*Bump*
Maybe it will be easier to understand the question (and thus provide an
answer) with a more stripped down MWE:
\version "2.19.38"
removeStaffLines =
#(define-scheme-function (ctx)(symbol?)
#{
\layout {
\context {
% I want to generate the following cont
Hi Urs,
try this line:
#(eval ctx (current-module))
Of course normally eval is evil, but in this case you just evaluate the
name - the symbol - to the definition, which is stored under that name
inside the scope of the layout block.
HTH
Jan-Peter
Am 09.03.2016 um 09:02 schrieb Urs Liska:
*
Am 09.03.2016 um 09:25 schrieb Jan-Peter Voigt:
> Hi Urs,
>
> try this line:
> #(eval ctx (current-module))
>
> Of course normally eval is evil, but in this case you just evaluate
> the name - the symbol - to the definition, which is stored under that
> name inside the scope of the layout block.
Obviously does changePitch.ly not understand the construct \tuplet 3/2 {
a8 a a }.
\include "changePitch.ly"
rhythmPattern = {a16
%\tuplet 3/2 { a8 a a }
a16 a8 a4 a4} % a complex rhythm
scoreViolinI = \relative c'
{
% \setOctave c' %this command is just an example and it does not exist!
\c
Am 09.03.2016 09:52, schrieb Blöchl Bernhard:
Obviously does changePitch.ly not understand the construct \tuplet 3/2
{ a8 a a }.
The use of patterns is completely wrong. Check the documentation how to
use the construct correctly.
http://gillesth.free.fr/Lilypond/changePitch/changePitch-doc.pd
Craig Dabelstein writes:
> Sorry gents, here is one more I can't work out.
>
> The piece is in 9/8 but I need one instrument to play in 4/4. I have no
> idea how to work out that fraction:
>
> \set Staff.timeSignatureFraction = 4/4
> \scaleDurations ???/???
Uh, 9/8 / 4/4 = 9/8. So to spread 4/4
Dear Carl,
thank you for pointing me out the octave check, didn't know it and now I'm
testing it (even if it looks it doesn't work as I need).
Thanks, g.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypon
Jan-Peter Voigt writes:
> Hi Urs,
>
> try this line:
> #(eval ctx (current-module))
>
> Of course normally eval is evil, but in this case you just evaluate
> the name - the symbol - to the definition, which is stored under that
> name inside the scope of the layout block.
That's completely gratu
Thank you Patrick, this works exactly as I expected. Why it is not
documented? Can we use it or do we risk that it will deprecated?
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Greetings All,
This is a Scheme question. We are trying to make a callback function for a
customised text spanner that centres the left and right markup text exactly
over the centre of the first and last notes the spanner covers. I am doing this
in Scheme, and all is working, but so far I am un
Having come to a halt, I think I must be on the entirely wrong track. So I
thought about engravers, which I have no experience with. The NR Snippets
section has this topic "Centering markup on note heads automatically”. If you
compile this under 2.19.37 the markup is certainly not aligned in the
2016-03-09 10:59 GMT+01:00 Andrew Bernard :
> Greetings All,
>
> This is a Scheme question. We are trying to make a callback function for a
> customised text spanner that centres the left and right markup text exactly
> over the centre of the first and last notes the spanner covers. I am doing
> th
Malte Meyn-3 wrote
> Am 09.03.2016 um 05:13 schrieb zzk:
>> Out of curiosity (and maybe for some possible future, more complicated
>> scenarios), is there a solution using \scaleDurations instead?
>>
>
> A tuplet 7/6 without tuplet number is the same as \scaleDurations with
> factor 6/7. Or, even
On Wed 09 Mar 2016 at 01:07:47 (+0100), Gianmaria Lari wrote:
>Ciao David,
>let's put it in another way. Have a look to the attached image and please
>suggest me how you would write the code to generate it.
That is attached. I adopted a subtractive approach, using your source
as a base
> Message: 1
> Date: Wed, 9 Mar 2016 01:07:47 +0100
> From: Gianmaria Lari
> To: lilypond-user
> Subject: Re: music patterns and octave
>
>
> Then please have a look to the code I *would* like to write to obtain it.
> Do you know if does exist anything similar to "\setOctave"? Do you see any
>
On Wed 09 Mar 2016 at 07:56:21 (-0600), Patrick Karl wrote:
>
> > Message: 1
> > Date: Wed, 9 Mar 2016 01:07:47 +0100
> > From: Gianmaria Lari
> > To: lilypond-user
> > Subject: Re: music patterns and octave
> >
> >
> > Then please have a look to the code I *would* like to write to obtain it.
On 09.03.2016 03:14, markdblackwell wrote:
After an extremely long syllable in the lyrics, the next measure's spacing is
quite wide, even with ragged-right.
In the tiny example below, the problematic measure (of two eighth notes)
comprises the word, "shine".
First thing I think of would be a c
Nice Simon !
2016-03-09 15:46 GMT+01:00 Simon Albrecht :
> On 09.03.2016 03:14, markdblackwell wrote:
>
>> After an extremely long syllable in the lyrics, the next measure's
>> spacing is
>> quite wide, even with ragged-right.
>>
>> In the tiny example below, the problematic measure (of two eight
Thank you David for your help. I think the behaviour of "\relative" and
"\resetRelativeOctave" are clear. If the latter is not deprecated IMHO
there are cases where it can be very useful. That one you mention
(preventing up
and down octave when changing code) it is just one. For instance, suppose I
Ciao Patric,
to use "changePitch.ly" with Lilypond 2.19 you need to convert it. In case
you need you can check at the end of this old thread:
http://lilypond.1069038.n5.nabble.com/changepitch-compilation-error-td187658.html
g.
___
lilypond-user mailing
Gianmaria Lari writes:
> Thank you David for your help. I think the behaviour of "\relative" and
> "\resetRelativeOctave" are clear. If the latter is not deprecated IMHO
> there are cases where it can be very useful. That one you mention
> (preventing up
> and down octave when changing code) it i
I'm sorry I have not been clear in my old messages, hope my last one it is
clearer.
Regarding:
\relative c'
>{
>...
> \setOctave c'
> \relative c' \changePitch \rhythmPattern { ...
>
> I'm not even sure of how LP interprets that last \relative.
>
>
Last "relative" applies only t
\relative c' {
\time 4/3
\cadenzaOn
c4 c c \bar "|"
c c c \bar "|"
}
HTH
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Does there exist a directive that will automatically fill
the last measure of a voice with rests?
If not, any pointers for programming such would be welcome.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lil
Hello everyone,
i am busy with trying to find a way to make various alternative notations in
lilypond. For now the Piano_Tab Notation. I found some useful information at
musicnotation.org/ and right know i made this:
_
%Piano_Tab
Hi Philip,
Try :
\layout {
\context {
\Staff
\remove "Accidental_engraver"
\remove "Key_engraver"
\remove "Clef_engraver"
}
}
Cheers,
Pierre
2016-03-09 18:55 GMT+01:00 Philip Bergwerf :
> Hello everyone,
>
> i am busy with trying to find a way
\omit Accidental
\omit Clef
HTH
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Problem solved! thank you
Cheers, Philip
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Piano-Tab-notation-how-to-disable-clef-and-key-engraver-tp188358p188361.html
Sent from the User mailing list archive at Nabble.com.
_
Hi Federico,
> I mean the width of the beam.
The beam is as wide as the notes (stems) are separated, so you want to
reduce the distance between note heads. Perhaps that seems nitpicking
but it makes clear that you want to change spacings or extents of
noteheads etc. and no beam property.
I have
All,
I have developed a couple of python PDF utilities that make certain batch
processing operations a little easier. I'd like to make some binary files
of the utilities so that users can just download and use them without
needing to worry about setting up a python installation on their machines,
Simon Albrecht writes:
> On 08.03.2016 22:06, Michael Rivers wrote:
>> Thanks for the solutions. I'm OK with an error message!
>
> Or you can insert
>
> #(ly:expect-warning "strange")
>
> in your source.
Here is a warning-less version:
\version "2.19.28"
show =
#(define-music-function (mup ite
On Wed 09 Mar 2016 at 17:57:25 (+0100), Gianmaria Lari wrote:
>Last "relative" applies only to the whole musical expression generated by
>"changePitch". You can see it clearly here:
>\version "2.19.35"
>\include "changePitch.ly"
>pattern =
>{
> r2 a16 a8 a8 a16
>
Hello everyone,
i am busy with trying to find a way to make various alternative
notations in lilypond. I found some usefull information at
musicnotation.org/. Well and right know made this:
_
%Piano_Tab template
\header {
tit
Hello Philip,
the engravers are consisted in different contexts. You can remove them
in a layout block in the Staff context (not PianoStaff).
HTH
Jan-Peter
\version "2.19.38"
%Piano_Tab template
\header {
title = "Piano_T
34 matches
Mail list logo