gt; Lukas-Fabian Moser <mailto:l...@gmx.de> writes:
>>>
>>>> Hi Kira,
>>>>
>>>> Am 30.09.21 um 00:32 schrieb Kira Garvie:
>>>>> I realize this is a pretty basic question... but what is the
>>>>> difference between voiceOne and one
uestion... but what is the
> > difference between voiceOne and oneVoice? I am writing a multivoice
> > keyboard-style hymn (as opposed to SATB chorale style) and the
> > directions say to switch between oneVoice and voiceOne as needed for
> > stem direction...
> >
That was a very clear and helpful explanation. Thank you.
On Wed, Sep 29, 2021 at 6:42 PM Lukas-Fabian Moser wrote:
> Hi Kira,
>
> Am 30.09.21 um 00:32 schrieb Kira Garvie:
> > I realize this is a pretty basic question... but what is the
> > difference between voiceO
Jean Abou Samra writes:
> Le 30/09/2021 à 10:04, Valentin Petzel a écrit :
>> Hello Silvain,
>>
>> Note that I specified \voice number, so number is not part of the name, but
>> an
>> argument. But Lilypond does (similar to TeX) interpret \command1 as \command
>> 1
>> (which is the reason why
Hello Jean,
this is something we also find in other notation programs, because the voice
does not only give the stem direction, but also the offset direction for
collisions. The idea is basically: While you go from top/bottom to the center
voices they offset into different directions.
So from
There is also the to me annoying concept
that \voiceTwo is usually the third voice.
Perhaps we could make \voice n format the
n-th voice in the normal order?
That would mean that in two-part music, \voice 2 is down-stemmed, and in
three-part music, it is up-stemmed.
In fact, from
Le 30/09/2021 à 10:04, Valentin Petzel a écrit :
Hello Silvain,
Note that I specified \voice number, so number is not part of the name, but an
argument. But Lilypond does (similar to TeX) interpret \command1 as \command 1
(which is the reason why numbers cannot be part of variable names, also
Hello Silvain,
Note that I specified \voice number, so number is not part of the name, but an
argument. But Lilypond does (similar to TeX) interpret \command1 as \command 1
(which is the reason why numbers cannot be part of variable names, also
similar to how \commandA\commandB do not need to
On 2021-09-30 12:36 am, Silvain Dupertuis wrote:
One problem with this suggestion that Lilypond does not support the
simple use of digits in variable names.
As far as I understand, it is because a digit following directly
alphabetic characters is interpreted as a duration.
I think the idea
Hi Silvain,
I'd say singleVoice would even be clearer.
But I think maybe it would also be a good idea if we had a synax like \voice
number. Currently Lilypond only supports four voices, and any more requires
knowledge about the scheme interface, but \voice1 \voice2, ... could directly
support
00:32 schrieb Kira Garvie:
I realize this is a pretty basic question... but what is the
difference between voiceOne and oneVoice? I am writing a multivoice
keyboard-style hymn (as opposed to SATB chorale style) and the
directions say to switch between oneVoice and voiceOne as needed for
stem
an arbitrary amount of voices.
Cheers,
Valentin
30.09.2021 00:50:41 David Kastrup :
> Lukas-Fabian Moser writes:
>
>> Hi Kira,
>>
>> Am 30.09.21 um 00:32 schrieb Kira Garvie:
>>> I realize this is a pretty basic question... but what is the
>>> diff
pretty basic question... but what is the
> >> difference between voiceOne and oneVoice? I am writing a multivoice
> >> keyboard-style hymn (as opposed to SATB chorale style) and the
> >> directions say to switch between oneVoice and voiceOne as needed for
> >> stem direction...
Lukas-Fabian Moser writes:
> Hi Kira,
>
> Am 30.09.21 um 00:32 schrieb Kira Garvie:
>> I realize this is a pretty basic question... but what is the
>> difference between voiceOne and oneVoice? I am writing a multivoice
>> keyboard-style hymn (as op
Hi Kira,
Am 30.09.21 um 00:32 schrieb Kira Garvie:
I realize this is a pretty basic question... but what is the
difference between voiceOne and oneVoice? I am writing a multivoice
keyboard-style hymn (as opposed to SATB chorale style) and the
directions say to switch between oneVoice
Hello all!
I realize this is a pretty basic question... but what is the
difference between voiceOne and oneVoice? I am writing a multivoice
keyboard-style hymn (as opposed to SATB chorale style) and the directions
say to switch between oneVoice and voiceOne as needed for stem direction...
"(d
à :
> Objet : Switch back a \voiceOne to \oneVoice
>
> Hi everyone!
>
> I have a project with many music pieces for brass orchestra. I wrote
> a score template with tags, so I can easily extract parts from it.
> I works almost perfectly, but a extracted voice is still e
Robert Kubosz writes:
> Thanks, David, I will definitely use tagGroup. I see some possible
> application for it in my work.
>
> It is revolutionary for me, that I can tag not only _music_, but also
> a music command. This idea never crossed my mind.
\voiceTwo _is_ music
Thanks, David, I will definitely use tagGroup. I see some possible
application for it in my work.
It is revolutionary for me, that I can tag not only _music_, but also
a music command. This idea never crossed my mind.
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lilypond-user mailing list
Robert Kubosz writes:
> Hi Rémy
>
> This is it. I owe you a good beer, man :-)
You might also want to take a look at the \tagGroup command when using
tags for more than one purpose.
--
David Kastrup
___
lilypond-user
l give you the expected result.
>
>
>
> HTH
>
>
>
> Rémy
>
>
>
>
>
> > Message du 15/10/17 16:21
> > De : "Robert Kubosz" <kubosz.rob...@gmail.com>
> > A : lilypond-user@gnu.org
> > Copie
Hi everyone!
I have a project with many music pieces for brass orchestra. I wrote
a score template with tags, so I can easily extract parts from it.
I works almost perfectly, but a extracted voice is still engraved as
\voiceOne or \voiceTwo instead of default engraving like \oneVoice.
I really
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