On 26.01.2014, at 06:41, Thomas Morley thomasmorle...@gmail.com wrote:
2014-01-26 Rupert rupertsn...@gmail.com:
Hi all,
Is there a way to color objects semi-transparently in Lilypond?
Perhaps one could use an rgba color
instead of #red in the following example?
There's at least a
Hi Joram all,
Firstly: i apologize for the delay. I'm really failing hard with
managing LilyPond stuff :(
2014-01-21 Noeck noeck.marb...@gmx.de:
Hi all,
I have a set of overrides for ClefModifiers. Perhaps they are
interesting for some people on this list (a) and perhaps also as a
I think Urs already knows the answer, but for the archives' sake:
2014-01-23 Urs Liska u...@openlilylib.org:
Hi,
I never worked with that kind of stuff, so I'd like to get some feedback and
hints _before_ digging into the docs myself. So I explicitly don't expect
ready solutions, just a few
2014-01-25 Tim McNamara tim...@bitstream.net:
Also, there is a non-Mac-like behavior. Clicking the close button on the
upper left hand corner of the document window quits the app. I realize that
on some/most OSes this is normal behavior, but not Macs. FWIW.
Reported as
Dear Steve,
2014-01-25 Steve Noland st...@thenolands.us:
Well, now, this is a mystery. The lilytst.ly test file had a related PDF
output from LilyPond in the same directory. With it present, when I
drag/drop the .ly file to FB, FB started OK, but when I command a LilyPond
compile,
Hi,
I have an issue with partcombine when the second voice has a full rest
(r1 or R1) and the first voice starts on the last beat. It moves the
quarter rest up, see the minimal example and the included figure.
Is this a known issue (I coudn't find it in the tracker) or is this a
new one?
Perhaps it's related to this:
http://lilypond.1069038.n5.nabble.com/partcombine-bug-missplaced-rest-td152312.html
https://code.google.com/p/lilypond/issues/detail?id=3612thanks=3612ts=1381827371
Hi,
I have an issue with partcombine when the second voice has a full rest (r1 or R1) and
Hi! Sometimes I want my hairpin run to the end of the piece (last bar line).
Attempt 1:
{
\override Hairpin #'to-barline = ##f
c'1~ \
c'1 \! \bar |.
}
This of course doesn't work.
Attempt 2:
{
\override Hairpin #'to-barline = ##f
c'1~ \
c'1 { s4*3 s4 \! } \bar |. or maybe
karol wrote
Hi! Sometimes I want my hairpin run to the end of the piece (last bar
line).
Attempt 1:
{
\override Hairpin #'to-barline = ##f
c'1~ \
c'1 \! \bar |.
}
nearly - add an empty chord like:
{
\override Hairpin.to-barline = ##f
c'1 \ c'1 ** \! \bar ||
}
this draws
{
\override Hairpin.to-barline = ##f
c'1 \ c'1 \! \bar ||
}
this draws the hairpin to the bar line though there are error messages.
Yes... using s1*0 also gives error messages.
This is really frustrating...
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- Original Message -
From: Karol Majewski karo...@wp.pl
To: Eluze elu...@gmail.com
Cc: lilypond-user lilypond-user@gnu.org
Sent: Sunday, January 26, 2014 1:58 PM
Subject: Re: Hairpin to the last bar line
{
\override Hairpin.to-barline = ##f
c'1 \ c'1 \! \bar ||
}
this draws the
PDF MIDI AND LILYPOND SOURCES!
http://mariomoles.altervista.org/agustin-barrios-mangore-maxixe/--
oiram/bin/selom
Da ognuno secondo le proprie capacità ad ognuno secondo i propri bisogni.
MIB-kernellinux-tester
http://mariomoles.altervista.org/[1]
Linux[2]
MIB[3] Lilypond[4] Frescobaldi[5]
Janek Warchoł janek.lilyp...@gmail.com writes:
I think Urs already knows the answer, but for the archives' sake:
2014-01-23 Urs Liska u...@openlilylib.org:
Hi,
I never worked with that kind of stuff, so I'd like to get some feedback and
hints _before_ digging into the docs myself. So I
Well, as I said, it's not clear on which beat you have to put \! here to get
the proper length of hairpin.
You could do:
{
c'1~ \
c'1 { s4*3 s4 \! } \bar |.
}
or
{
c'1~ \
c'1 { s4*3 s8 s8 \! } \bar |.
}
or
{
c'1~ \
c'1 { s4*3 s16*3 s16 \! } \bar |.
}
etc... but none of
2014/1/23 Phil Holmes m...@philholmes.net
Federico Bruni fedel...@gmail.com wrote in message
news:CAPjDBprh2G_JO79U18zF=VZwhDHsN2VsqfNUDJNAw8=wspu...@mail.gmail.com...
2014/1/23 Nick Payne nick.pa...@internode.on.net
Using the search box at top right on the LP web site is searching the
Hi,
is there a way to position a markup exactly at the reference point of
the anchor grob?
I would like to print a \path on top of notes, and it would be very
handy if one could have the markup at a reliable starting point (without
any automatic placement and collision handling).
I hope I
karol wrote
etc... but none of them produces perfect output.
Inserting null event like or s1*0 produces the proper lengh of hairpin,
but gives those nasty errors...
the message I get is:
programming error: bounds of this piece aren't breakable.
what does this mean?
did you search for the
One thing I noticed is that when Hairpin.to-barline is set to ##t then there
are no errors:
{
\override Hairpin.to-barline = ##t
c'1 \ c'1 \! \bar ||
}
The same thing happens with DynamicTextSpanner. If you set \override
DynamicTextSpanner.to-barline = ##t then everything is fine:
{
2014-01-26 Urs Liska u...@openlilylib.org:
Hi,
is there a way to position a markup exactly at the reference point of the
anchor grob?
I would like to print a \path on top of notes, and it would be very handy if
one could have the markup at a reliable starting point (without any
automatic
On Sun, Jan 26, 2014 at 12:23:10PM +0100, Karol Majewski wrote:
Hi! Sometimes I want my hairpin run to the end of the piece (last bar line).
Attempt 1:
{
\override Hairpin #'to-barline = ##f
c'1~ \
c'1 \! \bar |.
}
Why do you set Hairpin #'to-barline = ##f if you want the
There's a way to display a predefined guitar fretboard inside a \markup
block?
See below an example of a simple leadsheet: I want to display the chord
fretboards below the title. I'm defining the fretboards with \fret-diagram
commands, but I wonder if I can avoid it and use the definitions in
I am a new user of Lilypond, using v. 2.14.2 on Ubuntu 12.04. I have
read the Learning Manual and Notation Reference twice each, and most of
the other documentation at least once.
Having set two pieces (one for solo marimba, and one for flute and
piano), I hoped that I had reached the stage of
David,
Under 2.18.0 the first example (dynamics assigned to notes) compiles with
the dynamics aligned. Consider the benefit of updating Lilypond.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
Greetings David,
On 1/26/14, David Sumbler da...@aeolia.co.uk wrote:
I am a new user of Lilypond, using v. 2.14.2 on Ubuntu 12.04. I have
read the Learning Manual and Notation Reference twice each, and most of
the other documentation at least once.
First of all, welcome to LilyPond! Second,
On 26.01.2014, at 21:00, Federico Bruni fedel...@gmail.com wrote:
There's a way to display a predefined guitar fretboard inside a \markup block?
See below an example of a simple leadsheet: I want to display the chord
fretboards below the title. I'm defining the fretboards with \fret-diagram
Hi,
2014-01-26 David Sumbler da...@aeolia.co.uk:
\version 2.14.2
\new Staff = flute \relative c''' { c1\p c\f }
\new PianoStaff
\new Staff \relative c'' { c1 c }
\new Dynamics { s1\p s\f }
\new Staff \relative c { \clef bass c1 c }
the dynamics in the piano part
I'm experimenting with midi file to lilypond conversion since
midi2ly creates files that are hard to read for me, and thus makeing
it hard to use its output. Yes I can write a program to tidy up its
output, and I did so, but looking at the dump of a midi file with
this simple program:
///
2014/1/26 pls p.l.schm...@gmx.de
On 26.01.2014, at 21:00, Federico Bruni fedel...@gmail.com wrote:
There's a way to display a predefined guitar fretboard inside a \markup
block?
See below an example of a simple leadsheet: I want to display the chord
fretboards below the title. I'm defining
Paul Scott-4 wrote
On Sun, Jan 26, 2014 at 12:23:10PM +0100, Karol Majewski wrote:
Hi! Sometimes I want my hairpin run to the end of the piece (last bar
line).
Attempt 1:
{
\override Hairpin #'to-barline = ##f
c'1~ \
c'1 \! \bar |.
}
Why do you set Hairpin #'to-barline =
I think what Patrick tells is the way to do it:
to display the fret diagram as defined in the mentioned just add
\new FretBoards \myChords
in the appropriate place!
was that your question?
Eluze
--
View this message in context:
Janek Warchoł wrote
I think that you should override grob's stencil and add your own
stencil to previous stencil - it should be placed just like you
describe. Look at debugging bezier curves and adding grob refpoints
(from oll/snippets) for inspiration.
+1
Just work with stencils instead of
Something like this should do the trick. -Paul
\version 2.18.0
myFunction =
#(lambda (grob)
(let* ((notehead-stl (ly:grob-property grob 'stencil))
;; for scaling your stencil according to font size
(fsz (ly:grob-property grob 'font-size 0.0))
(mult (magstep
Am 27.01.2014 00:09, schrieb Paul Morris:
\version 2.18.0
myFunction =
#(lambda (grob)
(let* ((notehead-stl (ly:grob-property grob 'stencil))
;; for scaling your stencil according to font size
(fsz (ly:grob-property grob 'font-size 0.0))
(mult (magstep
Hi,
It's time to announce our Engraving Contest
(http://lilypondblog.org/2014/01/an-engraving-contest/) to the Finale
and Sibelius users - hopefully they will become interested and
participate, which would be good for two reasons:
- contest results will be more reliable,
- LilyPond will get more
2014/1/26 Eluze elu...@gmail.com
I think what Patrick tells is the way to do it:
to display the fret diagram as defined in the mentioned just add
\new FretBoards \myChords
in the appropriate place!
was that your question?
See below: only Hello World is printed, the \score is ignored
Federico Bruni-5 wrote
See below: only Hello World is printed, the \score is ignored
\version 2.18.0
\include predefined-guitar-fretboards.ly
myChords = \chordmode {
c1
a1:m
g1:7
c1:7
f1
}
\markup {
Hello World
\score {
\new ChordNames {
2014/1/27 Eluze elu...@gmail.com
pleas always check the log - it says:
warning: no systems found in \score markup, does it have a \layout block?
does this help?
oops, stupid me!
thanks, it works fine
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