Re: Do not display chord name after line break

t;> stencil under certain conditions (it's not a rewrite of >>> Chord_name_engraver) >>> > Right here is a new ChordNames context that has everything you need. Put the > whole context into your file, replacing the current ChordNames context. >>> &g

Re: Do not display chord name after line break

text that has everything you need. Put the whole context into your file, replacing the current ChordNames context. > \new ChordNames >> \with { >> chordChanges = ##t >> \consists >> #(lambda (ctx) >> (let* ((chord #f) >>

Re: Do not display chord name after line break

sen > : > > > > Hi Ernie, > > > > On Mon, Jul 13, 2020 at 7:03 AM Ernie Braganza > wrote: > >> > >> Hello, > >> > >> How can I stop the repeated chord name after the line break? > >> I thought the break-visibility settings f

Re: Do not display chord name after line break

nie Braganza > wrote: >> >> Hello, >> >> How can I stop the repeated chord name after the line break? >> I thought the break-visibility settings for ChordName would work, for >> example setting the beginning-of-line-invisible value to false: >> \overri

Re: Do not display chord name after line break

Am Mo., 13. Juli 2020 um 19:40 Uhr schrieb Carl Sorensen : > > Hi Ernie, > > On Mon, Jul 13, 2020 at 7:03 AM Ernie Braganza > wrote: >> >> Hello, >> >> How can I stop the repeated chord name after the line break? >> I thought the break

Re: Do not display chord name after line break

Hi Ernie, On Mon, Jul 13, 2020 at 7:03 AM Ernie Braganza wrote: > Hello, > > How can I stop the repeated chord name after the line break? > I thought the break-visibility settings for ChordName would work, for > example setting the beginning-of-line-invisible value to fals

Do not display chord name after line break

Hello, How can I stop the repeated chord name after the line break? I thought the break-visibility settings for ChordName would work, for example setting the beginning-of-line-invisible value to false: \override Score.ChordName.break-visibility = ##(#t #t #f) but that does not have any effect

Re: Harmonics within chord (tab)

Hey Stacy, You’ll have to place them in different Voices like this: <> Regards, Valentin signature.asc Description: This is a digitally signed message part.

Re: Harmonics within chord (tab)

o strings at once, the > bottom being a root note and the top being a 5th fret harmonic, but it > seems like neither \harmonicByFret nor \harmonicByRatio work within a > chord. Is there a way around this? > > \score { > \new TabStaff \relative c { > 1 > } > } >

Harmonics within chord (tab)

Hey list, I'm notating a song on bass that requires playing two strings at once, the bottom being a root note and the top being a 5th fret harmonic, but it seems like neither \harmonicByFret nor \harmonicByRatio work within a chord. Is there a way around this? \score { \new TabStaff \relative c

Re: How to modify the gap between the clef or time signature and the first note/chord/pause/skip in the bar

entation/internals/timesignature > Cheers, > Pierre > > Le sam. 13 juin 2020 à 01:01, Paolo Prete a écrit : > >> Hello, >> >> How can I modify the horizontal gap between the clef or time signature >> and the first note/chord/pause/skip in the bar? >> >> Thanks! >> >

Re: How to modify the gap between the clef or time signature and the first note/chord/pause/skip in the bar

I modify the horizontal gap between the clef or time signature and > the first note/chord/pause/skip in the bar? > > Thanks! >

How to modify the gap between the clef or time signature and the first note/chord/pause/skip in the bar

Hello, How can I modify the horizontal gap between the clef or time signature and the first note/chord/pause/skip in the bar? Thanks!

Re: Can't modify multiple shapes on a chord

On Thu, Mar 26, 2020 at 1:21 PM David Nalesnik wrote: > > > > > although it does the job I still wonder if the "tweak" (?) method > suggested by Mark can work too, so to have multiple shape commands > together, instead of a shapeColumn. > > > > Best, > > Paolo > > Won't work, hence the elaborate

Re: Can't modify multiple shapes on a chord

Hi Paolo, On Wed, Mar 25, 2020 at 5:56 PM Paolo Prete wrote: > > >> >> >> In order to get at individual ties in a chord, you have to resort to >> desperate measures. Use the code here: >> https://www.mail-archive.com/lilypond-devel@gnu.org/msg47432/shape-

Re: Can't modify multiple shapes on a chord

> > > In order to get at individual ties in a chord, you have to resort to > desperate measures. Use the code here: > > https://www.mail-archive.com/lilypond-devel@gnu.org/msg47432/shape-tie-columns.ly > > Hope this helps, > David > Thank you David, although

Re: Can't modify multiple shapes on a chord

> >> > > If I modify the shape on the first tie, changes are applied on the second > tie. Is this a bug? If so, is there a fix/workaround for this? > I tried \partcombine too, and the issue persists. > In order to get at individual ties in a chord, you have to resort to de

Re: Can't modify multiple shapes on a chord

> > I haven't seen this construction before ( \new Voice << { } { } >>). > You should either have two separate Voices or put a "\\" in between > the two music expressions, so that lilypond will split it into two > voices. Sorry but I can't figure what is the *right* expression for solving the

Re: Can't modify multiple shapes on a chord

On Wed, 25 Mar 2020 at 19:14, Paolo Prete wrote: >> > Please consider this (tested on 2.19.84): >> > >> > \new Voice << >> > { \shape #'((0 . 0) (0 . 0) (0 . 0) (3 . 0)) Tie c' ~ c' } >> > { \shape #'((0 . 0) (0 . 0) (0 . 0) (0 . 0)) Tie c'' ~ c'' } >> >>> I haven't seen this construction

Re: Can't modify multiple shapes on a chord

On Wed, Mar 25, 2020 at 4:20 PM Mark Knoop wrote: > At 14:44 on 25 Mar 2020, Paolo Prete wrote: > > Hello. > > > > Please consider this (tested on 2.19.84): > > > > \new Voice << > > { \shape #'((0 . 0) (0 . 0) (0 . 0) (3 . 0)) Tie c' ~ c' } > > { \shape #'((0 . 0) (0 . 0) (0 . 0) (0 . 0))

Re: Can't modify multiple shapes on a chord

At 14:44 on 25 Mar 2020, Paolo Prete wrote: > Hello. > > Please consider this (tested on 2.19.84): > > \new Voice << > { \shape #'((0 . 0) (0 . 0) (0 . 0) (3 . 0)) Tie c' ~ c' } > { \shape #'((0 . 0) (0 . 0) (0 . 0) (0 . 0)) Tie c'' ~ c'' } >>> > > If I modify the shape on the first tie,

Can't modify multiple shapes on a chord

Hello. Please consider this (tested on 2.19.84): \new Voice << { \shape #'((0 . 0) (0 . 0) (0 . 0) (3 . 0)) Tie c' ~ c' } { \shape #'((0 . 0) (0 . 0) (0 . 0) (0 . 0)) Tie c'' ~ c'' } >> If I modify the shape on the first tie, changes are applied on the second tie. Is this a bug? If so, is

Re: Ties in chord mode

Hi Carl, Thanks for clarifying my stream of consciousness blathering. My preference was not to have any chord name displayed at all for tied chords. Your workarounds are both excellent ideas, however I ultimately adopted Thomas' solution, as it achieved what I needed with minimal entry required

Re: Ties in chord mode

From: Ben Eichler Date: Saturday, February 29, 2020 at 1:46 AM To: Subject: Ties in chord mode Hi all, I transcribe songs using a style of melody + lyrics + chords. In certain songs, I write the same chord twice. Sometimes I want both chords to be printed, for example the second chord

RE: Ties in chord mode

Wow I’ve never seen that syntax before. Works perfectly for what I need, since I’m only printing chord letters in a ChordNames context. Thanks Thomas! -Ben From: Thomas Morley Sent: 01 March 2020 07:38 To: Ben Eichler Cc: lilypond-user Subject: Re: Ties in chord mode Am Sa., 29. Feb. 2020 um

Re: Ties in chord mode

Am Sa., 29. Feb. 2020 um 11:07 Uhr schrieb Ben Eichler : > > Hi all, > > > I transcribe songs using a style of melody + lyrics + chords. In certain > songs, I write the same chord twice. Sometimes I want both chords to be > printed, for example the second chord is starting

Re: Ties in chord mode

Hi Ben, Ben Eichler wrote > suppose I want that C major chord to last only for 5 beats, in a melody > I would use a tie, but that doesn't work in chord mode, the second chord > is > printed which I don't want: > Chord notation: |C . . . |(C) F . . | > Lilypond notation: \chor

Ties in chord mode

Hi all, I transcribe songs using a style of melody + lyrics + chords. In certain songs, I write the same chord twice. Sometimes I want both chords to be printed, for example the second chord is starting a new section. Other times I may want only the first chord to be printed. \set chordChanges

Re: Chord options in leadsheets

> > -- Forwarded message -- > From: Michael Hendry > To: Jacques Menu > Cc: LilyPond Users > Date: Sat, 22 Feb 2020 11:36:03 +0000 > Subject: Re: Chord options in leadsheets > > On 22 Feb 2020, at 11:01, Jacques Menu wrote: > > > > Hel

Re: Chord options in leadsheets

Jacques Menu wrote: What I don’t know is how to have only a single pair of parentheses around the two harmonies in the attached. This is discussed here and in the linked threads: https://lists.gnu.org/archive/html/lilypond-user/2018-12/msg2.html Cheers, Robin

Re: Chord options in leadsheets

> On 22 Feb 2020, at 11:01, Jacques Menu wrote: > > Hello Hendry, > > You can have several ChordNames contexts and use \parenthesize in the > corresponding \chordmode definitions. > > What I don’t know is how to have only a single pair of parentheses around the > two harmonies in the

Re: Chord options in leadsheets

. I struggle with Scheme > and the more esoteric lilypond syntax. That said, I did get it working, > what it needed was clean-up. > > I attach the patches, if you or someone else would like to take it on > and get it in ... > > Cheers, > Wol > <0001-Add-capo-chord-na

Re: Chord options in leadsheets

et accepted. I struggle with Scheme > and the more esoteric lilypond syntax. That said, I did get it working, > what it needed was clean-up. > > I attach the patches, if you or someone else would like to take it on > and get it in ... > > Cheers, > Wol > <0001-Add-capo-chord-names.patch><0003-Documentation-for-the-capoPitch-chordname-property.patch>

Re: Chord options in leadsheets

it needed was clean-up. I attach the patches, if you or someone else would like to take it on and get it in ... Cheers, Wol >From 60972eafba7f58fc0792529efc4e7b5f269f4cd1 Mon Sep 17 00:00:00 2001 From: Carl Sorensen Date: Fri, 22 Jul 2011 03:52:28 -0600 Subject: [PATCH] Add capo chord name

Chord options in leadsheets

(shown in parentheses above the first two bars). 2. The ability to indicate optional modifications, as in Am7(b5) and D7(#5). 3. Putting in an optional turnaround (the G7 in the last bar). This is a special case of 1., where the chord from the previous bar is carried through if the option isn't

AW: "Quote" Chord Track in another Staff

Yes, thank you. I tried to do it that way but I always forget the "\etc" so I got an error message. > -Ursprüngliche Nachricht- > Von: Thomas Morley > Gesendet: Samstag, 8. Februar 2020 14:30 > An: sir.teddy.the.fi...@gmail.com > Cc: lilypond-user > Betr

Re: "Quote" Chord Track in another Staff

Am Sa., 8. Feb. 2020 um 14:18 Uhr schrieb : > > If I've understood everything you said correctly, I should have now made all > the necessary changes: Well, not all changes were _necessary_, p.e. using 'parser location' in music-functions still works. Superfluous, though. > >

AW: "Quote" Chord Track in another Staff

to store ' \quoteChord "second" ' in a variable so I only have to define it once per staff? That would shorten it even further. > -Ursprüngliche Nachricht- > Von: Thomas Morley > Gesendet: Samstag, 8. Februar 2020 13:42 > An: sir.teddy.the.fi...@gmail.com >

Re: "Quote" Chord Track in another Staff

Thomas Morley writes: > This relies on matching context-names, so you have to care about them manually > >> quoteChord = #(define-music-function > > No need for 'parser location' in music-functions for 2.19.x, you could > delete them > >> (parser location music) >> (ly:music?) >> #{

Re: "Quote" Chord Track in another Staff

Am Sa., 8. Feb. 2020 um 13:23 Uhr schrieb : > > Hi, > thank you for this solution. > I only made a very small adjustment and now at least I would call it > "elegant". > I put all the commands needed to "quote" from the chord track into a > function, so no

AW: "Quote" Chord Track in another Staff

Hi, thank you for this solution. I only made a very small adjustment and now at least I would call it "elegant". I put all the commands needed to "quote" from the chord track into a function, so now I only have to type one command instead of three. I'm not versed enough in us

Re: "Quote" Chord Track in another Staff

t; c1 d e f | > > } > > } > > > > \score { > > << > > \new ChordNames \chordTrack > > \new Staff \notes > > \new Staff \otherNotes > > >> > > } > > % > > > > I’ve got the normal chords at the top and I would like to ha

"Quote" Chord Track in another Staff

rack = \chordmode { \repeat unfold 2 { c1 d e f | } } \score { << \new ChordNames \chordTrack \new Staff \notes \new Staff \otherNotes >> } % I've got the normal chords at the top and I would like to have parts of that chord-tr

Re: hiding chord symbols while keeping them in midi

On Wed, Feb 05, 2020 at 10:02:15AM -0500, Kieren MacMillan wrote: > Hi Sandro, > > > When a chord is repeated in next measure I'd like it NOT to be printed > > but still be played in midi. What options do I have to do this ? > > Have you read > <http://lilypo

Re: hiding chord symbols while keeping them in midi

Sandro Santilli writes: > When a chord is repeated in next measure I'd like it NOT to be printed > but still be played in midi. What options do I have to do this ? It depends on what context you are printing them in. You can use \new ChordNames \with { chordChanges = ##t } { ... } t

Re: hiding chord symbols while keeping them in midi

Hi Sandro, > When a chord is repeated in next measure I'd like it NOT to be printed > but still be played in midi. What options do I have to do this ? Have you read <http://lilypond.org/doc/v2.19/Documentation/notation/displaying-chords#printing-chord-names>? In particular, th

hiding chord symbols while keeping them in midi

When a chord is repeated in next measure I'd like it NOT to be printed but still be played in midi. What options do I have to do this ? --strk;

Re: chord/arpeggio

OK, it works… many thanks Mario Mario Bolognani email: mario.bologn...@gmail.com www.baroquemusic.it > Il giorno 2 dic 2019, alle ore 11:34, Leo Correia de Verdier > ha scritto: > > This following code works for me, but if you need to have a single note work > as

Re: chord/arpeggio

This following code works for me, but if you need to have a single note work as a chord (it has happened to me in other circumstances) you can just include it in angle brackets, like 8 . \version "2.19.82" \new Staff \with { \consists "Span_arpeggio_engrav

Re: chord/arpeggio

rio Bolognani : > > How is possible to connect all notes of a chord with \arpeggio? > > Many thanks for your suggestions. > > or > > > Mario Bolognani > email: mario.bologn...@gmail.com > www.baroquemusic.it > > >

chord/arpeggio

How is possible to connect all notes of a chord with \arpeggio? Many thanks for your suggestions. or Mario Bolognani email: mario.bologn...@gmail.com www.baroquemusic.it

Re: Display the name of the staff of a note/rest/chord/skip-event

Am Sa., 30. Nov. 2019 um 19:43 Uhr schrieb Paolo Prete : > > Hello, > > given a note/rest/chord/skip-event is there a way to display the name of its > staff? I need to check if it belongs to staff "UP" or "DOWN" of a piano-staff. > W

Display the name of the staff of a note/rest/chord/skip-event

Hello,  given a note/rest/chord/skip-event is there a way to display the name of its staff? I need to check if it belongs to staff "UP" or "DOWN" of a piano-staff.What if I use map-some-music() function?       (map-some-music (lambda (evt)          (

Re: Identifying non-chord notes in Scheme

n old 'map.' Steve From: Aaron Hill Subject:Re: Identifying non-chord notes in Scheme Date: Wed, 27 Nov 2019 11:09:12 -0800 User-agent: Roundcube Webmail/1.3.8 Hi Steve, Sorry for the delay in responding to your original query. But as some say, "better l

Re: Identifying non-chord notes in Scheme

chords. (music-is-of-type? mus 'event-chord))) (for-some-music color-stop? music) music) soprano = \fixed c' { 4 b8 d' 2 } alto = \fixed c' { e8 d 4 dis2 } tenor = \fixed c { 4 b2 } bass = \fixed c { c4 d 2 } \score { \colorNonChordNotes #(x11-color 'tomato) \new ChoirStaff << \new

RE: Identifying non-chord notes in Scheme

Steve, I'm not familiar with music-map, but I know you can modify music using music-map. How about doing it twice: First time you add a (ly:music-set-property! note 'my-chord 'yes) to the notes inside the EventChord, and the second time you can identify the notes from the chords using

Re: Identifying non-chord notes in Scheme

process only notes that *don't* belong to any chord, waiting for the ChordEvent that follows and then backtracking would be complicated. I should think I could check some property of a NoteEvent ("parent" or "chord" would be nice).  So is there any way to tell that a note is *n

RE: Identifying non-chord notes in Scheme

Steve, When you see the music expression as a tree, then the NoteEvent's belonging to a chord are branches of an EventChord. This is for all chords including 4 etc. And as an extra bonus: When you have chords like "c:7+" the EventChord's are branches (or su

Identifying non-chord notes in Scheme

What's the test for differentiating between non-chord notes and notes within a chord, when iterating through events in music? I can examine the notes within a chord individually, but I can't been able to find the way to capture notes that don't belong to a chord (or alternatively, to discard

Re: Global chord modifications for multiple scores

Am 05.09.19 um 09:27 schrieb Witold Uchman: Hi all! Is there a way to globally modify chord properties in multiple scores contained in one file? I would like all the chords to be \germanChords with chordNameLowercaseMinor = ##t, but I could not find a way to put it in the \layout block

Global chord modifications for multiple scores

Hi all! Is there a way to globally modify chord properties in multiple scores contained in one file? I would like all the chords to be \germanChords with chordNameLowercaseMinor = ##t, but I could not find a way to put it in the \layout block... Here is the code: \version "2

Chord accidental size in substituted fonts

Hello, I'm writing a big band chart and having difficulty getting the main chords involving accidentals--B-flat, C-sharp, etc.--to look good with the lilyjazz font. MWEs: %OK size with defaults \version "2.19.83" \score { \new ChordNames { bes1 } } %NOT OK size using lilyjazz

Re: Jazz Chord Symbols (as new font - NOT notation font)

was offtopic - and > yet, it totally solved my problem with ligatures. > Thank you so much for your help! > > I now can start on creating my new chord-symbol-font. Of course, I'll > keep you all informed about it. > As for now (and for me): Problem solved! > > Thanks to you a

Re: Jazz Chord Symbols (as new font - NOT notation font)

my new chord-symbol-font. Of course, I'll keep you all informed about it. As for now (and for me): Problem solved! Thanks to you all for helping me out. Nice! Cheers, Marco PS: Attached screenshot of the output of standard font and one of my own testing font (otf) with ligatures installed on my

Re: Jazz Chord Symbols (as new font - NOT notation font)

Hi Marco, > There isn't a pre-packed installable version of 2.19? Yes there is: Hope that helps! Kieren. Kieren MacMillan, composer ‣ website: www.kierenmacmillan.info ‣ email: i...@kierenmacmillan.info ‣ pronouns: he /

Re: Jazz Chord Symbols (as new font - NOT notation font)

ould be nice to have this on my system too, so I can start testing my new Chord-Font. I read through all the tips on how to install/compile unstable versions of lilypond, but couldn't find a "simple" way to to it. If you guys use 2.19.2 or the like - that means you compiled it from sourc

Re: Jazz Chord Symbols (as new font - NOT notation font)

On 2019-07-05 5:34 pm, Marco Baumgartner wrote: the output of: \markup \roman "fi" is in the attachment. It does not produce the ligatures - both in standard and a testing font of mine containing ligatures (otf). In the word "leer", the letter e and r should be connected. I stumbled over

Re: Jazz Chord Symbols (as new font - NOT notation font)

the output of: \markup \roman "fi" is in the attachment. It does not produce the ligatures - both in standard and a testing font of mine containing ligatures (otf). In the word "leer", the letter e and r should be connected. I stumbled over this (2015):

Re: Jazz Chord Symbols (as new font - NOT notation font)

On Fri, Jul 05, 2019 at 12:41:38PM +0200, Marco Baumgartner wrote: > Hi Tyler, > it was from apt package. Which version would you recommend? I need to > re-install anyway. I'm on Debian Linux, but I'm not a very skilled user. > Normally I install everything with apt-get install - only when I

Re: Jazz Chord Symbols (as new font - NOT notation font)

Hi Tyler, it was from apt package. Which version would you recommend? I need to re-install anyway. I'm on Debian Linux, but I'm not a very skilled user. Normally I install everything with apt-get install - only when I really have to, I do (or try) otherwise. Marco *** www.marcobaumgartner.com

Re: Jazz Chord Symbols (as new font - NOT notation font)

Thanks Aaron for your help! \version "2.18.2" % tested on lilybin.org \markup \roman "fi" That's what I'm going to test next. Unfortunately, I'm facing some installation issues. I somehow messed up the original package, while trying to install a newer unstable version. Now I can't

Re: Jazz Chord Symbols (as new font - NOT notation font)

On Thu, Jul 04, 2019 at 03:29:00PM +0200, Marco Baumgartner wrote: > Although my font (otf) HAS ligatures (and show up if the font is > used on my system in other programs) - it doesn't show ANY > ligatures in lilypond... Can't make it work as of now. > > I'm using 2.18.2 on Debian Linux with

Re: Jazz Chord Symbols (as new font - NOT notation font)

On 2019-07-04 6:29 am, Marco Baumgartner wrote: Although my font (otf) HAS ligatures (and show up if the font is used on my system in other programs) - it doesn't show ANY ligatures in lilypond... Can't make it work as of now. I searched about it, and stumbled across people saying, that this

Re: Jazz Chord Symbols (as new font - NOT notation font)

, displaying chord symbols as "normal" markup is fine too.) The bigger issue is: Although my font (otf) HAS ligatures (and show up if the font is used on my system in other programs) - it doesn't show ANY ligatures in lilypond... Can't make it work as of now. I searched about it, and stumb

Re: Jazz Chord Symbols (as new font - NOT notation font)

On 2019-07-03 4:45 pm, Aaron Hill wrote: NOTE: Similar things will be adjusted to support the slash separator as well, so that you could get a single string like "C#m/E" so your font's logic could handle this. I typed that poorly. Trying again: NOTE: Similar things will need to be adjusted

Re: Jazz Chord Symbols (as new font - NOT notation font)

ame mess with my font then? Like forcing its own spacing and such? It might depending on how the resulting markup is generated. Consider a chord like C# minor. By default, LilyPond would generate something akin to: \markup { "C" \smaller \raise #0.6 \sharp "m"

Re: Chord names starting right after the anacrusis

On 2019-07-03 4:03 pm, Vicente Sanches wrote: Hi everyone, I want to write a song in which the melody begins in upbeat (anacrusis) and the chords begins on the next bar. I have tried a lot but i can't make the chord names appear after the anacrustic bar. It often helps to provide

Chord names starting right after the anacrusis

Hi everyone, I want to write a song in which the melody begins in upbeat (anacrusis) and the chords begins on the next bar. I have tried a lot but i can't make the chord names appear after the anacrustic bar. Can you help me? P.s. Sorry for my english. Regards, Vicente Sanches

Re: Jazz Chord Symbols (as new font - NOT notation font)

ond is not done with/by a "normal" font but rather a special > > chord-mechanism. I fear, that this mechanism (as far I've seen) does a > > good > > job, but can also be seen as a limitation. How wrong would it be to > > create > > a normal font (with tons of ligat

Re: Jazz Chord Symbols (as new font - NOT notation font)

I can't make your chord exceptions work... Is it because I'm running a 2.18.2 version? When I look at your code I see a lot of "shifting things around". Is that what you do? You take the given symbols (in chord-mode) and shift/replace/zoom them around until they look right for you? That'

Re: Jazz Chord Symbols (as new font - NOT notation font)

On 2019-07-03 10:40 am, Marco Baumgartner wrote: One thought though: As far as I understand it: displaying chords within Lilypond is not done with/by a "normal" font but rather a special chord-mechanism. I fear, that this mechanism (as far I've seen) does a good job, but can al

Re: Jazz Chord Symbols (as new font - NOT notation font)

Thank you, Elaine. I'm on the road, but I'll gladly check it out later! One thought though: As far as I understand it: displaying chords within Lilypond is not done with/by a "normal" font but rather a special chord-mechanism. I fear, that this mechanism (as far I've seen) does

Re: Jazz Chord Symbols (as new font - NOT notation font)

> > - Forwarded message -- > From: Marco Baumgartner > To: lilypond-user@gnu.org > Date: Wed, 3 Jul 2019 14:27:27 +0200 > Subject: Jazz Chord Symbols (as new font - NOT notation font) > Hi, > > I wonder how I had to build a "normal" font (o

Re: Jazz Chord Symbols (as new font - NOT notation font)

Hi Marco, > Spacing and style is very important to make chord symbols readable. I haven't > seen one yet for lilypond. How does <http://leighverlag.blogspot.com/2015/12/mimicking-real-book-look.html> not do what you want? Thanks, Kieren. Kier

How to set up a Jazz-Chord-Symbol-Font (not notation-font)

Hi, I wonder how I had to build a "normal" font (otf, ttf, whatever) to work as chord-symbols-font only. Spacing and style is very important to make chord symbols readable. I haven't seen one yet for lilypond. Goal is to have a font rendering chord symbols like in the real books (h

Jazz Chord Symbols (as new font - NOT notation font)

Hi, I wonder how I had to build a "normal" font (otf, ttf, whatever) to work as chord-symbols-font only. Spacing and style is very important to make chord symbols readable. I haven't seen one yet for lilypond. Goal is to have a font rendering chord symbols like in the real books (h

Re: tie four 8 note to 4 chord

Stefano & Andrew: Thank you for the solution and explanation.  Thanks,Ming. On Saturday, May 18, 2019, 11:00:41 a.m. EDT, Stefano Troncaro wrote: Hi Ming, it depends on the music you are working with and your preference. I personally have it set to ##t as my personal default. I don't

Re: tie four 8 note to 4 chord

Hi Ming, it depends on the music you are working with and your preference. I personally have it set to ##t as my personal default. I don't see the downside to having it turned on: if this happens often in your music it's cumbersome to keep setting and resetting it, and I also find that it helps to

Re: tie four 8 note to 4 chord

Andrew: Thank you very much. Once the tieWaitForNote = ##t is set, it continues to work. Is this the intention?  Is it necessary to reset to it's default? Thanks,Ming  On Thursday, May 16, 2019, 7:41:14 p.m. EDT, Andrew Bernard wrote: Hi Ming, \set tieWaitForNote = ##t It's in the

Re: tie four 8 note to 4 chord

Hi Ming, \set tieWaitForNote = ##t It's in the Notation Reference manual. Andrew ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

tie four 8 note to 4 chord

I try to transcribe the above image. Question: is this  normal / standard score? The below code is my attempt: %code  \key a\major  \clef bass  \time 3/4   d8~ f~ gs~ b~ 4 |}%endThe result and log: Thanks,Ming ___ lilypond-user mailing list

Re: chord and chordChanges

On Thu, 9 May 2019 at 14:18, David Kastrup wrote: > Gianmaria Lari writes: > > >> > >> > >> \version "2.21.0" > >> << > >> \new Staff { > >> c'4 d' e' f' > >> \repeat volta 2 {c' d' e' f' | g' a' b' c''} > >> } > >> \new ChordNames \with { chordChanges = ##t } { > >> g1

Re: chord and chordChanges

Gianmaria Lari writes: >> >> >> \version "2.21.0" >> << >> \new Staff { >> c'4 d' e' f' >> \repeat volta 2 {c' d' e' f' | g' a' b' c''} >> } >> \new ChordNames \with { chordChanges = ##t } { >> g1 \once \unset chordChanges \repeat volta 2 {g1|1} >> } >> >> >> > > Thank you

Re: chord and chordChanges

> > > \version "2.21.0" > << > \new Staff { > c'4 d' e' f' > \repeat volta 2 {c' d' e' f' | g' a' b' c''} > } > \new ChordNames \with { chordChanges = ##t } { > g1 \once \unset chordChanges \repeat volta 2 {g1|1} > } > >> > Thank you David, this is what I wanted! In the

Re: chord and chordChanges

Gianmaria Lari writes: > Following code prints chord even if they don't change. > > \version "2.21.0" > << > \new Staff { > c'4 d' e' f' > \repeat volta 2 {c' d' e' f' | g' a' b' c''} > } > \new ChordNames { > g1 \repeat volta 2

chord and chordChanges

Following code prints chord even if they don't change. \version "2.21.0" << \new Staff { c'4 d' e' f' \repeat volta 2 {c' d' e' f' | g' a' b' c''} } \new ChordNames { g1 \repeat volta 2 {g1|1} } >> To avoid to print chords always, I used \set chordCha

Re: \tweak Accidental stencil within chord

dtsmarin writes: > I thought my code didn't work but it looks like it does. Sorry for the > unnecessary replies. > Use case: > Chromatic enharmonic tied notes where normally Lilypond wouldn't work > correctly. (Ties don't show up if you don't use this hack). They don't? \version "2.19.16" {

Re: \tweak Accidental stencil within chord

I thought my code didn't work but it looks like it does. Sorry for the unnecessary replies. Use case: Chromatic enharmonic tied notes where normally Lilypond wouldn't work correctly. (Ties don't show up if you don't use this hack). The problem is that my half-solution ruins the spacing. #(define

Re: \tweak Accidental stencil within chord

On 2019-05-01 11:17 am, dtsmarin wrote: This was an example to show what I'm after. I need to *change* the stencil (e.g. flat to be sharp ) not the colour etc. I know how to change stencil for a single accidental with \override but \tweak Accidental.stencil doesn't work. Hmm... \tweaking a

Re: \tweak Accidental stencil within chord

David Kastrup writes: > dtsmarin writes: > >> Oops! Wrong minimal example! >> >> >> #(define enh-acc >> (lambda (grob) >> (let* ((stencil (ly:accidental-interface::print grob)) >>(new-stil >> (grob-interpret-markup grob >>(markup >>

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