Eyolf Østrem wrote:
On 08.10.2007 (17:04), Mats Bengtsson wrote:
Exactly what do you mean. The spacing should be the same as if the turn
was appeared over a true note at the same position in the bar. Try
replacing
the s by a pitch to see this.
Isn't that what the OP said? A quick test
Sorry for the confusion in my previous answer. A more precise statement
of what I tried to say yesterday is:
If you have polyphonic music and there was a note in some other
stave (or in some other voice of the same stave) one beat after
the beginning of the f2, then the turn will be placed
Hello all,
I'm using Lilypond 2.10.25 to typeset a piece (one of the Rose 32
clarinet etudes) that incorporates a turn on the _second beat_ of a
minim (half-note).
Here's the Lilypond code of the relevant segment as I have it now:
\relative c' {
c4.(\p e8 g c d \setTextCresc e)\
\once \override
Am Montag, 8. Oktober 2007 schrieb Joseph Wakeling:
Hello all,
I'm using Lilypond 2.10.25 to typeset a piece (one of the Rose 32
clarinet etudes) that incorporates a turn on the _second beat_ of a
minim (half-note).
[...]
The trouble is that the extra-offset element moves the turn a constant
Reinhold Kainhofer wrote:
You can achieve this by using parallel music (i.e. music expressions inside
... ):
\relative c' {
c,4.(\p e8 g c d \setTextCresc e)\
{f2(\!} {s4 s4\turn} g4 f)
}
The two expressions in {..} inside the .. will be laid out in parallel.
The second one
Quoting Joseph Wakeling [EMAIL PROTECTED]:
Reinhold Kainhofer wrote:
You can achieve this by using parallel music (i.e. music expressions inside
... ):
\relative c' {
c,4.(\p e8 g c d \setTextCresc e)\
{f2(\!} {s4 s4\turn} g4 f)
}
The two expressions in {..} inside the .. will be laid out
Am Montag, 8. Oktober 2007 schrieben Sie:
Quoting Joseph Wakeling [EMAIL PROTECTED]:
It doesn't work absolutely perfectly because the skips do not contribute
to the musical spacing---you can see the difference if instead of s4 you
write e.g. d4. Is there an option to make skips count
On 08.10.2007 (17:04), Mats Bengtsson wrote:
Quoting Joseph Wakeling [EMAIL PROTECTED]:
Reinhold Kainhofer wrote:
It doesn't work absolutely perfectly because the skips do not contribute
to the musical spacing---you can see the difference if instead of s4 you
write e.g. d4. Is there an
