Am 12.03.2011 21:39, schrieb Carl Sorensen:
[...]
[1] Searching the internet, there seems to be the general opinion
that mandolins aren't supposed to play chords at all, but it sounds
cool ;-)
A quick search for mandolin chords on google showed lots of places with
chord diagrams for mandolin.
Michael Welsh Duggan schreef op zo 13-03-2011 om 03:02 [-0400]:
Hinrik ÖrnSigurðsson hinrik@gmail.com writes:
It is a feature in Lilypond's midi output. Discussion about this can be
found at
URL:http://lists.gnu.org/archive/html/lilypond-user/2004-04/msg00233.html.
Can you please have a
Am 12.03.2011 21:39, schrieb Carl Sorensen:
On 3/12/11 1:19 AM, Marc Hohlm...@hohlart.de wrote:
Am 11.03.2011 18:52, schrieb Carl Sorensen:
Why not just use a FretBoards context?
Good question; it looked way too complicated for my purposes.
I need some chords played on a mandolin, and
Phil Holmes schrieb:
The piece you've shown is mostly 4/4 with a single bar of 6/4 - correct?
Are you saying you'd like both 4/4 and 6/4 set as time signatures at the
start of the piece?
Yes, they should be at the start, but it should be 2/2 and 3/2. ;–)
Now I’ve set the bars manually and got
2011/3/13 Hinrik Örn Sigurðsson hinrik@gmail.com:
On Sun, Mar 13, 2011 at 7:15 AM, Janek Warchoł
lemniskata.bernoull...@gmail.com wrote:
Here is a workaround - add this to your \midi { } block:
\context {
\Staff \remove Staff_performer
}
\context {
\Voice \consists
Hello,
-Original Message-
From: David Nalesnik dnale...@umail.iu.edu
Date: Sun, 13 Mar 2011 12:08:01 -0500
To: han...@xs4all.nl
Cc: LilyPond User lilypond-user@gnu.org
Subject: Re: left-aligning grobs to other grobs
Any feedback -- suggestions for improvement, ideas for a use -- would
be
On 14/03/11 05:13, Hannes Kuhnert wrote:
Phil Holmes schrieb:
The piece you've shown is mostly 4/4 with a single bar of 6/4 - correct?
Are you saying you'd like both 4/4 and 6/4 set as time signatures at the
start of the piece?
Yes, they should be at the start, but it should be 2/2 and 3/2.
Am 2011-03-13 um 00:51 schrieb Bernardo Barros:
2011/3/12 Henning Hraban Ramm hra...@fiee.net:
MacPorts is a project independent from Apple, but uses the compiler
etc
installed with Xcode.
What you can download and install from macports.org is just a base
system to
be able to use the
hello
-Original Message-
From: Henning Hraban Ramm hra...@fiee.net
Date: Sun, 13 Mar 2011 22:28:52 +0100
To: LilyPond User lilypond-user@gnu.org
Subject: Re: Compile for Mac
Am 2011-03-13 um 00:51 schrieb Bernardo Barros:
2011/3/12 Henning Hraban Ramm hra...@fiee.net:
MacPorts is a
On Mar 13, 2011, at 4:28 PM, Henning Hraban Ramm wrote:
Am 2011-03-13 um 00:51 schrieb Bernardo Barros:
2011/3/12 Henning Hraban Ramm hra...@fiee.net:
MacPorts is a project independent from Apple, but uses the compiler etc
installed with Xcode.
What you can download and install from
On 13 Mar 2011, at 23:06, Tim McNamara wrote:
...there is also a problem with the App Store's terms of sale and the GPL).
They have switched to LLVM and Clang, which have different copyright terms.
http://en.wikipedia.org/wiki/LLVM
http://en.wikipedia.org/wiki/Clang
Hans
changePitch at http://gillesth.free.fr/Lilypond/changePitch/changePitch.ly
defineTransform in LSR 346
However, each has its deficiencies, and I now need to code some music which
neither of these utils can handle. The rhythmic pattern to be repeated
involves ties. 346 handles these but
On Sun, Mar 6, 2011 at 8:17 AM, Mike Blackstock
blackstock.m...@gmail.com wrote:
This is F*G great! Especially the Bach BWV 1006 - I could have sworn it
really was a kid playing. http://percival-music.ca/audio/bwv-1006_1.wav.mp3
To my ears, the rhythm sounded eerily exact - don't kids slow
-- O -- (O is the body of a note here)
-- O --
the interval between both pitches depends on the location.
Why?
Why should e-g be different from g - h ?
Wouldn't it be easier to assign notes (c,d,e,..) natural numbers?
then define
could be:
---O- nr 16
---O- nr 12
---O- nr 8
---O- nr 4
---O- nr
Hi,
2.13.54
Does it ever make sense for RemoveEmptyStaffContext to remove all
staves? Should not at least one be kept alive showing the rests?
Is there a way to force this behavior? I haven't gotten the following
to work yet to see whether it will do what I want:
* Marc Weber marco-owe...@gmx.de [2011-03-14 04:01]:
-- O -- (O is the body of a note here)
-- O --
the interval between both pitches depends on the location.
Why?
Why should e-g be different from g - h ?
Wouldn't it be easier to assign notes (c,d,e,..) natural numbers?
then define
could
16 matches
Mail list logo