2014-03-06 7:33 GMT+01:00 Joey Di Nardo username652...@gmail.com:
But I have been searching for an override command such thtat it will
apply to all barlines. Does anyone happen to know the command offhand?
\version 2.18.0
{
\repeat unfold 5 { s1 }
}
\layout {
\context {
\Staff \bar !
Am 06.03.2014 00:12, schrieb Simon Albrecht:
[...]
Why is this not in the LSR or even in
http://lilypond.org/doc/v2.18/Documentation/notation/graphical-notation?
AFAIK there is no way to use scheme engravers in the documentation yet,
and the frame engraver is written in scheme.
But including
Okay, I tried what Trevor suggested and it worked fine -- for the
three measures where I have two different voices. However, the
remaining 12 measures are all the same, that is, there is only one
voice.
My first attempt at coding this was to break the two voices
David Kastrup d...@gnu.org writes:
pls p.l.schm...@gmx.de writes:
sounds good. perfectly doable. no problems. I like the dorian runs
but I’d rather start the repetition sign after the partial...
Sure, but I'd have to reorganize the lyrics. Either that or use
different repeat bars for
David Kastrup d...@gnu.org writes:
But how bad are those, anyway? The Midi sounds doable.
And I am too lazy to look for my guitar and skills.
From a guitarist perspective, looks playable to me.
From a LilyPond perspective, I always consider David's snippets as
useful learning stuff. While
David Kastrup d...@gnu.org writes:
David Kastrup d...@gnu.org writes:
pls p.l.schm...@gmx.de writes:
sounds good. perfectly doable. no problems. I like the dorian runs
but I’d rather start the repetition sign after the partial...
Sure, but I'd have to reorganize the lyrics. Either
Johan Vromans jvrom...@squirrel.nl writes:
David Kastrup d...@gnu.org writes:
But how bad are those, anyway? The Midi sounds doable.
And I am too lazy to look for my guitar and skills.
From a guitarist perspective, looks playable to me.
From a LilyPond perspective, I always consider
Gilberto Agostinho wrote
I just would like to share two silly little programs I wrote
Apparently I forgot to make that 4shared folder public, so now everything
should be ok (thanks for those who wrote me).
Also, I just realized that 4shared asks new users to log in in order to
download files,
On 06.03.2014, at 09:58, David Kastrup d...@gnu.org wrote:
David Kastrup d...@gnu.org writes:
David Kastrup d...@gnu.org writes:
pls p.l.schm...@gmx.de writes:
sounds good. perfectly doable. no problems. I like the dorian runs
but I’d rather start the repetition sign after the
Hello
The example below prints text below the chord.
How can I print the text above the chord?
Thanks!
Lukas
\version 2.18.0
\new ChordNames \chordmode { c1:7 }
c''1^text
[image: Inline image 1]
inline: image.png___
lilypond-user mailing list
Lukas Rytz lukas.r...@gmail.com writes:
Hello
The example below prints text below the chord.
How can I print the text above the chord?
Thanks!
Lukas
\version 2.18.0
\new ChordNames \chordmode { c1:7 }
c''1^text
I am not saying that this is a good idea. No, sir. But if a
My first idea was
\version 2.18.0
\new ChordNames \with { \consists Text_engraver }
\chordmode { c1:7 ^text }
c''1
but the text is not printed because of
error: unrecognized string, not in text script or \lyricmode
\chordmode { c1 :7 ^text
}
I don't know how to fix that...
Am
I also tried along those lines.
Maybe something like this works, can the extra staff be
hidden? (I'm still a very beginner)
\version 2.18.0
s1^text
\new ChordNames \chordmode { c1:7 }
c''1
[image: Inline image 1]
On Thu, Mar 6, 2014 at 11:25 AM, Simon Albrecht
2014-03-06 10:58 GMT+01:00 Lukas Rytz lukas.r...@gmail.com:
Hello
Hi Lukas,
The example below prints text below the chord.
How can I print the text above the chord?
If it's just for one shot you can use something like :
\version 2.18.0
\new ChordNames \chordmode {
\set
Lukas Rytz wrote
Hello
The example below prints text below the chord.
How can I print the text above the chord?
Thanks!
Lukas
\version 2.18.0
\new ChordNames \chordmode { c1:7 }
c''1^text
[image: Inline image 1]
___
Ed, you wrote Thursday, March 06, 2014 8:11 AM
Okay, I tried what Trevor suggested and it worked fine -- for the three
measures where I have two different voices. However, the remaining 12
measures are all the same, that is, there is only one voice.
My first attempt at coding this was
Maybe something like this will work for you?
Since this separates text and music you'll have to count to place the text
at the right position.
\version 2.18.0
\score
{
\new Lyrics \lyricmode { foo2 _4 bar }
\new ChordNames \chordmode { c1:7 }
\new Staff {
Hi Marc, all,
On Thu, Mar 6, 2014 at 1:51 AM, Marc Hohl m...@hohlart.de wrote:
Am 06.03.2014 00:12, schrieb Simon Albrecht:
[...]
Why is this not in the LSR or even in
http://lilypond.org/doc/v2.18/Documentation/notation/graphical-notation?
AFAIK there is no way to use scheme engravers
The runs are playable, but in each run I would either play the final B on the
open B string or omit the C in the following F chord.
John Link
___
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lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Am 06.03.2014 09:58, schrieb David Kastrup:
David Kastrup d...@gnu.org writes:
[...]
Ok, here we go. I also decided to beam over the whole second run in
order to avoid suggesting a strongly grouped interpretation.
Just one question: why do you use Green- sleeves
instead of Green -- sleeves
Hi list,
Am 06.03.2014 14:42, schrieb David Nalesnik:
Hi Marc, all,
[...]
I'm a bit conflicted about this. Once the LSR is upgraded, it might be
possible to upload it there, where it will be more accessible to others
and in a safe place.
On the other hand, the method it uses to incorporate
John Link johnl...@nyc.rr.com writes:
The runs are playable, but in each run I would either play the final B
on the open B string or omit the C in the following F chord.
Well, the C is the target of the run so it's not really an option to
omit it. With regard to playing on the open string,
Hi all,
For those who already downloaded my programs, I would like to ask you to do
it one more time because I found a mistake on them. I wrongly set MIDI note
60 as c and not as the correct c'. Sorry for the confusion, now everything
should be working perfectly...
Files on both links are
Marc Hohl m...@hohlart.de writes:
Am 06.03.2014 09:58, schrieb David Kastrup:
David Kastrup d...@gnu.org writes:
[...]
Ok, here we go. I also decided to beam over the whole second run in
order to avoid suggesting a strongly grouped interpretation.
Just one question: why do you use Green-
On Mar 6, 2014, at 9:53 AM, David Kastrup wrote:
John Link johnl...@nyc.rr.com writes:
The runs are playable, but in each run I would either play the final B
on the open B string or omit the C in the following F chord.
Well, the C is the target of the run so it's not really an option to
David Kastrup d...@gnu.org writes:
Just one question: why do you use Green- sleeves
instead of Green -- sleeves in the lyrics?
You would not expect me to read the manual, would you? Will fix in the
next iteration.
Actually, I assumed you did that on purpose, to create an authentic
vintage
John Link johnl...@nyc.rr.com writes:
On Mar 6, 2014, at 9:53 AM, David Kastrup wrote:
John Link johnl...@nyc.rr.com writes:
The runs are playable, but in each run I would either play the final B
on the open B string or omit the C in the following F chord.
Well, the C is the target of
On Thu, Mar 6, 2014 at 2:14 PM, Lukas Rytz lukas.r...@gmail.com wrote:
Maybe something like this will work for you?
Since this separates text and music you'll have to count to place the text
at the right position.
\version 2.18.0
\score
{
\new Lyrics \lyricmode { foo2 _4
David Kastrup d...@gnu.org writes:
Hm. I'm not convinced so I'll give my guitar a bit of a workout and
try extrapolating to a somewhat better player from there. Of course,
I can't enforce any particular execution anyway so I'm probably
overthinking this, but I still like not to be absurd.
Lukas Rytz lukas.r...@gmail.com writes:
On Thu, Mar 6, 2014 at 2:14 PM, Lukas Rytz lukas.r...@gmail.com wrote:
Maybe something like this will work for you?
Since this separates text and music you'll have to count to place the text
at the right position.
\version 2.18.0
\score
{
On Thu, Mar 6, 2014 at 6:01 PM, David Kastrup d...@gnu.org wrote:
Lukas Rytz lukas.r...@gmail.com writes:
On Thu, Mar 6, 2014 at 2:14 PM, Lukas Rytz lukas.r...@gmail.com wrote:
Maybe something like this will work for you?
Since this separates text and music you'll have to count to
Oups sorry, too fast !
here you go :
\version 2.18.0
{
\repeat unfold 5 { \repeat unfold 4 c''4 }
}
\layout {
\context {
\Staff
\override BarLine.glyph-name = #!
}
}
___
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lilypond-user@gnu.org
Joey Di Nardo username652719 at gmail.com writes:
Hi all, I am attempting to use Sagittal notation accidentals in my lilypond
files (see folder link), and as you can see when you run ratios.ly the
accidentals collide with the actual note glyphs.
There was an enhancement to spacing
Paul Morris p...@paulwmorris.com writes:
Hello all,
I have a question about how to use optional arguments in scheme functions.
In my tiny example below I want to be able to leave out the 3rd argument,
but then LilyPond takes the 2nd \makeScore as the 3rd argument (which
doesn't work). I'm
Hello all,
I have a question about how to use optional arguments in scheme functions.
In my tiny example below I want to be able to leave out the 3rd argument,
but then LilyPond takes the 2nd \makeScore as the 3rd argument (which
doesn't work). I'm just curious to learn how to do this assuming
Marc,
On Thu, Mar 6, 2014 at 8:40 AM, Marc Hohl m...@hohlart.de wrote:
Hi list,
Am 06.03.2014 14:42, schrieb David Nalesnik:
Hi Marc, all,
[...]
I'm a bit conflicted about this. Once the LSR is upgraded, it might be
possible to upload it there, where it will be more accessible to
Hi all,
To celebrate my 43rd birthday, Frescobaldi 2.0.14 has been released in the wild!
Download: www.frescobaldi.org/download
Main new features:
- lilypond 2.18 syntax and automatic completion support
- better rendering in music view at smaller sizes
- in the status bar the position in the
2014-03-06 18:36 GMT+01:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Oups sorry, too fast !
here you go :
\version 2.18.0
{
\repeat unfold 5 { \repeat unfold 4 c''4 }
}
\layout {
\context {
\Staff
\override BarLine.glyph-name = #!
}
}
This will
David Kastrup wrote
The last argument of a function is never really optional (the only way
to get the default value is by writing \default).
Relevant docs:
http://lilypond.org/doc/v2.19/Documentation/extending/scheme-function-definitions
The next one tells the story about optional
Hi all,
I would like to know how I can change the pitch name input during the middle of
a score (it is to be used by only one Staff).
For example, I would like to change this
pitchnamesBagpipe = #`(
(G . ,(ly:make-pitch 0 4 NATURAL)) (a . ,(ly:make-pitch 0 5 NATURAL)) (b .
Wilbert Berendsen wbs...@xs4all.nl writes:
To celebrate my 43rd birthday, Frescobaldi 2.0.14 has been released in
the wild!
||: Congratulations :||
Download: www.frescobaldi.org/download
While reading the page it occurred to me that install a copy of
LilyPond sounds weird. Maybe a simple
What application/software is used on linux to play the generated midi
file. I have tried Movie Player, Tux Guitar, KGuitar and they all are
missing components or crash.
Namaste,
Kevin Tough
On Thu, 2014-03-06 at 18:00 +0100, David Kastrup wrote:
David Kastrup d...@gnu.org writes:
Hm. I'm
Kevin Tough ke...@toughlife.org writes:
What application/software is used on linux to play the generated midi
file. I have tried Movie Player, Tux Guitar, KGuitar and they all are
missing components or crash.
Unless you have a Midi expander or other Midi playing device, all
Linux-based
Paul Morris p...@paulwmorris.com writes:
David Kastrup wrote
The last argument of a function is never really optional (the only way
to get the default value is by writing \default).
Relevant docs:
http://lilypond.org/doc/v2.19/Documentation/extending/scheme-function-definitions
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