First let's solve the first problem. That might solve the second as well. Try
it on an existing score. And before clicking on the piano move the cursor to
the place where you trying to enter the notes. This problem can happen if there
is no note before, not even a relative declaration.
2009/7/16 Graham Percival gra...@percival-music.ca:
Moved to the official server:
http://lilypond.org/~graham/
4) suggestions. Yes, these are still valuable, but we could have
all the hey, try out this blue-shaded color scheme ideas in
the world. But if nobody is working on the .css
On Thu, Jul 16, 2009 at 10:07:29AM +0300, Dmytro O. Redchuk wrote:
2009/7/16 Graham Percival gra...@percival-music.ca:
Moved to the official server:
http://lilypond.org/~graham/
4) suggestions. Yes, these are still valuable, but we could have
all the hey, try out this blue-shaded
On 16 Jul 2009, at 04:42, Graham Percival wrote:
Moved to the official server:
http://lilypond.org/~graham/
4) suggestions. Yes, these are still valuable, but we could have
all the hey, try out this blue-shaded color scheme ideas in
the world. But if nobody is working on the .css file,
On Thu, 16 Jul 2009 10:45:38 +0200, Hans Aberg hab...@math.su.se wrote:
3) proofreading, checking, etc:
http://lilypond.org/~graham/Download.html#Download
With Linux one usually means GNU/Linux - the operative system is
GNU, and the kernel is Linux. (Like Mac OS X/Mach.)
And the
Tom == Tom Weissmann tom.weissm...@gmail.com writes:
- what does the symbol in quotation marks mean mean (visualise it
rotated clockwise by about 30 degrees) :||:?
Tom It could be a kind of simile mark, which would make sense because
Tom it marks a repetition of the words and a near
Kieren MacMillan kieren_macmillan at sympatico.ca writes:
Hello all,
Is the fontsize of the lyric tie glyph user-settable?
[v2.13, if it matters...]
Thanks,
Kieren.
I don't see any simple way, but you can copy the default (mostly in
define-markup-commands.scm), tweak it to suit,
2009/7/16 胡海鹏 - Hu Haipeng hhpmu...@163.com:
So, how to correctly add these different two verses?
Try the following:
Split the music into named voice blocks, inside of the repeat structure.
\repeat ... {
\new Voice = name { }
}
then apply them your lyrics, a block a time, with
I'm used to seeing the movement you describe notated as a line between the
two fingering indications, which I fake with a shifted glissando with
truncated ends:
%===
guide = #(define-music-function (parser location padleft padright) (number?
This is expected when you mix the repeat structure with variables and
the top score structure. What I suggested is to open new voice blocks
without touching the top repeat structure. You don't really need
variables to do this, and I talked about voice names, not variable
names. More below.
Thank you for your advice. I ever read this in NR, but wasn't sure whether it
works. Now again the example. I don't know whether the variables are correct,
but it really can't work! The error is unexpected \alternative, perhaps because
I assigned it to another voice. How to hack on it?
Regards
To whom it may concern:
Help!
I have a problem with getting ties to work over a barline. Essentially, I
am working with two layers. In m. 1, layer one is hidden (with a hidden
rest) and in m.2, there are 3 half notes, which show up just fine (the piece
is in 3/2 time). In layer two, m.1, I
\tieNeutral
--
oiram/bin/selom
\version 2.12.2
\header { }
\score {
\new Staff {
\key fis \major
\clef bass
% create LH staff; needs two simultaneous voices
\new Voice { % create LH voice one
\voiceOne
\relative c { % start of LH voice one notes
\time 3/2
s1. |
\once \override NoteColumn
Thank you. Then, is this ok? It can compile, but I don't know 1) whether the
lyrics are correctly aligned; and 2) whether the second and third new voices
change stems to weird directions.
Regards
Haipeng
\version 2.13.3
music = \relative c' {
\clef treble \time 4/4
\repeat volta 2 {
On Thu, 16 Jul 2009 02:58:00 +0200, Tom Weissmann wrote:
Hello,
I'm using Lilypond to add a hymn to a LaTeX document. I'm very
impressed!
A couple of questions:
- how can I avoid indenting the first line of music? - what does the
symbol in quotation marks mean mean (visualise it
Hu,
You are very close to the solution!
Your \new Voice inside the alternative is an expression that gets the
value of the very next block surrounded by curly braces (and only the
first one). That's why the 'alt' lyrics does not fill the second
alternative.
Also, you obtain 'sol' vertically
Jesús Guillermo Andrade wrote:
How can I put it below the chord symbol?
These marks, i.e. RehearsalMark, are normally put above everything else.
This is done by having the corresponding engraver in the Score context.
You can move the engraver down to where your melody is by doing
\layout {
I want to move the breath marks from in the staff to above the staff in this
example:
\version 2.12.2
\relative c'' {
c \breathe d e \breathe f
}
Can anyone tell me how to do this?
Thanks!
-
Josh Nichols
SDG
Michael Lauer wrote:
I don't see any simple way, but you can copy the default (mostly in
define-markup-commands.scm), tweak it to suit, and override the
LyricText stencil.
Michael,
your solution is *much* more convenient for the user than mine, but I
think mine looks a little better since it
Josh Nichols wrote:
I want to move the breath marks from in the staff to above the staff in
this example:
\version 2.12.2
\relative c'' {
c \breathe d e \breathe f
}
Hi.
Use
\version 2.12.2
\relative c'' {
c \breathe d
\override Voice . BreathingSign #'Y-offset = #3
e
Graham Percival wrote:
2. In 2.2.6, partial measures and gracenotes are covered. In the
previous
chapter, autobeaming is covered. Put them all together and, wham!
A partial measure starting with a gracenote turns off autobeaming,
even if it's explicitly turned on:
This is
Hello,
I published this score (not this file, since I merge my settings into it
now)) to WIMA as its first Chinese music. But the editor gave me some points on
collision:
- avoiding slurs overwriting note shapes or performance directions, for
example the right hand phrasing slur bar 18-21
On 7/16/09 6:14 PM, hhpmu...@163.com hhpmu...@163.com wrote:
Hello,
I published this score (not this file, since I merge my settings into it
now)) to WIMA as its first Chinese music. But the editor gave me some points
on collision:
- avoiding slurs overwriting note shapes or
I am working on typesetting Pavane pour une infante Defunte by Ravel but am
having trouble with the score layout. It is as follows:
\score {
\new StaffGroup
\new Staff { \global \flutes }
\new Staff { \global \hautbois }
\new Staff { \global \clarinettes }
\new Staff { \global \cors }
\new
When this error appears it's normally something like a missing curly brace.
I can't try to compile your example b/c I don't have all of the source, but
it looks like there might be un-terminated grandstaves near the bottom--see
where I put comments below...
Jon
On Thu, Jul 16, 2009 at 9:37 PM,
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