2014-07-11 4:50 GMT+02:00 tisimst tisi...@gmail.com:
Schneidy wrote
I did that, but I let it unfinished for a couple of weeks now...
see =
http://lilypond.1069038.n5.nabble.com/LilyJAZZ-in-v2-18-td162423.html#a162444
Pierre
Yes! Thank you, Pierre, for your good work! I had fun making some
Il 10/lug/2014 19:22 Johan Vromans jvrom...@squirrel.nl ha scritto:
On the risk of getting off-topic: IMHO having too many discussion
platforms may work counter-productive. I personally stopped
participating in Stack Overflow c.s. when I only got 'wrong forum'
responses.
We are talking
Hi,
2014-07-10 19:25 GMT+02:00 tisimst tisi...@gmail.com:
All,
Is there anyone who is VERY against distributing music fonts in binary form
(i.e., as otf, svg, etc.files)? I just don't see how we can make other music
fonts available by forcing them to have a metafont source file. I guess that
tisimst tisi...@gmail.com writes:
All,
Is there anyone who is VERY against distributing music fonts in binary form
(i.e., as otf, svg, etc.files)? I just don't see how we can make other music
fonts available by forcing them to have a metafont source file. I guess that
could be nice, but it
now there definitely seems to be something wrong with mail delivery
on the list. Some people already reported they were not receiving
some posts at all. With me, some posts pop up another time two days
or so after they were originally sent (including my own). Do any of
you know what might be
Am 11.07.2014 08:20, schrieb Janek Warchoł:
2014-07-11 4:50 GMT+02:00 tisimst tisi...@gmail.com:
Schneidy wrote
I did that, but I let it unfinished for a couple of weeks now...
see =
http://lilypond.1069038.n5.nabble.com/LilyJAZZ-in-v2-18-td162423.html#a162444
Pierre
Yes! Thank you, Pierre,
Am 11.07.2014 07:00, schrieb David Kastrup:
tisimst tisi...@gmail.com writes:
All,
Is there anyone who is VERY against distributing music fonts in binary form
(i.e., as otf, svg, etc.files)? I just don't see how we can make other music
fonts available by forcing them to have a metafont source
Urs Liska u...@openlilylib.org writes:
I think the cleanest way with the least hassles (and maybe
discussion) would be to integrate into LilyPond the _possibility_ to
switch fonts (e.g. Abraham's functions) and provide the fonts
independently.
I think the salient point is to provide the
Am 11.07.2014 09:10, schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
I think the cleanest way with the least hassles (and maybe
discussion) would be to integrate into LilyPond the _possibility_ to
switch fonts (e.g. Abraham's functions) and provide the fonts
independently.
I
Urs Liska u...@openlilylib.org writes:
Am 11.07.2014 09:10, schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
I think the cleanest way with the least hassles (and maybe
discussion) would be to integrate into LilyPond the _possibility_ to
switch fonts (e.g. Abraham's functions)
Am 11.07.2014 09:20, schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
Am 11.07.2014 09:10, schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
I think the cleanest way with the least hassles (and maybe
discussion) would be to integrate into LilyPond the _possibility_
Urs Liska u...@openlilylib.org writes:
Am 11.07.2014 09:20, schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
Am 11.07.2014 09:10, schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
I think the cleanest way with the least hassles (and maybe
discussion) would be to
Am 11.07.2014 09:29, schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
Am 11.07.2014 09:20, schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
Am 11.07.2014 09:10, schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
I think the cleanest way with the least
Urs Liska u...@openlilylib.org writes:
Am 11.07.2014 09:29, schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
Am 11.07.2014 09:20, schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
Am 11.07.2014 09:10, schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
On 11/07/14 08:01, Urs Liska wrote:
Am 11.07.2014 07:00, schrieb David Kastrup:
tisimst tisi...@gmail.com writes:
All,
Is there anyone who is VERY against distributing music fonts in
binary form
(i.e., as otf, svg, etc.files)? I just don't see how we can make
other music
fonts available
Am 11.07.2014 10:16, schrieb James:
On 11/07/14 08:01, Urs Liska wrote:
Am 11.07.2014 07:00, schrieb David Kastrup:
tisimst tisi...@gmail.com writes:
All,
Is there anyone who is VERY against distributing music fonts in
binary form
(i.e., as otf, svg, etc.files)? I just don't see how we can
Dear all,
I like to use the Romande ADF font family [1] in one of my scores. I do
the usual rule-of-three with
\paper { ... (make-pango-font-tree
Romande ADF No2 Std Romande ADF Std monospace
(/ myStaffSize 20)) ... }
(If you wonder, No2 is condensed, and
Federico Bruni fedel...@gmail.com writes:
We are talking about a forum in a language other than english, I don't
see any overlap with this mailing list. If I understand what you
mean...
I'm just afraid that interesting topics posted in one list will escapes
the others.
Well, let's see...
A
Does anybody have experience about overriding existing partcombine
methods? I have a score that behave like the one below:
- When both voices have identical rests, use partcombineUnisonoOnce
- Use partcombineApart for everything else
In the snippet below, the second line represents what I
Hi Urs,
it seems like I missed something. How did you create those scores? Using
Abrahams proposed tools? Are they public? Or did you do that with your
own magic?
I would also be interested to test these features.
I have clear preferences when I look at the fonts you compared here. It
is also
Simon Albrecht wrote:
Hello,
now there definitely seems to be something wrong with mail delivery on the list.
Agreed. I had reported similar trouble with other forums'
email, but now only LilyPond's hasn't returned to normal.
Pete
___
On Wed, 09 Jul 2014 12:52:13 +0100
Richard Shann rich...@rshann.plus.com wrote:
Hi list,
With notation like
\version 2.18.0
\chordmode {
c/g
}
I can get chord names with /G at the end to indicate a G added
below the root of the chord.
With the notation
\new ChordNames
{
On Wed, 09 Jul 2014 12:52:13 +0100
Richard Shann rich...@rshann.plus.com wrote:
Hi list,
With notation like
\version 2.18.0
\chordmode {
c/g
}
I can get chord names with /G at the end to indicate a G added
below the root of the chord.
With the notation
\new ChordNames
{
2014-07-11 13:56 GMT+02:00 Abel Cheung abelche...@gmail.com:
Does anybody have experience about overriding existing partcombine
methods? I have a score that behave like the one below:
- When both voices have identical rests, use partcombineUnisonoOnce
- Use partcombineApart for everything
On Thu, Jul 10, 2014 at 5:09 AM, Abraham Lee tisi...@gmail.com wrote:
On Thu, Jul 10, 2014 at 3:39 AM, James Harkins jamshar...@gmail.com
wrote:
Something I've been wondering about for awhile... lilypond.org boasts of
optical spacing for notes with alternating up and down stems, but it
Yes, this is exactly what I needed, thanks a lot!
On Fri, Jul 11, 2014 at 9:08 PM, Janek Warchoł janek.lilyp...@gmail.com wrote:
2014-07-11 13:56 GMT+02:00 Abel Cheung abelche...@gmail.com:
Does anybody have experience about overriding existing partcombine
methods? I have a score that behave
On Fri, Jul 11, 2014 at 7:09 AM, David Nalesnik
david.nales...@gmail.com wrote:
On Thu, Jul 10, 2014 at 5:09 AM, Abraham Lee tisi...@gmail.com
wrote:
On Thu, Jul 10, 2014 at 3:39 AM, James Harkins
jamshar...@gmail.com wrote:
Something I've been wondering about for awhile... lilypond.org
On 11 July 2014 15:08, Janek Warchoł janek.lilyp...@gmail.com wrote:
Maybe this will help you:
https://github.com/openlilylib/openlilylib/tree/master/editorial-tools/merge-rests-engraver
Hi Janek,
Could this definition of Merge Rests Engraver (latest by Jay Anderson)
be included directly in
Abraham Lee tisi...@gmail.com writes:
Equally spaced stems do look nice with groupings that change staff
constantly, however. I remember that SCORE had a feature that
enabled this. I've often thought that LilyPond should have this
option, but haven't studied the problem enough to know how
On Fri, Jul 11, 2014 at 8:00 AM, David Kastrup d...@gnu.org wrote:
Abraham Lee tisi...@gmail.com writes:
Equally spaced stems do look nice with groupings that change staff
constantly, however. I remember that SCORE had a feature that
enabled this. I've often thought that LilyPond should
For chord charts a barline is wanted at the start of each line of music
- \bar | is, of course ignored in this position.
Can anyone suggest how to force printing a barline here (after the time
signature, if any).
Incidentally, the documentation is slightly misleading on this point:
It is somewhat embarrassing to reply to one's own question but:
\defineBarLine | #'(| | |)
does the trick.
Richard
On Fri, 2014-07-11 at 17:49 +0100, Richard Shann wrote:
For chord charts a barline is wanted at the start of each line of music
- \bar | is, of course ignored in this position.
On 11/07/14 18:00, Richard Shann wrote:
It is somewhat embarrassing to reply to one's own question but:
\defineBarLine | #'(| | |)
does the trick.
Richard
So do we need to improve the documentation?
If so, what do you suggest?
At 16:07 11/07/2014 +0006, Abraham Lee wrote:
Maybe just me, but I don't really like the look of that. I see the
stems are equidistant, but, at least to me, I feel like it's not
balanced and it makes the notehead spacing a little awkward... I'd
still rather see the default behavior. But we all
Noeck wrote
Hi Urs,
it seems like I missed something. How did you create those scores? Using
Abrahams proposed tools? Are they public? Or did you do that with your
own magic?
I would also be interested to test these features.
I have clear preferences when I look at the fonts you compared
On Fri, 2014-07-11 at 18:11 +0100, James wrote:
On 11/07/14 18:00, Richard Shann wrote:
It is somewhat embarrassing to reply to one's own question but:
\defineBarLine | #'(| | |)
does the trick.
Richard
So do we need to improve the documentation?
If so, what do you suggest?
On Fri, Jul 11, 2014 at 12:50 PM, Brian Barker b.m.bar...@btinternet.com
wrote:
At 16:07 11/07/2014 +0006, Abraham Lee wrote:
Maybe just me, but I don't really like the look of that. I see the stems
are equidistant, but, at least to me, I feel like it's not balanced and it
makes the notehead
2014-07-11 21:14 GMT+02:00 Richard Shann rich...@rshann.plus.com:
On Fri, 2014-07-11 at 18:11 +0100, James wrote:
On 11/07/14 18:00, Richard Shann wrote:
It is somewhat embarrassing to reply to one's own question but:
\defineBarLine | #'(| | |)
does the trick.
Richard
So do we
On Fri, Jul 11, 2014 at 5:18 PM, David Nalesnik david.nales...@gmail.com
wrote:
On Fri, Jul 11, 2014 at 12:50 PM, Brian Barker b.m.bar...@btinternet.com
wrote:
At 16:07 11/07/2014 +0006, Abraham Lee wrote:
Maybe just me, but I don't really like the look of that. I see the stems
are
Am 11.07.2014 18:49, schrieb Richard Shann:
For chord charts a barline is wanted at the start of each line of music
- \bar | is, of course ignored in this position.
Can anyone suggest how to force printing a barline here (after the time
signature, if any).
Incidentally, the documentation is
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