On Monday 08 March 2004 05:27, Mats Bengtsson wrote:
David Raleigh Arnold wrote:
On Thursday 04 March 2004 05:14, Mats Bengtsson wrote:
The question is what is the correct typesetting practice.
As a musician, how can I know if the ottava applies only to
the upper voice or to the full stave
[EMAIL PROTECTED] writes:
Greetings,
I am attempting to mix ottava brackets and polyphony.
I have to following fragment:
{ \skip 2. #(set-octavation 1) \acciaccatura cis' cis''4
\acciaccatura fis fis'2 #(set-octavation 0) } \\ { fis, cis, 2.~
fis, cis, 2. }
I am
The question is what is the correct typesetting practice.
As a musician, how can I know if the ottava applies only to
the upper voice or to the full stave (how would you notate it
if it only applied to the lower voice for some weird reason)?
Actually, this feature is described in the chapter on
Greetings,
I am attempting to mix ottava brackets and polyphony.
I have to following fragment:
{ \skip 2. #(set-octavation 1) \acciaccatura cis' cis''4
\acciaccatura fis fis'2 #(set-octavation 0) } \\ { fis, cis, 2.~
fis, cis, 2. }
I am finding that the lower (second) voice is being
