Re: Exporting quarter tones to midi?

2015-07-09 Thread Peter Bjuhr
On 2015-07-03 16:13, Urs Liska wrote: >I guess my question then is whether there's a way to export it to >another notation program - since all of them use a different protocol to >define quarter tones. I saw that there's a lilypond->musicxml project >but I am not sure

Re: Exporting quarter tones to midi?

2015-07-03 Thread Urs Liska
Am 03.07.2015 um 16:09 schrieb Avner Dorman: > Thanks David! > > I guess my question then is whether there's a way to export it to > another notation program - since all of them use a different protocol to > define quarter tones. I saw that there's a lilypond->mus

Re: Exporting quarter tones to midi?

2015-07-03 Thread Avner Dorman
Thanks David! I guess my question then is whether there's a way to export it to another notation program - since all of them use a different protocol to define quarter tones. I saw that there's a lilypond->musicxml project but I am not sure what stage of development it is in. Many

Re: Exporting quarter tones to midi?

2015-07-03 Thread David Kastrup
Avner Dorman writes: > Hi Everyone, > > Is there a way to export quarter tone information to midi? Uh, just do it? \score { { c4 cih cis cisih d1 } \midi { } } produces quart.midi Description: MIDI audio here. Which sounds just like I'd expect. lilymidi --pretty outputs Filename:

Exporting quarter tones to midi?

2015-07-03 Thread Avner Dorman
Hi Everyone, Is there a way to export quarter tone information to midi? Thanks! Avner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

quarter tones

2011-05-30 Thread Peter O'Doherty
Sorry for the noise. Just found this: http://lists.gnu.org/archive/html/lilypond-devel/2006-08/msg00088.html Regards, Peter -- //= -> Peter O'Doherty -> http://www.peterodoherty.net -> m...@peterodoherty.net //= __

quarter tones

2011-05-30 Thread Peter O'Doherty
Hi, Is it only possible to use the quarter tone suffixes (ih and eh) with the Dutch version of note names, i.e. deseh? dflateh or dfeh would be nice too. Thanks, Peter -- //= -> Peter O'Doherty -> http://www.peterodoherty.net -> m...@peterodoherty.net //===

Re: Quarter-tones

2003-09-17 Thread Thorkil Wolvendans
At 02:49 18-9-03 +0200, you wrote: See 1.9 CVS: * Quarter tones are now supported. They are entered by suffixing `ih' for a half-sharp and `eh' for a half-flat. Hence, the following is an ascending list of pitches: ceses ceseh ces ceh c cih cis cisih cisis Th

Re: Quarter-tones

2003-09-17 Thread Peter Lutek
Han-Wen Nienhuys wrote: See 1.9 CVS: * Quarter tones are now supported. They are entered by suffixing `ih' for a half-sharp and `eh' for a half-flat. Hence, the following is an ascending list of pitches: ceses ceseh ces ceh c cih cis cisih cisis excellent..

Re: Quarter-tones

2003-09-17 Thread Han-Wen Nienhuys
erally limit those activities to > a few folks. > > bottom line: performers and composers generally know about and are > comfortable with quarter-tones, so they should be included. See 1.9 CVS: * Quarter tones are now supported. They are entered by suffixing `ih' fo

Re: Quarter-tones

2003-09-17 Thread Nathan Hurst
On Wed, 17 Sep 2003 13:53:56 +0200 Thorkil Wolvendans <[EMAIL PROTECTED]> wrote: > I think what you suggested must be sufficient, for I don't think > people will start asking about 1/3 sharps and/or 3/5 flats, but that > is because I don't believe these kinds of accidentals exist. Actually, the d

Re: Quarter-tones

2003-09-17 Thread Peter Lutek
t the performance and instrument-building skills required generally limit those activities to a few folks. bottom line: performers and composers generally know about and are comfortable with quarter-tones, so they should be included. best- -p ___ Lilypond

Re: Quarter-tones

2003-09-17 Thread Thorkil Wolvendans
At 12:57 17-9-03 +0200, you wrote: The point isn't what symbols to use (designing them isn't so difficult), but how to represent them internally. If we change that, we will break a lot Scheme and C++ code. That is is inevitable, but I'd rather get it right for once and for all. I think what you sug

Re: Quarter-tones

2003-09-17 Thread Han-Wen Nienhuys
[EMAIL PROTECTED] writes: > Well, I don't think people will start mumbling about 1/3 sharps really > fast, because as far as my knowledge goes, that's pretty hard to > achieve...(correct me if I'm wrong - I'm only a simple composer molesting > the piano all day..! ;) > But I would recommend the

Re: Quarter-tones

2003-09-17 Thread Thorkil Wolvendans
At 00:11 17-9-03 +0200, you wrote: My real problem is: where does it end? We can add quarter tone accidentals by doubling the alteration field, we now have 0 = natural, 1 = sharp 2 = double sharp. We could do 0 = natural 1 = 1/2 sharp 2 = sharp 3 = 3

Re: Quarter-tones

2003-09-16 Thread Han-Wen Nienhuys
[EMAIL PROTECTED] writes: > AFAIK this is not yet available. i highly endorse your request for > inclusion of this much-needed feature! > > perhaps, in the meantime, someone has a work-around?? The need hasn't really arised yet, although I do remember someone hacking around, substituting doub

Re: Quarter-tones

2003-09-16 Thread plutek
AFAIK this is not yet available. i highly endorse your request for inclusion of this much-needed feature! perhaps, in the meantime, someone has a work-around?? best- -p > Hi everyone! > I checked the Lily-documentation but couldn't find anything about it: > quater-tones. Is it possible to ma

Quarter-tones

2003-09-16 Thread Thorkil Wolvendans
Hi everyone! I checked the Lily-documentation but couldn't find anything about it: quater-tones. Is it possible to make a 'Tartini one quarter sharp' or a backward flat (as described in Kurt Stone's 'Music notation in the 20th century', page 68-69, paragraph 3)? If it isn't possible, is or could