Hi Werner,
why not simply omitting the three middle bar lines, putting rests into the
empty space?
This should give even more contrast.
Not that I like this solution, but it would be creative :-)
Creative? Yes.
Shows off the awesomeness of Lilypond? Definitely.
Ultimately the best choice?
Hi Jan-Peter (and anyone else still interested in this thread):
In the end, the conductor of my chamber opera asked to have the bar lines solid
for all measures, but 50% grey and slightly thicker than default as the
baseline, and black and slightly thicker still for bar lines concurrent with
a
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hi Jan-Peter (and anyone else still interested in this thread):
In the end, the conductor of my chamber opera asked to have the bar
lines solid for all measures, but 50% grey and slightly thicker than
default as the baseline, and black
Hi,
On Mon, Mar 11, 2013 at 1:49 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi Jan-Peter (and anyone else still interested in this thread):
In the end, the conductor of my chamber opera asked to have the bar lines
solid for all measures, but 50% grey and slightly thicker than
Hi Janek,
This reminds me of an idea i had: make stafflines under rests grey, to
make it immediately obvious where an instrument is resting (see
attached - obviously a bigger example would demonstrate this idea
better, but i don' have one). How do you like it?
I was considering trying the
This reminds me of an idea i had: make stafflines under rests grey,
to make it immediately obvious where an instrument is resting (see
attached - obviously a bigger example would demonstrate this idea
better, but i don' have one). How do you like it?
Well, I don't like it. The contrast is
Hi Werner,
The contrast is not strong enough if you are viewing the image from a greater
distance.
As it is, it looks irritating to my eye.
Agreed — the lighter chosen here is insufficiently light.
However, the concept is one I'm interested in exploring.
Cheers,
Kieren.
On Mon, Mar 11, 2013 at 7:55 PM, Werner LEMBERG w...@gnu.org wrote:
This reminds me of an idea i had: make stafflines under rests grey,
to make it immediately obvious where an instrument is resting (see
attached - obviously a bigger example would demonstrate this idea
better, but i don' have
The contrast is not strong enough if you are viewing the image from
a greater distance. As it is, it looks irritating to my eye.
Agreed ― the lighter chosen here is insufficiently light.
However, the concept is one I'm interested in exploring.
Mhmm. Your suggestion of handling only
Hi Kieren, hi David K.,
applyContext is good for doing somethind conditionally anywhere in the
music stream:
cond = ##t
mod = \with { \override NoteHead #'color = #red }
\relative c' {
c4 e g b \applyContext #(lambda (context) (if cond
(ly:context-mod-apply! context mod))) c a f d c1
}
Jan-Peter Voigt jp.vo...@gmx.de writes:
Hi Kieren, hi David K.,
applyContext is good for doing somethind conditionally anywhere in the
music stream:
cond = ##t
mod = \with { \override NoteHead #'color = #red }
\relative c' {
c4 e g b \applyContext #(lambda (context) (if cond
Am 27.02.2013 12:45, schrieb David Kastrup:
Jan-Peter Voigt jp.vo...@gmx.de writes:
Hi Kieren, hi David K.,
applyContext is good for doing somethind conditionally anywhere in the
music stream:
cond = ##t
mod = \with { \override NoteHead #'color = #red }
\relative c' {
c4 e g b
Hi Jan-Peter,
I got to thinking about this [awesome!] engraver you whipped up for me… and I
realised that there are probably lots of places where someone might want an
engraver that says
when X then Y
where X could be any boolean and Y is one or more context or property changes.
How
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hi Jan-Peter,
I got to thinking about this [awesome!] engraver you whipped up for
me… and I realised that there are probably lots of places where
someone might want an engraver that says
when X then Y
where X could be any boolean
Hi Jan-Peter,
I darkly remember a scheme engraver, that did something, whenever a
time-sig-schange happens. IIRC it is based on snippet from you David.
One might reduce it to the following:
This does exactly what I need it to do!
For the engraver itself — and also for the fact the conductor
Hello all!
I'm working in Lilypond v2.17.9, and the conductor of my chamber opera (being
performed in April) wants the following stylesheet override: the default
barline type should be dashed or dotted, but the barline should be solid (i.e.,
standard) at every time signature change.
What's
- Original Message -
From: Kieren MacMillan kieren_macmil...@sympatico.ca
To: Lilypond-User Mailing List lilypond-user@gnu.org
Sent: Tuesday, January 22, 2013 2:56 PM
Subject: change barline type with time signature change
Hello all!
I'm working in Lilypond v2.17.9, and the conductor
Suggest he does what I did in conducting class? Use a pen to mark
the time signature changes... :-)
Hehe, I want to suggest *exactly* the same. What a ridiculous request
IMHO...
Werner
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Hi Phil,
Suggest he does what I did in conducting class? Use a pen to mark the time
signature changes... :-)
1. The score already has the time signature changes in large print above the
staff.
2. As a composer, I make it a policy not to make such suggestions to conductors
who champion my
Hi Werner,
I want to suggest *exactly* the same. What a ridiculous request IMHO…
I thought it a bit ridiculous when he first suggested it, but the more I look
at it (I fixed it manually in my draft score), the more I believe it may
actually be superior to traditional engraving practice, from
Hi Kieren,
On Tue, Jan 22, 2013 at 8:56 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hello all!
I'm working in Lilypond v2.17.9, and the conductor of my chamber opera
(being performed in April) wants the following stylesheet override: the
default barline type should be dashed
I thought it a bit ridiculous when he first suggested it, but the
more I look at it (I fixed it manually in my draft score), the more
I believe it may actually be superior to traditional engraving
practice, from the standpoint of ease of reading (which, after
all, is the primary reason for
Am 22.01.2013 15:56, schrieb Kieren MacMillan:
Hello all!
I'm working in Lilypond v2.17.9, and the conductor of my chamber opera (being
performed in April) wants the following stylesheet override: the default
barline type should be dashed or dotted, but the barline should be solid
Hi Werner,
the larger the deviation from standard engraving practice, the
more irritating it is to the casual reader (read: musicians who are
constantly lacking enough rehearsals). There must be *very* good
reasons to not follow the engraving tradition
Agreed — for example, the modern (and
Hi Joram,
a) Following the manuals:
http://lilypond.org/doc/v2.16/Documentation/internals/barline
this would do it for the default bar line in 2.17.9:
\layout {
\override Score.BarLine #'glyph-name = #! % dashed
% \override Score.BarLine #'glyph-name = #; % or dotted
}
b) For the
That's what I'm hoping for: an automated solution.
I will be following up on David N's suggestion, to see if I can modify his
engraver to accomplish what I need.
Thanks!
Kieren.
It is still not fully compatible with an unchanged \time command, but
perhaps it helps nonetheless. The only
Hi Joram,
It is still not fully compatible with an unchanged \time command,
but perhaps it helps nonetheless.
An excellent band-aid solution, which works very well for the time being.
Thanks!
Kieren.
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On Tue, Jan 22, 2013 at 04:04:42PM +0100, Werner LEMBERG wrote:
Suggest he does what I did in conducting class? Use a pen to mark
the time signature changes... :-)
Hehe, I want to suggest *exactly* the same. What a ridiculous request
IMHO...
Phil actually had the elegant solution. I
Thanks to all who gave helpful answers.
To the others… well, whatever floats your jaded boats, I guess. =)
Kieren.
On 2013-Jan-22, at 19:36, Jim Long lilyp...@umpquanet.com wrote:
On Tue, Jan 22, 2013 at 04:04:42PM +0100, Werner LEMBERG wrote:
Suggest he does what I did in conducting
Hi Kieren, hi David,
I darkly remember a scheme engraver, that did something, whenever a
time-sig-schange happens. IIRC it is based on snippet from you David.
One might reduce it to the following:
--snip--
% engraver
#(define-public timesig-barline
(lambda (context)
(let
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