While this is certainly useful, one should be aware of what is happening. With
the syntax
soprano.1 = c’4
you are not defining a variable soprano.1 as c’4, you are defining the value
corresponding to key 1 in an alist that is the value of variable soprano. This
can be very powerful, useful
Just want to follow up on what Lukas-Fabian says here:
If you do in-staff polyphony via
<<
{ \upperMusic } \\ { \lowerMusic }
>>
then the \\ makes LilyPond silently add a \voiceOne to \upperMusic and a
\voiceTwo to \lowerMusic, making sure that \upperMusic has upward stems,
That was a very clear and helpful explanation. Thank you.
On Wed, Sep 29, 2021 at 6:42 PM Lukas-Fabian Moser wrote:
> Hi Kira,
>
> Am 30.09.21 um 00:32 schrieb Kira Garvie:
> > I realize this is a pretty basic question... but what is the
> > difference between voiceOne and oneVoice? I am
Jean Abou Samra writes:
> Le 30/09/2021 à 10:04, Valentin Petzel a écrit :
>> Hello Silvain,
>>
>> Note that I specified \voice number, so number is not part of the name, but
>> an
>> argument. But Lilypond does (similar to TeX) interpret \command1 as \command
>> 1
>> (which is the reason why
Hello Jean,
this is something we also find in other notation programs, because the voice
does not only give the stem direction, but also the offset direction for
collisions. The idea is basically: While you go from top/bottom to the center
voices they offset into different directions.
So from
There is also the to me annoying concept
that \voiceTwo is usually the third voice.
Perhaps we could make \voice n format the
n-th voice in the normal order?
That would mean that in two-part music, \voice 2 is down-stemmed, and in
three-part music, it is up-stemmed.
In fact, from
Le 30/09/2021 à 10:04, Valentin Petzel a écrit :
Hello Silvain,
Note that I specified \voice number, so number is not part of the name, but an
argument. But Lilypond does (similar to TeX) interpret \command1 as \command 1
(which is the reason why numbers cannot be part of variable names, also
Hello Silvain,
Note that I specified \voice number, so number is not part of the name, but an
argument. But Lilypond does (similar to TeX) interpret \command1 as \command 1
(which is the reason why numbers cannot be part of variable names, also
similar to how \commandA\commandB do not need to
On 2021-09-30 12:36 am, Silvain Dupertuis wrote:
One problem with this suggestion that Lilypond does not support the
simple use of digits in variable names.
As far as I understand, it is because a digit following directly
alphabetic characters is interpreted as a duration.
I think the idea
Hi Silvain,
I'd say singleVoice would even be clearer.
But I think maybe it would also be a good idea if we had a synax like \voice
number. Currently Lilypond only supports four voices, and any more requires
knowledge about the scheme interface, but \voice1 \voice2, ... could directly
support
Hi everyone,
One problem with this suggestion that Lilypond does not support the simple use of digits
in variable names.
As far as I understand, it is because a digit following directly alphabetic characters is
interpreted as a duration.
I took me a long time to discover that there is a way
Hi David,
I'd say singleVoice would even be clearer.
But I think maybe it would also be a good idea if we had a synax like \voice
number. Currently Lilypond only supports four voices, and any more requires
knowledge about the scheme interface, but \voice1 \voice2, ... could directly
support an
I think that made sense! I will try it out and let you know if it doesnt!
On Wed, Sep 29, 2021 at 6:50 PM David Kastrup wrote:
> Lukas-Fabian Moser writes:
>
> > Hi Kira,
> >
> > Am 30.09.21 um 00:32 schrieb Kira Garvie:
> >> I realize this is a pretty basic question... but what is the
> >>
Lukas-Fabian Moser writes:
> Hi Kira,
>
> Am 30.09.21 um 00:32 schrieb Kira Garvie:
>> I realize this is a pretty basic question... but what is the
>> difference between voiceOne and oneVoice? I am writing a multivoice
>> keyboard-style hymn (as opposed to SATB chorale style) and the
>>
Hi Kira,
Am 30.09.21 um 00:32 schrieb Kira Garvie:
I realize this is a pretty basic question... but what is the
difference between voiceOne and oneVoice? I am writing a multivoice
keyboard-style hymn (as opposed to SATB chorale style) and the
directions say to switch between oneVoice and
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