Scribus will automatically refresh its PDF's, so there is no real need
for inline rendering for larger documents.
(Anyway, developing something like this should not be so hard, as on
embedded images there is a page flag, for embedding multi-page images.
So if several render frames could point
--- On Sat, 8/29/09, Graham Percival gra...@percival-music.ca wrote:
From: Graham Percival gra...@percival-music.ca
Subject: Re: Accidentals: Unwanted naturals
To: Jonathan Wilkes jancs...@yahoo.com
Cc: lilypond-user@gnu.org
Date: Saturday, August 29, 2009, 7:10 AM
On Fri, Aug 28, 2009 at
On Fri, Aug 28, 2009 at 11:40:41PM -0700, Jonathan Wilkes wrote:
Yes, but most novices with no knowledge of lilypond or music
theory won't be writing in 5 sharps or flats, double-sharps
or flats, or b/c e/f sharp/flats.
These accidentals are common. B-sharp crops up in jazz tunes, even
Le 29 août 09 à 00:11, Graham Percival a écrit :
On Fri, Aug 28, 2009 at 04:30:58AM +0200, Frank Steinmetzger wrote:
So I have had a look at the code and found
scoreTitleMarkup = \markup \null
BTW, this would probably be better written as
scoreTitleMarkup = ##f
But there is one
Hi there, I would like to thank everyone who participated in this
discussion. I have learned a lot!
Thanks,
Christian
On Thu, Aug 27, 2009 at 1:01 AM, Carl Glickkuriboo1...@gmail.com wrote:
If you want to learn about basic music theory, http://musictheory.net/ is
supposed to be very good, at
Am Samstag, 29. August 2009 schrob Nicolas Sceaux:
You (Frank) have to change the footer markups. Have a look
at oddFooterMarkup in ly/titling-init.ly: change the `first-page'
predicate call to a (to be written) `second-page'.
Actually, I tried that out of the blue, hoping this keyword would
I can rotate a character with the \rotate command, but is there a way
to get a mirror of a character, either horizontal or vertical? to
print, for example ə?
James E. Bailey
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On Friday 28 August 2009, Kieren MacMillan wrote:
David,
It is also perfectly reasonable for a person who has been writing
music for decades for it to make no sense. Why?
Because it makes no sense, and never did.
?
Why not a \followKeySignature command?
??
I can't remember
On Friday 28 August 2009, David Rogers wrote:
On Fri, Aug 28, 2009 at 10:58, Kieren
MacMillankieren_macmil...@sympatico.ca wrote:
Hi David (et al),
Just to be absolutely clear, the fallacy in your argument lies in
the
following statement:
It's necessary to consider the sound of the
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Samstag, 29. August 2009 21:55:26 schrieb David Raleigh Arnold:
On Friday 28 August 2009, Kieren MacMillan wrote:
I can't remember who in this thread first suggested that when you
play an instrument you follow the key signature, but
On 2009-08-29, David Raleigh Arnold wrote:
I know that. I think Lilypond is operating correctly here, that this
part of the code should be kept as is with nothing added, and that
those users who wish it operated differently are making a mistake, for
exactly the reasons you've just
David,
The key signature is and has been for many centuries
an integral part of the notation.
Yes... and now you're suggesting we make it *not* integral — your
argument holds no merit.
Cheers,
Kieren.
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David,
You have shouted down the users, but convinced none.
Why? Because you are wrong.
Oh, now I remember you... I think every thread you've ever been
involved in ends in some snobby, irritating comment like that! =)
Thanks for the flashback,
Kieren.
Dear All,
\version 2.12.2
I'm typesetting a 6-stave piece, SATB and piano.
Is there any way of altering the distance between the
piano staves, just for one system. Also, is there any
way to put more distance between the top piano
stave and the bass singers' stave? I have checked
out the
James E. Baileywrote:
for example ə?
Here is a rather inconvenient way:
\markup { X:\postscript # -1 1 scale (_e) show }
\markup { Y:\postscript # 1 -1 scale (_e) show }
Cheers,
Robin
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Hi there, another problem. I hope people don't get too impatient with
me. I try to figure out how to define a chord notation that doesn't
quite fit into the normal mode. Please consider the following working
code example:
\version 2.12.2
#(ly:set-option 'delete-intermediate-files #t) % deletes
Christian Henning wrote:
Hi there, another problem. I hope people don't get too impatient with
me. I try to figure out how to define a chord notation that doesn't
quite fit into the normal mode. Please consider the following working
code example:
\version 2.12.2
#(ly:set-option
Am Samstag, 29. August 2009 schrieb Frederick Dennis:
Dear All,
\version 2.12.2
I'm typesetting a 6-stave piece, SATB and piano.
Is there any way of altering the distance between the
piano staves, just for one system. Also, is there any
way to put more distance between the top piano
stave
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