HI Werner,
This is all great, but isn't it a bit circular? I run emacs 27.0.50 on
Debian 9. I don't have the Musica font you refer to, and it's not built in.
Could you tell me where you got that from?
Andrew
On Thu, 21 Feb 2019 at 17:29, Werner LEMBERG wrote:
>
> In Emacs, move the cursor to
This is arguably off topic (from LP) but I'm stuck and don't know where
else to turn.
I was a happy LP/Frescobaldi user on Win7. Finally had to upgrade to
Win10 (ugh!)
When I launch Frescobaldi it silently fails to launch. I've launched it
from the command line to see if there was any
Hello Werner,
My requirement now solved: I downloaded a redistributable of the SMuFL font
Bravura from the official github repo. It has more accidentals than I
dreamed of existing. The lilypond ones are 'Stein-Zimmerman' (whatever that
is!) and semisharp and semiflat are U+E280 and U+E282.
On 2/21/2019 9:18 AM, William Zeitler wrote:
This is arguably off topic (from LP) but I'm stuck and don't know
where else to turn.
I was a happy LP/Frescobaldi user on Win7. Finally had to upgrade to
Win10 (ugh!)
When I launch Frescobaldi it silently fails to launch. I've launched
it from
Hi Werner,
Thanks for all this really precious information. Noto Sans is really good.
But I am barking up the wrong tree it appears to me. Symbola and Noto Sans
cover this Unicode block, but the semisharp is the form of a sharp with a 4
for quartersharp. I was hoping to find the symbol I use,
Hi Andrew,
Am 21.02.19 um 05:08 schrieb Andrew Bernard:
Hello All,
Continuing my investigations here, with reference to the list archive:
https://lists.gnu.org/archive/html/lilypond-user/2015-04/msg00118.html
I have tried making a custom articulation, rather than a text markup,
and of
Hi Werner,
Circular meaning implying the existence of something already that I don't
have. Because you said you just ran emacs and looked. I found it is part of
Suse. Thanks.
I am looking at Symbola, but 1D132 is a very small sharp with a 4, which is
valid, but not the normal lilypond semisharp
> Circular meaning implying the existence of something already that I
> don't have. Because you said you just ran emacs and looked.
Well, the second method that I described can be used in case Emacs
doesn't find a glyph. BTW, another font that contains musical glyphs
of the U+1D1xx range is
> This is all great, but isn't it a bit circular?
Circular? What do you mean?
> I run emacs 27.0.50 on Debian 9. I don't have the Musica font you
> refer to, and it's not built in.
Built in? What exactly is the problem? A quick search on google with
musica.ttf debian
yields
I'm not quite sure what you mean by string numbers - Roman numbers
indicating I, II, III, IV? Are these text-scripts?
Please forget this stupid question - I didn't know about LilyPonds
StringNumber facility (never having used them before, even though I am a
string player... quite embarrassing
On 2019-02-21 2:54 am, Werner LEMBERG wrote:
My requirement now solved: I downloaded a redistributable of the
SMuFL font Bravura from the official github repo.
OK, but...
It has more accidentals than I dreamed of existing. The lilypond
ones are 'Stein-Zimmerman' (whatever that is!) and
edes wrote
> it's fairly easy to have basic completion, you just need to define a
> dictionary for lilypond.
Thanks, I'll look into that!
David Wright wrote
> Had you told us why vim is essential, as opposed to gvim?
Because as far as I know, just configure in .bashrc export EDITOR="gvim" is
Thanks Werner,
In the current case, it's just for a text preface, so it should be alright.
It's a fascinating area. I have learned a lot today.
Andrew
On Thu, 21 Feb 2019 at 21:54, Werner LEMBERG wrote:
> ... please be aware that Unicode characters U+Exxx are from the
> Private Use Area
> My requirement now solved: I downloaded a redistributable of the
> SMuFL font Bravura from the official github repo.
OK, but...
> It has more accidentals than I dreamed of existing. The lilypond
> ones are 'Stein-Zimmerman' (whatever that is!) and semisharp and
> semiflat are U+E280 and
On Wed, 20 Feb 2019, Even Thorbergsen wrote:
Thank you for your answer.
Actually, I have tried this, but cannot make it work.
Here is an example of what I have tried, the format is imo not easily
grasped:
Hi Even,
You can find the solution in the P.S. of my previous answer. You are
When I use a staff size larger than 20, I get a gap between the stem and
the cross notehead, like for the ride cymbal in a drum score. Any way to
correct this?
\version "2.19.82"
#(set-global-staff-size 23)
up = \drummode { \stemUp cymr4 }
\score { << \new DrumStaff << \up >> >> }
Is it possible to initialize a score created through \markup \score with
a fresh set of (or specific) \paper settings that are independent from
the surrounding document?
I'm using \markup \score to center some music in a measure. However,
when I have a paper setting that justifies the last
Hello folks,
What does the ‘5’ mean in:
\repeat volta 5 {
\key c \major
\time 4/4
\clef "treble"
c'1
}
d1
\bar "|."
Lily produces the following score, but where is the ‘5’ in it?
Thanks for your help!
JM
___
On Thu 21 Feb 2019 at 03:34:09 (-0700), foxfanfare wrote:
> David Wright wrote
> > Had you told us why vim is essential, as opposed to gvim?
>
> Because as far as I know, just configure in .bashrc export EDITOR="gvim" is
> enough to get P working. You don't have to start server-mode, remote, etc.
Hi Urs,
like this?
I think it does what is specified; it aligns the center of the
markup-score to the note you attached it to.
I'm not sure, however, if this is what you want to achieve.
\version "2.19.80"
\paper {
ragged-right = ##f
system-count = 1
}
{
c'1
\override
On 2/21/19, foxfanfare wrote:
> As Aaron guessed, I've installed i3-gaps and the transparency of the
> terminal or whatever window in i3 is managed with compton. Top bar is
> polybar for now.
Still off-topic, but: thank you so much! I’ve just discovered that
sway actually supports all of i3-gaps
Hi Michael,
> However when there is a long note (e.g. full, or breve or such) the current
> situation leaves room for improvement (to my knowledge).
For untied notes (like single whole notes), the convention is not to have
extenders.
If you want to break with convention, I suggest using a
Hi Jacques,
On Thu, Feb 21, 2019 at 6:42 PM Jacques Menu wrote:
> Hello folks,
>
> What does the ‘5’ mean in:
>
[SNIP]
as I understand it, the number after the volta function doesn't do much on
its own, but it enables you to specify alternate endings, as described here:
William,
I've been running Frescobaldi 2.18.2 in a Windows 10 environment for quite
awhile now, but I remember having problems early on in the conversion. I
uninstalled Frescobaldi, rebooted, and then reinstalled from a fresh download,
and haven't had any real issues since then.
Karen
On
Hi Michael,
Am 21.02.19 um 19:32 schrieb Michael Käppler:
Hi Urs,
like this?
I think it does what is specified; it aligns the center of the
markup-score to the note you attached it to.
I'm not sure, however, if this is what you want to achieve.
...
Thanks, this does exactly what I need!
Hi Lukas,
Works like a charm.
Andrew
On Sun, 17 Feb 2019 at 23:57, Lukas-Fabian Moser wrote:
>
> Applying \general-align #Y #CENTER to the associated text (not to the
> brackets) seems to me to yield best results. Does this help you?
>
>
___
Is the proper answer to this LSR 954? If so, how could one put the text at
the start and the end, not in the middle? And change the line style to
dashed or different?
Andrew
___
lilypond-user mailing list
lilypond-user@gnu.org
I am attempting to use a text spanner as an indicator for a repeated
section. I need it to stop at the barline, and not on the next note.
Shortening it by using padding on the right affects the first line as well,
which is not wanted. How does one do this properly?
And my usual question, is there
Il giorno gio 21 feb 2019 alle 18:42, Jacques Menu
ha scritto:
Hello folks,
What does the ‘5’ mean in:
\repeat volta 5 {
\key c \major
\time 4/4
\clef "treble"
c'1
}
d1
\bar "|."
Lily produces the following score, but where is the ‘5’ in it?
Hello Jacques
Am Do., 21. Feb. 2019 um 17:53 Uhr schrieb Vaylor Trucks :
>
> When I use a staff size larger than 20, I get a gap between the stem and the
> cross notehead, like for the ride cymbal in a drum score. Any way to correct
> this?
>
> \version "2.19.82"
> #(set-global-staff-size 23)
> up = \drummode
Am Mi., 20. Feb. 2019 um 16:42 Uhr schrieb Andrew Bernard
:
>
> Is there any way to instruct lilypond to always place accents above a note
> first, and then blowing marks? They are all Scripts. I am fully aware of LSR
> 447 and 965 but I have thousands and I don't want to \tweak each one. LSR
Am Do., 21. Feb. 2019 um 19:50 Uhr schrieb N. Andrew Walsh
:
>
> Hi Jacques,
>
> On Thu, Feb 21, 2019 at 6:42 PM Jacques Menu wrote:
>>
>> Hello folks,
>>
>> What does the ‘5’ mean in:
>
> [SNIP]
>
> as I understand it, the number after the volta function doesn't do much on
> its own, but it
I had no clue I can simply throw paper variables in a layout block too ...
You can't in general.
http://lilypond.org/doc/v2.19/Documentation/notation/the-layout-block.html
says:
The |\paper| variables that can appear in a |\layout| block, with
default values taken from the |\paper| block
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