Hello
2) rests2.gif shows a quarter (?? r8) rest that is being placed
somewhere in the middle on a piano staff. Is is generated by the upper
voice of the top score, with
~ g4 \oneVoice r8 \voiceOne g8 | c2
the idea was to get a centered rest in the staff.
I did this before in other situatio
On 01/01/13 23:17, Nathan wrote:
On Tue, Jan 1, 2013 at 2:39 PM, Eluze wrote:
Alberto Simões-2 wrote
Second, I am having two different problems with rests.
1) rests1.gif shows some examples of:
f4 ~ f8[ r16 f]
but the rest is over the beam. If you notice at the left, the other is
ug
On Tue, Jan 1, 2013 at 2:39 PM, Eluze wrote:
> Alberto Simões-2 wrote
>> Second, I am having two different problems with rests.
>>
>> 1) rests1.gif shows some examples of:
>>
>> f4 ~ f8[ r16 f]
>>
>> but the rest is over the beam. If you notice at the left, the other is
>> uglier. What is the
see how the voices are set up!
please post a tiny example (just one or two necessary measures) to show the
problem!
thanks
Eluze
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Hey, Friends
First of all, Good New Year!!
Second, I am having two different problems with rests.
1) rests1.gif shows some examples of:
f4 ~ f8[ r16 f]
but the rest is over the beam. If you notice at the left, the other is
uglier. What is the best approach to fix this?
2) rests2.gif s
Begin forwarded message:
From: Damian leGassick
Date: 19 August 2010 11:11:05 BST
To: 胡海鹏 - Hu Haipeng
Subject: Re: two problems regarding harp part
Hello Haipeng
if you comment out the right hand's \showStaffSwitch it works fine
perhaps this is a bug? maybe you can't have two
Xavier Scheuer wrote:
> I have sent 2 bugs reports to Joe and to bug-lilypond:
Thanks.
> Your programming error: no note heads for the line spanner on neighbor
> line seem related to \showStaffSwitch used simultaneously with
> \glissando ...
But I ever wrote many harp gliss with staff changes
Which expert can fix it? I think it's the strangest thing I have met
> in my life :-)
Hi!
I identified two problems causing the "couldn't fit music on page".
I have sent 2 bugs reports to Joe and to bug-lilypond:
1. Dynamics context causes "couldn't fit music o
Dear Phil:
> I can confirm that compiling this music produces a number of errors...
> the score is too complex to have any chance of working out whether this is a
> bug or expected behaviour owing to errors in the music. I tried commenting
> out parts of the music but with no success.
Yeah, w
Hello,
I reported this problem earlier, and stopped when my teacher said nothing was
wrong on the score. But with 2.13.30" the portion has more such reports. Here's
the music. When I comment out music before rehearsal 6 (sorry, mark line not
included, see the comment line), no problem is found
> You can instead tweak the position(s) of a non-spanning arpeggio bracket.
> The easyChBr function does this here.
>
very nice function, indeed!
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And this is my attempt (see droeyende.ly).
For the alignment I used 2 force-hshift overrides (in voices 3 and 4).
You can certainly use arpeggioBracket here, but it is so inconvenient:
- put the Span_arpeggio_engraver in the right place
- turn on connectArpeg
.
b 4
}
\context Voice="5" \relative c {
\voiceFive \stemDown
\once \override NoteColumn #'force-hshift = #1.
e, 4
}
>>
}
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Hi!
I've been too busy to read this list for a while, but now I've got a
question.
I'm copying Johan Halvorsen's Veslemøy (for male choir, with lyrics by
Arne Garborg), and in the original I have the following bar:
<>
The divided basses here aren't easy.
Now, I've managed to get the music print
, check if you have the environment
variable LANG
(or some other environment variable that seems to be related to language
settings)
set in your Windows installation.
/Mats
hhpmusic wrote:
Hi,
I encountered two problems when using Lilypond on Windows. First, the
2.11.44 documentation tarball
Hi,
I encountered two problems when using Lilypond on Windows. First, the 2.11.44
documentation tarball seems have problms. I don't know how to build bz2 file
using Windows, my way is to unpack the files to a doc folder using Winrar. But
the tarball (from the time I began to learn
ociatedVoice = #"vII"
one two three
}
%%-------
Attached is a file showing two problems I have using << >> to
temporarily split a vocal part.
1) I have set \dynamicUp but this setting is ignored within the angled
brackets. I could put \dynamicUp insid
Attached is a file showing two problems I have using << >> to
temporarily split a vocal part.
1) I have set \dynamicUp but this setting is ignored within the angled
brackets. I could put \dynamicUp inside every set angled brackets,
but is it possible to set this globally?
2) The lyr
On Tuesday 17 August 2004 11.17, Erik Sandberg wrote:
> On Tuesday 17 August 2004 03.50, Will Oram wrote:
> > At the moment I can't break everywhere I want to. After testing the
> > problem by breaking after every bar, I can safely say grace notes
> > prevent breaks from happening.
> >
> > a4 b c d
On Tuesday 17 August 2004 03.50, Will Oram wrote:
> At the moment I can't break everywhere I want to. After testing the
> problem by breaking after every bar, I can safely say grace notes
> prevent breaks from happening.
>
> a4 b c d \break %%% OK break
> e d c b \break %%% bad break
> \appoggiatur
At the moment I can't break everywhere I want to. After testing the
problem by breaking after every bar, I can safely say grace notes
prevent breaks from happening.
a4 b c d \break %%% OK break
e d c b \break %%% bad break
\appoggiatura b8 b1
How can I force breaks on measures like these?
---
So
On Wed, 03 Sep 2003 17:46:57 +0200
Thorkil Wolvendans <[EMAIL PROTECTED]> wrote:
> >One general comment -- since you're in 3/4 time, Lilypond should automatically
> >beam in quarters. There's no need to do [a8 b] [c d] everywhere. That might
> >improve the readability of your scores. :)
> Well,
Thanks Graham! The tips worked!
One general comment -- since you're in 3/4 time, Lilypond should automatically
beam in quarters. There's no need to do [a8 b] [c d] everywhere. That might
improve the readability of your scores. :)
Well, at first I didn't use the brackets, but for some reason Li
On Sun, 31 Aug 2003 22:29:32 +0200
Thorkil Wolvendans <[EMAIL PROTECTED]> wrote:
> (please compile VM01.ly to see the problem)
One general comment -- since you're in 3/4 time, Lilypond should automatically
beam in quarters. There's no need to do [a8 b] [c d] everywhere. That might
improve the re
Hello everyone!
I'm having two problems with Lilypond 1.6.11 (couldn't get 1.8 started
yet!) for which I couldn't find a answer in the manual:
(please compile VM01.ly to see the problem)
1) From measure 49 to 52 (page 2), I want a slur to go from to
. Because there's a seco
Dear David,
Use this code:
_#'(columns ((italic bold) "sub ") ((dynamic) "pp"))
Regards,
Carter
David Bobroff wrote:
What started out as a single question has become two. In the following
short excerpt I want to place "pp sub." below . Specifically, I
want a regular dynamic "pp" and an ita
What started out as a single question has become two. In the following
short excerpt I want to place "pp sub." below . Specifically, I
want a regular dynamic "pp" and an italic "sub.".
%%
\score{
\notes \relative c{
\clef F
\time 2/4
~ | |
}
}
%
On Mon, Nov 04, 2002 at 09:18:43PM -0800, Graham Percival wrote:
> On Sat, 02 Nov 2002 08:55:21 +0100
> [EMAIL PROTECTED] (Ronald Hoellwarth) wrote:
> > On Fri, Nov 01, 2002 at 03:29:19PM -0800, Graham Percival wrote:
> > > On Fri, 01 Nov 2002 23:03:13 +0100
> > > [EMAIL PROTECTED] (Ronald Hoellwar
On Sat, 02 Nov 2002 08:55:21 +0100
[EMAIL PROTECTED] (Ronald Hoellwarth) wrote:
> On Fri, Nov 01, 2002 at 03:29:19PM -0800, Graham Percival wrote:
> > On Fri, 01 Nov 2002 23:03:13 +0100
> > [EMAIL PROTECTED] (Ronald Hoellwarth) wrote:
> > > But: why did v1.4.12 choose to put the fermata on the bass
On Fri, Nov 01, 2002 at 03:29:19PM -0800, Graham Percival wrote:
> On Fri, 01 Nov 2002 23:03:13 +0100
> [EMAIL PROTECTED] (Ronald Hoellwarth) wrote:
> > But: why did v1.4.12 choose to put the fermata on the bass part correctly
> > under the note but v1.6.5 choose (wrongy) to put the fermata above t
On Fri, Nov 01, 2002 at 01:15:23PM -0800, Graham Percival wrote:
> On Fri, 01 Nov 2002 18:47:37 +0100 [EMAIL PROTECTED] (Ronald
> Hoellwarth) wrote:
> > On Fri, Nov 01, 2002 at 01:45:35PM +0100, Ronald Hoellwarth wrote:
> > > Thanks. That helped. But now I'm facing another problem: I had some
> > >
[EMAIL PROTECTED] writes:
> I told lilypond that the soprano is \VoiceOne, alto \VoiceTwo, tenor
> \VoiceOne and bass \VoiceTwo and thought therefore it should (as v1.4.12
> did it) place the fermata on the right side of the Staffs.
>
> Was there a change between v1.4.12 and v1.6.5 in regard to th
On Fri, 01 Nov 2002 23:03:13 +0100
[EMAIL PROTECTED] (Ronald Hoellwarth) wrote:
> But: why did v1.4.12 choose to put the fermata on the bass part correctly
> under the note but v1.6.5 choose (wrongy) to put the fermata above the
> note into the realm of the tenor?
>
> I told lilypond that the sopr
On Fri, 01 Nov 2002 18:47:37 +0100
[EMAIL PROTECTED] (Ronald Hoellwarth) wrote:
> On Fri, Nov 01, 2002 at 01:45:35PM +0100, Ronald Hoellwarth wrote:
> > Thanks. That helped. But now I'm facing another problem: I had some
> > fermata in the score. With v1.4.12 I just had to do d4-\fermata on the
> >
Ronald Hoellwarth wrote:
OK. replying to my own post is an indicator that I didn't try hard
enough - but the fermata-problem is solved:
d4_#'(music "scripts-dfermata")
But this is an Ugly Solution (tm). If you sometimes in the future should
want to i.e exchange the alto and the tenor part the
On Fri, Nov 01, 2002 at 01:45:35PM +0100, Ronald Hoellwarth wrote:
> On Fri, Nov 01, 2002 at 11:23:04AM +0100, Jan Nieuwenhuizen wrote:
> > Graham Percival <[EMAIL PROTECTED]> writes:
> >
> > > I recommend that you upgrade to 1.6.x
> >
>
> Thanks. That helped. But now I'm facing another problem
On Fri, Nov 01, 2002 at 02:17:26PM +0100, Mats Bengtsson wrote:
> > > > 2. To indicate which voice should be the one with the leading melody
> > > > there are small arrows point diagonal from top left to right bottom
> > > > (soprano, tenor) and from bottom left to top right (alto, bass)
> > > > to
On Thu, Oct 31, 2002 at 03:08:19PM -0800, Graham Percival wrote:
> On Thu, 31 Oct 2002 19:00:15 +0100
> [EMAIL PROTECTED] (Ronald Hoellwarth) wrote:
>
> > 1. I've a SATB-Score and the first StaffGroup is indented but I want it
> > to start at the left margin - like the rest of the Staffgroups.
>
On Fri, Nov 01, 2002 at 11:23:04AM +0100, Jan Nieuwenhuizen wrote:
> Graham Percival <[EMAIL PROTECTED]> writes:
>
> > I recommend that you upgrade to 1.6.x
>
> ie, add
>
> deb ftp://ftp.lilypond.org/pub/LilyPond/binaries/debian woody
>
> to your /etc/apt/sources.list
Thanks. That helpe
> > > 2. To indicate which voice should be the one with the leading melody
> > > there are small arrows point diagonal from top left to right bottom
> > > (soprano, tenor) and from bottom left to top right (alto, bass)
> > > towards the first note-body that should be the melody. Can I create
> > >
Graham Percival <[EMAIL PROTECTED]> writes:
> I recommend that you upgrade to 1.6.x.
ie, add
deb ftp://ftp.lilypond.org/pub/LilyPond/binaries/debian woody .
to your /etc/apt/sources.list
Jan.
--
Jan Nieuwenhuizen <[EMAIL PROTECTED]> | GNU LilyPond - The music typesetter
http://www.xs4all
On Thu, 31 Oct 2002 19:00:15 +0100
[EMAIL PROTECTED] (Ronald Hoellwarth) wrote:
> I just started to work with lilypond (I use the one that comes with
> Debian "Woody" - v.1.4.12) and could do much of that what I wanted by
> the help of the manual and the examples.
I recommend that you upgrade to 1
Hello,
I just started to work with lilypond (I use the one that comes with
Debian "Woody" - v.1.4.12) and could do much of that what I wanted by
the help of the manual and the examples.
Only two things are remaining unsolved an neither the Manual nor the FAQ
could offer any help to me on those two
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