Dear Graham,
in the meantime I found out, where I have to install the font on my kubuntu
machine.
I was able to try out the example.
There is one not convincing for me:
The default accidental is an natural. But I would like to use fis and ges as
before.
Wouldnt it a possibilitie to define new
Stefan Thomas wrote:
Dear Graham,
in the meantime I found out, where I have to install the font on my kubuntu
machine.
That's good.
I was able to try out the example.
There is one not convincing for me:
The default accidental is an natural. But I would like to use fis and ges as
before.
Dear Graham,
absolutely, I would like to define a list of notenames, for e.g. pitches
that are about 15cents lower, But I have no idea how to do it, when I use
the HE-font for the accidentals.
Off course, I had a look in makam.ly
and I found there
makamGlyphs = #`((1 . accidentals.doublesharp)
Stefan Thomas wrote:
Dear Graham,
absolutely, I would like to define a list of notenames, for e.g. pitches
that are about 15cents lower, But I have no idea how to do it, when I use
the HE-font for the accidentals.
For the code I have, pitch names are defined as:
HEPitchNames = #`(
(c .
On Sep 24, 2009, at 10:10 AM, Graham Percival wrote:
On Tue, Sep 22, 2009 at 08:45:38PM +0100, a...@bflat.demon.co.uk wrote:
I notice on the LilyPond page for the Mac that The text editor
Smultron
does not work properly under Snow Leopard.
Which lilypond page is that?
I think he
Dear Graham,
thanks very much!
It doesn't seem to be very easy for my, but I guess, I will be able to do
it.
2009/9/25 Graham Breed gbr...@gmail.com
Stefan Thomas wrote:
Dear Graham,
absolutely, I would like to define a list of notenames, for e.g. pitches
that are about 15cents lower, But I
On 25 Sep 2009, at 07:11, Joseph Wakeling wrote:
Joe, can you come up with a short description and a minimal
example, so
Valentin can add it to the tracker?
Will do. Sorry for not replying earlier to your kind offer of help --
I'm going through a bit of a busy patch -- but will get to work
Dear Graham,
what I don't understand:
How many cents are an alteration of 10/1023?
2009/9/25 Graham Breed gbr...@gmail.com
Stefan Thomas wrote:
Dear Graham,
absolutely, I would like to define a list of notenames, for e.g. pitches
that are about 15cents lower, But I have no idea how to do
Hello fellow pond dwellers,
1)
How can I tweak my ChordNames to print -is and -es as such, not as #
and b?
I.e. print fis as Fis and not F#
2)
How can I set \germanChords globally, i.e. not within a ChordNames
context?
(I thought deutsch.ly would do that, but it doesn't.)
Greetlings
Hi again,
my editor tells me, in vocal music eights (everything smaller than a
quarter) have to be normally unbarred and I should use barred eights
instead of slurs.
Is there a global setting for that?
I know \autoBeamOn/Off (works only within a voice) and \override Slur
#'stencil = ##f
Stefan Thomas wrote:
what I don't understand:
How many cents are an alteration of 10/1023?
It's a fraction of 200 cents. So 200 * 10/1023 = 2000/1023
= 1.955... cents, which looks like a schisma.
Graham
___
lilypond-user
Ok, I've understood this now.
In the meantime, I tried to make my own microtone-uitchtable.
But, unfortunately, it doesn't work.
I always get the error message:
stefansMikrotoene.ly:32:6: warning: Could not find glyph-name for
alteration -162/247
I don't understand how to make use of the
On 25 Sep 2009, at 14:44, Graham Breed wrote:
what I don't understand:
How many cents are an alteration of 10/1023?
It's a fraction of 200 cents. So 200 * 10/1023 = 2000/1023 =
1.955... cents, which looks like a schisma.
From my computations, it corresponds choosing an approximation in
Hi,
my editor tells me, in vocal music eights (everything smaller than
a quarter)
have to be normally unbarred and I should use barred eights instead
of slurs.
That is *not* modern practice... I would *strongly* recommend that
you try to convince your editor to use modern practice (i.e.,
Hi Jonathan,
How do I say: Hey Lilypond, use
the following 'minimum-Y-extent for whatever system m. 2 ends up in.
I think you'd have to put an invisible object with that Y-extent in m2.
Cheers,
Kieren.
___
lilypond-user mailing list
Am 2009-09-25 um 16:37 schrieb Reinhold Kainhofer:
Am Freitag, 25. September 2009 16:21:01 schrieb Kieren MacMillan:
Hi,
my editor tells me, in vocal music eights (everything smaller than
a quarter)
have to be normally unbarred and I should use barred eights instead
of slurs.
That is *not*
Am 2009-09-25 um 16:21 schrieb Kieren MacMillan:
my editor tells me, in vocal music eights (everything smaller than
a quarter)
have to be normally unbarred and I should use barred eights instead
of slurs.
That is *not* modern practice... I would *strongly* recommend that
you try to
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Am Freitag, 25. September 2009 16:21:01 schrieb Kieren MacMillan:
Hi,
my editor tells me, in vocal music eights (everything smaller than
a quarter)
have to be normally unbarred and I should use barred eights instead
of slurs.
That is
Simply use a phrasing slur instead of a slur, see
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Curves#Phrasing-slurs.
/Mats
Jatziri Valtierra wrote:
Hi!
I would like to do a melodic line with phrasing slur and use lyrics
with syllables associated to notes inside the phrasing
I don't understand how \override Slur #'stencil = ##f can solve any
problems, since you have to insert the corresponding beams manually to
get the correct melisma. Why not use your text editor to replace each (
by a [ and each ) by a ] ? This, combined with \autoBeamOff, will give
the desired
On 9/25/09 6:31 AM, fiëé visuëlle fiee.visue...@gmx.net wrote:
Hi again,
my editor tells me, in vocal music eights (everything smaller than a
quarter) have to be normally unbarred and I should use barred eights
instead of slurs.
Is there a global setting for that?
To change the
Hi Reinhold,
here in Europe, that is traditional notation
Yes, it's traditional notation over here, too... ;)
From the Essential Dictionary of Music Notation, pg 186:
Beaming of notes associated with a lyric now follows standard
notational practice. Traditional practice, now obsolete,
Hi,
Sorry, no chance - this is common practice since Bach,
and I as a seasoned choir leader yadda yadda...
Wow... a closed-minded, backwards-thinking choral director. There's a
first time for everything, I guess! ;)
He's very much convinced that his standard is much easier to read
All
On 9/25/09 8:39 AM, fiëé visuëlle fiee.visue...@gmx.net wrote:
If I switched off slurs using
\override Slur #'stencil = ##f
how do I enable it again without warnings?
\override Slur #'stencil = ##t
does work, but issues an error (#t is no stencil)
If you read the Internals Reference,
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Am Freitag, 25. September 2009 17:41:00 schrieb Carl Sorensen:
On 9/25/09 8:39 AM, fiëé visuëlle fiee.visue...@gmx.net wrote:
If I switched off slurs using
\override Slur #'stencil = ##f
how do I enable it again without warnings?
\override
On 9/25/09 9:44 AM, Reinhold Kainhofer reinh...@kainhofer.com wrote:
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Am Freitag, 25. September 2009 17:41:00 schrieb Carl Sorensen:
On 9/25/09 8:39 AM, fiëé visuëlle fiee.visue...@gmx.net wrote:
If I switched off slurs using
\override Slur
Hi,
I've been trying and trying.
Removed settings, changed some, but I just can't get a good A6-sized sheet.
These are my files:
http://www.ff.fm/downloads/ptfm.ly
http://www.ff.fm/downloads/ptfm.pdf
It seems to me, I'm getting an A4 pdf.
But the biggest problem is getting the staffs and
Thank you all for the discussion and the good advice!
I don't want to let my editor look like an evil stick-in-the-mud (or
how do you say) - he's a real expert in German and European folk
music, so maybe he's just only used to older songbooks... (And I
agree, most folk songbooks that are
Am 2009-09-25 um 18:00 schrieb Jeroen Heijmans:
I've been trying and trying.
Removed settings, changed some, but I just can't get a good A6-sized
sheet.
Did you try
#(set-default-paper-size a6)
outside of everything (top-level)?
Greetlings from Lake Constance
---
fiëé visuëlle
Henning
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Am Freitag, 25. September 2009 18:00:16 schrieb Jeroen Heijmans:
Removed settings, changed some, but I just can't get a good A6-sized sheet.
These are my files:
[...]
It seems to me, I'm getting an A4 pdf.
No, in the PDF viewer the page
On Fri, Sep 25, 2009 at 18:27, Reinhold Kainhofer
reinh...@kainhofer.com wrote:
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Am Freitag, 25. September 2009 18:00:16 schrieb Jeroen Heijmans:
Removed settings, changed some, but I just can't get a good A6-sized sheet.
These are my files:
I was frustrated only this week by the problems of getting a MIDI file
into lilypond via midi2ly, so when I got a newsletter from Noteflight
http://www.noteflight.com/ saying that they now have MIDI import, I
did a quick test.
It turns out to be fairly simple to import the MIDI file into
Hi,
I've been trying and trying.
Removed settings, changed some, but I just can't get a good A6-sized sheet.
These are my files:
http://www.ff.fm/downloads/ptfm.ly
http://www.ff.fm/downloads/ptfm.pdf
It seems to me, I'm getting an A4 pdf.
But the biggest problem is getting the staffs and
Can you run just lilypond? It may be a problem in the file.
On 25.09.2009, at 10:32, Patrick Schmidt wrote:
Dear Community,
I get a bus error when I try to invoke 2.13.4.1 from the command-
line (Mac OS X 10.4.11). I followed the guidelines in the manual
Program Usage (section MacOS X on
Original-Nachricht
Datum: Fri, 25 Sep 2009 19:30:53 +0200
Von: James E. Bailey derhindem...@googlemail.com
An: Patrick Schmidt p.l.schm...@gmx.de
CC: lilypond-user Mailinglist lilypond-user@gnu.org
Betreff: Re: command-line usage - bus error
Can you run just lilypond? It
In message blu0-smtp35d912a8614bd537946e5194...@phx.gbl, Kieren
MacMillan kieren_macmil...@sympatico.ca writes
Hi,
Sorry, no chance - this is common practice since Bach,
and I as a seasoned choir leader yadda yadda...
Wow... a closed-minded, backwards-thinking choral director. There's a
Well, similar enough, the instructions have you make a link to the
lilypond binary, but I was more interested if just lilypond (without
a file argument) worked. And if I understand correctly, you're saying
that 2.13.4.1 doesn't work. Was that even a complete upload? Graham
mentioned
On 9/25/09 10:15 AM, fiëé visuëlle fiee.visue...@gmx.net wrote:
The reason why I didn't just use [] instead of () is that I didn't
want to check and change the lyrics of all the songs that were already
typeset. I guess I'll use that approach for the rest of the songbook.
But the
Well, similar enough, the instructions have you make a link to the
lilypond binary, but I was more interested if just lilypond (without
a file argument) worked. And if I understand correctly, you're saying
that 2.13.4.1 doesn't work. Was that even a complete upload? Graham
Dear Community,
I've already defined some microtonal pitchnames
But, unfortunately I have problems with the correct spacing.
Especially I don't understand why the distance between the barline and the
cis is better if it is a whole note but not, if it is a quartenote.
Here the snippet:
\version
Am 2009-09-25 um 21:03 schrieb Carl Sorensen:
The reason why I didn't just use [] instead of () is that I didn't
want to check and change the lyrics of all the songs that were
already
typeset. I guess I'll use that approach for the rest of the songbook.
But the documentation says that if
Just to be sure, have you deleted the ~/.fontconfig, and
~/.fonts.cache* files (again) and (optionally) changed Font Book to
store fonts on the computer, and not the user? That solved all of my
font problems. Those font caches sometimes need a little help.
On 25.09.2009, at 21:09, Patrick
On Sep 25, 2009, at 12:54 PM, Jeroen Heijmans wrote:
I've forced the evenly spread with 'system-count = 5' but, I think
that's not the way to create small sheets(?).
It's just something I can't really pinpoint.
The staves need to be closer to eachother.
Marchingsheet-music looks different than
On Fri, Sep 25, 2009 at 19:27, Jean-Charles Malahieude
lily...@orange.fr wrote:
Hi,
I've been trying and trying.
Removed settings, changed some, but I just can't get a good A6-sized
sheet.
These are my files:
http://www.ff.fm/downloads/ptfm.ly
http://www.ff.fm/downloads/ptfm.pdf
It
On Fri, Sep 25, 2009 at 01:13:29PM -0400, Laura Conrad wrote:
I was frustrated only this week by the problems of getting a MIDI file
into lilypond via midi2ly, so when I got a newsletter from Noteflight
http://www.noteflight.com/ saying that they now have MIDI import, I
did a quick test.
On Fri, Sep 25, 2009 at 22:28, Andrew Tucker m.andrew.tuc...@gmail.com wrote:
On Sep 25, 2009, at 12:54 PM, Jeroen Heijmans wrote:
I've forced the evenly spread with 'system-count = 5' but, I think
that's not the way to create small sheets(?).
It's just something I can't really pinpoint.
On 25.09.2009, at 22:17, fiëé visuëlle wrote:
Just, pretty please: Could someone tell me how to get chord names
with -is and -es (saying fis and not f#)?
Or of course point me to the appropriate chapter of the docs.
Section 2.7.2, Displaying chords under Customizing chord names
James E.
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Am Freitag, 25. September 2009 22:46:56 schrieb Jeroen Heijmans:
You're all correct about the dimensions.
Evince gives the same measurements (A6).
But my print preview is on A4. I have to print with the options '4
pages on 1 page' to have the
On 9/25/09 2:17 PM, fiëé visuëlle fiee.visue...@gmx.net wrote:
Just, pretty please: Could someone tell me how to get chord names with
-is and -es (saying fis and not f#)?
Or of course point me to the appropriate chapter of the docs.
Here's a set of scheme routines that will allow you to
On 25 Sep 2009, at 21:59, Stefan Thomas wrote:
I've already defined some microtonal pitchnames
But, unfortunately I have problems with the correct spacing.
Especially I don't understand why the distance between the barline
and the cis is better if it is a whole note but not, if it is a
On Fri, Sep 25, 2009 at 07:36:21PM +0100, Anthony W. Youngman wrote:
For the record, does he also want you to use the old Novello
backwards eighth-note rest for quarter rests?
I mean, that was also the common practice since Bach — but people
[wisely] decided that a *real* quarter rest is
Am 2009-09-25 um 22:54 schrieb James E. Bailey:
Just, pretty please: Could someone tell me how to get chord names
with -is and -es (saying fis and not f#)?
Or of course point me to the appropriate chapter of the docs.
Section 2.7.2, Displaying chords under Customizing chord names
Of
On Sep 25, 2009, at 4:50 PM, Jeroen Heijmans wrote:
On Fri, Sep 25, 2009 at 22:28, Andrew Tucker m.andrew.tuc...@gmail.com
wrote:
On Sep 25, 2009, at 12:54 PM, Jeroen Heijmans wrote:
I've forced the evenly spread with 'system-count = 5' but, I think
that's not the way to create small
hello list, apologies in advance if this is silly or obvious, but i've
been away from lilypond for some time.
i realized that by default lilypond puts dynamic marks aligned at the
top, resulting in poor alignment of pianos and fortes. for example, this
code:
\relative c'{ d'2\fp d2\sfp d2\f
Both of you ought to take a look at Jöerg Anders' NtED, which to my
experience has good import/export facilities. Both the application and
the source code (C++) look very impressive to me.
http://vsr.informatik.tu-chemnitz.de/staff/jan/nted/nted.xhtml
--
yours, Villum Sejersen
Nørregade 1 A
Villum == Villum Sejersen v...@privat.tdcadsl.dk writes:
Villum Both of you ought to take a look at Jöerg Anders' NtED,
Villum which to my experience has good import/export
Villum facilities. Both the application and the source code (C++)
Villum look very impressive to me.
A
On 9/25/09 5:36 PM, fiëé visuëlle fiee.visue...@gmx.net wrote:
Am 2009-09-25 um 22:54 schrieb James E. Bailey:
Just, pretty please: Could someone tell me how to get chord names
with -is and -es (saying fis and not f#)?
Or of course point me to the appropriate chapter of the docs.
Stefan Thomas wrote:
Ok, I've understood this now.
In the meantime, I tried to make my own microtone-uitchtable.
But, unfortunately, it doesn't work.
I always get the error message:
stefansMikrotoene.ly:32:6: warning: Could not find glyph-name for
alteration -162/247
That says it's a
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