrave a Cut Common time signature (Capital C with a
>> > vertical line through it) and the beginning of the stave and can't find
>> > out how to achieve this.
>> >
>> > I h
Hi Ritchie,
I get a cut C automatically with
\time 2/2
Is that what you mean?
Kevin
On Thu, 15 Oct 2020 at 18:10, Ritchie Fraser wrote:
>
> Hello all,
>
> I am trying the engrave a Cut Common time signature (Capital C with a
> vertical line through it) and the beginning of the
>
> David
>
> - Ritchie Fraser wrote:
> > Hello all,
> >
> > I am trying the engrave a Cut Common time signature (Capital C with a
> > vertical line through it) and the beginning of the stave and can't find
> > out how to achieve this.
> >
> > I ha
\time 2/2
That will, by default, produce the C with vertical slash.
David
- Ritchie Fraser wrote:
> Hello all,
>
> I am trying the engrave a Cut Common time signature (Capital C with a
> vertical line through it) and the beginning of the stave and can't find
> out
Hello all,
I am trying the engrave a Cut Common time signature (Capital C with a
vertical line through it) and the beginning of the stave and can't find
out how to achieve this.
I have scoured the lilypond docs online but can't find any examples or
the syntax to use.
"Cut Common&quo
On musicological grounds: certainly C2. In this period, cut-C and C2 were, in
practice, equivalent despite the latter implying "modus cum tempore." Please
don't ask me about _that_, because I'm at the limit of my understanding!
References for this would include:
Apel: The Notation of
Wow. Fantastic. Thank you! A treasure.
Andrew
On 8/10/2020 5:58 pm, Brett Duncan wrote:
It could well be a 2, looking at this:
https://artscimedia.case.edu/wp-content/uploads/sites/135/2020/04/20164113/NotationManual.pdf.
—/contratenor/
Until I find a matching font, this will do.
Thanks again!
On 8/10/20 3:24 pm, Aaron Hill wrote:
On 2020-10-07 11:07 pm, Andrew Bernard wrote:
I dont think it's a 2. Looks more like some kind of symbol. I am not a
scholar of that period.
Not a scholar either, but a quick web
It could well be a 2, looking at this:
https://artscimedia.case.edu/wp-content/uploads/sites/135/2020/04/20164113/NotationManual.pdf.
On 8/10/20 5:24 pm, Aaron Hill wrote:
On 2020-10-07 11:07 pm, Andrew Bernard wrote:
I dont think it's a 2. Looks more like some kind of symbol. I am not a
How is it that I didn't know about that resource?
Thanks a lot!
Side note: That image I posted earlier should of course say
/countertenor/, not /cantus/. Ooops.
On 8/10/20 3:24 pm, Aaron Hill wrote:
On 2020-10-07 11:07 pm, Andrew Bernard wrote:
I dont think it's a 2. Looks more like some
On 2020-10-07 11:07 pm, Andrew Bernard wrote:
I dont think it's a 2. Looks more like some kind of symbol. I am not a
scholar of that period.
Not a scholar either, but a quick web search turned up this [1].
[1]:
https://en.wikisource.org/wiki/A_Dictionary_of_Music_and_Musicians/Proportion
I dont think it's a 2. Looks more like some kind of symbol. I am not a
scholar of that period.
Andrew
On 2020-10-04 4:24 am, N. Andrew Walsh wrote:
Hi Pierre,
On Sun, Oct 4, 2020 at 1:04 PM Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com> wrote:
Hi Andrew,
How about:
\version "2.20.0"
{
\time 6/1
\override Staff.TimeSignature.stencil = #(lambda (grob)
(grob-interpret-markup
Hi Pierre,
On Sun, Oct 4, 2020 at 1:04 PM Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com> wrote:
> Hi Andrew,
> How about:
>
> \version "2.20.0"
> {
> \time 6/1
> \override Staff.TimeSignature.stencil = #(lambda (grob)
> (grob-interpret-markup grob #{ \markup\compound-meter
> I have a piece (not mine) for solo violin, with multiple sections of
> effectively unmetered music (into which the client wants to draw free
> "graphic" figures, thus requiring empty space). I don't want to show the
> time signature I'm using to create the empty space (they'
Hi List,
I have a piece (not mine) for solo violin, with multiple sections of
effectively unmetered music (into which the client wants to draw free
"graphic" figures, thus requiring empty space). I don't want to show the
time signature I'm using to create the empty space (they'
entation/internals/timesignature
> Cheers,
> Pierre
>
> Le sam. 13 juin 2020 à 01:01, Paolo Prete a écrit :
>
>> Hello,
>>
>> How can I modify the horizontal gap between the clef or time signature
>> and the first note/chord/pause/skip in the bar?
>>
>> Thanks!
>>
>
I modify the horizontal gap between the clef or time signature and
> the first note/chord/pause/skip in the bar?
>
> Thanks!
>
Hello,
How can I modify the horizontal gap between the clef or time signature and
the first note/chord/pause/skip in the bar?
Thanks!
Hi Paolo,
Am 09.06.20 um 00:31 schrieb Paolo Prete:
Hello,
how can I increase/decrease the horizontal gap between
1) the time signature and the first note of the bar
2) the barline and the first note of the bar
...?
\version "2.20.0"
\layout {
\override Score.TimeSignature.ext
Hi Paolo,
To customize spacing after a barline or time signature grob (or any other
similar grob, like a clef), you can try overriding properties in its
space-alist. The first-note property dictates spacing when a grob is next
to the first note in a line; the next-note property is for when
Hello,
how can I increase/decrease the horizontal gap between
1) the time signature and the first note of the bar
2) the barline and the first note of the bar
...?
Thanks!
Vaughan McAlley writes:
> Hi,
>
> Setting the beat structure for beam subdivision seems to persist through
> time signature changes. I think it would be preferable to reset everything
> at a change of time signature, just like what happens to
> beamExceptions.
Which is what h
On Sun 07 Jun 2020 at 12:50:22 (+1000), Vaughan McAlley wrote:
>
> Setting the beat structure for beam subdivision seems to persist through
> time signature changes. I think it would be preferable to reset everything
> at a change of time signature, just like what happens to beamExcep
Hi,
Setting the beat structure for beam subdivision seems to persist through
time signature changes. I think it would be preferable to reset everything
at a change of time signature, just like what happens to beamExceptions.
Cheers,
Vaughan
\version "2.20.0"
\score {
\relative c' {
h
> property. Being set to #'(+inf.0 . -inf.0) by default, the time signatures'
> lengths are not aware by the bar widths. I tried to set extra-spacing-width
> to #'(0 . 0.8) (Time signature objects' default value), this solves the
> problem, however, the problem about the m
that this problem is caused by the extra-spacing-width
property. Being set to #'(+inf.0 . -inf.0) by default, the time signatures'
lengths are not aware by the bar widths. I tried to set extra-spacing-width to
#'(0 . 0.8) (Time signature objects' default value), this solves the problem,
however, the problem
gain for all the help, this now works perfectly in
> my score!
>
> One more minor suggestion will be to add
> \override TimeSignature.break-align-symbol = #'staff-bar
> in the context of the dynamics, this removes the extra spaces between the
> cautionary time signature at t
Hi Kevin,
I will have to thank you again for all the help, this now works perfectly in my
score!
One more minor suggestion will be to add
\override TimeSignature.break-align-symbol = #'staff-bar
in the context of the dynamics, this removes the extra spaces between the
cautionary time signature
Hi Chen,
1. I was able to mostly solve this - you can now click on the time
signatures (but it doesn't seem to work for all of them - I don't know
why).
2. This should work now
3. This is done using callbacks (it's a hacky solution that brings
back the time signature stencil for just that purpose
be great if extra space can be arranged for the time signature
before the line break instead of aligning it to the left side of the last bar.
4. This is not a personal request, however, some people may prefer aligning the
time signature to the centre instead of the right side of the barline like
be great if extra space can be arranged for the time signature
before the line break instead of aligning it to the left side of the last bar.
4. This is not a personal request, however, some people may prefer aligning the
time signature to the centre instead of the right side of the barline like
Hi Chen/Aaron,
Thank you so much (Aaron) for posting the example of the time
signature engraver. Based on that and what else I could find in the
docs I took another stab at this. It's still very much a hack, but
*hopefully* addresses most of the issues. The code is attached.
Kevin
\version
Hi Thomas,
Yes; thank you so much! It seems ly:item-break-dir is what I needed.
Kevin
On Sat, 18 Apr 2020 at 15:50, Thomas Morley wrote:
>
> Am Sa., 18. Apr. 2020 um 16:35 Uhr schrieb Kevin Barry :
> >
> > Hi All,
> >
> > I would like to be able to apply an
Am Sa., 18. Apr. 2020 um 16:35 Uhr schrieb Kevin Barry :
>
> Hi All,
>
> I would like to be able to apply an override to a cautionary time
> signature (the extra one printed at the end of a line) without
> affecting the one printed at the beginning of the next line. (I want
>
Hi All,
I would like to be able to apply an override to a cautionary time
signature (the extra one printed at the end of a line) without
affecting the one printed at the beginning of the next line. (I want
to modify it, not get rid of it.)
I have tried using \alterBroken (which rightly throws
Hi Aaron,
I've looked through the scheme code, and it doesn't seem like there is a
variable that controls how much horizontal space is given to the other staves.
So I wonder whether using a custom time signature engraver helps.
Due to a problem with the format in which I replied e-mails, I
On 2020-04-16 3:06 am, Chen Leo wrote:
For people who understand lilypond's internals, is it possible to
write a custom time-signature-engraver that synchronise with the
barlines and does not add extra space to other staves by just using
scheme?
Let me first clarify I have only skimmed
Hi Kevin,
Thank you for your suggestion.
I have looked into the source files of lilypond, and the original
time-signature-engraver is written in c++.
https://github.com/lilypond/lilypond/blob/master/lily/time-signature-engraver.cc
For people who understand lilypond's internals, is it possible
gt; I was able to solve the first two problems by adding bar lines to the
> dynamics context and replacing their stencils with a printed time
> signature. Without an example of what you mean by compound meters I'm not
> sure what is wrong, but if you were referring to the ability to
Hi Chen,
I was able to solve the first two problems by adding bar lines to the
dynamics context and replacing their stencils with a printed time
signature. Without an example of what you mean by compound meters I'm not
sure what is wrong, but if you were referring to the ability to supply a
beat
function (\ttime) to print the time signature as a markup (with the
time signature engraver removed everywhere). It seems to make things easier.
\version "2.19.0"
ttime =
#(define-music-function (fraction music)
(fraction? ly:music?)
(let* ((numer (number->string
Hi,
I was able to align the metronome mark above the time signature by using a
small hack
That is to use
\override TimeSignature.stencil = #(lambda (grob) (grob-interpret-markup grob
(markup "")))
instead of removing the “time_signature_engraver” from the staff context.
I also
Hi,
Thank you for your responses.
I managed to solve the bar number problem by removing the "Bar_number_engraver"
from the staff context and \consists "Bar_number_engraver" in the staff under
the time signature.
For the time signature’s alignment, I found a simpler solution
On 3/29/2020 2:10 AM, Chen Leo wrote:
Hi Kevin,
Thank you for your reply.
For the first problem, you will have to set break-align-symbol to ##f
to reproduce the problem. That is because by default
break-align-symbol is set to #'time-signature. so commenting out the
override shouldn't
up. That is why the full measure rests get moved to the right.
My original idea to zero the X-extent got rid of that, but allowed the
time signature to collide with other elements which was worse. So
either it takes up space - causing notecolumns to move - or it doesn't
and it clashes with things
Hi Kevin,
Thank you for your reply.
For the first problem, you will have to set break-align-symbol to ##f to
reproduce the problem. That is because by default break-align-symbol is set to
#'time-signature. so commenting out the override shouldn't help.
Secondly, using \override
*quite* fix it fully.)
I tried to reproduce your description of the first problem (time
signatures aligning over cue clefs), but even commenting out the
break-align-symbol override didn't make it appear. I was able to
correct the alignment of the first time signature by removing the
line:
\override
Hi, I am trying to put time signatures above the staffs according to
"http://lsr.dsi.unimi.it/LSR/Item?id=272;.
I discovered an issue, that is whenever a clef change is made, the time
signature on the next bar fails to align to the bar line, it aligns to the cue
clef in the previou
Am Fr., 10. Jan. 2020 um 07:59 Uhr schrieb Dave Higgins :
>
> I discovered in using the time signature with alternate in parantheses
> that if a 2-digit number is used, the column is not centered.
>
> Adding center to the column directive resolves this.
>
> #(define ((time-
I discovered in using the time signature with alternate in parantheses
that if a 2-digit number is used, the column is not centered.
Adding center to the column directive resolves this.
#(define ((time-parenthesized-time up down upp downp) grob)
(grob-interpret-markup grob
(markup
On 20/12/2019 01:10, Aaron Hill wrote:
On 2019-12-19 3:03 pm, Matt Wallis wrote:
What I want to do is to automatically create a click track for any
length of music, and any time signature. For example, if the music is
L measures in length, and the numerator of the time signature is N
Hello ! here's a very useful thing ...
Is it possible to add a countdown ?
--
Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
On 2019-12-19 3:03 pm, Matt Wallis wrote:
What I want to do is to automatically create a click track for any
length of music, and any time signature. For example, if the music is
L measures in length, and the numerator of the time signature is N,
and the denominator is D, then I want a click
On 19/12/2019 23:27, Karlin High wrote:
On Thu, Dec 19, 2019 at 5:03 PM Matt Wallis wrote:
What I want to do is to automatically create a click track for any
length of music, and any time signature.
I remember a similar question for generating a continuous-drone track
for bagpipes.
<ht
On Thu, Dec 19, 2019 at 5:03 PM Matt Wallis wrote:
> What I want to do is to automatically create a click track for any
> length of music, and any time signature.
I remember a similar question for generating a continuous-drone track
for bagpipes.
<https://lists.gnu.org/archive/html
unfold 40 \drummode { wbh8\f wbl\pp wbl wbl wbl wbl}
What I want to do is to automatically create a click track for any
length of music, and any time signature. For example, if the music is L
measures in length, and the numerator of the time signature is N, and
the denominator is D, then I want
res. I would
> like time signature changes throughout the piece to be invisible.
>
> The best way I can figure to do this is to set default beaming for
> different time signatures via TimeSignatureSettings. Then change time
> signatures as necessary, preceded by \omit Staff.TimeS
like time signature changes throughout the piece to be invisible.
The best way I can figure to do this is to set default beaming for
different time signatures via TimeSignatureSettings. Then change time
signatures as necessary, preceded by \omit Staff.TimeSignature.
However, then I need to go
Thank you for this Aaron!
Cheers,
Pierre
Le jeu. 17 oct. 2019 à 06:42, Aaron Hill a
écrit :
> On 2019-10-16 7:00 pm, Graham King wrote:
> > \version "2.19.82"
> > {
> > \once \override Staff.TimeSignature #'stencil =
> > #(lambda (grob)
> > (grob-interpret-markup
> >grob
> >
Graham,
Thank you very much for both your solutions!
Paul
On Oct 16, 2019, at 7:00 PM, Graham King wrote:
> Another way (slightly different result):
>
> \version "2.19.82"
>
> {
> \once \override Staff.TimeSignature #'stencil =
>#(lambda (grob)
> (grob-interpret-markup
>
On Oct 16, 2019, at 6:14 PM, Ben wrote:
Ben,
Thank you very much!
Paul
> On 10/16/2019 8:59 PM, Paul Scott wrote:
>> Is it possible to write a time signature 4 / \breve ?
>>
>> This occurs in Carmina Burana.
>>
>> Thank you for any ideas,
>>
>>
On 2019-10-16 7:00 pm, Graham King wrote:
\version "2.19.82"
{
\once \override Staff.TimeSignature #'stencil =
#(lambda (grob)
(grob-interpret-markup
grob
#{ \markup
\override #'(baseline-skip . 1)
\center-column {
\musicglyph "four"
Another way (slightly different result):
\version "2.19.82"
{
\once \override Staff.TimeSignature #'stencil =
#(lambda (grob)
(grob-interpret-markup
grob
#{ \markup
\override #'(baseline-skip . 1)
\center-column {
\musicglyph "four"
\version "2.19.82"
tsMarkup = \markup {
\override #'(baseline-skip . 0.5)
\column { \number 4 \note #"breve" #0 }
}
{
\override Staff.TimeSignature.style = #'default
\override Staff.TimeSignature.stencil = #(lambda (grob)
(grob-interpret-markup grob tsMarkup))
On 10/16/2019 8:59 PM, Paul Scott wrote:
Is it possible to write a time signature 4 / \breve ?
This occurs in Carmina Burana.
Thank you for any ideas,
Paul
Hi Paul,
Does this help get you close to what you're looking for?
(see attached)
%%%
\version "2.19.83"
#(u
Thank you Pierre, the second one helped a lot!
Am Di., 6. Aug. 2019 um 21:54 Uhr schrieb Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com>:
> Dear Nils,
> Please read: http://lilypond.org/tiny-examples.html
> See also: http://lsr.di.unimi.it/LSR/Search?q=time+sig
Dear Nils,
Please read: http://lilypond.org/tiny-examples.html
See also: http://lsr.di.unimi.it/LSR/Search?q=time+signature
Cheers,
Pierre
Le mar. 6 août 2019 à 20:24, Nils Nommensen a
écrit :
> Thank you for the reply!
>
> How would you change the individual digits of the time
Thank you for the reply!
How would you change the individual digits of the time signature?
Am Di., 6. Aug. 2019 um 20:13 Uhr schrieb Jean Brefort :
> Hi,
>
> Le mardi 06 août 2019 à 18:55 +0200, Nils Nommensen a écrit :
> > Hello,
> > is it somehow possible to chan
Hi,
Le mardi 06 août 2019 à 18:55 +0200, Nils Nommensen a écrit :
> Hello,
> is it somehow possible to change the digits of time signatures that
> are printed to the score, without actually changing the measure
> length?
>
> Best Regards
> Nils
Yes, it is possible. I often use things like:
Yes.
Le mar. 6 août 2019 à 18:59, Nils Nommensen a
écrit :
> Hello,
> is it somehow possible to change the digits of time signatures that are
> printed to the score, without actually changing the measure length?
>
> Best Regards
> Nils
> ___
>
Hello,
is it somehow possible to change the digits of time signatures that are
printed to the score, without actually changing the measure length?
Best Regards
Nils
___
lilypond-user mailing list
lilypond-user@gnu.org
t here:
>
> \score {
><<
>\new Staff {\relative c {\repeat volta 2 {\time 2/4 R2 |}
> \alternative {{\time 3/4 R2. |} {r4 r r |
>\new Staff {\relative c {\repeat volta 2 {\time 2/4 R2 |}
> \alternative {{\time 3/4 R2. |} {r4 r r |
> >> }
>
Hi Caio,
> Any suggestions?
What about something like this?
\version "2.19.82"
#(define ((time-parenthesized-time firstnum secondnum ) grob)
(grob-interpret-markup grob
(markup #:lower 1 #:number
(#:line (firstnum #:fontsize -3 "(" #:hspace -0.625 secondnum #:hspace
-0.625
On Thu, 9 May 2019, Malte Meyn wrote:
> Am 09.05.19 um 16:53 schrieb msk...@ansuz.sooke.bc.ca:
> > Is there any simple way to modify the vertical spacing between numerator
> > and denominator in a numeric time signature?
> >
>
> Not really simple. But it can be don
Am 09.05.19 um 16:53 schrieb msk...@ansuz.sooke.bc.ca:
Is there any simple way to modify the vertical spacing between numerator
and denominator in a numeric time signature?
Not really simple. But it can be done by redefining the stencil:
\version "2.21.0"
#(define (fraction-wi
Is there any simple way to modify the vertical spacing between numerator
and denominator in a numeric time signature?
--
Matthew Skala
msk...@ansuz.sooke.bc.ca People before tribes.
https://ansuz.sooke.bc.ca/
___
lilypond-user mailing
> On 29 Apr 2019, at 22:20, Martin Tarenskeen wrote:
>
> On Mon, 29 Apr 2019, Hans Åberg wrote:
>
>> One can write
>> \time #’(2 2 2 3) 9/4
>
> Thanks. I'm working on a piece right now where I can use that.
The slow 9/4 is common in Greek rebetiko, the meter coming from Turkey. In some
of
Martin Tarenskeen writes:
> On Mon, 29 Apr 2019, Hans Åberg wrote:
>
>> One can write
>> \time #’(2 2 2 3) 9/4
>
> Thanks. I'm working on a piece right now where I can use that.
On 2.19.83 you should be able to write \time 2,2,2,3 9/4 instead,
slightly more readable. And not susceptible to
On Mon, 29 Apr 2019, Hans Åberg wrote:
One can write
\time #’(2 2 2 3) 9/4
Thanks. I'm working on a piece right now where I can use that.
--
MT___
lilypond-user mailing list
lilypond-user@gnu.org
>>> \time 5/4
>>> c c c c c
>>> \time 4/4
>>> c c c c
>>> \time 5/4
>>> c c c c c
>>> }
>>> and the pattern goes on like that to the very end of piece.
>>
>> If it is regular like that, you might check
like that, you might check if should be in 9/4, which
is a common time signature.
It's a common time signature if 9/4 is subdivided as 3 * 3/4. A regular
alternation of different time signatures isn't that uncommon either.
--
MT
___
lilypond-user
c c c c
> }
> and the pattern goes on like that to the very end of piece.
If it is regular like that, you might check if should be in 9/4, which is a
common time signature.
___
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https://lists.gnu.org/mailman/listinfo/lilypond-user
Thanks Rick, your idea is closest to what I wanted. Definetely I will
adapt this in my scores! :-)
Brian, Kieren -- thank you for your responses.
On 29.04.2019 16:17, Rick Kimpel wrote:
> >I have a piece of music where measures have 4/4 time and 5/4
>
> Robert,
> Do you intend to print the
that to the very end of piece.
I have a question: can I declare the alternating time signature on the
beginning of piece once so I don't have to declare it for every measure? :
{
\time 4/4 5/4%?
c4 c c c
c c c c c
c c c c
c c c c c
}
I could not find it anywhere in docs and snippets
end of piece.
I have a question: can I declare the alternating time signature on the
beginning of piece once so I don't have to declare it for every
measure? :
You could use a parallel voice that switches the time signatures using
\repeat unfold and a suitable count.
Another option is to use
Hi Robert,
> I have a question: can I declare the alternating time signature on the
> beginning of piece once so I don't have to declare it for every measure?
http://lsr.di.unimi.it/LSR/Item?id=782
Hope that helps!
Kieren.
Kieren MacMillan, composer
‣ w
the alternating time signature on the
beginning of piece once so I don't have to declare it for every measure? :
{
\time 4/4 5/4%?
c4 c c c
c c c c c
c c c c
c c c c c
}
I could not find it anywhere in docs and snippets but I swear I saw it
somewhere...
Could you help me
On Sat, 13 Apr 2019 at 18:40, Michael Gerdau wrote:
>
> Hi Thomas,
>
> just realized, I did not answer your original question.
>
> If you want the TimeSignature change and just not show it, you need to \omit
> it in the Voice instead of the NullVoice.
>
> Kind regards,
> Michael
> --
> Michael
Hi Thomas,
just realized, I did not answer your original question.
If you want the TimeSignature change and just not show it, you need to \omit it
in the Voice instead of the NullVoice.
Kind regards,
Michael
--
Michael Gerdau email: m...@qata.de
GPG-keys available on request or at public
Hi Thomas,
> In this score with a final partial measure (to balance the initial partial
> measure), what is the best way to hide the time signature in the final
> measure? The \omit Staff.TimeSignature has no apparent effect.
Unless you have a specific reason to want the time signatu
Hi all,
In this score with a final partial measure (to balance the initial partial
measure), what is the best way to hide the time signature in the final measure?
The \omit Staff.TimeSignature has no apparent effect.
Thanks,
Thomas
%%%
\version "2.19.82"
global = {
Urs Liska writes:
> [Reviving a pretty ancient thread]
>> That works great! Thanks so much for your help. Perhaps I should have
>> mentioned it in the original post, but I'd like to be able to use the values
>> in time-sig-frac to automatically make a MultiMeasureRest with the duration
>> of
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